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Lot 1
AN EARLY 20TH CENTURY ORIVIT PEWTER BISCUIT BARREL AND COVER, of waisted circular form with stylised trees and flowers, conforming cover and swing handle, stamped ORIVIT 2319, 6 3/4 ins high and a ditto Kayserzinn pewter VASE, of urn form, floral decoration with three tendril supports, oval mark and No, 4489, 4 3/4 ins high. (2).
Lot 1
A Marcolini Meissen figure group of 'The Secret' circa 1774-1817 modelled by M.V.Acier and J.C.Schonheit as two ladies standing, one resting on the shoulder of the other who is pointing to two birds on the ground before them, to the rear an urn and cover, a bow and a quiver of arrows raised on a column suspended with a wreath of roses, the edge of the oval base moulded with arched lobes heightened in gilt crossed swords and asterisk in underglaze-blue 24.7cm., 9.75in. minor chips, some regilding to base A contemporary engraving of the model is illustrated by T.H.Clarke, Marcolini Meissen Figures, Engraved by Friedrich Elsasser 1785-1792, p.66, no.26.
Lot 1
19th Century French Garniture, the clock with white enamel dial inscribed, “Kiltembach-Herblot, 35 Rue des Vergaux, Amiens”, with French movement, chiming on a bell and in marble and gilt metal case, surmounted by an urn, serpentine base, with two love birds, inscribed to the reverse and with the matching urn-shaped vases and covers, the clock 43cms, (17”), the vases 30cms, (12”).
Lot 1
An early 19th Century oak and mahogany cross banded longcase clock, the painted dial with roman numerals and inscribed 'W. Postle, Shotley Bridge', the arch decorated with male and female figures in a country setting, fitted eight day movement striking on a single bell, the hood surmounted by turned urn finials and flanked by turned pilasters, 18 1/2in. x 91in. high.
Lot 1
A late Georgian mahogany rosewood cross banded longcase clock, the swan neck pediment decorated embossed brass spandrels and an urn finial, the arched dial decorated with painted dogs and a hunting scene, the white painted dial with roman numerals and subsidiary seconds dial, inscribed 'Stockton on Tees', fitted eight day striking movement, the hood flanked by turned pilasters with a small panel door below, raised on bracket feet, 20in. x 89in. high.
Lot 1
A late 19th Century mahogany tilt top tripod table, the circular dished top having a raised piecrust rim above a birdcage action, gun barrel turned urn column with blind acanthus leaf carving to the urn, the whole raised on hipped blind carved cabriole supports of square section with claw and ball terminals (with old repairs), diameter 66cm
Lot 1
A late 19th Century trinket bowl of classical design by George Davidson. The bowl having a square terraced base rising to a fluted urn bowl with central bar, the whole in an amethyst and white marble finish, together with a novelty water jug in the form of a fish by Heppel in vertical pose with a tail handle, jug 5.5".
Lot 1
Joris van Son (Antwerp 1623-1667) A vanitas still-life with a skull, a pistol, a lute with broken strings, a flute, shells, peaches, figs, bread and an urn on a partly draped ledge inscribed and dated 'VANITAS· VANITAS ET·OMNIA·/VANITAS·/1651' (mid centre on paper) oil on canvas 26 5/8 x 31 in. (67.6 x 78.7 cm) " We are grateful to Mr. Fred Meijer of the RKD for confirming the attribution based on transparencies.
Lot 1
A rare Swansea porcelain part dessert service, circa 1814-17, each piece painted in the manner of David Evans with a central floral bouquet within a garland of gilt tendrils and leaves and a border of flower sprays, with gilt rims, comprising a sauce tureen, cover and stand, the urn shaped sauce tureen applied with a pair of high looped handles, the domed cover surmounted by a gilt artichoke finial with beaded girdle, the stand impressed with the rare mark 'Dillwyn and Co', (wear to gilding), a matching sauce tureen and cover (both handles broken and restuck), 18.5cm across, a pair of serpentine outlined square dishes (gilt garlands to centre worn away), 24.5cm wide, a further matching pair of dishes (both extensively broken and riveted), a serpentine outlined oval dish (wear to gilding), 29.5cm across, three further matching dishes (one with single break and riveted repair, one broken in three sections to one end and messily reglued and riveted with wear to gilding, the last extensively broken and riveted) and a large serpentine outlined lozenge-shaped centre dish, with gilt scroll decoration to each end (extensively broken, riveted with messy reglueing to one end), 35cm across, all remaining items excluding the sauce tureens and covers bear the impressed 'Swansea' mark (14)
Lot 1
A George III mahogany and brass mounted longcase clock, the arched cornice above an arched glazed door flanked to each side by a pair of stop fluted colulmns and fretted foliate pattern panels, the moulded and arched trunk door flanked by stop fluted chamfered corners, on a reduced panelled box base and later plinth, the associated twelve inch brass dial with subsidiary seconds dial, date aperture, turned winding holes and matted centre within a silvered chapter ring, with Roman hour numerals, signed 'Tho Cackett Cranbrook', and eagle and urn pattern spandrels, with a sunburst engraved silvered boss to the arch flanked by stylised dolphin mounts, the five pillar brass and steel movement with anchor escapement striking on a bell, with alterations to movement, together with a pair of brass cased lead weights, in need of a complete overhaul, 200cm high
Lot 1
A French ormolu and sevres style porcelain mounted clock garniture, circa 1860, in Louis XVI style, the clock surmounted by a two handled urn above a circular porcelain dial painted to the centre with a cherub, within Roman hour numerals, indistinctly signed, above a shaped panel painted with a courting couple, flanked by scrolled acanthus leaf brackets, the apron inset with a D-shaped porcelain panel painted with a trophy, the base with laurel leaf and berry borders, on turned and shaped feet, the J. Marti and Cie twin train brass drum movement with anchor escapement and outside count wheel striking on a bell, 37.5cm high, together with a pair of en suite five light candleabra, the vase shaped gadrooned nozels supported by acanthus leaf cast branches and an urn shaped column, on conforming bases to the clock, 41cm high (3)
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68875 item(s)/page