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19TH CENTURY FRENCH ORMOLU TWO TRAIN CLASSICALLY STYLED AND PORCELAIN MOUNTED MANTEL CLOCK the case surmounted by blue ceramic urn shaped finial with pineapple knop, further pineapple knops to corners above ram's head mounts and foliate swags flanking a French porcelain painted Roman dial with scenic central field, further porcelain panels below on a swept base with baluster feet, two train French brass drum movement, striking on one bell. 33cm high approx. The sides also having porcelain panels. (B.P. 21% + VAT) Two pineapple finials missing from the back of the case, rather grubby overall with some wear to the porcelain panels in places.

Smith (Adam). An Inquiry into the Nature and Causes of the Wealth of Nations, 3 volumes, 9th edition, London: for A. Strahan, and T. Cadell jun. and W. Davies, 1799, pp. xii 499, [2] vi 516 [6], vi 464 [49], half-titles present, spotting to endpapers and half-titles, edges sprinkled blue, contemporary marbled calf, spines gilt with urn and Bacchus-head motifs, twin morocco labels, rubbed in places, nicks to headcaps of volumes 1 and 3, 8vo (20.6 x 12.7 cm)Qty: (3)NOTESProvenance: Edward Norman-Butler (1907-1963), banker (bookplates; ink-stamps to front free endpapers). ESTC T95382; Kress B3994.

[Johnson, Samuel]. A Journey to the Western Islands of Scotland, 1st edition, 1st issue, London: for W. Strahan and T. Cadell, 1775, errata leaf (with 12 lines), with cancels D8 and *U4, all other signature-marks unstarred, errata uncorrected, worm-track with variable effect on text in quires B-P, further worming in fore margins throughout, contemporary sprinkled sheep, joints superficially cracked at feet, 8vo (21.6 x 12.9 cm), together with: ibid. A Dictionary of the English Language, 2 volumes, 6th edition, London: for J. F. and C. Rivington [and others], 1785, signatures a-b4 c-h2 i-k4 [superscript 2]g-h4 B-6X4 (-6X4, probably blank), pi1 B-3Y4 2Z2 [superscript 2]A-3Y4 3Z2, half-title, engraved portrait frontispiece, contemporary ownership inscriptions ('John Woolly'), damp-staining, volume 2 signature 2A1 torn affecting headline, contemporary tree calf, rubbed, rebacked, tips worn, 4to (26.2 x 20.5 cm), Boswell (James). The Journal of a Tour to the Hebrides with Samuel Johnson, LL.D., 3rd edition ('revised and corrected'), 2nd issue, London: by Henry Baldwin, for Charles Dilly, 1786 [i.e. 1791], half-title, engraved folding map (dated 1791 and not present in the first issue), with final advertisement leaf for The Life of Samuel Johnson not mentioned in ESTC, closed tear to signature 2G1 extending through headline into text, bookplate of William Scott Kerr of Chatto laid in, front pastedown partially abraded, contemporary sprinkled calf, smooth spine gilt in compartments with urn tools red morocco label, front joint cracked at head, 8vo (21.1 x 12.5 cm), Macpherson (James). Fingal, an Ancient Epic Poem, in SIx Books: together with several other Poems, composed Ossian the SOn of Fingal, 2nd edition, London: T. Becket and P. A. de Hondt, 1762, without the two advertisement leaves, no frontispiece called for in ESTC, a little spotting, edges untrimmed, modern quarter calf, 4to (28 x 21.5 cm), and 1 otherQty: (6)NOTESTHE DAVID WILSON LIBRARY PART III: SCOTLAND, HIGHLANDS & ISLANDS Chapman & Hazen p. 151 (Johnson, Journey); Courtney & Smith p. 57 (Johnson, Dictionary); ESTC T84319 (Johnson, Journey), N18 (Johnson, Dictionary), N2632 (Boswell), T10103 (Macpherson).

Large 19th century twin handled urn 33cm high, Yardley English Lavender soap dish and various table glass

K.V. Knapp, Still life of flowers in an urn, oil on board, signed lower left, 39.5 x 29.5cm No significant damage seen. Small losses and wear to frame

CLASSICAL STYLE SILVER CANDLESTICKS, A PAIR, Sheffield 1968, Maker John Turton & Co, 28.5cms H having weighted oval bead edge and fan pattern bases, tapered fluted columns and urn shape candle holders with matched bead pattern removable sconces, Birmingham hallmarked 1903

PEWTER TEA URN and other good pewter and white metal items

A PAIR OF CONTINENTAL 40-BORE FLINTLOCK TRAVELLING PISTOLS, 4.25inch turn-off octagonal barrels, border and urn engraved actions, sliding safeties, chequered bag-shaped wooden butts. Each pistol appears to have been formerly mounted with a sprung bayonet to the underside of the barrel - now removed. (2)

A FINE AND VERY RARE FLINTLOCK BLUNDERBUSS BY BOUTET, 15.75inch three-stage blued barrel decorated with an urn and scallops at the breech, highlighted in gilt and struck with a series of six maker's stamps to include NB, LG, BOUTET and Boutet's monogram, transitioning from octagonal to polygonal, signed Boutet Directr. Artiste No. 317 and Manufre. a Versailles to either side of the breech, the polished tang border engraved and decorated with flowers, border engraved stepped and signed polished lock with scarce patent roller frizzen, full stocked with finely chequered fore-end and wrist, ornate polished and faceted mounts decorated in the classical manner. Nicolas-Noel Boutet (1761-1833), French gunsmith and bladesmith to the French Royal Court and later, after the revolution, became "Directeur-Artiste" (director and chief designer) for the newly formed arms manufactory at Versailles. The manufactory at Versailles made regulation weapons for the French military but was also charged with making presentation weapons for Senior officers and foreign dignitaries. Boutet also made guns for Napoleon's own personal use. Edward Impey states in The Field (July 21st 2015) that Boutet's remit was "to surpass everything else ever made and to reach a level of perfection that foreign countries will despair of". This is a very rare example of his work as it was highly unusual for the Versailles manufactory to produce blunderbusses. For a similar example in poorer condition see Christies Antique Arms & Armour & Collectors Firearms, lot 159, 26th September 2012. Examples of his work can be found in the Met Museum, The Royal Collection Trust, The Victoria & Albert Museum and the The Royal Green Jackets (Rifles) Museum. The markings on the breech suggest that this piece pre-dates 1814 and bears the Liege variation for barrel proofing mark.

Samengestelde kolompendule met vergulde messing decoratie, ca. 1900, hierbij een goud geschilderde gegoten pendule met dame en urn. Beide met wit emaille wijzerplaat. h. 31 - 51 cm [2]

Frankrijk, een paar wit marmeren en verguld bronzen sier coupes, Louis XVI stijl, 19e eeuw, urn vormig met losse deksels. (een deksel hersteld). h. 30 cm. [2]

Silver plated cigar humidor depicting sporting scenes of lawn tennis, rugby, golf and polo, of rectangular form with removable lid mounted with a reclining maiden holding an urn, the embossed sides depicting games of golf, lawn tennis, rugby and polo, 14 by 17 by 9cm., no factory markings

Jockey's prize for 1957 Derby, won by Lester Piggott on Crepello, 9ct gold .375 miniature urn with lid, hallmarked Garrard & Co. Ltd 1958 on wooden plinth with silver plated band inscribed SIR VICTOR SASSOON'S CREPELLO, 1957 THE 178th DERBY STAKES, 13 by 9cm., 110gr., condition is good with little wear to the cup and cover, no obvious dents or splits, minor surface scratches, the base is good Crepello won the 1957 Two Thousand Guineas and then the Derby in which he beat the great Ballymoss, but never raced again after Epsom. He was 21-year-old Lester Piggott's second Derby winner.Provenance: from the Lester Piggott Collection.

2005 UEFA Champions League Final winners' replica trophy, presented to Steve Finnan of Liverpool, from the Final played at Ataturk Olympic Stadium, Istanbul, 25th May 2005, a silver twin handled urn-shaped trophy, obverse with applied UEFA emblem and engraved COUPE DES CLUBS CHAMPIONS EUROPEENS, reverse engraved VAINQUEURS and listed winning teams from 1997 onwards, hallmarked Sheffield 2005, James Dixon & Sons Ltd, height 19.5cm, 13cm wide., 490gr., in original fitted case with Liverpool FC emblem, the box measures 11 x 19 x 25.5cm, approximatelyLiverpool beat AC Milan 3-2 on penalties following a 3-3 AET scoreline. Steve Finnan was in the staring line up for this match but was substituted by Dietmar Hamann after half time.

LARGE COPPER URN WITH WOODEN HANDLES

JAPANESE RETICULTED IMARI DISH, EDO PERIOD of hexagonal form centrally painted with a flowering urn, Width: 27cm

LARGE CLOISONNE URN, QING DYNASTY, 19TH CENTURY the globular sides decorated in coloured enamels with butterflies, birds and blossoming branches, reserved against a turquoise ground, Height: 49cm Provenance: The Martin Laing Collection

A 19TH CENTURY SATINWOOD DRESSING TABLE MIRROR with urn finials, three drawers, bracket feet and hand painted cherub and floral decoration, 70.5cm wide x 28cm deep x 63cm high Condition: areas of paint loss especially to the mirror frame and mirror support, one urn finial broken off, general surface wear and marks, veneer loss to the mirror frame

A PAIR OF CONTEMPORARY PAINTED METAL AND GLASS LAMPS of urn form, each with cream shades, 82cm high overall Ex property of The Randolph Hotel Condition: no visible damages, possible very minor scuffs and marks to the base, untested, needs rewiring

A Dartmouth Pottery Campagna Shaped Urn, Wedgwood Meadow Sweet tea ware, silver plate, ornaments. 3 boxes and prints

A Pair of Victorian Silver Urn Shaped Peppers with embossed acanthus leaf decoration, Birmingham 1894, William Devenport, 75g, 10cm

MARY ARUNDELL RICH (B.1940), a small conical shaped studio pottery vase , decorated in gold, blue and purple patterns, impressed monogram to side and gilt signature to base, height 8.5cm, together with three similar small vases, with impressed monogram, height tallest 12.5cm (4)Condition: minor crazing to glazing, scratches and loss to gilding at base of interior, larger urn has some rubbing to gilding, otherwise no obvious damage or wear

A small mantle urn by Royal Worcester having twin handle decoration and similar Aynsley jug and bowl Condition report- good condition, one or two small scuffs to gilt and paint in places

A ROYAL WORCESTER BLUSH IVORY VASE, of urn-form with twin handles, painted with flowers, shape no. 1960, date code for either 1900 or 1901, green printed factory mark. 13.5cm high

A KNOLE SOFA, with drop-ends and wooden urn finials. 190.5cm longThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Overall in good condition.

AN IMPRESSIVE FRENCH ORMOLU URN, 19TH CENTURYtwo-handled, of rocaille design, the neck featuring a satyr blowing a horn, two puttis, one playing a conch shell, with suspending wreath of roses and daisies; overall height: 56 cm (22 in.) CONDITIONThe urn is overall in excellent condition with no significant issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AN AMERICAN SIX-PIECE SILVER SERVICE, S. KIRK & SON CO, BALTIMORE, CIRCA 1906the hot water urn, coffee pot, teapot, covered sugar bowl, creamer and wastebowl repoussed in conforming lush floral designs, the covers with petunia-form finials, all but the urn engraved on the underside with dedication Louise Dal Aldrich / June 14-1906 / from / Mother and Father; overall weight: 4.8 kg (154.8 ozt)a) a covered two-handled hot water urn of squat baluster form with scrolling handles, 1861-1868, the straight spout with handle modelled as a flower garland surmounted with an eagle, supported by four winged paws, marked with maker's mark S. Kirk & Son and 11OZ under base; height including cover: 36 cm (14 1/8 in.), weight: 2.2 kg (approximately 70.732 ozt)b) a covered coffee pot with hinged lid, circa 1906, with scrolling handle and S-form spout, marked with 925/1000 standard, maker's mark S. Kirk & Son Co., numeral 102, incised with 199, Go, slo, 3000; height including cover: 24 cm (9 1/2 in.), weight: 927.6 g (29.825 ozt)c) a covered teapot pot with hinged lid, marked with 925/1000 standard, maker's mark S. Kirk & Son Co., numeral 102, incised with 133, 2300, 503, 90; height: 14.5 cm (5 3/4 in.), weight: 420 g (14.8 ozt)d) a two-handled covered sugar bowl, marked with 925/1000 standard, maker's mark S. Kirk & Son Co., numeral 102, incised with 322, Ce, 035, 1605; height including cover: 12 cm (4 3/4 in.), weight: 498.8 g (16 ozt)e) a creamer, marked with 925/1000 standard, maker's mark S. Kirk & Son Co., numeral 102, incised with 536, 136, 5 Co, 1100; height: 10.5 cm (4 1/8 in.), weight: 348.8 g (11.2 ozt)f) a bowl, marked with 925/1000 standard, maker's mark S. Kirk & Son Co., numeral 102, incised with 123, Bf, 5 Ce, 10; weight: 383 g (12.3 ozt)CONDITIONThe silver tea-service set is in overall age appropriate condition. Overall tarnish is visible. The invory insulators have been removed and replaced on the hot water urn, teapot and coffeepot. Would benefit from a polish. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF ORMOLU CANDELABRASof urn form with two handles five candle holders, waisted base and geometric plinth. the urn features a continuous motif of a lion head with a flowered vine. the handles are scrolls. the five candle holders feature acanthus leaves in a continuous scroll. the geometric plinth is of a red marble. overall height: 58.42 cm (23 in.); overall width: 10.5 cm (6 in.)CONDITIONThe candelabras are in overall good condition. Both are unstable on bases. Some scuffs and scratches are visible to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LARGE ORMOLU AND ENAMEL MANTLE CLOCK, MEDAILLE D’ARGENT, PARIS FRANCE, 1855of square form, the mantle clock rests on ball feet. three white, blue and purple enamel panels featured three cartouches of three different scenes, each panel broken up by pillars with doric design of anthunus leaves and a flower bouquet. the center panel features a quartz gemstone framed scene of a young woman with two putti’s one winged and one on the ground, in a flowered landscape. the panel on the right features a cartouche of the same two putti’s alone, one holding a bow and arrow in a flowered landscape. the left panel cartouche features the same two putti’s but resting on one another with a harp and two doves in a flowered landscape. the overall enamel is of a foliate and floral scroll outlined with gold. the clock numbered in roman numerals with metal hands. the clock face is decorated with a quartz gemstone. the top is adorned with a two-handled urn, on a geometric plinth. the dial mechanism is enclosed by a gold door. stamped on the dial medaille d’argent 1855 and made in paris france, numbered 1185, and 6. each plaque is impressed with number 0.110 on verso; numeral inscription on door. dimensions: 42 x 18 cm (16 1/2 x 7 in.) CONDITIONThe clock is in excellent condition. Overall surface dust. Patina is visible to the naked eye on the front right pillar. Overall tarnish, would benefit from a polish. Should be noted the clock was not tested for working ability. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

REGENCE-REVIVAL PORCELAIN AND GILT-BRONZE MANTEL CLOCK ON STAND WITH A PAIR OF NEOCLASSICAL REVIVAL ORMOLU MOUNTED EWERS, MID-19TH CENTURYcomprising: a)pair of neoclassical revival cobalt blue and ormolu mounted amphora shaped and helmet-lipped ewers. each one handled; featuring a female dragon sprouting from a man’s head. foliate and floral scroll expands outwards creating the handle. the ewer lip features a acanthus leaf and a geometrical pattern. centered two different images of putti’s one holding a basket of bounty the other holding hay. the base is formed from acanthus leaves atop a square plinth; overall height of ewers including plinth: 40.1 cm (16 in.). b) cobalt and polychrome enamel-glazed porcelain and gilt-bronze putti mounted urn-shaped mantel clock on stand. the clock with gilt-bronze domical lid and bezel surround raised on pierced gilt-bronze standard featuring a pair of lion heads for handles surrounded by acanthus leaves. oval footed lambrequin plinth mounted with flanking pair of cast gilt-bronze seated putti. enamel-painted porcelain dial with two puttis, roman numerals, movement is time and strike eight day; overall height: 48 cm (19 in.); width of base: 46 cm (18 in)CONDITIONThe clock and ewers are in overall good condition. with minor scuffs and paint removal on the plinth and block of clock base. Light scuffs visible as well as overall surface dust on ewers. One ewer is cracked and retouched on the neck below the lip visible to the naked eye. The mount of one of the ewers is not level. Inspection of ewers under UV shows overpainting to one of the necks of the ewers under the lip as well as a visible crack. Inspection of clock under UV shows fluorescence on the acanthus leaves at the clock base. No apparent signs of retouching. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A SILVER VICTORIAN WINE COOLER, JOHN SAMUEL HUNT FOR HUNT & ROSKELL, LATE STORR & MORTIMER, LONDON, 1860of classical urn form, designed with highly stylized and ornate grapevine motifs, with twin entwined branch handles, the flaring rim with overhanging fruiting grapevines atop conforming openwork body, the entwined branch stem spreading on to four leaves, all atop an incurved square pedestal base with scrolling acanthus feet, with plain liner, marked with 925 lion passant standard, Queen Victoria duty mark, written and "ISH crowned" maker's marks, model number 395, incised ENGLAND, D15 under base, a grape leaf on verso additionally marked with leopard head town mark and date cypher; overall height: 39 cm (15 3/8 in.), weight: 4.45 kg (143 ozt)CONDITIONThe cooler and its liner are in overall excellent original condition. Beyond age-appropriate darkening in places, no issues apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

EDUARD ANSEM-HOFFMAN (AUSTRIAN 1862-1955)Salomé, oil on canvas 89 x 71 cm (35 x 28 in.) signed lower leftCONDITIONObserved in frame. The painting is in age appropriate condition. The paint is not stable, visible losses of paint visible most notably on urn, male figure and upper left and right corners. A visible tear on urn, measuring 2.54 cm (1 in.). The canvas has been relined and re-streched. Inspection under UV shows an even layer of varnish. Scattered retouching to 5%. Most notably on male figure's jacket, women's thigh and chest.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

EGYPTIAN-REVIVAL GILT-BRONZE LAMP WITH BLACK SILK SHADE, 19TH CENTURYgilt-bronze double-handled urn-shaped relief moulded single lamp on rectangular ebonized plinth with black silk shade. the relief motif features a figural scene of a man and woman standing next to a eucalyptus tree. a foliate and scroll motif is continuous throughout the design. the two handles are made of two maiden heads with beaded necklaces with a geometric acanthus leaf motif. overall height: 117 cm (46 in.)CONDITIONThe lamp is in overall excellent condition. With no issues to report. Should note the lamp is wired and in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Victorian gilt metal mounted and amboyna banded ebonised credenza, central panel door inlaid with an urn, enclosed by two columns and curved glass doors, on turned supports, W154cm, D41cm, H110cm - Condition Report

Late 19th century Flemish oak dresser, projecting cornice over two arched panelled doors with carved busts and relief carved ribbons and leafage, two fluted and acanthus carved supports with carved jester figures, central winged maiden support, moulded rectangular lozenge pattern top, three gadroon carved drawers above three panelled doors, the centre door carved with scrolled foliage and urn, stepped moulded plinth, turned and carved feet, W161cm, H227cm, D61cm - Condition Report

Arts and Crafts period oak sideboard, raised triple shaped arch top fitted with cupboard, rectangular top over three drawers and two cupboards, panelled doors relief carved with foliate urn, turned supports, ivorine label to door interior inscribed 'J. K Thomson... Falkirk', W151cm, H159cm, D53cm - Condition Report

Late 19th century silver mounted glass scent bottle, the blue flash cut waisted body with foliate embossed hinged cover, L9.5cm, together with Georgian Bilston enamel oval patch box, the cover decorated with a dove stood upon an urn, beneath a banner detailed 'Love the Giver', L4cm - Condition Report Glass scent bottle with some scratches and small glass nicks to edges, stopper also with nicks to edges. Cover with tarnishing and slightly knocked to one side. Box with surface wear, the hinged cover with small loss near mount, and loss to body under mount. Interior mirror cracked.

A pair of Japanese Meiji period Satusuma pottery vase and covers. Painted with Shogun and Samurai in landscapes. Each cover with pieced finials. Together with a small Satsuma flat section crescent urn. (3)22cm high

A Chinese mother of pearl inlaid carved hardwood urn table with cabriole supports43cm wideCONDITION:could do with a clean but structurally sound

A 19th century Chinese, two tier, rosewood urn/vase stand with pierced and moulded outline. 35cm wide. Together with an oriental style cupboard.

A silver octagonal baluster sugar caster, with pierced pull off top with an urn finial, Chester 1912, 19cm high, 138 grams

An Art Deco octagonal tapered form silver sugar caster with pierced pull off cover set a urn finial and raised on a trumpet foot, London 1911, 21cm high, 98 grams

A pair of Victorian Sheffield plated three light candelabra, late 19th century, each of rococo form with reeded S shaped branches, each urn shaped nozzle with removable fluted square shaped sconce, on baluster fluted stem, cast with borders of scrolls and flowers, 16.5cm high

A silver plated Victorian three light candelabra, cast with rocaille scroll sconces with urn shaped nozzles and reeded branches, with removable candlestick base, of traditional tapering form, on fluted scroll cast shaped square plinth, 45cm high

A vintage brass two handled Samovar tea urn, early 20th century, perhaps Russian, the everted neck pierced with Stars above a stepped cover, with cylindrical body and faceted spout and scroll top, on square plinth base, 43.5cm high

A late Victorian carved mahogany mirrored shelf, the rectangular bevelled central mirror flanked by shelving with barley twist turned baluster supports, below broken pediment and urn mounted with flanking and top mirrors, carved with foliate panels, 138cm high x 107cm wide

An American silver coloured metal miniature two-handled urn by Dunkirk Silversmiths, with circular foot, 6.8cm high, 1.53ozt, 47.4g, and a circular silver dressing table trinket box with velvet lining, lid lacking, 7.8cm diameter CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request

A George III silver urn shaped sander, London 1801 by John Emes, stamped 'NEPAUL', with armorial engraving, 7cm high, 1.05ozt, 32.7g (It is of interest that 1801 was also the year of the Anglo-Nepalese treaty) CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request

A pair of early 19th century Neoclassical taste gilt composition wall mirrors, in Hepplewhite, Robert Adam style, each with an oval plate in bead and acanthus leaf border, surmounted by a classical urn with leaf spray finial from which issue two harebell swags held by ribbons, foliate clasped below, each 42 by 3.5 by 87cm high. (2)

Two stoneware garden urn planters decorated with a woven rush effect with associated bases, urns, 40 by 40 by 29cm high, pedestals, 28.5 by 28.5 by 23cm high. (2)

Mixed ceramics including Japanese tea set, stoneware bottles and tankard, Minton twin handled urn, commemorative items

An unusual Chinese smoking pipe,a cast bronze urn bowl, the collar mounted with flowers and vines, connecting with a gnarled wood shaft, the ivory mouthpiece carved in the form of a scaled monster, with a plain terminal, 63cm longProvenance: The Trevor Barton Collection.

An early 20th Century watercolour of a young girl beside a large garden urn and a late 19th Century watercolour of a windmill

A 19th century bentwood urn stand

A pair of arts and crafts style light mahogany pot stands, 80cmH; together with an ebonised Chinese urn stand, 45.5cmH; and a small occasional table with undershelf

1796 Pattern Infantry Officer’s Sword 32 1/2 inch, single edged blade with large fuller. Etched stand of arms, royal coat of arms and crowned “GR” cypher. Back edge engraved “Runkel Solingen”. Gilt brass, double shell guard. Gilt brass, D shape knuckle bow. Gilt brass, floral urn pommel. Silvered wire grip. Now contained in an 1821 Infantry, leather scabbard with gilt brass mounts. The throat with maker’s shield “Wilkinson”. Possibly been together for some time as good fit.

Early 17th Century Continental Rapier 27 1/2 inch, narrow blade with short fuller with traces of maker’s details. Steel bowl guard with stud decoration. Steel, S shape crossguard terminating with dragon heads. The centre with shell decoration. Steel urn pommel. Twist steel, wire covered grip. Old dark patina.

Napoleonic Period British Infantry Officer’s Sword 28 1/2 inch, single edged blade with wide fuller running through the point. Traces of gilt, floral and stand of arms etching. Steel crossguard with downswept quillon, D shape knuckle bow. Steel ferrule and urn pommel. Ivorine ribbed, square section grip.

Napoleonic Period British Infantry Officer’s Sword 31 inch, single edged blade with fuller running through the point. Brass crossguard with downswept quillon. D shape knuckle bow. Brass ferrule and flat side urn pommel. Polished ribbed, horn grip.

French Model 1887 Grenadier Officer’s Sword 31 3/4 inch, trefoil blade. The forte with “M1887” and maker’s details dated “1890”. White metal crossguard with clamshell guard bearing a flaming grenade. White metal knuckle bow, urn pommel and false wire ribbed grip. Contained in its steel scabbard with single hanging ring.