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Victorian cast iron street lamp, the top with acanthus supports for a gas mantel, (lacking) over a fluted column and acanthus relief decorated area and an urn shaped section raised on scroll supports joined by swags, upon claw feet and quadripartite base plinth, some damages, 73in (185.5cm) high
A Derby circular two-handled pedestal bowl, the sides moulded with linked circles beneath a shaped rim, on spreading circular base, cable moulded handles, the centre painted en grisaille with a neo-classical urn within swags of colourful summer flowers, gilt dentil rim, 24cm diameter, crown, crossed batons, dots and D in puce, circa 1795 (handle restored, cracked and glued)
A pair of Sampson & Hancock Derby white figural salts, holding shells, wearing 18th century costume, on naturalistically moulded shaped oval bases, 17cm high, crown and crossed batons, dots, S & H in blue; a Sampson & Hancock white glazed figure of a peacock, the naturalistically shaped foliate scroll base encrusted with flowers and foliage, 19cm wide, crown, crossed batons, dots, D and S & H in red; a Derby white glazed urn, on incurved square base, the rim moulded with masks and filled with naturalistically modelled flowers and foliage, 8cm high, crown, crossed batons, dots and D in red (4) (chips)
A good pair of Royal Crown Derby named view urn shaped vases, painted within gilt oval frames by Cuthbert Gresley, signed, Ben Ledi From Callander Bridge, Scotland, and View of Mount Ruberslaw, Scotland, reserved on cobalt blue grounds gilt with flowers and foliage within burnished and matt gilt borders, gilt acanthus scroll handles, on spreading pedestal bases, 21.5cm high, printed marks in red, date code for 1920
An oak longcase clock, the arched enamelled 32cm dial painted with a coastal scene above castle and figure spandrels, Roman chapter ring, calendar sector, eight day movement, striking on a bell, the arched hood with brass mounted swan neck pediment and central keystone above freestanding brass mounted fluted pillars, the trunk door and base with harewood flowering urn paterae, mahogany bandings and boxwood stringing throughout, on a shaped base, 226cm overall
A silver and tortoiseshell pique mounted square jewellery box on four leaf capped cabriole legs, the hinged lid with a harebell border and a tortoiseshell pique panel depicting a round floral reserve, an urn, flowers and leaf scrolls, marked 'Finnigans Manchester', London 1909 by William Comyns, 14cm square (5.5in)
A pair of 19th century Meissen style twin handled urn lamps, with stiff leaf cast angular handles, opposed painted oval panels depicting figures and ships, on deep blue ground with gilt flower decoration, the base with circular oak leaf cast frieze and marbled gilt and white rectangular block, with later gilt brass foot (fitted for electricity)(2) 28.5cm high
A Victorian brass and painted porcelain clock garniture, the clock with movement striking on a bell, with domed top surmounted by twin-handled urn with acorn finial, above painted dial, depicting a harvest scene, the base centred by a cast cherub's head, on gadrooned toupie spiked feet, the twin-handled baluster urns similar, each with velvet lined serpentine giltwood stands with flattened bun feet (3) the clock 42cm high
John Beeckman, Pall Mall, London. An ebony veneered striking table clock, circa 1700, the twin train fusee five pillar movement with verge escapement, striking on a bell with pull repeat (lacking), count wheel attached to engraved back plate bearing inscription John Beeckman in ye Pall Mall, silvered chapter ring with Roman numerals on brass dial with cherub mask spandrels, and similar inscription, date aperture, the rectangular case with pierced scrolling panel to door, pierced and cast gilt brass cushion cresting with hinged handle, flaming urn finals to corners, plinth base with bun feet, 37cm high.
Ansonia, New York. An early 20th century American gilt bronze and glazed mantel clock, the movement striking on a coiled gong, with mercury filled pendulum, the rectangular top with acanthus and shell cast corners, surmounted by a similar urn finial, above a circular enamelled dial, on acanthus and scroll cast feet, 39cm high
A Victorian walnut and inlaid credenza, of semi bowed form, the shaped top above floral and foliate inlaid frieze and central door with gilt metal banding and central marquetry urn issuing flowers, flanked by bowed doors similarly inlaid and raised above a shaped plinth, 152cm wide, 104cm high, 34cm deep
A George III satinwood kneehole secretaire desk, rosewood crossbanded overall, the rectangular top above a secretaire drawer, the interior fitted with writing surface, drawers and pigeonholes, above a small drawer and keehole with recessed cupboard door with marquetry urn inlay, flanked to each side by three drawers, on bracket feet, 84cm wide, 84cm high, 52cm deep
A Regency mahogany bowfront linen press, having a stepped and gadrooned cornice and plain frieze above twin oval fielded doors with crossbanding, ivory urn escutcheons and opening to reveal fitted slides, the base fitted two short and two long graduated drawers with crossbanded edge, brass ring handles and raised on splayed bracket feet, height 225cm, width 140cm
An Edwardian mahogany satinwood and boxwood strung free standing corner display cabinet, circa 1910, with reeded urn finial and glazed ribbed door enclosing glass shelves and a silk lined interior over a faux fluted frieze and raised on four square tapering legs joined by a shaped platform stretcher, 32" wide, 22" deep, 73" high (two finial)
A mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the arched 12in dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, date aperture and subsidiary seconds dial, and a plaque inscribed EDWARDS Plym. Dock, the arch with 'strike/silent' dial, line-inlaid case, the hood with arched pediment and three brass urn finials, the movement 19th century, the case 20th century, 221cm high
Rimavesi Bros Bournemouth; a mid 19th century mahogany and line-inlaid wheel barometer, the silvered register with central sweep hand and with hygrometer, thermometer, convex mirror and spirit level, the later with maker's name, the case surmounted with an urn finial and swan-neck pediment, 96cm high
A French mahogany round table, with gilt metal mounts, the green marble top above a flower mounted frieze, on square tapering caryatid style legs with a triform centred with a gilt metal urn, on bun feet, stencilled, 'MEUBILES & BRONZES ANCIENS HOPILLIANT LEROY PARIS 12 RUE DES ST PERES', 76 high x 59.5cm diameter
An impressive English porcelain vase and cover, the cover with cherub and garland finial with pierced decoration, the urn shaped body with leaf moulded handles, painted with two panels one titled 'Spring', the other 'Autumn', on a spreading base and four leaf feet, possibly Minton, 43 cms high.
A John and William Ridgway blue and white Portland Basket pattern shaped oval meat plate, printed in underglaze blue with urn of summer flowers, floral scroll border;a Minton blue and white Genevese pattern two-handled pedestal bowl, printed in underglaze blue with architectural buildings in landscape, floral border, 31cm wide, c.1850 (some faults) (2)
A Copeland and Garrett blue and white Seasons Series shaped rectangular serving plate, Spring, printed with an oversize central urn containing flowers in Richmond Hill, the border with four small vignettes containing cherubs allegorical of the seasons divided by elongated geometrical lattice panels, the whole with scrolled border, 53cm wide, printed ornate shield within a drape mark
A Royal Dux figure group, of a potter painting a Greek urn, a lady leaning against a Corinthian column, stands over him watching intently, the rounded rectangular base with bold paw feet, coloured in tones of blue, pink, ivory and burnished gilt, 41cm high, pink triangle mark, c.1900, impressed shape no.126 (cracked base)
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68875 item(s)/page