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A George II/III oak eight day longcase clock the twelve inch square brass dial signed 'George Hewitt, Marlbro' with centred subsidiary seconds dial and date aperture within a ring of Roman and Arabic numerals and engraved floral corner spandrels, the four pillar movement striking on a single bell, the hood with square glazed hood door between turned front corner hood pilasters over a rectangular trunk door on a crossbanded boarded base with later skirting plinth, 196cm high NOTE G H Baillie list George Marlbro 1720-69 in Watch Makers and Clock Makers of the World volume one

A George III oak crossbanded mahogany eight day longcase clock, the twelve inch brass dial signed 'R Deaves, Wt Church' with centred subsidiary seconds dial and date aperture within a silvered chapter ring of Roman and Arabic numerals under a figural engraved silvered disc to the arch the hood with broken arched pediment above a floral painted frieze and arched hood door between fluted front corner hood pilasters over a long trunk door between quarter turned fluted front corner trunk pilasters on a single panel box base and later skirting plinth (restored) 221cm high,

William Helliwell, Leeds an oak & mahogany longcase clock with the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman numerals, subsidiary seconds & date dials, with painted decoration to the four corners and a rural church scene within the arch, signed to the centre ‘Wm. Helliwell, Leeds, with decorative brass hands, the oak case having canted corners with boxwood stringing, a shaped door to the trunk and mahogany panels, the hood having turned pillars with brass capitals and a swan-neck pediment, the panelled base with crossbanding, height 234cm.* William Helliwell is recorded as working at 27 Duke Street, Leeds from before 1817 until at least 1822, being at number 54 from 1826 until 1853. From 1837 he had a second shop at 2 Vicar Lane. A number of his clocks are dated; the earliest recorded being 1815.

Thomas Hampson, Wrexham an oak longcase clock with the eight-day duration movement striking the hours on a bell, the backplate engraved with a D above L H surrounded with engraved stars, the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half quarter-hour markings, and signed ‘Hampson, Wrexham, 486’ either side of 30, the matted centre with engraved decoration to the date aperture, ringed winding holes and a subsidiary seconds dial, with decorative blued steel hands and female-head spandrels to the four corners, the oak case with crossbanding to the trunk door and base, three-quarter columns with giltwood capitals to the hood and a blind fret below the caddy top, standing on bracket feet, height 224cm.* Thomas Hampson of Wrexham is recorded as working in the High Street from before 1728 until at least 1748, his home known as ‘The Clock’. He was a prolific maker and numbered the majority of his clocks on the dial, as in this example. Two longcase clocks are in the Museum of Welsh Life, St Fagans with another two in Wrexham Museum. It is known that Hampson made the sundial for Llandderfel churchyard. His son Thomas carried on the clockmaking business and is known to have been working prior to 1772.

Henry Nicolls, Launceston a mahogany longcase clock with the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having black Roman numerals and outer Arabic five minute numerals, subsidiary seconds dial, date aperture, and signed to the centre ‘Henry Nicolls, Launceston, with decorative blued steel hands and a ‘strike/silent’ lever to the arch, the mahogany case with reeded canted corners and shaped door to the trunk, the hood having fluted pillars with brass capitals, wavy moulding to the door and a swan-neck pediment, with a plain base, height 232cm.* Henry Nicolls is recorded as working in Launceston before 1791 as both a watch and clockmaker, moving to St Austell in 1793 where, on the 21st of January of that year, he advertised for an apprentice.

Nicks Bunch, Bramshott a lacquered longcase clock with a thirty-hour duration movement striking the hours on a bell, the associated ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, the matted centre with engraved decoration and a ringed date aperture, with female-head spandrels to the four corners, signed ‘Nicks Bunch, Bramshott’, the later black lacquered case with raised chinoiserie decoration and quartered columns to the flat top hood, height 196cm.

A 20th Century George III style mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a subsidiary seconds dial and inscribed `Godfrey Down, Warninglid`, the hood with moulded arch pediment and glazed door above a crossbanded trunk door, panelled base and plinth, height approx 197cm, together with two weights, a pendulum and winder.

A George V oak longcase clock with eight day chiming movement, the square brass dial and chapter ring with Roman numerals and pierced scroll spandrels framing a matt centre, the hood with stepped pediment above a carved fruiting scroll frieze and glazed door flanked by barley twist columns, the trunk door and base with similarly carved and moulded decoration, on bun feet, height approx 181.5cm, together with pendulum and key.

A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with Roman numerals and date aperture and inscribed `Jno Carmalt Ringwood`, cornered by shells and scrolls, the hood with a swan neck pediment with brass rosettes above a glazed door flanked by columns, the trunk door with crossbanded decoration above a plain base, on bracket feet, height approx 200cm, together with pendulum and weight.

Thomas Mawkes Belper, a 19th century eight day round painted dial longcase clock, with seconds dial and calendar aperture, in an oak case, dial 30.5cm, case 201cm

William Bennett, Tewesbury, an eight day brass dial longcase clock, with subsidiary seconds dial and date aperture, in an oak case

Thomas Collier Chapell, an eight day brass dial longcase clock with seconds dial and calendar aperture in an oak case, dial 30.5cm, case 201cm

Oak cased longcase clock Campden, 30hr movement, painted dial and brass hands.

An early 19th century fusee longcase clock movement with painted dial.

A 19th century oak cased longcase clock with fusee movement (af).

A 19th Century mahogany longcase clock by James Farquar of Belfast, the 13ins arched painted dial with painted face of the moon to arch to the eight day two train movement, contained in case with shaped pediment and spiral turned collars to hood, shaped trunk door with spiral quartered columns, 88ins high (movement in pieces and the whole in need of restoration)

A late 18th Century oak longcase clock by Arris of Uppingham, with 12ins arched painted dial, the arch decorated with an angel, and with subsidiary seconds dial and calendar aperture to the eight day two train movement striking on a bell, contained in case with angled pediment, turned and fluted pillars to hood, the trunk with canted fluted front corners, on plinth base, 83ins high Note : William Arris recorded working Uppingham 1795

A late 18th Century oak longcase clock by Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals and subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case probably by Goulden of Canterbury, with shaped and moulded cornice, and with turned and fluted pillars to hood, and arched trunk door, 83ins high (lacking weights, pendulum and bob and generally in need of restoration) Note : James Warren recorded working Canterbury 1757-1793

A late 18th Century oak longcase clock by Thomas Lister of Leddenden, the 12ins arched brass dial with silvered chapter ring, subsidiary seconds and calendar dials and gilt brass spandrels to the thirty hour two train movement striking on a bell, contained in case with turned pillars to hood, quarter columns to front and shaped trunk door, on plinth base, 82ins high (case extensively damaged and in need of repair) Note: Either Thomas Lister of Luddenham (near Halifax) (1717-1779) or his son Thomas II (1745-1814)

A movement for a 30 hour longcase clock, with distressed painted dial bearing Roman numerals, date aperture, 47.5 by 33cm.

An oak and marquetry eight day longcase clock, the case having blind fret decoration to the hood, glass lenticle and starburst marquetry to the door and base, the movement with brass and silvered dial having subsidiary seconds dial and calendar aperature, inscribed Atkinson, Chesterfield

A mahogany thirty hour longcase clock, the brass and silvered Roman dial with calendar aperture and inscribed Joshua Horrocks, Lancaster

"Victorian silver model of a longcase clock, London 1885, makers mark JB, stamped retail address of MacMichael (to the Queen) 42 South Audley St, London W, repousse stylized scroll & flower decoration, gilded & silvered face, Arabic numerals, 5cm dia approx, case 30cm h"

"Thomas Ansell, Abingdon, longcase clock, brass face 11 3/4", white metal tempus fugit disc & chapter ring with Roman hours and Arabic minutes, ornate spandrels, later mahogany case with inlaid stringing"

An oak George III longcase clock by George Young, Lockerby, the painted face with Nelson, Arabic and Roman numerals, subsidiary second dial and date aperture, the eight day movement, anchor escapement and striking bell, the swan neck pediment with urn finial over arched door flanked by Doric columns, shaped trunk door flanked by fluted quarter columns, plinth base on bracket feet, 216cm high

A 19th century mahogany longcase clock, the scroll hood enclosing silver dial with Roman numerals, gilt brass spandrels, subsidiary seconds and date aperture, eight day movement, inscribed Adam Costen Kirkham, mahogany and crossbanded trunk, on plinth bas

A 19th century mahogany and crossbanded and inlaid longcase clock, the silver dial with Roman numerals, gilt brass spandrels, eight day movement, striking on the quarter, with painted moon phase, arched trunk door with fluted Corinthian capped gilt bronze

An early 19th century oak and mahogany crossbanded longcase clock, circa 1820, the scroll swan neck hood enclosing enamel dial with Roman numerals, subsidiary seconds and date aperture, eight day movement, painted spandrels depicting ladies in landscapes

A George IV mahogany and crossbanded longcase clock, circa 1830, the swan neck pediment arched hood on spindle supports opening to reveal enamel dial, with subsidiary seconds dial, with date aperture painted with a rustic scene of a family and three children, Roman numerals, the dial inscribed `J Williams, Newcastle`, painted spandrels of ladies in different seasons, the mood phase arched with naval scene, the arched door on plinth base and bracket feet, the dial 32cm d, 220cm h

A Georgian circa 1750 dark green lacquered Longcase clock having a pagoda shaped hood with ball finial, twin columns flanking the glazed door, thirty hour movement with the painted face having a semi-circular date register and marked Great Risington, the long door, case and base decorated in gilt with oriental scenes. 19`` wide x 90`` high x 9`` deep.

An Arts and Crafts style oak longcase clock with fancy railed pediment, glazed door and Art Nouveau style carved panes to the base; copper dial; weight driven 8 day (?)movement 212cm

Elliott London mahogany longcase clock with eight day Westminster chiming movement 198cm

A DARK STAINED OAK DWARF LONGCASE CLOCK CASE WITH BREAKARCHED HOOD

DAVIS, WOLVERHAMPTON AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having swan neck hood with central finial and brass capped pilasters, the trunk with brass quarter pilasters and panel box base, eight day mechanism with false plate, anchor escapement and rack bell strike, faced by an arched painted dial, 2.25m high

AN EARLY/MID 19TH CENTURY COUNTRY LONGCASE CLOCK, having oak and mahogany crossbanded case, swan neck hood with turned pilasters, quarter pilaster trunk and box base, 30-hour mechanism, anchor escapement and bell strike, faced by an arched painted dial without false plate, 2.15m high

F** HARVEY PONTYPOOL AN EARLY 19TH CENTURY OAK LONGCASE CLOCK, having swan neck hood with fluted decoration and pillars, waist door and box plinth with later shoe, 30-hour mechanism faced bell strike by an 11” painted Arabic dial, 206cm high

An early 20th century school slate board, together with two dolls house dressers, one stamped verso "Made by disabled soldiers and sailors, Portsmouth", and a dolls house longcase clock

An early 19th century longcase clock dial/movement, the 32cm sq dial with painted face, Roman numerals, signed Vulliamy, London, the six pillar fusee movement having maintaining power, signed Vulliamy, London, 1039

A late 18th Century thirty-hour longcase clock in a later mahogany case, the 11” square brass dial with decorated spandrels and engraved centre signed John Tickell, Crediton

Painted circular face 30 hour longcase clock c1795

A late 18th century mahogany longcase clock, unsigned, the 36cm square painted face with rolling moonphase and subsidiary calendar, eight day two train movement striking on a bell, contained in shell inlaid case with quarter columns, the hood with moulded scroll pediment and finials, turned columns, shaped trunk door, on short ogee bracket feet, 245cm high

Two novelty vestas, both marked Sterling, both embossed, the first with a lady golfer, the second with a longcase clock 'The Five O'Clock Club', 6.8 and 6cm

A 19th century French `Morbier` longcase clock, the 11" dial signed ` Cally Au Sap` with two train movement contained in a faux oak case, (a.f.), with two weights and a pendulum.

A George III oak thirty hour longcase clock, the painted 12" arch top dial signed ` J Baker, Billinghurst`, the hood with three gilt balls and flanking columns over arch trunk door resting on a shaped plinth base, 212cm high, with one weight and pendulum.

An early 19th century oak eight day longcase clock, the painted arched top 14" dial with subsidiary day of the month and second aperture, the hood with broken swan neck cornice and free standing columns over shaped trunk door, resting on bracket feet, 232cm high.

AN OAK LONGCASE CLOCK by James Paterson, Banff, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals and chased with trailing flowers, signature shield to arch, secondary dials, the case with scrolled pediment having brass roundels on turned columns, arched door, panel base and bracket feet, 82 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by Joseph Batty, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial chased with foliage and with Roman and Arabic numerals, secondary dials and penny moonphase, the case with caddy top and moulded cornice on turned arched door flanked by quarter columns, panel base and bracket feet, 82" high (Illustrated)

AN OAK LONGCASE CLOCK by Thomas Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, painted moonphase and calendar dial, the case with swan neck pediment on turned columns and with brass rosettes and eagle finials, arched door flanked by quarter columns, panelled base and bracket feet, 86 1/4" high (Illustrated)

AN OAK AND MAHOGANY LONGCASE CLOCK by James Speight of Tong, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" arched dial painted with birds, fruit and flowers, and with Roman and Arabic numerals, secondary dial, the case with scrolled pediment on turned columns and with brass roundels and gilded ball finials, waved throat moulding over arched door flanked by quarter columns, panel base and bracket feet, 88 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by Samuel Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with foliate scrolls and a deer, calendar aperture and painted half moonphase, the mahogany banded case with moulded cornice on turned columns, arched door flanked by quarter columns, canted panel base and bracket feet, 83" high (Illustrated)

A MAHOGANY LONGCASE CLOCK by Thomas Bland, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched dial with Roman numerals and painted with flowers and fruit and with sail ship in the arch, secondary dials, the case with stringing and satinwood banding, scrolled pediment with roundels and brass finials on turned columns, canted trunk with arched door having a marquetry patera depicting Britannia, panelled base and ogee bracket feet, 90 1/2" high (Illustrated)

"Oak longcase clock, 30 hour movement, painted dial signed King, Woodbridge"

A George III Mahogany Longcase Clock, the arched hood above an arched door above a conforming plinth base, the painted dial with Arabic numerals and with subsidiary seconds dial and date aperture and with a two train, eight day striking movement

A longcase clock, the 30 cm arched square brass dial signed Henry Page, London on a tablet to the arch, with a silvered chapter ring, subsidiary seconds dial and a calendar aperture, fitted an eight day movement, in a mahogany case, 212 cm high (over finials) See illustration

A longcase clock, the 30 cm square painted dial signed John Bishop, Sherborne, fitted an eight day movement, in an oak case crossbanded in mahogany, 208 cm high

Thomas Norris, an early 19th century mahogany, rosewood cross banded and strung longcase clock, having arched moon phase dial, supporting an eight day movement over quarter length door, box base and plinth.

18th century mahogany, oak and parquetry inlaid longcase clock, by Barraclough of Haworth, painted dial with day/moon aperture, subsidiary second and month dials to twin train movement striking on a bell 91in. (231cm)

18th century oak and mahogany crossbanded eight day longcase clock, by G. Stacey of Worksop, twin train movement, painted dial with Roman numerals, 98" high

18th century eight day oak longcase clock by Greenwood of Dorchester with alterations, 76" high

Three longcase clock movements (for restoration)