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An Early 19th Century Mahogany Longcase Clock, with eight day movement, the arched painted dial with arabic numrals and calendar aperture inscribed "Wainwright, Nottingham", the arched hood with swan neck pediment and turned angle pillars, the trunk having a long shaped door with oval central panel between canted angles, the base with similar oval panel. Dial Width 12". Width 14". Height 93".

An 18th century walnut longcase clock. The arched brass dial with strike/silent and seconds dials, a calendar aperture and plaque engraved 'Jn. Fladgate London', supporting an 8 day 5 pillar striking movement, dial 12" diameter (30cm), case 7' 9" high (236cm)

A 19th century oak longcase clock with a 30 hour striking movement and a square enamel dial, painted with a balloon and china men spandrels

A George III mahogany longcase clock, by Iain Weston, Stratford, with a pagoda hood and a brass dial, supported by 5 pillars and a striking 8 day movement, with calendar aperture case. 97" (245cm) high

A 19TH CENTURY MAHOGANY LONGCASE CLOCK with arched painted dial, by Joseph Watson of Cambridge, with painted rustic cottage panel, seconds dial and date aperture, the case with shaped hood, reeded side columns and crossbanded panel door, 77" high

A 19th century oak and mahogany eight day longcase clock having arched brass dial with seconds and subsidiary dials; the swan necked hood decorated with brass acorn finials, the case having inlay and some cross banding and canted corner.

An early 20th century oak cased longcase clock, the domed top with a glass front on a box base and turned feet, the silvered dial with Arabic numerals

A French brass wall clock in the form of a longcase clock dial, the stamp brass face depicting a man and horse, the circular enamel dial with roman numerals

A Delft blue and white clock case in the form of a longcase clock, of an architectural nature and painted with panels of dutch figures and scenes, height 44cm (17 1/4in), late 19th century (repaired finials)

EDW. GARTREX, BIRMINGHAM, A GEORGIAN OAK CASED LONGCASE CLOCK, the basket top hood with square door flanked by spiral twist integral pillars, shaped top trunk door above a stepped base, the 11 ins square brass dial with ringed winding holes and a silvered chapter ring, supporting an eight day movement, approximately 86 ins high.

A GEORGIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the swan neck fret top hood, above a break arch door flanked by integral pillars with gilt metal corinthian capitals, long trunk door, raised on a plinth base with shaped bracket feet, fitted with a later three train spring driven movement and brass dial, approximately 83 1/2 ins high.

R. SUMMERHAYES, ILMINSTER, A GEORGIAN COUNTRY MADE OAK LONGCASE CLOCK, the shaped top hood with square door, flanked by turned pillars, long trunk door, stepped base and moulded surround, the cream enamel dial with gilt shell and leaf spandrel corners, supporting an eight day movement, approximately 77 1/2 ins high.

A George III mahogany longcase clock, by Benjamin Farrer Pontefract, with a painted dial of Scottish folk, 8 day movement, seconds dial, case with shaped cornice and finials, with inlaid banding, dial 11" diameter, case 90" (229cm)

A George III oak longcase clock, by Thomas Lister, Halifax, with a brass and steel dial, 30 hour movement, calendar and seconds apertures. 11 5/8" diameter, case 80 1/2" (204cm) high

A George III mahogany longcase clock, the 10" square silvered dial inscribed Robt. Wood, London, with subsidiary seconds and date dials and a S pillar 8 day striking movement. 79" high (201cm)

A George III oak longcase clock by J. Popplewell, Bridlington 1787, the painted dial with countryside scene and calendar aperture, seconds dial, 8 day movement dial 11" diameter, case 87" high (28cm)

Edward Banger An ebonised longcase clock, the square dial with a silvered chapter ring, seconds dial, calendar aperture and cast spandrels supporting an 8 day striking movement. The ebonised pearwood case with a panelled door and plinth, dial 11" diameter (28cm)

A carved oak longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the arched brass dial with moonphase, the chapter ring with Roman numerals and Arabic five minute divisions, inscribed Richard Smith, Newport, the late 19th century case elaborately carved, height 218.5cm

Gabriel Leekey, London; a George III mahogany longcase clock, the eight-day two-train movementwith anchor escapement and rack strike on a bell, the arched brass dial with silvered chapter ring with Roman numerals and Arabic five minute divisions, subsidiary seconds dial, name plate and date aperture, the arch with 'strike/silent'ring, within elaborate spandrels, the plain case with arched door, the arched hood with fluted brass capital doric columns, height 226cm (89in) (damage to top of hood, 'strike/silent' lever lacking)

A mahogany longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the foliate engraved arched brass dial with moonphase, the silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed JasWebb FROME, the case with later bracket feet, shaped lower panel and similar door, the hood with fluted Corinthean columns and brass capitals beneath a swan-neck pediment with eagle and ball finial, height 230cm. (assembled and restored)

An early 19th century oak longcase clock, the eight day two-train movement with anchor escapment and rack strike on a bell, the square painted dial with Roman numerals, subsidiary date aperture and moonphase, painted with birds and indistinctly inscribed R. Thomas...., the case with fluted pillasters, the hood with broken pediment and brass ball finial, height 218cm.

An early 19th century oak longcase clock, the eight movement with anchor escapement and rack strike on a bell, the painted dial with Roman numerals within gilt paterae spandrels, indistinctly inscribed J.Melsome...., plain case, the hood with fluted doric columns, the flat pediment with fluted band frieze, height 205 cm (wear to dial)

An early 20th century inlaid mahogany longcase clock, the three-train four-pillar eight day movement with anchor escapement chiming the quarters on eight tubular gongs and striking the hour on a coiled gong, the 30.5cm (12in) brass arched dial with blind fret foliate decoration, the silvered chapter ring with Roman numerals and Arabic five minute divisions, the arch with subsidiary dials for 'chime/silent' and Whittington and Westminster chimes, the mahogany case inlaid in the Adam style with floral festoons and with fluted pillasters with brass corinthian capitals, the arched hood with similar columns and three finials, height 221cm (87in)

A LATE GEORGIAN MAHOGANY LONGCASE CLOCK having an arched painted dial, simple foliate decoration and second hand,the case with boxwood line and crossbanded decoration, 78 1/2"high.

A GEORGE III OAK LONGCASE CLOCK having an arched brass dial with moon phase, second hand and date aperture, signed George Clapham of Whitton, the case with inlaid ebony and satinwood sunburst and cruciform decoration, on bracket feet, (reduced), 75"high.

AN 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK having a square brass single hand dial with engraved decoration and cherub head spandrels, the case with plain graduated top, panel door and bracket feet, 78 1/2"high.

A George III oak and ebony strung cottage longcase clock, circa 1780, the broken scroll cornice foliate carved over an ogive moulding and square glazed door flanked by gilt brass capped pilasters enclosing an 11" brass dial with matted centre and silvered chapter ring, roman numerals, pierced cherub mask spandrels and date aperture, and marked Thos Reynolds, Oxon eight day movement striking on a bell over an ogive moulding and presentation plaque dated June 1898 and full-length foliate carved trunk door, ogive moulding, panel base and raised on a plinth 76" high

An oak cottage longcase clock, 18th century, the moulded ogive cornice above a glazed square door flanked by gilt brass capped pilasters enclosing a 10" brass dial with roman numerals and mask spandrels and marked Gilkes Adderbury, 30 hour movement striking on a bell above a rectangular three quarter length trunk door over a panel moulding and ogive border, planked base board raised on a shaped apron and bracket feet 78" high

An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door flanked by turned pilasters and enclosing a 12.5" square brass dial with roman numerals, date aperture, subsidiary seconds dial and matted centre marked Bullock, Ellesmere, cherub mask spandrels, eight day movement striking on a bell above a rectangular trunk door revealing a paper label inscribed 'John Lloyd no 20 anno 1768' over an ogive moulding and base board raised on a plinth, distressed, the door a conversion from a rising hood, 77" high

A mahogany longcase clock, early 19th century, the broken scroll swan neck pediment with reeded roundel terminals above an arched glazed door flanked by square reeded columns enclosing a 14" arched enamel dial with roman numerals, subsidiary seconds dial and date dial marked Thos Russell, Lancaster, the arch painted with field workers gathering in the corn with an abbey in the distance, eight day movement striking on a bell above an arched ribbed door flanked by reeded quarter columns over an ogive moulding and base board with reeded moulding and fan mouldings between canted angles and raised on shaped bracket feet, dial re-painted 91" high

An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high

An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high

William Fenton, Newcastle, George III mahogany longcase clock with moulded dentil cornice, the arched face with moon phase and cast gilt foliate and c-scroll spandrels, silvered chapter ring, subsidiary seconds dial, silvered face, eight day movement, the arched door flanked by turned columns, the trunk with moulded edge arched door flanked by canted blind fret corners, the base raised on later ogee bracket feet.

Walnut longcase clock, domed top, circular dial, chromium plate arabic numerals, the trunk with glazed door, triple chain movement with weights and pendulum.

A late 18th century oak longcase clock the swan neck pediment brass capped fluted column supports, the arched dial with strawberry and rose spandrels, with black Roman and Arabric five minute divisions, with subsidiary date and calendar, (defective dials), inscribed 'Mason Chesterfield', the case with Greek Key cornice above a serpentine topped door

An oak and mahogany crossbanded longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by inlaid reeded pilasters enclosing a 13" white painted arched enamel dial marked Ed Jones, Holywell with roman numerals, subsidiary seconds dial and dated dial, rolling moon phase in the arch, the corners painted with rustic cottages, eight day movement striking on a bell, now lacking, above an ogive moulding and bevelled lozenge centred short trunk door with three pointed ogee arches to the top flanked by reeded quarter pilasters over a raised panel ogive moulding and raised base board, distressed, 89 in (226.06 cm) high

A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the ogive cornice above a harewood and mahogany inlaid frieze over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" square enamel dial, later painted with roman numerals date aperture and marked H Banister, Lichfield 30 hour movement striking on a bell, bell lacking, above a trunk door with concave top corners flanked by fluted quarter pilasters over an ogive moulding and raised base board and on later plinth, distressed, 79 in (200.66 cm) high

A Regency mahogany longcase clock, early 19th century, the canted architectural pediment above a glazed door and 12" square silvered dial with roman numerals, subsidiary seconds dial and marked Whitehurst & Son Derby, 8 day movement striking on a bell, the back of the dial inscribed 1818, above a bevelled arched top full length trunk door between canted angles over an ogive moulding and ribbed base board and plinth on flat block feet, the hood with side apertures re-lined, 82 in (208.28 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the arched and carved top over a shaped arched glazed door flanked by mirrored baluster brass capped pilasters and enclosing a 13" arched enamel dial with roman numerals, subsidiary seconds dial and date aperture, painted with rustic scenes in the arch and to the corners, eight day movement striking on a bell over an ogive moulding and chequer strung square top short trunk door, flanked by foliate carved brass capped quarter pilasters over a further ogive moulding and chequer strung baseboard and on bracket feet, restorations, 84.5 in (214.63 cm) high

A George III oak and mahogany crossbanded cottage longcase clock, late 18th century, the caddy top above an ogive cornice and blind fret carved frieze over a square glazed door flanked by turned pilasters enclosing an 11" square brass dial marked Sam Harley, Salop with roman numerals, date aperture and figural spandrels, representing the seasons, 30 hour movement striking on a bell over an ogive moulding and full length crossbanded trunk door with shaped top over a further moulding and baseboard, distressed, 80 in (203.2 cm) high

An oak and mahogany crossbanded longcase clock, 19th century, the arched lozenge inlaid top above a square glazed door enclosing an 182 circular white painted enamel dial marked Giles, Oswestry, roman numerals, subsidiary seconds dial, inscribed "Restored 1984 W Bliss", 8 day movement striking on a bell over an arched top and lozenge inlaid trunk door, cushion moulding and lozenge inlaid base board raised on shaped barcket feet, restored, 89 in (226.06 cm) high

A George III mahogany longcase clock, and associated later movement, the hood with gilt brass pierced foliate cresting and stop fluted brass capped pilasters, lacking door, the 12" Victorian brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and strike, silent dial in the arch, pierced foliate brass spandrels and marked William & James Miller, Lombard Street, London on a plaque over the date aperture, with a two tune quarter chiming three train eight day movement, also Victorian, over a bevelled arched figured mahogany trunk door flanked by stop fluted brass capped quarter pilasters over an ogive moulding and raised panel base board and on plinth and later block feet, lacking hood door, 93 in (236.22 cm) high

A George III oak mahogany crossbanded and boxwood strung cottage longcase clock, circa 1800, the broken scroll swan neck pediment with three eagle and ball brass finials over a square glazed door flanked by brass capped pilasters enclosing a later painted 12.5" enamel dial with Roman numerals and date aperture and marked C Blakeway, Albrighton, gilt foliate and blue painted corners, 30 hour movement striking on a bell above a rectangular trunk door inlaid with an ogee arch over an ogive moulding and crossbanded base board and plinth base, cut down, 82 in (208.28 cm) high

A Regency mahogany and ebony strung longcase clock, Scottish or North country, circa 1810, the broken scroll swan neck pediment above a round glazed door flanked by fluted corinthian columns enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, eight day movement striking on a bell, above a rectangular trunk door between canted angles and over an ogive moulding and crossbanded base board raised on a later plinth, 85 in (215.9 cm) high

A mahogany longcase clock, early 19th century, the arched glazed hood with shaped cresting and flanked by fluted brass capped pilasters enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked Thomas, Ilfracombe, the arch painted with a view of Raby Castle, the corners painted with castle ruins, eight day movement striking on a bell above a three quarter length crossbanded trunk door between canted angles and over an ogive moulding, the crossbanded figured base board raised on shaped bracket feet, distressed, 86 in (218.44 cm) high

A George III oak and walnut crossbanded longcase clock, late 18th century, the square hood with blind fret carved frieze and glazed square door flanked by turned pilasters enclosing a 12" brass dial with Roman numerals and date aperture and marked Sam Vale Coventry, foliate engraved centre and pierced urn and eagle spandrels, 30 hour movement striking on a bell above an ogee arched top, bevelled door, ogive moulding and planked base board on a later plinth, distressed, 85 in (215.9 cm) high

An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door with brickwork border, within turned pilasters and enclosing a 9.75" square brass dial with Roman numerals and engraved to the centre with an asiatic bird and arch, and marked Sam Vale Coventry, pierced urn and flower finials, 30 hour movement striking on a bell above a bevelled arch top trunk door and ogive and cushion moulding over a planked base board and on plinth base, distressed, 75.5 in (191.77 cm) high

A longcase clock movement, 18th century, the 12" brass dial, with silvered chapter ring, Roman numerals, moon phase and date apertures, foliate engraved matted centre, the chapter ring marked Warmingham Ashton, pierced foliate spandrels, 8 day movement striking on a bell contained in a later carved oak case, the trunk door carved with a Roman Emperor within foliate borders, the sides and base board with similar foliate carving, distressed, 85 in (215.9 cm) high

An oak longcase clock, 18th century, with arched hood, brass capped pilasters, eagle and ball finial, enclosing an associated 12" brass dial with Roman numerals and subsidiary seconds dial and date aperture and marked Daye Barker, Royal Exchange, London, 8 day movement striking on a bell above a bevelled arch top door and ogive moulding and base board and deep plinth, 83 in (210.82 cm) high

A 1930's WALNUT LONGCASE CLOCK, the eight day movement with Westminster chime, the dial anodised, the glass door bevelled, with chrome triple weights and pendulum bob, on cushion base and shaped square feet, 77" high

George III provincial oak longcase clock, eight day movement with brass 10.5in (26.67cm) square dial, signed 'John Owen Llanrwst', engraved acid etched centre with subsidiary seconds, cast floral scrolled spandrels, the hood with architectural pediment and turned parcel gilt columns, the trunk with a shaped door within reeded quarter pilasters over a box base with shaped panel raised on ogee bracket feet (reduced in height and with restorations), 80 in (203.2 cm) high

J.D. BRIGHT, SAXMUNDHAM, A GEORGIAN OAK CASED LONGCASE CLOCK, the floral painted square dial supporting a 30 hour movement, the hood surmounted by a swan neck crest, long trunk door, stepped base and plinth, approximately 74.75 ins high.

An oak longcase clock, with ogive cornice and arched frieze above a square ormolu mounted glazed door flanked by brass capped pilasters enclosing a 9.5 inch brass dial with silvered chapter ring and Roman numerals marked Morgan Hereford, crown and cherub pierced spandrels, 30 hour movement striking on a bell above a full length arched top trunk door with lenticle over an ogive moulding, rectangular plain base board and separate plinth and on octagonal bun feet, 84 in (213.36 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by turned half balusters enclosing a 14 inch painted arched enamel dial with Roman numerals, subsidiary seconds hand and date dial and marked Jaz Burroughs Ironbridge, painted with a child and dog in the arch, 8 day movement striking on a bell above a triple pointed arch top crossbanded three quarter length trunk door flanked by half pilasters over a rosewood panel, ogive moulding and crossbanded base board on later bracket feet, 89 in (226.06 cm) high

A George III oak cottage longcase clock, late 18th century, the broken architectural dentil moulded pediment with three brass ball and spire finials above a crossbanded square glazed door flanked by brass capped pilasters and enclosing an 11 inch white painted enamelled dial with Roman numerals, subsidiary seconds dial and date aperture, florally painted corners, 30 hour movement striking on a bell above a three quarter length crossbanded bevelled trunk door, ogive moulding and plain crossbanded base board and plinth, 81 in (205.74 cm) high

An early 19th Century longcase clock, in mahogany and oak case by R Blakeborough, Otley, the 30 hour movement with arched painted dial having automated figures of Adam and Eve to the arch and flora to the corners, the hood with scroll pediment centred a brass ball eagle finial, the case door shaped to top and with central inlaid oval cartouche, on platform base with bracket feet, 94 in (238.76 cm) high

An early 19th Century longcase clock, in stained oak case, and with 8 day movement striking to bell, the arched painted dial with seconds and painted peacocks to the arch and flowers to the corners, the hood with scrolled pediments, centred a brass finial the case door on platform base, 84 in (213.36 cm) high

A CHINOISERIE LACQUERED LONGCASE CLOCK, early 18th century, the moulded cornice painted with flowers above a square glazed door applied with two three-quarter pilasters enclosing an associated 11 inch square brass dial with silvered chapter ring and Roman numerals and marked 'J Wright, Warwick', pierced mask spandrels, eight day movement striking on a bell, glazed side panels above a full length trunk door with raised edge moulding and lacquered with a Chinese fisherman and tea houses and willow against a brown ground, over a further moulding and on later plinth, (cut-down, distressed), 77 in (195.58 cm) high

A late 18th Century oak cased longcase clock, by Rogers of Bendley, the 30 hour movement with square brass dial and silvered chapter ring with Roman numerals with strike to bell, single hand, the hood with moulded pediment and tapering fluted rectangular pillars, the case door shaped to top, on platform base, 81 in (205.74 cm) high

Oak and mahogany crossbanded longcase clock, early 19th Century, square hood surmounted with a broken scroll swan neck pediment over a square door enclosing a 12 in white painted enamel dial with Roman numerals and date aperture, marked 'T Edward, Corwen' and painted with a bird and flowers to the centre and flowers to each spandrel, 30 hour movement striking on a bell, the hood with inlaid square pilasters above a shaped top, three quarter length crossbanded trunk door with shield and eagle escutcheon over a crossbanded tablet, between mahogany and ebony strung columns, the base board crossbanded and raised on a shaped apron and squat feet (damaged and incomplete), 86 in (218.44 cm) high