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A French 19th century ormolu mounted four glass mantle clock, with central enamel dial with Roman numerals, visible escapement to dial, signed 'Middleton & Pollard, Paris', the movement striking on a bell, the case with bevelled glass panels mounted with c-scrolls and acanthus details, surmounted with an urn finial and supported on hoof feet, with mercury compensated pendulum, 42 cm high, with key
Six items of 19th and early 20th century Continental, mostly German, porcelain, to include a Dresden-style table centrepiece with open urn top encrusted with floral garlands, the three-footed base adorned with winged cherubs and flowers, height 30.5cm, diameter 30cm, a pair of porcelain figures, one depicting a dandy man, height 39cm, the other a Romany lady, a Dresden twin-handled vase with Watteau-style painted panels separated with blue floral panels, on square base, height 23cm (lacking lid, reground) and two Continental plates (6).Condition Report: - Each item either has a repair or some form of damage, to include chips or edge knocks, paint loss, etc.
A FINE GEORGE III SILVER TROPHY CUP AND COVER OF LARGE SIZE the urn-shaped body on a ribbed pedestal foot with leaf cast side handles beneath a flared lid with ribbed edge top and miniature repeated urn finial; the body with engraved armorial reversed by a pegasus shield-shaped crest within a florally engraved ribbon tied border. London 1792 1576gms by Henry Chawner41cm high 27cm across handlesIn very good untouched un damaged condition. with no major dents or scratches. There is a small dent to the inner rim of the lid. Light surface scratches around the shield.
AN EARLY 19TH CENTURY FLIGHT BARR & BARR, WORCESTER PORCELAIN TWO HANDLED URN SHAPED VASE the richly gilt feather-edge rim and twisted branch vinework handles enclosing a painted riverscape panel titled 'Chepstow Castle, Monmouthshire' on a white and apple green ground above a bead-edged lower body and knopped stem raised on a square base - bears pasted label beneath for 'The Flight Collection' and number 18717cm highThis is in good overall condition, there is some light rubbing to the gilding on the base and around the rim. There is a flaked chip to the corner of the base and to the top of the socle. See extra images.
A 19TH CENTURY SPODE PORCELAIN POTPOURRI JAR AND COVER the urn-shaped body with gilt mask head mounts and pierced edges enclosed by multicoloured floral designs on a white ground and lions paw pedestal base - printed and written mark No. 294213.5cm highThe jar and cover are both in very good undamaged and unrestored condition.
A LARGE 20TH CENTURY SILVER SUGAR SHAKER of plain pedestal baluster form with pierced panelled cover. Dublin hallmarks for C F Hancock & Co. together with A GEORGE V plain pedestal Silver SUGAR CASTER with urn-shaped body and pierced cover. Birmingham 1912 - filled base. 402g gross.19 and 16.5cm high
A Blue John urn, 19th century, the shaped domed top, above inverted egg shape body, and stepped circular base, 20cm high CONDITION REPORT:The piece shows natural fractures throughout. It is possible that some of these may have extended over time with the potential to form hairline cracks. There is a natural pit approximately 3mm diameter to the shoulder, and the piece shows the odd further smaller pit. There is some kind of dowelled or threaded join between the body and the foot. It is not clear if this is the way the piece was made, or if it is a later repair, however if the urn was made as two pieces, we would expect the foot to be drilled to accommodate a threaded bolt. There is some rotational movement in the joint, and evidence of some kind of filler around the joint. There are two small pits to the foot rim.
A selection of silver to include a Britannia standard silver sugar caster Harry Freeman, London 1910, of octagonal form and urn finial, 20cm high, 4.6ozt, a pair of Edwardian candlesticks Birmingham 1906, 12cm high (loaded), a silver octagonal pedestal bon bon dish Sheffield 1944, 6cm high, weight 7.2ozt and a further silver, smaller pedestal dish (loaded) (5) (at fault)
A pair of Bloor Derby vases, 19th century, each urn shaped vase with acanthus moulded handles elaborately gilt highlighted and individually decorated with landscape panels depicting extensive rural and classical views, raised on square section pedestal bases, stamped to the underside, 23cm (at fault) (2)Condition reportEvidence of restoration to both vases, glue residue around the lower collar and heavy gilt paintwork.Extensive crazing with some foxing along with rubbed wear to the gilt detail to both vases.
A garniture of three Bloor Derby vases, 19th century, each urn shaped vase with acanthus moulded handles elaborately gilt highlighted and individually decorated with landscape panels, titled 'Castle at Fondi, A view in Italy', 'Haddon Hall, Derbyshire' and 'Matlock High Tor Derbyshire, View in Wales', raised on square section pedestal bases, stamped to the underside, tallest 29.5cm (at fault) (3)Condition reportRestoration to the handle of one small vase and possibly to the handles of the second small vase.Extensive crazing to both smaller vases with some underglaze foxing, some light rubbing to the gilt detail.The larger vase also with extensive crazing to the glazing and rubbing to the gilt detail, very minor nibbles to the base rim.
A pair of Royal Crown Derby Imari urns, pattern number 1128, each of ovoid form with high scroll handles, on fluted spreading foot with integral octagonal plinth, printed maker's marks for 1988 to base, each 42cm high, boxed (2) (at fault) Condition report:Both urns are 1st quality, one urn has a slight distortion to the foot resulting in a fractional wobble. The other has a flat foot, both show minor surface wear and rubbing to the gilt highlights. No other chips, cracks or signs of obvious damage or restoration.
A Royal Crown Derby Imari urn, pattern number 1128, of ovoid form with high scroll handles, on fluted spreading foot with integral octagonal plinth, printed maker's mark for 1980 to base, 30.5cm high Condition report: The urn shows minor surface wear and rubbing to the gilt highlights throughout, commensurate with use and age, but no chips, cracks, crazing, or signs of obvious damage or restoration.
A PAIR OF FRENCH LOUIS XVI STYLE GILT AND PATINATED BRONZE THREE LIGHT CANDELABRA AFTER CLODION (2)Late 19th CenturyModelled as Bacchic cherubs supporting acanthus leaf wrapped scroll branches and urn nozzles, on verde gris marble plinths, wired for electricity, 56.5cm highCondition Report:The standing example with one branch at an angle having been reattached at some stage or replaced. With variation in gilding and patina throughout both, with chips and wear evident. LAter wired and drilled for electricity. See additional photographs for evidence of repairs.
A fine pair of George III style demi-lune satinwood and kingwood crossbanded inlaid Commodes, each top inlaid with a central fan issuing anthemions above a frieze inlaid with hanging swags supported by ribbon bows including the frieze drawer, the two doors below and two side panels inlaid with a large classical urn on four square tapering spade legs, 92cms x 132cms (36" x 52"). (2)
A very attractive set of 3 cast iron Bird Baths, comprising a pair of tall stem examples, each with two birds drinking from a removable small urn on a baluster fluted column and on a square plinth with Tudor rose, 124cms h (48"); and a smaller matching ditto with four birds and larger pan, 92cms (36"). (3)
An exceptional composition sandstone Urn, of massive proportions, the urn with an acorn finial on the cover with reeded edge, the bowl moulded with a band of over lapping leaves and a band of interlaced five scrolls, on a square centre section on a stepped and moulded base, 270cms h (106" or 8'10"). (1)
A late 19th Century gilt metal and porcelain rounded French Mantel Clock Garniture, the movement by Japy Freres, striking on a steel bell, the case surmounted with a porcelain urn with pineapple finial above a circular decorated porcelain dial with Roman numerals. Signed W. Hillard, Paris, crested with a ribbon bow on four porcelain Portico supports on conforming base, 38cms h (15"), together with a pair of matching two branch, three light Candelabra, 38cms (15"). (3)
A French brass Mantle Clock, in the Indian style, the movement by Japy Freres, striking on a gong, the centre dome with an urn finial and a conforming urn to each corner above a brass turned column to each corner and a porcelain dial decorated with birds and flowers, and Arabic numerals, on a moulded step base, 30cms (12"). (1)
A very attractive 19th Century French white marble and gilt brass Mantle Clock Garniture, the movement by A.D. Mougin, with outside count wheel striking on a steel bell #5071, the white marble case surmounted with a two handled urn, the pediment with brass bead moulding above a circular convex enamel dial with Arabic numerals and decorated with floral garlands above a mount in the form of a quiver of arrows and a torch issuing leaf sprays, the side panels applied with swags and ribbon bows on a rectangular white marble plinth and four brass legs, 41cms x 20cms (16" x 8"); together with a pair of matching two branch three light, brass and white marble Candelabra, 29cms (11 /2"). (3)
A very good 19th Century Mantle Clock, by V.A.P. Brevete, in white marble with ornate ormolu mounts surmounted by an ornate mounted oval white marble urn with floral finial above a circular enamel convex dial with Roman numerals and flanked to either side with urn crested fluted pilasters on ornate conforming inverted breakfront base with ornate mounts and feet, 38cms h x 19.5cms w (15" x 7 3/4"), and a pair of white marble and ormolu cherub two branch Candelabra, 30.5cms h (12") (3)
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68875 item(s)/page