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Lot 22
Garden urns/pots/planters: A carved white marble Medici urn, late 18th/early 19th century, 101cm highFirst recorded in 1598 in the inventory of the Villa Medici, Rome although there is evidence that it was there at least thirty years earlier. In 1780 it was removed to Florence and soon entered the Uffizi where it remains today. The vase was one of the most popularly reproduced antiquities being copied in marble, bronze, terracotta, alabaster and biscuit and was commonly paired with the similarly shaped Borghese vase. It is believed that the original was executed in the second half of the first century A.D.
Lot 93
A good-quality mid-Victorian burr walnut open bookcase, the low galleried shaped back with central floral carved oval panel, above a rectangular top and carved urn plinths and open brass-beaded shelves flanked by carved floral corbels, raised on cross-banded plinth and bracket supports, 142cm wide, 125cm high.
Lot 213
TATHAM, LONDONA BRITISH OFFICER'S 1796 PATTERN DRESS-SWORD WITH BLUE AND GILT BLADE,circa 1800, with narrow straight tapering 32 1/2in. double edged blade (some dark staining), the first half of blade engraved with gilded scolls and trophies on a blued ground (faded, traces only) around a narrow central panel to both sides inscribed 'FOR MY COUNTRY & KING', the armorial of King George III to both sides near hilt, gilded double kidney-bean shaped guard carved around the blade aperture, straight quillion with carved tip, 'D' shaped knuckle-bow with carved terminus where it meets the gilded urn pommel, silver wire-bound grip and complete with its leather scabbard (poorly and extensively repaired with black cloth tape) and gilded mounts, the throat signed within an oval margin 'No. 37 CHARING CROSS NEAR THE ADMIRALTY' around 'TATHAM TO HIS MAJESTY'. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
Lot 35
Coalport cup and saucer hand-painted with a still life of fruit by Derek Pass and Malcolm Harnett and a collection of Aynsley Orchard Gold ceramics including a two-handled urn shaped vase & cover, biscuit barrel, cups and saucers, vase, plate and other pieces (15) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 285
Assortment of Victorian and later ceramics comprising Royal Doulton Morrisian pattern jug, Caverswall floral decorated bowl signed M. Grant, large Masons pink transfer printed plate, qty Victorian blue & white, Jasperware plaques, large urn shaped vase, Bunnykins baby's plate and other ceramics in three boxes Condition Report Click here for further images, condition, auction times & delivery costs
Lot 332
A Set of Twelve Carved Mahogany Hepplewhite Style Dining Chairs, including two carvers, the leaf carved top rails above fluted uprights centred by an urn above cream buttoned and close-nailed overstuffed seats, on square tapering forelegs, singles 55cm by 46cm by 90cm, carvers 57cm by 48cm by 91cm See illustration. Upholstery varies in condition. Four chairs very badly stained with water marks. Other chairs with some marks. Carver 1 - structurally okay. Top rail right corner repaired. Carver 2 - top rail repaired. Framework with water marks throughout. Single 1 - joints loose, seat badly marked. Single 2 - structurally okay but seat heavily marked. Single 3 - joints slightly loose and some staining to seat. Single 4 - structurally okay but seat stained. Single 5 - structurally okay but some staining to seat. Single 6 - joints slightly loose and upholstery grubby. Single 7 - joints loose and seat heavily stained. Single 8 - framework structurally okay but seat slightly stained. Single 9 - structurally okay but numerous water marks to framework, upholstery heavily stained. Single 10 - framework structurally sound, slight staining to seat. Timber framework varies in condition. 100220
Lot 182
An Ormolu and Bronze Striking Mantel Clock, signed Alph Giroux, A Paris, circa 1880, case depicting a central urn with flowers and flanked with bronze cherubs reclining, base with white marble panels and floral scroll mounts, 3-3/4-inch enamel dial with Arabic and Roman numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped Vincenti and numbered 409, 38cm by 42cm see illustration 11.02.20 Ormolu surfaces are faded, minor chips to the front white marble panels, left hand side marble panel with a small piece missing, dial with some chips, movement needs cleaning, strike working, with pendulum.
Lot 186
A Large and Impressive Ormolu and White Marble Striking Mantel/Centrepiece Clock, late 19th century, the highly elaborate case with a central large urn surmounted by flowers and flanked by ringed lion head masks and two winged cherubs holding a swag of flowers, scroll shaped feet, enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate signed by the retailer Hemon A Paris, 97cm high see illustration 07.02.20 Ormolu surfaces are slightly discoloured and rubbed in parts, marble surfaces with scratches in parts and small chips, later dial, with pendulum.
Lot 228
A Palais Royal Ebony Sewing Box, mid 19th century, of scallop form, the hinged cover set with a mother-of-pearl shell carved with an urn, swags and foliage within steel picqué work, scrolls, diamonds and swags, opening to reveal a mirror and lift-out tray with compartments, containing a gold bodkin case, a gold mounted cut glass scent bottle and a gold mounted steel pair of scissors, the cylinder musical movement playing four airs on a single steel comb, gold items with eagle guarantee mark only, 16.5cm wide Originally the residence of Cardinal Richelieu, the Palais Royal was partially developed into shopping arcades at the end of the 18th century and became notable for the sale of expensive luxury goods. Box with wear and some minor splitting. Cloth cover to underside of base in poor condition. Some items lacking from fitted compartments to interior. Some staining to material on interior. Scissors with one arm broken. Musical movement currently not working and with one tooth to comb missing. 021019
Lot 185
An Ormolu and Champleve Enamel Striking Mantel Clock, signed Lemaistre A Paris, circa 1880, surmounted by an urn shaped finial, figural canted corners with acanthus leaf borders, multi-coloured champleve enamel panels, base with lion head masks and paw feet, 4-inch champleve enamel dial with Roman numerals and signed, twin barrel movement striking on a bell, movement backplate with maker's mark Japy freres and numbered 311, champleve enamel pendulum bob numbered 311, 47cm high see illustration 30.01.20 Ormolu surfaces with minor discolouring in parts, champleve enamel surfaces with minor scratches, glass panels are clean, dial with minor scratches, movement in going order, with original pendulum numbered 311.
Lot 1104
An early 19th century Staffordshire pearlware figure of Charlotte at the tomb of Werther, modelled in standing pose clutching the funeral urn, raised on column base, h.24cm; together with an early 19th century pearlware figure of Hygeia with serpent, in standing pose with serpent wrapped around her left arm, on naturalistic base, h.24cm; an early 19th century Staffordshire pearlware figure of Apollo, in standing pose with lute in hand, on square titled base, h.22cm; and an early 19th century Staffordshire pearlware figure of Charity, in standing pose with babe in arm and child at her feet, on naturalistic and titled base, h.23cm (4)
Lot 902
•ANNA KATRINA ZINKEISEN ROI (SCOTTISH 1901-1976) THE BLUE PERSIAN URN Oil on canvas, signed and dated 1921, 61 x 51cm (24 x 20") Condition Report: The painting has been lined and on inspection appears to be in good overall condition.Under ultra violet light inspection there is evidence of some retouching at intermittent intervals around the edges, on an area above the head, the forehead, the left and to lesser extent right cheek, slim line across the nose, the left and right of the upper half section of the dark dress and generally the odd very small touch here and there.
Lot 1501
A Late XIX Century French Leroy and Fils, Paris Ormolu Mantel Clock, inset with Sevres style porcelain panels, painted with garden and figural scenes, the rectangular base with reeded columns supported with a two-handled urn and applied with rams head and acanthus swags, the dial with Roman numerals and enamelled decoration, inscribed "Leroy and Fils, 211 Regent Street, London", the movement striking on a bell, inscribed 'Leroy and Fils, Paris, 16037' on a plinth, key and pendulum present, 39cm high.
Lot 1110
A Large Exhibition Type Longcase or 'Grandfather' Clock with a three train movement on eight chiming bells, supported by three large brass weights of varying sizes, playing Westminster and Whittington chimes. Subsidiary dials to the arched brass dial with silent and chimes display dial; the brass dial fitted with cast ormolu mounts to back corner, silvered chapter rings to the dial, maker or retailers name to the face, Thomas Armstrong and brothers, Manchester. Impressive mahogany case profusely inlaid with satinwood and various coloured exotic woods, with an Adams type urn to the central panel of the door; inlaid swags to the base, supported by shaped bracket feet. The hood with finely carved rosette roundels to the scrolls, with a central finial, fret work sides to the hood and finely matched Corinthian columns with capitals to both the case trunk and hood, 90'' high, 18'' wide, 12'' deep.
Lot 13
A massive bronze urn and coverBy Hasegawa Harusada (1800-1883)The urn shaped vessel decorated with cranes in flight through clouds and above waves with applied dragon handles and set upon a separate base section modelled as rockwork with a pair of karako (Chinese boys) and a urn, the cover also modelled as rockwork and further surmounted by two further karako, signature beneath main urn. 104cm high.Footnotes:Provenance: Purchased in Japan by Vendors Grandfather Capt. Stanley Rhodes circa 1920's.The iconography of boys and a large jar may refer to the story of Shiba Onko, (Chian/Sima Qian in Chinese) was a famous statesman and historian of the Han Dynasty. As a child it was said that Shiba Onko and his companions were watching fish in a huge jar when one of them fell in but whilst the rest of his playmates ran away leaving the child to drown, Shiba Onko used a rock to break the jar to drain out the water and set his companion free. This episode was a popular theme among Edo-period artists as a parable of virtuous behaviour.For further information on this lot please visit Bonhams.com
Lot 185
An Imari pattern ice pail18th centuryRobustly potted and of lobed urn-form with twin handles all raised on a spreading foot, decorated to each side with a similar landscape of pavilion beneath a pine tree, (restoration at footrim). 19.5cm high.For further information on this lot please visit Bonhams.com
Lot 119
A Capodimonte figure of a seated elegant lady & flowers; another of a thoughtful boy; Carlton Ware Rouge Royale specimen vase, trinket dish & vase; a blush ivory slender two handled urn & cover decorated with wild flowers; a small Minton twin handle urn & cover decorated with green swags and pink cabbage roses, gilded handles; Poole, Cranberry Glass etc.
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68904 item(s)/page