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A Chelsea Derby plate, painted en grisaille with an urn, garlanded with coloured flowers and leaves, the Etruscan style looped purple ground border with garlands and pendants, 9" diameter (23cm) gold anchor mark and another, painted with pink roses and leaves, within turquoise and gilt borders, 9" diameter (23cm) mark in gilt, circa 1775
Early 19th Century Longcase Clock, painted arched dial, inscribed “Jas Shaw, Halifax”, with secondary seconds and date dials, the spandrels painted with gilt flowers, with rolling moon phase in the arch, eight-day movement and contained within an oak crossbanded case, the hood with swan neck pediment and brass bird and urn finials, the pilasters inlaid with boxwood, with shaped door with bone teardrop escutcheon, flanked by cluster column pilasters, on plain base with canted corners, 232cms, (7’8”).
Victorian walnut triple Wardrobe, arched cresting, carved with leaves and berries and a blank shield-shaped cartouche, flanked by scrolls and urn finials, central panelled door with applied rosettes, enclosing four slides and three drawers, flanked by two further panelled doors enclosing rectangular mirror plates and hanging rails, fluted pilasters, plinth base, stamped Gillows, Lancaster.
A LARGE COADE STONE URN BY COADE, LAMBETH, DATED 1799 The ovoid body with waisted top and knop finial, with a band of vitruvian scroll between two lion masks, the lobed underside above a waisted socle and rectangular base with impressed stamp COADE LAMBETH 1799 30in. (76cm.) high, 36in. (91.5cm.) wide, 24sin. (62.2cm.) deep This model, and its many variants, features in the catalogue of Coade etchings, of circa 1785, as No.105. They have been used diversly, from adorning gateways (Audley End) to memorials (Admiral Bligh) and also as garden ornaments.
A PAIR OF COADE STONE URN FINIALS ATTRIBUTED TO COADE, LAMBETH, CIRCA 1800 The spherical bodies with waisted necks and drapery swags, on spreading stepped plinth bases 36in. (91.5cm.) high, 22sin. (57cm.) diameter at bases (2) These large urns or finials appear as a variation, with additional embellishments, in the Coade etchings catalogue of circa 1785 as No.499.
A LARGE SECTION OF 'PULHAMITE' STONEWARE BALUSTRADE BY JAMES PULHAM & SON, BROXBOURNE, LATE 19TH CENTURY Comprising seven stepped rectangular piers, two mounted with urn finials, the ovolo pierced frieze with angled 'capstones' and chamfered rectangular plinth, all in sections, one urn with impressed oval stamp PULHAMITE 48in. (122cm.) high to top of urns, 26in. (66cm.) high to top of rail, 10in. (25.4cm.) wide This design of balustrade is illustrated in a 1920's Pulham catalogue of Garden Ornament, Section VII, page 58, No.463, the 'Uckfield Balustrade'.
A GROUP OF FOUR ENGLISH PORTLAND STONE URN FINIALS SECOND HALF 18TH CENTURY The ovoid bodies with waisted and lobed tops, carved in relief with satyr masks amidst ring-tied drapery swags on waisted socles and square section bases 40in. (101.5cm.) high, 21sin. (54cm.) wide, the bases 12sin. (31.8cm.) square (4)
Mid 18th Century oak longcase clock having a stepped cushion pediment and three blind fret Greek key pattern friezes - the square brass dial with urn and eagle design spandrels, the silvered chapter ring signed Isaac Hewlett, Bristol ( see Moore, A.J. 'The Clockmakers of Bristol' page 209) - 30 hour striking movement, 214cm high (see lot 1 for illustration)
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68904 item(s)/page