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A 19th Century gilt metal table lamp in the form of a Grecian urn on red serpentine base, height 52cm, an ebonised triple bottle stand with three associated decanters, two papier mache pen trays, width 25cm, and a single brass 18th Century candlestick. (5)

A 19th Century folk art woolwork memorial panel worked with a graveyard scene depicting a sailor stood leaning against a pillar with weeping willow tree and urn on top, 'To the memory of a mother drowned May 2 1864' with a kneeling figure weeping into a handkerchief and a flying angel above holding out a laurel wreath, all framed with two stylised trees to the sides with smaller scattered trees and headstones, the figure heads in printed paper, framed 51.5cm x 69cm.

A late 19th Century French gilt painted spelter and rouge marble clock garniture, the eight day clock with figural pediment, height 58cm, flanked by the two urn shaped candlesticks, S/D. (3)

A George III circular silver salver, London 1779 by William Turton or Walter Tweedie, with a moulded beaded and harebell border and emblazoned with a monogram and armorial crest. supported by four simple bracket feet. 33 cm diameter. Together with an 18th-century silver and whalebone toddy ladle, a heavy silver hand mirror, a small urn pepperette, a pair of silver capped, cut glass perfume bottles, a heavily embossed silver bread basket, and two silver-backed clothes brushes. 41 ozt gross weight of weighable silver.

A George II style heavy gauge silver gravy boat, London 1934 by Harman & Co, 23 cm wide, together with an Italian "800" silver "Mid Century Vintage" triumphal urn peppermill, a cased set of twelve French silver fruit knives with mother of pearl handles, a cased set of Italian "800" silver circular side dishes with bands of acanthus tongue borders, a set of four modernist silver disc form sterling silver name place holders, London 1934 by Frank Hawkins -Sly, and a white metal tumbler cup (apparently unmarked). 37 ozt gross weight of marked, weighable silver.

Pair of 19th century French neoclassical Egyptian revival Victorian bronze garniture urns with painted black and red decoration. With mask handles in the form of the heads of pharaohs. On a stepped base with a double-headed eagle along one side. One side of each urn with painted and incised decoration depicting various Egyptian motifs and a depiction of Horus on one and Isis on the other.Height: 16 in x width: 6 1/2 in x depth: 6 1/2 in.

Large French old Paris Sevres style porcelain urn. One side painted with a scene of two lovers strolling through a garden; the other with an idyllic countryside. The painting is signed "L. Bertreri." The reserves are framed by ornate gilt scrollwork frames against a deep cobalt blue (beau bleu) ground. With bronze mounts and handles in the form of garlands. The inside of the lid and the base are marked with a Sevres mark indicating a date of 1754.Height: 32 in x width: 11 1/2 in x depth: 9 1/2 in.

Continental elaborately carved and giltwood settee. The pierced back depicting an urn brimming with blooming flowers and surrounded by scrolling foliage. The armrests further decorated with pierced, carved, and gilt foliage. The skirt with a carved garland. The settee rests on five legs, two along either side and one along the front center.Height: 39 in x width: 42 in x depth: 21 in.

Dutch Provincial School, mid 19th century- Still life of flowers in an urn; oil on canvas, 12.8 x 10.5 cm. Provenance: Private Collection, UK. Please refer to department for condition report

Circle of Gerard van Spaendonck, Dutch 1746-1822- Still life of flowers in an ornamental urn on a ledge; oil on canvas, 76.5 x 63.4 cm. Provenance: Private Collection, UK (by descent). Note: The present work is closely related to a canvas held at Anglesey Abbey, Cambridgeshire entitled 'Still Life with Flowers in an Urn and Two Parrots' (NT 515449), which has been attributed to Jakob Bogdani (1658-1724) or Philip Reinagle, RA (1749-1833). The quality of the brushwork in the present work, entirely evocative of the technique of van Spaendonck, is brilliantly displayed: the vase and marble ledge on which the flower arrangement rests effectively create a strong textural contrast with the soft petals and leaves. The canvas is taut on the stretcher and sits well within the frame. Relined. The paint surface is stable on the support. Fine and settled craquelure in areas. Areas of minor paint separation/shrinkage, particularly in the central area of the bouquet. An area of paint loss (roughly 7 irregular spots) lower left, the largest approx. 2 cm. Two minor spots of further paint loss lower right. A minor and unobtrusive retouched loss upper left corner. An area of possible abrasion upper left, to the left of the irises. A cluster of very minor white marks upper centre. Very minor abrasions upper right corner and right edge. Minor marks, some surface dirt, and minor abrasions generally. Inspection under UV light reveals significant areas of retouching across the work, particularly upper centre and centrally, just below the upper roses (see images). Overall, in good retouched condition and ready to hang.

Terracotta twin handled urn with lid, used as a salt storage jar from Bar Convent York, together with another max H39cm

An early George III silver baluster hot water pot, embossed with ribbon tied swags and anthemion motifs, with beaded borders and fruitwood handle, the hinged domed cover with urn finial, by Daniel Smith & Robert Sharp, London 1775, 28cm high, 24.5oz overall.

An enamel and diamond memorial panel, the circular convex panel centred with a funerary urn motif, highlighted with graduated rose-cut diamonds in foiled closed-back settings, framed by a row of similarly-cut diamonds, to a blue enamel ground with white enamel borders, (three diamonds deficient), on a later ring mount stamped '9CT', panel diameter 1.85cm, ring size K

A Continental urn. Est. £10 - £20.

A pair of green onyx and gilt painted urn table lampsLocation: RAM

A pair of Continental porcelain urn vases, each delicately hand painted with floral garlands with gilt highlights and a blue and white ground, with mask handles on circular feet, blue script marks beneath, 12cm high.

An associated suite of dining furniture, originally purchased for Harrods, comprising a continental cream and gilt painted side cabinet, the top with a moulded edge above a plain frieze applied with acanthus carving and three panelled doors each flanked by reeded pilasters with Corinthian capitals, on an inverted breakfront base. 89cm high x 175 wide x 56cm deep,  a Continental marble effect dining table, the oval glass top with a bevel edge on elaborate Italianate support with cornucopia shaped parcel gilt supports and urn centre, on a rectangular plinth, retailed by Harrods, 76cm high, 190cm wide, 108cm wide, a French walnut writing table, the top with a brown leather inset above a shaped frieze, lacking drawers, on cabriole legs, 198cm wide, together with six chairs. 

Battle of Waterloo. Jackson (W.). Field of Waterloo, 1815, engraved map by Jackson after a survey by S. Wharton taken in July 1815, with contemporary outline colouring, sectionalised and laid on linen, elaborate martial cartouche, compass rose, scale of distance, and index of references, light toning to one or two folds, 64 x 122 cm, marbled endpaper, bound in contemporary blue calf gilt, later reback, slightly rubbed, together with The Kingdoms of Spain & Portugal, compiled & reduced from numerous topographic surveys, the maritime surveys of Don Vicente Tofino &c., Robert Laurie & James Whittle, October 9th 1811, engraved map with contemporary outline hand-colouring, sectionalised and laid on linen, minor offsetting, small pinholes where old folds cross, 62 x 81 cm, plus Dupuis (L.A.). [Carte Generale qui comprend la situation des principaux objets qui ont servis de fondem.t a la description Geom.que des provinces Autrichiennes dans les Pays Bas y compris les Principautes de Liege et de Stavelot, 1777], five (of 10) folding engraved maps with contemporary outline hand-colouring, sectionalised and laid on linen, numbered 6-10, various sizes, in good condition, each with contemporary engraved ducal bookplate of the Duke of York to verso, contained in original calf bookbox with red morocco spine labels, heavily worn, lacking base and topQTY: (3)NOTE:RCIN 735187. - National Army Museum 1988-08-34.Map of the Battle of Waterloo depicting the area from Waterloo Church to the "Ferme du Caillou", where Napoleon's last headquarters were installed the evening before the confrontation on 18 June 1815. The battle that marked the end of the Napoleonic Wars (1803-15), resulted in an Allied victory. Based upon a trigonometrical survey by S. Wharton, who is also renowned for a set of twelve prints of the same battlefield produced by R. Reeve. The title is included in a funerary urn, draped with wreaths and against which are laid flags and pieces of armour, all to commemorate the victims of the battle.

A Georgian memorial gem-set and half pearl locketdesigned as a yellow gold two handled urn set with calibré-cut emeralds, a garnet-set surmount and base, the closed back reverse with hinged compartment (a/f), contemporary ovoid shaped red leather case, together with a later fine trace link chain stamped '9K' locket: 2,2 cm x 1.8 cm, 2.0 g; chain 1.2gCondition: The mount has a few knocks and is not in perfect condition. First hand inspection suggested.The rock crystal to the  reverse of the locket has a fracture running across the bottom section  with a loss  to the bottom right corner and has a flaked chip to the centre (obverse rock crystal appear to be in good order) .Stones  untested , reasonably bright and probably foiled as in closed back setting.  Upper smaller garnet in loop damaged .  

A French brass four glass clock, early 20th c, with cut glass urn and pillars, gong striking movement, mercury compensated pendulum, 41.5cm h, chromium plated Good condition

A late Victorian and composition mirror,  with bracket shelf, segmental cornice centred by an applied urn and galleried frieze, 91cm h Original condition, moulding slightly chipped and dirty

A sanded giltwood and composition mirror,  the rectangular frame with ribbon and reed surround and outset angles, crested by urn and demi figures, 70cm h Typical losses to cresting

A reconstituted campana shaped garden urn  on pedestal, a concrete stone bird bath on pedestal and a terracotta vase,  bird bath 80cm h, 60 cm diam, another pedestal and a square plinth (6)

An early 19th century French .950 silver mounted cut glass mustard pot c.1830 and two French .800 silver sifter spoons c.1900Paris guarantee marks 1819-1838, maker mark indistinctthe vase for facet cut glass body mounted with hinged silver dome lid and twin dolphin scroll handles on a square pedestal base on ball feet, second, French guarantee marks, by Page Freres, with pierced bowls and Empire style embossed filled handles, (3)First height 15 cm.Condition:Mustard pot in fair condition chips to rim of glass urn body around silver mount.

An Edwardian silver teapot and cream jugLondon, 1907 by Goldsmiths & Silversmiths Co Ltdof oval half fluted tapering form, the teapot with hinged domed cover, ebony scroll handled and turned urn finial, (2)teapot handle to spout 25 cm., weight approx. 19.47 ozt.Condition:Teapot handled with movement, a couple of small dings and knocks.

A George III silver chamberstickLondon, 1788 by Henry Chawnerhaving a an urn shaped nozzle and detachable drip pan on a stem with cut out for snuffers, circular base with handle, beaded borders, associated conical snuffer, engraved with armorial and crested for Cole diameter 14 cm., weight approx. 7.35 ozt.Condition:Chamberstick is in fair condition. Drip pan is buckle and pushed down with old patch repair to underside. Conical snuffer is misshapen with impacts dents, loss to angular bracket support. Conical snuffer matched with rubbed marks and gadrooned rim but has matching crest

A LOUIS XVI ORMOLU CARTEL CLOCK WITH QUARTER REPEATBy Godfrey, Paris, circa 1770The substantial cast case modelled with an urn and a pair of caryatid busts, signed 6 1/2in convex enamel dial, the circular plate movement, signed, with rear mounted quarter work, striking on a bell66cm highThe clock is in unrestored condition.  There is a pendulum and key.  The dial plate has some filled holes and the bezel mount may be a later 19th century replacement as may be the dial.  The suspension block is a later 19th century version.  The width of the clock at its widest point is 32cm, the depth is 13cm.  The movement appears original to the case. The clock does not strike the hour, it repeats the hour and quarters.

A GILT-METAL-MOUNTED MAHOGANY QUARTER CHIMING AND STRIKING BRACKET CLOCKThe dial and movement signed James Leicester, Drury Lane, part late 18th century and laterThe bell-top case with knopped carrying handle above four urn finials and moulded pediment, with glazed panel door and inset pierced brass frets, the sides each with two glazed panels, on stepped base and brass bracket feet, the 7 ¼ in. arched brass dial with engraved outer edge, chime/silent subsidiary to the arch, above signature line, with  silvered chapter ring and chime lever to the III, blued steel hands, the three train chain fusée movement with rectangular foliate engraved plates, later re-trained and fitted with a third train, chiming the quarters on eight bells and striking the hours on a larger bell, adaptions50cm highThe movement appears originally to have been a twin train with pull quarter repeat but extensively rebuilt by the Victorians.  The plates appear original to Leicester’s work and have been totally re-trained and a third train added.  The original fusée pivot holes, with engraved rose, are filled, together with many other original holes.  The dial plate appears original and here again has been adapted;  the original dial feet have been removed, but their original holes remain and correspond to filled holes on the front plate.  The chime/silent ring is an obvious Victorian replacement, as is the matted centre and silvered chapter ring.

A GEORGE III SILVER COFFEE POTOf baluster form, with an urn finial to the hinged lid, otherwise with beaded decoration and twin crest engraved, raised on a circular foot with a replacement wooden handle, maker Walter Brind, London 1782, height 31cm, gross weight 903 gmsCondition ReportOverall in good condition, a few minor marks to the body, the handle may have been replaced in the past, there is a part mark lion passant and maker to the lip of the lid, full marks underneath

A VICTORIAN SILVER SUGAR CASTEROf urn shaped form with spiral embossed foliate, scroll and beaded decoration, raised on a circular foot, height 15.5cm, London 1894, weight 247 gms

A VICTORIAN FIVE-PIECE SILVER AND PLATED TEA AND COFFEE SET AND A PAIR OF SILVER NAPKIN HOLDERS (7)The three silver pieces comprising; a teapot, a twin handled sugar bowl and a milk jug, Sheffield 1867, combined weight 1437 gms, together with a matching plated coffee pot and plated spirit kettle with stand and burner, each piece of urn shaped form and having engraved decoration, also a pair of silver napkin holders, Birmingham 1930, weight 73 gms, with a caseIvory Certificate no EMD7M6J1

PAIR OF WILLIAM AND MARY WALNUT ARMCHAIRS 17TH CENTURY the toprails pierced and carved with a flowering urn flanked by putti, above a caned back and seat, on spiral turned legs joined by spiral carved stretchers and conforming pierced and carved front stretchersDimensions:63cm wide, 125cm high, 43.5cm deepProvenance:Provenance: Careston Castle, Brechin, Angus

GEORGE III STYLE MAHOGANY CARVED OVERMANTEL MIRROR LATE 19TH CENTURY the rectangular mirror plate in a moulded frame with margin plates and surmounted by a draped urn Dimensions:94cm high, 115cm wideProvenance:Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN MURDOCH, EDINBURGH 18TH CENTURY the swan neck pediment carved with flower heads and a central urn finial, above an engraved arched brass dial signed to the arch over Roman numerals and subsidiary seconds dial and date aperture, flanked by fluted columns with brass mounts above a shaped trunk door flanked by fluted quarter columns, on a plinth base with ogee bracket feet; the eight day movement striking a bellDimensions:53cm wide, 226cm high, 28cm deepNote: Note: The Edinburgh clockmaker John Murdoch was active from 1752-1775, having been apprenticed to Andrew Dickie. His son, also John, worked as his father's apprentice from 1767.

GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, JAMES YOUNG, DUNDEE LATE 18TH CENTURY the hood with a swan neck pediment with brass roundels enclosing an arched brass dial with a silvered chapter ring and engraved centre with two winding holes and a subsidiary seconds and calendar dials, the arch with a signed boss and pierced spandrels, above a banded trunk door with urn marquetry flanked by quarter columns, on a moulded plinth base raised on bracket feet; the eight-day, twin chain movement striking a bellDimensions:211cm high, 46cm wide, 24cm deep

PAIR OF GEORGIAN STYLE SILVER-PLATED ARMORIAL WINE COOLERS LATE 19TH/ EARLY 20TH CENTURY of twin handled urn form, the rims chased with acanthus and shells above bodies engraved with rampant griffins, on circular bases; with linersDimensions:28cm high, 23cm wide, 21.5cm deep

PAIR OF REGENCY CUT GLASS AND GILT METAL CANDLE LUSTRES EARLY 19TH CENTURY the central cut glass and gilt metal stem issuing two gilt metal scrolling candle arms mounted with cut glass candle holders, drip pans and hung with lustres; the stem with a leaf form cut glass tray hung with lustres and surmounted with a cut glass urn shaped finial; on a stepped rectangular foot with square cut baseDimensions:34.5cm highProvenance:The gilding on one of the lustres is slightly brighter and shinier on one lustre than on the other.The central glass stem, above the gilt acanthus leaves, is slightly loose on one of the lustres.There are occasional casting flaws on some of the gilt metal elements.The cut glass components have some typical chips and nibbles to the edges, and some surface scrapes.There are some replacement glass drops and there is slight variation in the length of some of the drops.There are some small chips and nibbles to the glass bases.There are some signs of candle wax on the surface.

PAIR OF REGENCY GILT BRONZE CANDLESTICK LAMPS EARLY 19TH CENTURY the urn candle nozzles cast with seraphim above fruit-filled baskets on columns with anthemions and ending on circular bases cast with dolphins and cornucopias; converted from candlesticks and fitted for electricity; with champagne pinch-pleated shadesDimensions:33cm high (excluding fittings)

PAIR OF CUT GLASS AND GILT METAL FIVE LIGHT CANDELABRA LATE 19TH CENTURY the diamond cut baluster central support issuing four scrolling candle arms and a central stiff arm, with urn shaped candle holders with glass bobeches hung with prism drops, on square platform bases with flower cast scroll feetDimensions:52cm high

PAIR OF REGENCY ORMOLU AND PATINATED BRONZE LAMPS EARLY 19TH CENTURY with acanthus cast urn form nozzles over fruit-filled baskets and reeded stems on acanthus cast triform bases with paw feet, converted from candlesticks and fitted for electricity, with champagne pinch-pleated shadesDimensions:35cm high (excluding fittings)

VICTORIAN EBONISED AND GILT METAL MOUNTED BRACKET CLOCK LATE 19TH CENTURY the arched gilt dial with silvered chapter ring with Roman numerals and Arabic five minute markers, surrounded by pierced gilt spandrels and arch mount, in a bell-top case surmounted by an urn finial and flame corner finials, above an arched door with gilt caryatid corner mounts and pierced gilt arched side panels, on a moulded base raised on bracket feet, the twin-train movement numbered 4581 striking the full and half hours on a gong, the pendulum with matching numbersDimensions:27cm wide, 47cm high

GEORGIAN STYLE GILTWOOD MIRROR MODERN the arched and bevelled mirror plate in a moulded frame with a flower-filled urn crest with carved acanthus scrolls, palmettes, and laurelDimensions:139cm high, 79cm wideProvenance:Provenance: The Bellamy Collection, County Down, Northern Ireland

DUTCH WALNUT MARQUETRY DOUBLE FOLD CARD TABLE MID 18TH CENTURY the fold-over hinged top opening to a baize playing surface with trompe l'oeil playing cards to the rounded corners, opening further to reveal a divided well below, above a frieze drawer and another to the side, raised on cabriole legs ending in carved ball and claw feet, the exterior profusely inlaid with marquetry depicting a flowering urn, birds, grotesques, and insectsDimensions:72cm wide, 75cm high, 35.5cm deep

PAIR OF FRENCH BRASS CANDLESTICK LAMPS 19TH CENTURY with urn form candle nozzles on hexagonal tapered columns ending in paw feet on hexagonal bases, with taupe pinch-pleated shades, fitted for electricityDimensions:29cm high (excluding fittings)

FRENCH PORCELAIN AND GILT METAL MANTEL CLOCK 19TH CENTURY the cylinder case with a porcelain Roman numeral dial with retailer ALFRED PEGLER, SOUTHAMPTON, surmounted by a porcelain urn and flanked by lions' mask handles, above a painted porcelain panel of a courting couple, inscribed on the reverse, the twin-train movement stamped Richard & Cie and striking a bell; on a shaped giltwood plinth with glass domeDimensions:35cm high

Y SWISS NICOLE FRÈRES 11 INCH CYLINDER MUSIC BOX LATE 19TH CENTURY the lever wind movement playing 8 airs, stamped serial number 47111, G/No. 3018, and Registration No. R-6278, in a rosewood and ebonised case with gryphon and urn marquetryDimensions:56cm wide, 14cm high, 22cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/

LARGE SCOTTISH FIRECLAY URN AND PLINTH 19TH CENTURY possibly by Grankirk, the urn of campana form with leaf tip moulded rims and part-lobed body, on socle base, the square plinth with moulded detail to the cornersDimensions:147cm high in total, 75cm in diameter

PAIR OF CARVED SANDSTONE NEOCLASSICAL STYLE GARDEN URNS 19TH CENTURY the partially leaf-fluted sides with a fluted top band, flame finials, on socle bases, together with a CARVED SANDSTONE URN, of similar form with a matched socle baseDimensions:the pair each 103cmhigh, 50cm diameter

PAIR OF CARVED SANDSTONE ADAM STYLE URNS 19TH CENTURY the partially leaf-fluted sides with drapery swags above, berry finials, on socle bases; together with a CARVED SANDSTONE URN, of similar formDimensions:the pair each 80cm high, 40cm wide

SET OF THREE LARGE SCOTTISH FIRECLAY GARDEN URNS 19TH CENTURY campana form with leaf tip moulded rims and part-lobed bodies with loop handles, on socle bases, two mounted on square plinth bases, one stamped GARNKIRK; together with a FIRECLAY PART URN, of similar manufactureDimensions:each of the three urns 75cm high, 55cm diameter

GROUP OF THREE CARVED STONE URNS LATE 19TH/ EARLY 20TH CENTURY either round or oval campana form issuing flowers, on associated socle bases; together with a PART ADAM STYLE SANDSTONE URN, with swagsDimensions:the largest 72cm high

A GREEN PAINTED AND GILT-WOOD HANGING LIGHTParts 19th Century With open basket frame mounted with twelve gilt-tole peinte petal shaped drip-pans and fittings, enclosing a gilt-wood urn, later green painted, 54cm wideProvenance: Originally supplied by Nicky Haslam, NH Studio Ltd. for Stanley House, Chelsea. 

A DUTCH FRUITWOOD AND MAHOGANY PLANT OR JARDINIERE STANDLate 19th Century With moulded urn shaped staves, on bun feet, 44m high

TWO FRENCH NAPOLEON III GREEN PAINTED TOLE-PEINTE TABLE LAMPS (2)The first with octagonal reservoir, originally for oil, with label pressed ‘INDUSTRIE FRANCAISE No. 11295 LAMPE-SILVANT PAR BREET D'INVTIIN AVEC GARANTIE’, 65cm high; Together with another with urn shaped base and swan handles, with parcel-gilt decoration, 74cm highProvenance: The Property of a noblewoman 

British 1796 Pattern Infantry Officer’s Sword. 32 1/4 inch, single edged blade with large fuller.  Traces of crowned GR cypher and foliage etching.  Gilt brass, double shell guard with folding rear section.  Gilt brass, D shape knuckle bow, floral quillon and urn pommel. Silvered wire bound grip.  Edge repairs and pitting to blade.

American Revolutionary War Period 1750 Pattern Infantry Hanger good example of the pattern carried by the British during the American War of Independence with a 25 inch, single edged, slightly curved blade. Narrow fuller. Forte stamped with crown over “6”. Brass, double shell guard with three bar guard and small quillon. Spiral brass grip and urn pommel. Some pitting to blade. Scabbard absent.

1796 Pattern Sergeant’s Sword 29 1/4 inch, single edged blade with large fuller. Polished brass, double shell guard, D shape knuckle bow with bulbous quillon and urn pommel. Copper wire bound grip.

An Edwardian mahogany mantel clock, arched case, the central panel inlaid with an acanthus capped two handled urn, outlined with boxwood and ebony stringing, the central dial flanked by a pair of brass columns, ivorine chapter ring with Arabic numerals, twin winding holes, stepped base with four brass bun feet, striking on a bell, 31cm wide, 23.5cm high, c.1910

A 19th century enamel plaque, painted with a Classical urn in a romanticised Italianate setting, gilt brass easel frame, 12cm high overall

A George III Old Sheffield Plate treasury inkstand, hinged serpentine cover with Neo-Classical urn finial, enclosing a pair of wells and a wafer box, beaded borders, bun feet, 20cm wide, c.1800