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A pair of painted and lacquered side tables in the George III taste, the faux rouge marble top above a cream and duck egg blue painted base, the fluted frieze with Gryphon and urn and floral medallion decoration, raised on square tapered harebell and ribbon decorated supports to carved and turned feet (ONE ILLUSTRATED)
An early 20th Century gilt Brass and Champleve enamelled four glass Mantel Clock, Maple & Co Ltd, Paris, the oval case surmounted by a classical flaming urn, and flanked by freestanding columns with bladed ball finial, enclosing four bevelled glass panels, and further enamelled interior, to a plinth base, with bracket feet, to a gilt and enamel bezel enclosing a 3 ½” Arabic enamel dial, chapter ring with further floral enamelled central boss and blued steel fleur de lys hands, to a signed circular Brass movement, with simulated mercury twin pot pendulum, and anchor escapement, strike on a bell, height 15 ½”
A 2nd half of the 18th Century Eight Day Long Case Clock movement and dial, John Richars of Wisbich, the 12” square brass dial set with cast and applied urn and foliate spandrels, enclosing a Roman and Arabic chapter ring, with outside and inside tracks with further half hour markers, to a matted centre with subsidiary seconds and date sector and further pierced steel hands, to an incomplete 8 day movement with anchor escapement and strike on a bell (bell lacking)
A late 19th Century gilt metal cased Mantel Clock, the plinth shaped case set with columned corners and galleried pediment, centred with an urn and decorated with maidens in a river landscape, with further cast and applied winged griffin paw feet, to a cast bezel enclosing 3 ½” Roman enamel dial with outside minute track and fleur-de-lys half hour markers, with visible brocot type escapement and blued steel fleur-de-lys hands, to an Ansonia movement with anchor escapement and strike on a coiled gong, height 15 ½”
A pair of late 19th Century electroplated three light Candelabra, each with detachable nozzles and waisted sconces, and fitted with drip pans, to scrolling acanthus leaf and floral arms, to a central light with further detachable urn-shaped insert, to a detachable base, with further waisted sconce and tapering circular column (one repaired), to spreading circular bases (loaded), height 21 ½” (2)
A late 19th Century electroplated Tea Urn, of inverted baluster form, the pull-off bell-shaped cover with acorn finial, with flared rim and reeded body with heavy cast and applied side handles, to a waisted column and tap, on a spreading circular base, and raised on four cast and applied feet, and fitted to the interior with liner and pig-iron insert, height 20”
A mahogany serving table, the moulded edge rectangular top above a plain frieze centred a classical urn with husk drapes, with paterae headed square tapering moulded arched legs, 29.25in (74cm) h, 66.25in (168cm) w, 30in (76cm) d. The underside with a printed catalogue entry from Mon April 11th 1910, Messrs Christie, Manson & Woods, Lot 453 an Adams oblong mahogany side table, 18th century and later.
A George III mahogany cutlery urn, inlaid feather stringing and tulipwood banding, the rising stepped cover revealing a graduated interior, the tapering faceted body and foot to an hexagonal base with bracket feet, with an associated 19th century pedestal cupboard, the door with one recessed panel above a pull-out drawer to the plinth base, the urn: 25in (63.5cm) h, the pedestal: 36.25in (92.6cm) h, 18in (45.6cm) w. Urn lacking finial, pedestal with later octagonal panel.
A 19th century turned and carved ivory circular box and cover, with a band in relief of rural figures and an urn finial, 2.25in (5.5cm) h, a papier mache pin tray, an inlaid oval pewter box and cover, a pocket aneroid barometer, 1.5in (4cm) dia., a silver coloured metal box containing miniature playing cards, a late Victorian Boxing medallion, two porcelain boxes, an oval metal box, a print block of a pointing finger and two reproduction medallions.
A silver plated tea urn the straight sided urn with elaborated foliate and scroll borders and decoration, the twin S scroll handles with moulded caps and gadrooned terminals, on a knopped stem with beaded rim and domed foot; together with a plated breakfast dish of typical form with hinged lid and four strap work supports with pad feet -2 urn 42cm high, breakfast dish 39cm wide
An oak tazza the large oak circular 'plate' with central raised boss with engraved initials WFM in gothic script, the simple reticulated gallery border with beaded rim, on a silver plated trumpet stem with beaded knop and rim and stepped turned oak foot; together with an oval gallery oak butler's tray, the serpentine silver plated gallery with gadrooned border and pierced and reticulated sides with urn motifs, on four squat bun feet -2 tazza 41cm diameter 19cm high; butlers tray 66cm wide
A George III tea urn By J Scofield London 1792 the urn of tapered conical form with fluted bottom section and reeded rim with twin hinged loop handles, the pull off domed cover with semi fluted section and reeded ball finial, on a waisted stem and splayed foot resting on a square base with four bracket feet 31cm high 45oz
A 19th century Ashworths Real Ironstone China part dinner service in the Imari palette (but with black replacing blue), printed and painted with allover scrolling foliage and an urn form vase on a table, comprising: three oval tureens and covers, with two stands; two large graduated ashets, larger 44cm wide; two oval scalloped bowls; two twin handled oval comports; two sauce tureens, and one stand (both lacking covers); fifty one dinner plates; fourteen dessert bowls; and eleven crescent form hors dÆoeuvres dishes -90
A French 19th century white marble and gilt brass mantel clock the 11 inch white marble marked 'Mesnil a Paris' with twin winding holes, with a twin train cylinder movement striking on a bell, the clock upheld on waisted supports with Bocchie mask and scroll mounts headed by urn finials, on a plinth base with a frolocking putti mount, on toupie feet 36cm wide, 54cm high
An Edwardian period satinwood and painted display cabinet of breakfront outline, the top with a chequer string edge above a ribbon tied foliate and urn oval painted frieze, the glazed panel door enclosing an interior with two glass shelves, flanked by entwined harebell painted corners and glazed sides, on leaf painted turned tapered legs 80cm wide, 144cm high, 35cm deep
A small Edwardian period mahogany writing table inlaid with a fan oval medallion, harebells and an urn, the divided top opening to reveal a tooled green leather insert around a countersunk compartment section, above a frieze drawer on turned legs joined by a galleried undertier and ending on castors 69cm wide, 73cm high, 41cm deep
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68904 item(s)/page