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A George III mahogany longcase clock, the fretwork pierced silk lined pagoda top with three ball finials, on ormolu capped stop fluted tapering columns, the arched brass dial with black Roman numerals and Arabic five minute divisions, with subsidiary seconds dial, inscribed 'Richard Reader Hull', feacit within cast spandrels, the arched door inlaid with a flower filled urn with shell cresting, enclosed by ormolu capped reeded quarter columns, the base inlaid with an urn in a satinwood banded panel, the whole outlined with satinwood stringing and with conch shell scroll and fan paterae detail, on shaped bracket feet, 8 day movement striking on a bell, dial 46cm, 248cm overall.
A pair of 20th century cut glass two branch candelabra in early 19th century style, each with an urn finial on a triangular section and a branch with a loop and a round facet cut drop, with shaped drip pans, a baluster support and stepped square foot, one gilt metal mount stamped Q, R and S, the other X, Y and Z, 60 high x 36cm wide, (some damage)
A late 19th century mahogany and urn marquetry secretaire, the rectangular top with a moulded edge above a fall centred with an urn, enclosing drawers, pigeon holes and a leather inset, the base with a panelled door enclosing three sliding trays, flanked by reeded pilasters, on spade feet and ceramic casters, 118 high x 42.5 deep x 69cm wide, (the fall split)
A Samuel Alcock parian model of a pair of recumbent greyhounds, modelled on a cushion base, 18.5cm wide (some small chips); a Copeland parian group emblematic of Summer, modelled as a shepherd with a sheep, 24cm high, impressed mark (shears lacking); and a Continental biscuit porcelain figure with an urn, 21cm high, impressed Parian, various dates second half 19th century
An 18th century Scandinavian cake slice, the shaped and pierced blade engraved with a neo classical urn, flowers and leaves, the pointed feather edge handle engraved with leaf stems and pricked 'J C L.' over 'A L O' over '1797', with a makers mark? 'IB' only, 30cm long (12 in), 108g (3.5 oz), a Danish table spoon initial 'W', Copenhagen 1902 by V Christensen, and a plated King's shape serving spoon with thread border
A pair of neo-classical style candlesticks with urn shaped capitals, detachable beaded drip pans, tapering square columns on canted square bases with beaded borders, elaborately decorated with swags, leaves, rams heads, urns and pendants, London 1908 by William Hutton & Sons Ltd, 31cm high (12 in)
A collection of plate, comprising; a vase shaped tea urn engraved with flowers, leaves, cartouches and initial 'M', with two loop handles and a capstan shaped cover, a shaped oblong entree dish, cover and stand with gadrooned borders, and a foliate, shell and scroll handle and chased feet, a shaped oval four bottle cruet stand with ring handle and reeded border, an engraved round salver with shaped and pierced borders and feet, and a beaded oval entree dish, cover and handle
A pair of George III old Sheffield plate two branch candelabra and four matching candlesticks, each with urn shaped capitals and shaped-square nozzles, drip pans, knopped stems and stepped bases with anthemion corners, the candelabra with two leaf scroll branches and flame finials, (repairs to branches), the candlesticks 23cm high (9 in), the candelabra 60cm high x 44cm wide (23.5 x 17.25 in)
Pair of Bloor Derby porcelain pedestal pot pourri urns, circa 1820-40, each originally with a cover and of squat campagna urn form surmounted with four masks over an Imari palette body, raised on a waisted square base and four paw feet, printed mark, 11.5cm diameter, also a similar Derby pot pourri urn, circa 1800-25 (3)
Royal Worcester china pedestal vase, circa 1903, decorated by John Hawkins, the twin handled urn shaped body decorated with a panel depicting a cavalier at the foot of steps, after an original painting by Meissonier, lemon ground body with gilt highlights, printed marks, numbered 2300, signed, 27cm
French grey marble, bronze and ormolu mantel clock and matched garniture vases, late 19th Century, in Empire style with cupid flanking a marble encased gilded dial with Arabic numerals signed Pearce, Brighton, the movement by Mougin, chiming on a gong, over a stepped plinth base with brass feet, 36cm, the urn vases in similar grey marble with twin bronze figural handles, 23cm (3)
A fine Christofle ormolu sixteen light Candelabrum, circa 1880, of classical inspiration, the upper central tapering fluted column with pineapple and fruit finial. fitted with sixteen acanthus scrolling arms, with fluted and laurel wreath sconces, the branches with floral and rams head motif designs, the main column modelled as a pair of classical maiden holding aloft an urn, the whole on circular socle wasted base, with pierced, Greek key & laurel wreath border decoration, the base fitted with four acanthus moulded and lion paw feet, two of the feet mounted with an oval plaque, with an engraved crest. 95cms tall.
A mahogany stick barometer J. Robson, Harvey-Miller, Kent, circa 1820 the exposed tube with bulb cistern silvered plates and vernier, with alcohol thermometer to the side, all behind a glazed door, the case with restored pediment and urn finial, the trunk within reeded edge, and feather banded decoration, 98cm long.
A Georgian gold mourning brooch, of curved rectangular outline, the cover enamelled in black with an urn beneath a tree within a seed pearl border, opening to reveal a glazed panel containing plaited hair, together with a cameo pendant/brooch of a cherub riding in a chariot within a pierced mount, the reverse with glazed compartment containing plaited hair. (2)
A porcelain mounted gilt-metal clock garniture, French circa 1895, the dial painted with a romantic scene of a young couple in 18th century dress, bell striking A.D.Mougin movement, the foliate decorated case flanked by porcelain columns, surmounted by a porcelain urn mounted with winged putti and inset on the base with a porcelain plaque: with a pair of conforming porcelain and gilt-metal vases painted with figures and scened within gilt borders on a gros-bleu, ground; with a further pair of similar porcelain and gilt-brass slender vases. Clock: 46cm. 18in. high, Vases: 36cm. 14in. and 21cm. 8in. high.
A three piece late Victorian clock garniture, gilt brass and porcelain mounted, the clock with an eight day movement striking on a coiled gong, no. 6127, porcelain plaques to the arch, dial and base, all decorated with butterflies, on a giltwood plinth, together with a pair of urn shaped garniture vases decorated with butterflies on giltwood plinths, the clock 13?in. (34cm high). (3).
A George III Scottish mahogany and inlaid bowfront corner cabinet, the moulded cornice above a pair of doors inlaid with an urn motif and box stringing, enclosing one shaped and two further shelves on a later base with inlaid trailing harebell motifs and three square tapered legs, 71in. (180cm) high.
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68875 item(s)/page