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An old Motashemi Kashan rug with a flowering urn issuing from an urn on a brick red ground within a lapis blue mihrab, with swirling Arabeque borders and a purple lashed edge. 197 cm x 135 cmThe ground has some wear and the foundation is just about visible in some areas; I can see some small areas of darning/flat stitching within the golden Arabesques in the border at one end, see images supplied.The arrowhead guard at the corner of the rug looks slightly suspicious but I can't see any joints to indicate patching, the sides are lashed with purple silk but this is patchy and has some losses. The ground has some banded colour a little like abrash it continues through the borders, again I can't see any jointing that might indicate a "cut and shut" one corner may have been repaired, again see the images for further information.I have tried to cover all the points but I would recommend viewing in person.
A 19th century framed embroidery- a magnolia silk ground with a tomb and urn with trees on either side, strawberry plants to symbolise the sweetness of life and love, above and foliage below. The embroidery in in shades of teal and duck egg with golden wheat. (1) 26.5 cm high, 23 cm wide (framed size)
Bolognese school of the mid-18th century."Reliquary of Saint Catherine of Siena".Gilded and polychrome wood. Some of the objects in solid silver.There is a restored break in the top of the urn. The urn is damaged.Measurements: 50 x 35 x 28 cm.Large Bolognese Baroque reliquary of Saint Catherine of Siena from the mid-18th century. This rare object of devotion comes, after several generations, from an Italian family from Bologna deeply devoted to the saint, who came into possession of the precious relic in the 18th century and decided to have a showcase built with the diorama of the saint's room in Siena in order to preserve it. The showcase, in the Bolognese Baroque style, is made of carved and gilded wood and ends with a niche containing, in a crown of lilies, a hair of Saint Catherine of Siena closed by the papal seal. The scroll above the relic reads: "Capelo di S. Catera". Inside the showcase there is a table and a chair, as well as some objects related to the saint, such as the crucifix, the book and the inkwell, the oil lamp and the ointments she used when she went to visit the sick. Some of these objects are made of solid silver. Catherine Benincasa (Italian: Caterina Benincasa), in religion Catherine of Siena was born on 25 March 1347 in Siena, Tuscany, and died on 29 April 1380 at the age of 33 in Rome. She was a Dominican mystic tertiary who had a great influence on the Catholic Church. She was declared a saint and Doctor of the Church on 29 June 1461. The piece is in a good state of conservation, with small losses and old restorations to the window, but the original gilding has been preserved.
20th Century Italian pottery model of an urn filled with lemons, stamped to the base, 41cm high approx and a continental ceramic bowl in the form of a plaited basket, unmarked, 32cm across x 14cm high approx (2)Both with overall display wear and some scratches. Glaze faults in places. Basket with small bruises and loss to glaze.
A Victorian copper kettle, unusually with original stand, circa 1850Of oval form, the lid with urn finial, the lid, kettle body and stand all engraved with the letter ‘R’ over ‘No.4’, height 21cm; together with a copper, brass and fruitwood chocolate pot, 27cm high, (2)Chocolate pot lid hinge appears to have been soldered. Dents to chocolate pot and teapotPlease note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com
An Impressive and rare Elizabeth I joined oak standing livery cupboard, circa 1600Having a rectangular plank top, above a leafy-strapwork carved frieze with fluted corbels, and two deep panelled cupboard doors with intricate carved strapwork, flanking a deep pyramidal carved arch enclosing a flowering urn, all spaced by leafy-carved pilasters of waisted outline, raised on stop-fluted columnar front supports, united by a boarded base and triple-panelled rear, leafy S-scroll base rail, the sides of the cupboard with conforming carving, 137cm wide, 58cm deep, 135cm high
Gill, Eric (1882-1940) Gill family collection of photographs of Gill's statues, carvings, inscriptional works &c. 1) 25 photographs of Eric Gill's statues & inscriptional work, all inscribed on the backs in Eric Gill's hand;including such works as "Mankind" (in the Tate Gallery); carvings in Portland stone for the West Dean Lychgate; stone decoration for Mirfield Refectory; "B.B.C. Details of Ariel, unfinished"; memorial stone for Sir Charles Hamilton at Broadway, Glos.; "Eve". Bath Stone 2 feet high approx. EG Apr. 1930"; 'St. Dominic Caen stone carved by Eric Gill, the Blackfriars Church, Oxford 1931 (about 18 inches high)...'; St. Francis (for Coplestone gravestone), Hoptonwood stone, about 3 feet high, 1935, in cemetery at Chester...'; 'Model for South Wind ca. 1929. Bath stone, about 2 feet long' (St. James's Park station); torso of a woman, a work completed at Ditchling, ca. 1920; 'Torso, Portland Stone, about 18 inches high'; The Glastonbury Madonna, in Portland Stone, completed in 1928; 'Headstone in Hopton-Wood Stone (Pitman's system), E.G. del. David R. Sc. 1936'; "Garden Statue", an early work completed 1911/12, later in Roger Fry's collection; elaborate bas-relief commissioned by the L.M.S. railway for their hotel at Morecombe, Lancs., illustrating the story of Nausica and Ulysses (1933), afterwards used on LMS menu cards; the Crucifix for G.K. Chesterton's grave in Beaconsfield Cemetery, 1937. 'S. Simeon Stylites (Garden Figure)'; Coat-of-arms for Jesus College, Cambridge, "Weldon Stone", about 7 ft. 6 inches high. 1930-31". The earliest photograph is one dated 1908 which shows three memorial stones, captioned 'Three memorials. A. Portland Stone - letters incised & printed black. B. Statuary Marble & Alabaster - Letters incised & painted "Brun rouge". C. York stone - Letters in relief.' A in the headstone for John Kipling, commissioned by the Earl of Lytton, 119 in THE INSCRIPTIONAL WORK... B is the oval tablet for Harriet Templer, 112 in THE INSCRIPTIONAL WORK. C is the headstone with relief inscription for Lily Duff, 79 in THE INSCRIPTIONAL WORK... 19052) 46 photographs of Eric Gill's statues & inscriptional work, all with inscriptions on the backs by members of the Gill family: Mary Gill, Evan Gill (E.G.'s brother), Petra Tegetmeier & Joan Hague (his daughters); and by Sir Wm. Rothenstein. There are 46 with their captions or other MS inscriptions. They include such works as "the money changers", the War Memorial of Portland Stone (6 ft x 16 ft.) on the wall of the Library at Leeds University, 1922-23, 418 in THE INSCRIPTIONAL WORK...; pierced carvings in door at the Radcliffe Library, Oxford, 1934; unfinished 'Headstone, Portland Stone, about 6' high'; 'The Divine Lovers'; funeral urn, in Willesden Cemetery, in memory of Walter Mortimer Ronalds, 1925; 'The golden calf'; Madonna & Child; tablet of polished Hopton-Wood stone, St. James, Piccadilly, in memory of Mary Beatrice Johnson, 1930; Memorial of Portland stone at Chirk, near Wrexham, 1920; 'A contortionist'; 'St. John the Baptist'; headstone in memory of Walter Consitt Boulter, 1913; Crucifix on the altar of Hart House Chapel, Toronto; Mother & Child (1913); portrait panel of Hopton-Wood stone, in memory of Ottoline Morrell, 727 in THE INSCRIPTIONAL WORK...; headstone of Delabole slate in memory of Percy Walter White; 'Joan of Arc'; 'A dancer'; '4th Station. St Cuthbert's Church, Bradford' (this has a number of inscriptions in William Rothenstein's hand); 'Study for Leeds War Memorial'; 'Leeds Memorial. The money changers, 1st stage'; 'Mater Amabilis'; 'Mankind'.3) 9 photographs of statues & carvings by Gill's assistants, six inscribed on the back in Eric Gill's hand. They are by Antony Foster, Charles Blakman, H.J. Cribb and Laurie Cribb. And the headstone for Eric Gill in the communal cemetery, Speen, Bucks, which was designed by E.G. himself but cut by his assistant Laurie Cribb. This is 762 in THE INSCRIPTIONAL WORK...4) 127 photographs without captions or inscriptions. They include such works as the headstone for Guinevere Shove; 'Ecstasy'; gravestone in Boulogne in memory of Herbert Trench, 438 in THE INSCRIPTONAL WORK...; tablet in memory of the McCosh family; Hopton-Wood stone tablet at Sevenoaks, Kent; coloured alabaster Mother & Child; Gravestone of York stone, 639B in THE INSCRIPTIONAL WORK... Plate VI); 'South Wind'; portrait panel of Lord Rutherford; statue of Mother & Child, commissioned by Rupert Brooke; Delabole slate tablet, 718 in THE INSCRIPTIONAL WORK; Grave-board at Suhr bei Aarau, Switzerland, 1933; The splits, 1 & 2; Portland headstone REMEMBER PHILOMEL; wall tablet in Brighton, for site of Russell House; stone tablet to mark the Coronation of King George V; Headstone at Drumoak, Aberdeen; wall tablet in the Maharani Hospital, Jagdalpur; sundial; headstone in Chester Cemetery for members of the Coplestone family; tablet of Roman stone in the Peek Frean pavilion, 1939; incised lettering on a pilaster of the British Museum, 394 in THE INSCRIPTIONAL WORK...5) Envelope of 15 photographs of Eric Gill's statues & carvings, mostly inscribed on verso by him or Mary GillNote: Provenance: Property of an English collector.
Helena Wolfsohn (Dresden) pot pourri urn and cover, circa 1900, twin gilt handles on an urn shaped body, decorated with panels of courtiers and floral block panels, all bordered with gilt scrolls, pierced cover with a laurel wreath handle, all raised on a square base, painted underglaze blue 'AR' mark, height 30cm
Box containing various glassware; boxed Cristal D' Arques French champagne flutes, Dartington Chateau boxed wine glasses, moulded and cut glass bowls and dressing table items, glass star ornaments, cruet items, glass trophy, two coloured glass liqueur or cocktail glasses etc. Together with a box of stoneware; bottles, two tone biscuit barrel, salt cellar, urn etc. (2)(B.P. 21% + VAT)
Box of various items to include; brass candlesticks, Court ware hand painted floral ceramic ewer and vase, Sylvac jug, two hollow pug dog figures, treen sewing mushroom, Mason's 'Formosa' miniature dresser jugs, miniature Beswick fireside spaniels, Wedgwood miniature urn, Crochendy basket ornament, Chelsom china bell, brass coffee pot etc. (B.P. 21% + VAT)
A heavy silver plated Coffee Pot, in the George II style, of upward tapering cylindrical form, with domed cover and urn finial, with a matching Hot Water Pot, each 27cms (10 1/2"); together with another silver plated Coffee Pot in the George II style, chased with foliage, pseudo-silver marks, 22cms (8 3/4"). (3)
A good Royal Worcester Pot Pourri, with pierced cover and urn finial decorated with roses, 10cms (4"); a Royal Worcester floral decorated Vase, 15cms (6"), a small Royal Worcester floral decorated Sugar Bowl and a Derby late 19th Century octagonal shaped and reticulated double wall Bowl decorated with flowers, 9cms (3 1/2"). (4)
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68875 item(s)/page