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Lot 1011
An Edwardian mahogany demi lune console hall table in the Adams revival style. The table having a bow front top with gadrooned ribbon edge top over embellished relief worked swag and urn decorated frieze. All raised on tapering squared supports section with spade feet. Measures approx. 74cm x 93cm x 41cm.
Lot 1300
An antique terracotta urn plinth in the form of a fluted column; together with a Victorian or Edwardian terracotta shallow campana urn bowl with egg and dart decorated rimthe urn plinth 39cm diameter x 69cm high, the shallow campana urn bowl 57cm diameter x 22cm highQty: 2Marks, minor chips, losses and weathering overall due to age and use. The urn lacking its plinth.
Lot 1258
A cast reconstituted stone garden urn of circular form with gadrooned bowl, together with a circular plinth and fluted column support56cm diameter x 100cm highQty: 2Weathered overall. Some minor marks and losses. The urn and its base in need of reattachment although sitting one on top of the other perfectly well.
Lot 548
A 19th century mahogany serpentine fronted serving table with decorative central oval panel depicting a classical urn, bats wing ornament to the corners, cross banded decoration, three drawers and all standing on square legs184cm wide x 76cm deep x 94cm highQty: 1Minor marks, dents and scrcatches overall due to age and use. Some slight los to the veneer, particularly along the front edge. The handles original.
Lot 1267
A French cast iron oval garden planter with scrolling handles; together with a small painted cast iron campana urn; and a small cast aluminium jardinière or planterth oval planter 62cm wide, the campana urn 33cm highthe jardinière 36cm wideQty: 3All in weathered condition with wear to the paintwork.
Lot 1290
A Victorian buff terracotta garden urn of campana form with flaring rim and band of fruiting vine ornament on a circular plinth72cm diameter x approximately 752cm highQty: 1Large chips beneath the rim. Further knocks and marks overall due to age and use. The top and base possibly in need of firmly reattaching.
Lot 1357
A Victorian cast iron urn and cover on a stepped plinth base after the Sosibios vase, possibly by Andrew Handyside & Co. Derby (at a cost of £4 0s 0p in 1880)the vase 84cm high x 43cm wide, the vase and plinth 145cm high overallQty: 1In weathered condition with oxidisation, particularly to the base and at at the base of the swan handles. Cracks to the handles.
Lot 1342
A pair of antique buff terracotta garden urns of classical form, with bands of oak branches on fluting bases and plinths to matchthe urns 52cm diameter x 68cm high, the plinths 38.5cm wide x 50cm highQty: 2Weathered overall. With some losses, particularly to the corner on one of the plinths missing. The handles to one urn lacking. Further cracks, knocks and marks overall.
Lot 1177
Attributed to William Routh c.1760-70Portrait of Peter Leggat of Barwick-in-Elmet-Yorkshire, half-length, with hand in waistcoat pose, wearing a fine jacket decorated with gold buttons, a rose corsage pinned to his lapel and holding a stickA portrait of Sarah Leggat, wife of Peter, half-length, wearing a fine white satin stomacher dress with blue satin detail, ribbons and lace trimmings, a matching mop cap and choker, standing before a draped curtain and before an urn of assorted flowersA portrait of Jane and Elizabeth, daughters of Peter and Sarah Leggat, half-length, wearing white dresses and pretty headpieces holding a basket of flowers with their attendant dog before a landscapeEach initialled and indistinctly dated? oil on canvas, 66.5cm by 64cm, 67cm by 64cm and 74.5cm by 63cm respectively (3)This lot is sold together with the Leggat Book of Common Prayer and a small cache of documents relating to the family.Each relined, cleaned and re-varnished. The gentlemen - some surface dirt and discoloured varnish in evidence. Stretch shadow with traces of historic retouching by eye. Further vertical line of separated paint and possible old restoration approx 1cm to right of evident upright right hand side stretcher shadow approx 30cm in length. Further areas of apparent cracquelure and crazing e.g. immediately above the ledge of right hand side near his left-hand side shoulder. Similar degree of crazing, cracquelure, cracking, addition of bitumen? to background and curtain upper left. Surface is somewhat flattened from restoration, paint is thin in places. Delicate retouching and infilling all be it relatively consistently presumably to old flaked paint across the sitters face, collar, and shirt, his right hand shoulder, a good degree of his waistcoat, right hand cuff and his right hand in addition to his left hand. Further infilling generally within lower left-hand corner and more sporadically elsewhere. Som likely general strengthening through background and his left-hand arm and sleeve. Slightly adrift of frame along upper edge. The lady - In broadly similar condition to the gentlemen with regards to stretcher shadow, flattening and thinning of the paint as result of restoration particualrly the expanse of lace within the lower right hand corner. Varying sized patches of cracquelure, some being more pronounced than others. Surface dirt and discoloured varnish. Some horizontal creasing like effect within the lower area approx 10cm from lower edge. Some more apparent crazing to areas of paint particularly extremeties of background with more pronounced separation. Consistent retouching to more areas of paint within background upper left area, within stretcher shadow section. Delicate fairly consistent retouching and infilling to old flaked paint across the sitters face, left hand side hand and arm, and less consistently evident to other areas of her costume. Fine retouching and infilling to bulls eye shaped cracquelure within the urn. Some more general strengthening to background and sporadic retouches probably of a different date to background and floral arrangement etc. The children in broadly comparible state of preservation, stretcher shadow, varying sized and separated cracquelure, surface dirt and discoloured varnish. Minor rubbing to edges, especially top edge. Circular patch of restoration in background approx 8cm from upper left hand corner and 1.5cm dia. Delicate retouching and fairly consistent infilling to cracquelure across the faces of the two children. Further delicate but again consistent retouching to old flaked paint through the other flesh areas and costumes of the two girls. Couple of approx 1cm by 1cm patches of restoration along right hand side edge. More sporadic retouches and infilling across the hound and background in general with likely more consistent areas of general strengthening to background etc. This painting also displays a similar degree of flattening of surface and thinning in places due to restoration process. For more information please contact the department.
Lot 1205
Hendrik Reekers (1815–1854) Dutch A plentiful still life with varied game and hunting accoutrements, flowers and fruit on a silver platter before a Classical urn and arranged on a stone ledge Signed, oil on panel, 92cm by 80cmProvenance: The Ledger Galleries Ltd, London, September 1963 Hendrik Reekers worked as an artist in nineteenth century Haarlem. He learned under two great painters, his own father Johannes Reekers the Elder (1790-1858) and Gregorius Jacobus Johannes van Os (1782-1861), a still life and landscape painter. Reekers followed in his teacher’s example, with his oeuvre consisting of still life oil paintings and studies on paper that closely emulate the highly detailed, luscious images created by van Os and the accurately represented fruit and comprehensive studies by Reekers the Elder. He also became a teacher himself in 1837 and went on to travel frequently to Paris and Brussels before he died at 38.The painting is a showcase of the artists’ technical ability and continues the Dutch tradition of still life painting. Reekers has accurately depicted poultry game typically hunted in the Autumn season, pigeon, partridge and pheasant. Along with the game is an artful arrangement of flowers in vase, including Auriculas, Rhododendrons, Carnations, Heather, and Roses. To add to the richness of the almost life size composition, Reekers included fruits not native to the Netherlands. These luxury fruits of pineapple, lemons, pomegranate, and peaches would have been imported or specially cultivated, alluding to the global trade the Netherlands participated and the wealth it produced for the participants.This painting, like many of Reekers’ artworks and the still life genre in general, strikes a tension between highly realistic representation and artificial composition. Though the game is traditionally of the Autumn season, most flowers have their season in spring to late summer. So, although the arrangement of items may seem careless and haphazard, it was meticulously planned out, perhaps using stock drawings of some of the items either not in season or difficult to obtain.
Lot 265
A George III mahogany corner washstand, 57cm wide, together with an early 20th century urn stand and a George III side chair (3)Stand is early to mid 20th century in date. Has a split top and missing handle. Washstand is usable, with a replaced Edwardian handle. Chair is usable, but scruffy with fabric in need of replacing. These were removed from a house clearance, so in unrestored used condition, but are usable.
Lot 764
A 19TH CENTURY CONTINENTAL SPECIMEN MARQUETRY CENTRE TABLE, IN THE MANNER OF FALCINI the rectangular top with bone inlaid edge profusely inlaid with satinwood, fruitwood and amboyna, the central urn flanked by fruit cornucopias, trailing foliate and flowerhead motifs, fitted with a single frieze drawer, the frieze rails with matched inlays, spiral turned ebonised legs joined by an H-form stretcher with bone inlay, on turned bun feet. 76cm high, 120cm wide, 68cm deep
Lot 399
A GEORGE III SILVER-GILT TWO-HANDLED CUP AND COVER by William Holmes, London 1801, the trophy in the form of an urn, decorated with partial fluting, borders of reeding and laurel leaves, applied floral garlands and a frieze of fruiting vines below the rim, one side with an engraved coat of arms, the other with an applied plaque depicting playful putti. 43cm high, 93.7 troy ounces
Lot 243
AN EDWARDIAN SILVER AND GLASS BISCUIT BARREL by William Henry Sparrow, Birmingham 1907, retailed by Z. Barraclough & Sons Silversmiths Leeds, of cylindrical form, removable glass liner, shaped swing handle, detachable lid with urn-form finial. 16.5cm high to top of finial, 7.6 troy ounces (excl. glass)Marks are good. A few scratches to the glass. Generally in very good condition.
Lot 300
A George IV Carved Mahogany Shop Display Cabinet, almost certainly by Gillows, 2nd quarter 19th century, the moulded pediment surmounted by a stiff leaf border with a carved urn, flowers and berries below, the door with an inverted front moulded pediment above a stiff leaf carved border framing a glazed panel sliding on runners, the interior with three mirror plates and glass shelves, the moulded base on castors143cm by 65cm by 257cm
Lot 337
~ A French Louis XVI-Style Giltwood and Gesso Overmantel Mirror, 2nd half 19th century, the plain mirror plate within a beaded moulding with egg and dart moulded frame surmounted by an urn issuing flowers, scrolls and leaves and flanked by decorative finials183cm by 107cmVery good cosmetic condition, some small areas of repair including leaves on pediment
Lot 182
A Mahogany Striking Alarm Table Clock, signed William Dirrick, London, circa 1790, inverted bell top pediment with brass carrying handle, pierced brass sound frets, pull hour and alarm cords, bracket feet, 8-inch circular silvered dial with Roman and Arabic numerals and signed, central alarm disc, twin fusee movement with a verge escapement and hour and alarm striking on a bell, movement backplate elaborately engraved with floral and urn decoration, bob pendulum, movement secured in by brackets49cm high over handleCase right hand side with small cracks in parts, case otherwise is clean, dial is clean, movement in going order and striking.
Lot 323
♦ A George III-Style Carved Giltwood Wall Mirror, 2nd half 19th century, the plain mirror plate within a moulded frame with scrolls, acanthus leaves and flowers, the scrolled pediment centred by an urn issuing flowers and leaves flanked by griffins111cm by 90cmGilding, flat and poor colour various faults, looses and small repairs to frame as photographed
Lot 179
A Green Onyx and Champleve Enamel Striking Mantel Clock with Garniture, retailed by Gibson & Co Ltd, Belfast, circa 1890, surmounted with an urn shaped finial, bowed bevelled side glass panels, multi-coloured champleve enamel decorated columns and borders, 4-inch dial with Arabic numerals, twin barrel movement striking on a gong, movement backplate stamped S Marti, 51.5cm high, with green onyx and champleve enamel urn shaped garniture, 33.5cm highBrass surfaces are discoloured, base with small chips to the edges of the onyx in parts, top side of the case with a small chip to the front side of the green onyx and a bigger chip to the back left hand corner of the green onyx, enamel surfaces look clean, dial is discoloured and the numerals are rubbed in parts, movement is working and striking. Both garniture with minor chips to the onyx bases, one of the garniture with some enamel missing to the underside of the flared topside, one of the flared tops is distorted and visible from a side view.
Lot 74
A Flight, Barr & Barr Worcester Porcelain Vase, probably by Samuel Smith, circa 1830, of urn form with twin entwined serpent handles, painted with a still life of shells, coral and seaweed on a green ground highlighted in gilt within beaded borders, on a circular socle and square plinth, painted mark in red and impressed crowned FBB mark20cm highSee footnote to previous lot.Right side handle badly broken at the top, also to the middle and bottom, these sections restored. Left handle restored on the top loops. Raised gilt section of the neck broken and restored. PAinted panel free from damage and repair, some slight scratches. Coloured ground with minor wear and scratches.
Lot 71
A Pair of Flight, Barr & Barr Worcester Porcelain Small Vases, circa 1820, of twin-handled urn form, painted with sprays of flowers in a cream panel on a blue ground highlighted in gilt, on circular socles and square bases, painted marks in red9.5cm highOne handle restored. Gilding on the opposite vase re touched at the pedestal and plinth, possibly some very good restoration at this point. Minor surface wear to both.
Lot 352
{} A French Louis XV-Style Kingwood and Gilt-Metal-Mounted Vitrine, circa 1880, with a pierced brass gallery above a bevelled glass plate, the hinged lid enclosing a plate-glass shelf above a velvet-lined interior, on slender cabriole legs with gilt metal mounts decorated with roses, leaves and an urn issuing a flame, on acanthus-decorated claw feet 44cm by 38cm by 83cmRemoved from Aske HallProvenance: Sold on behalf of The Trustees of the late 3rd Marquess of Zetland Will TrustReasonable condition, however, general scratches to the glass. Also some very slight movement in the top section (probably from lifting the item) Also small faults/stress cracks on the legs as photographed good quality metal mounts, glazed door is open but no key
Lot 364
♦ A Pair of Regency-Style Gilt and Patinated Bronze Three-Light Candelabra, with foliate-sheathed urn sconces and scroll branches centred by a pineapple, on a tapering cylindrical column and tricorn base59cm highAll nozzles detatch. Each with some play in one of the branches. Some column dents. One possibly repaired st the top of the column. Gilding worn and this and patina quite dry40cm height to gilt section sat on column48.5cm height to centre finial
Lot 50
^ A Prattware Model of a Longcase Clock, circa 1810, with foliate cresting over two putti flying above the clock face, the trunk with arched door, on a rectangular base with an urn and foliage, picked out in typical colours20.5cm highA Similar Example20.5cm high (2)See Lewis (John & Griselda) Prattware, pg.243 for a similar example in Manchester City Art GalleryFirst clock with sponged sides - no restoration. chip on the top of the hood. Other chips to the rim of the plinth. Glaze pitted and crazed. Very slightly abraded.Similar - no chips, cracks or restoration. Glaze crazed and pitted. With some very slight and minor abrasions.
Lot 286
♦ A Victorian Gilt and Gesso Breakfront Overmantel Mirror, 2nd half 19th century, in Regency style, the ball surmounted cornice above a classical urn, acanthus scrolls and swag, the bevelled glass mirror plates below, all between moulded column supports flanked by moulded bracket, on white ceramic feet137cm by 78cmNumerous cracking to the gesso- see photographs rubbing also to the paint small losses also to the gesso
Lot 279
^ A George III Mahogany and Parcel Gilt Pier Glass, 3rd quarter 18h century, the tarnished mirror plate within a stiff leaf carved border with carved apron and fret-carved plume surmounted by an urn flanked by acanthus C scrolls126cm by 61cmPaper label verso: Exhibited at the 1963 Antique Dealers' Fair, Grosvenor House, Park Lane, WI, described as Chippendale mahogany and gilt mirrorSome fading and small losses, but overall good cosmetic condition, mirror plate heavily tarnished, cresting small repair. See images
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68875 item(s)/page