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A Victorian cast brass jardiniere of oval urn form, with beaded rim over figural moulded sides depicting satyrs and cherubs, the handles depicting the figure Pan and entwined with snakes, on a short pedestal and fluted spreading foot with garland edge over a stepped base, 45cm wide, 35cm high, 33cm deep
A pair of French bronze Empire style lamp bases of two handled urn form, the bodies depicting mythological scenes depicting satyr cherubs and dancing maidens, the leaf and mask moulded handles over a spiral fluted and circular foot on a rouge marble base, one base retaining its Duplex Patent burner and clear glass reservoir, 36.5cm high (2)
A pair of early 19th century giltwood and gesso girandoles, in the neo-classical style, each with an urn and scrolling leaf pediment over and oval mirror plate within a reeded and beaded surround over three candle branches with scrolling leaves and bell flowers below (both at fault) 57cm wide, 128cm high
A late 19th century satinwood boxwood and ebony strung polychrome decorated serpentine floor standing china display cabinet the mask and scrolling leaf decorated frieze over a central serpentine cabinet door with urn decorated panel to the base, flanked by a glazed serpentine panel to each side with urn decoration below raised on four short square tapering legs terminating in a spade foot, 145.5cm wide, 186cm high, 43cm deep
A pair of Edwardian silver gilt sugar vases, each of Adam style urn form with pierced domed cover, the ovoid body decorated in relief with a pair of rams masks supporting acanthus festoons and oval classical maiden vignettes above a stiff leaf band, on a short stem, circular foot and square base with foliate feet, London 1907 by Goldsmiths & Silversmiths Co Ltd, height approx 18.5cm.
An inlaid Edwardian rosewood writing desk, with box wood stringing, urn and acanthus detail, the cylinder roll enclosing a fitted interior of small drawers and pigeon holes with Birdseye maple veneers over a pull out inset leather writing surface, two frieze drawers and square tapered column supports terminating in brass caps and castors
A good quality Edwardian satinwood open elbow chair in the Hepplewhite style with hand painted floral detail and shield shaped back, with pierced urn shaped splat over an alternating striped upholstered serpentine seat raised on square tapered column supports and spayed feet together with one other similar
Late 19th Century French gilt metal and porcelain mantel clock, surmounted with an urn finial, with face mask and scrolling foliate decoration, the hand painted circular dial having cellular roman numerals bordered by a minute track, painted centrally with a bridge over water and boat scene, gilt spade hands, with a further hand painted porcelain panel depicting a young courting couple by a river, the case applied with two birds and futher scrolling, raised on six feet, twin train movement, 37cm high
Late 19th Century French gilt metal mantel clock, Henry Marc, Paris, mounted with a figure of a young boy, above circular white enamel dial with black roman numerals, bordered by a minute track, moon hands, flanked by an urn of flowers either side and with a garland beneath, raised on four feet, twin train movement, 36cm high
19th Century French gilt metal and porcelain mantel clock, Japy Freres, surmounted with an urn of flowers with lion mask either side, the circular porcelain dial with cellular black roman numerals, bordered by a minute track, centered with a ring of flowers on blue ground, gilt spade hands, the dial 8cm diameter, twin train movement striking on a bell, the base with similar porcelain panelling, gilt scrolling, swags, paw feet and floral motifs, the back of case stamped `P.H. Mourey`, approx. 36cm high, (3)
MEXICAN SILVER LARGE TEA URN, MID-20TH CENTURY of shouldered ovoid form with scroll handles, repoussé and engraved with flutes and panels of stylized flowers and leaves, the domed cover conforming below an urn finial, all raised on four moulded scroll supports, height 25"" — 63.5 cm., 156.6 oz. — 4870 grams, contains material which may be subject to import/export regulation
A pair of large early 20th century ormolu and marble six-light candelabra, each sconce on foliating ormolu branch, urn stems in variegated rouge and grey marbles, the bodies mounted with four ormolu portrait ovals within pendant swags, square bases, 32.5in., each on painted wood triform pedestal with circular marble top, wood frames with gilded lion-mask terminals and acanthus leaf-scrolls, cast iron paw feet, pedestals 43in., 6ft. 4in. overall - electric
A W A S Benson copper and brass warming tray of rectangular form with stepped moulded and rounded outline, raised on turned column supports and splayed pointed flattened feet (lacks burner), together with a brass swan neck table lamp with scrolled foliate base in the Benson style, and a copper and brass urn shaped caddy
A 19th century polished marble and gilt clock garniture, the clock dial with floral swag decoration and raised on brass and marble column supports with additional brass mounts and set beneath an urn shaped finial flanked by a pair of urn shaped side ornaments, the eight day movement striking on a single bell
(lot of 2) Kim Newcomb art glass vases, of urn form with flared rims and resting on tripod feet, the first executed in gold aurene with a teal pulled feather design, signed Newcomb `76,` 6.5""h; the second executed in an amber aurene with an abstract string vine design, signed, `Newcomb `77,` 8.5""h
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68875 item(s)/page