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Click here to subscribeFrench Second Empire white marble and gilt brass clock garniture, late 19th Century, the clock with a painted circular dial with Arabic numerals, indistinctly signed, the movement striking on a bell, surmounted with a twin handled urn and raised on four festooned columns flanking a floral basket pendulum over a kidney shaped base, flanked by five branch candelabra, height 45cm
A modern Royal Crown Derby porcelain two-handled urn shaped vase and cover, decorated in royal blue, orange, green and gilt with an "Imari" pattern, with gilt loop handles and square re-entrant base, 16.75ins high (orange printed mark to base - date letter and pattern number obscured by centre fixing)
A pair of Derby porcelain figures representing two of the seasons - "Summer" and "Winter" - The standing figure of a young woman holding a sheath of corn and cornucopia of fruiting vines to represent summer, and the standing figure of a young man holding a flaming urn with Phoenix at his feet to represent winter, both on gilt decorated rococo pattern bases, 8.75ins high (painted mark in red of crowned "D" - circa 1810)
A Victorian table centre supporting oval glass dish with serrated rim and hobnail and strawberry cut exterior, with star cut base, the stand with urn pattern column and shaped oval base supported by two cast figures of winged griffins, with anthemion and leaf scroll borders on oval bun and panel feet, bowl 12.5ins x 9.25ins, the whole 13.75ins high, by F.E., Birmingham 1881 (weight 75ozs)
A pair of 19th Century French ormolu mounted serpentine candlesticks/pot-pourri vases, the urn shaped bodies with reversible sconces/covers with pineapple finials and shell ornaments, each supported by three Mermen, the two-tiered cylindrical bases with bold floral swag ornament and bead mounts, 11.5ins high
A Royal Worcester pot-pourri vase and cover, the globular body decorated in gilt with seaweed on a blue ground, printed marks and Shape No. 1039, date code for 1914, 11cm; a Royal Worcester vase, the two handled urn shaped body decorated to shoulders with foliage within a scrolled rococo, printed marks and Shape No. 544, date code for 1903, 9cm (one handle repaired)
A George III style mahogany dressing chest, rectangular bevelled mirror with in curved cornice, on square tapering supports with urn finials, the projecting base with gadrooned top and plate glass cover, above three graduated drawers, two further drawers below, all cockbeaded and with brass swan neck handles, on acanthus carved cabriole legs, pad feet, brass sockets and casters, early 20th century, 130cm x 157cm
A COALPORT PLATE painted with a young girl standing beside an urn on a pedestal, the dark blue broad border enriched in gilt, inscribed The Bouquet, retailers mark for Aspley & Pellatt, London, 9in. (23cm.), together with another Coalport plate painted with a named view of Bamborough within a broad dark blue border enriched in gilt, 9in. (23cm.) dia.
A VICTORIAN MAHOGANY HALF TESTER POSTER BED, the serpentine tester with moulded cornice centering in applied moulded cartouche, and circular rails with square posts, the arched solid Footboard with applied moulding, the spirally turned posts with urn finials, on turned feet. Approximate Width 60".
A pair of Victorian mahogany boxwood strung and inlaid cutlery urns on pedestal bases, circa 1890, each urn with an urn finial and stepped rising domed cover, enclosing a fitted interior over a concave plinth and boxwood strung frieze drawer and cupboard door, each cupboard enclosing a deep drawer, one with cellarette, and one lead lined drawer, each raised on slender tapering feet, 19" wide, 18.5" deep, 66" high
A Victorian Presentation Cup and Cover, on circular domed pedestal foot, the urn shaped body with leaf capped scroll handles and detachable lid with horse finial, the whole elaborately moulded with flowers, foliage and scrolls and engraved with presentation inscription for 'Ripon Agricultural Show, July 1st 1898' (40.5cm high)
An Edwardian Tea Urn, the oval stand on five scroll supports, the oval moulded urn with a band of stylised leaf work, moulded tap with ivory handle, tapering neck, detachable oval domed lid and flame finial, double wirework scroll handles with three bead spacers, (by Ramsden & Carr, London 1903, 32cm high, 36oz)
A George III Teapot and Tea Caddy, of serpentine shape, engraved to the centre with an urn and initials, within ribbon tied medallion between wrigglework borders, (by Charles Aldridge & Henry Green, London 1780, the teapot 27cm wide, the caddy 12.5cm long, 29oz); and A George III Teapot Stand, oval, engraved with similar decoration, wooden base, (by Philip Freeman, London 1780, 15cm wide) (3)
A Brass and Steel Mounted Fire Grate in George III Style, the rectangular cast iron plain backplate with downswept side panels to a two-bar front with main leaf tip knopped bar, with urn and flambeau finials, the forward swept integral andirons also with vase finials, on patera decorated tapering feet, (85cm by 45.5cm by 47cm)
A French Faux-Boulle Clock Garniture, circa 1900, in Louis XV style, the clock with 3 1/2 inch enamel dial, the movement No.409311AI striking a gong, in a waisted case veneered with red faux tortoiseshell applied with ormolu scrolls and shells, (29cm high), and a pair of two-branch candelabra side pieces, with whiplashed acanthus swept branches and urn silhouette bases, (24cm)
A French Porcelain Mounted Ormolu Mantel Clock, circa 1875, the movement No.33237 12-2JBD striking a bell, the rectangular case surmounted by a two-handled urn, the front porcelain panel painted with a capriccio Italianate landscape with dial above with Roman numerals, flanked by Hermes, the side panels decorated with classical lovers in woodland glades, on leaf edged toupie feet, (28.5cm high)
An Impressive Ebonised and Brass-Mounted Chiming Table Clock, late 19th century, the ebonised case with brass leaf mounts to four canted corners, side carrying handles above pierced sound frets, scroll feet, the bell top case with central urn finial upon bow decoration, dial with individual white enamel Roman cartouche chapters and painted seascape, the massive three train fusee and chain movement with anchor escapement, chiming on nine bells and striking on a further bell, (88cm high) (two finials lacking to case top)
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