Oak and mahogany crossbanded longcase clock, early 19th Century, square hood surmounted with a broken scroll swan neck pediment over a square door enclosing a 12 in white painted enamel dial with Roman numerals and date aperture, marked 'T Edward, Corwen' and painted with a bird and flowers to the centre and flowers to each spandrel, 30 hour movement striking on a bell, the hood with inlaid square pilasters above a shaped top, three quarter length crossbanded trunk door with shield and eagle escutcheon over a crossbanded tablet, between mahogany and ebony strung columns, the base board crossbanded and raised on a shaped apron and squat feet (damaged and incomplete), 86 in (218.44 cm) high
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Oak longcase clock, early 19th Century, broken architectural pediment over a 12 in. painted dial with Roman numerals, signed 'Owen, Llanwrst', with date aperture and subsidiary seconds dial (hands deficient), floral painted spandrels, eight day movement striking on a bell, the trunk with quarter pilasters, shaped door with brass escutcheon raised on a box base with canted corners and a raised shaped panel, ogee bracket feet (in need of restoration), 88 in (223.52 cm) high
Edward Thompson, Ellesmere, an early 19th century oak and mahogany crossbanded longcase clock, the moulded swan neck pediment above an arched glazed door, reeded pallisters shaped top trunk door, flanked by reeded angles, the arched painted dial with rolling moon phase and figures of the seasons to the spandrels with a twin train movement, 87 in (220.98 cm) high
AN OAK COTTAGE LONGCASE CLOCK, early 19th century, the square hood surmounted by a broken architectural pediment and three gilt brass ball and spire finials above a blind fret carved frieze and reeded pilasters flanking a glazed square door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, and marked 'Griffiths, LLan-?', florally painted corners, eight day movement striking on a bell above an ogee arched top trunk door flanked by fluted quarter pilasters over a cushion moulding, the base board applied with an ogee arched panel between canted corners and raised on shaped bracket feet, (distressed), 83 in (210.82 cm) high
AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, second quarter 19th century, the arched glazed hood surmounted by a broken scroll swan neck pediment and flanked by turned pilasters enclosing a 14" painted enamel dial marked 'F E Last, Abergavenny', Roman numerals, subsidiary seconds dial and date aperture and painted with a farm girl and dog in the arch and rustic housing to each corner, eight day movement striking on a bell above a plain frieze and ogee arched top, three quarter length trunk door centred by a lozenge between canted corners over a further mahogany panel and double moulding, the base board centred by a lozenge moulding and raised on a separate shaped plinth, (moulding losses, incomplete), 93 in (236.22 cm) high
A GEORGE III OAK LONGCASE CLOCK, late 18th century, the arched hood surmounted by three gilt brass ball and spire finials and centred by a boxwood and harewood oval vase of flowers motif above an arched glazed door flanked by fluted pilasters and enclosing a later painted 12" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked 'B Wallace, Lowestoft', classical gilt scrollwork to the arch and corners, eight day movement striking on a bell above an arched top full length trunk door and concave moulding, (the base board reduced in height and on later shaped plinth)
A SCOTTISH MAHOGANY LONGCASE CLOCK, first half 19th century, the broken scroll and canted pediment above an arched glazed door enclosing a 13" painted enamel dial with Roman numers, subsidiary seconds dial and date dial, and marked 'Hutchinson Airdrie', the arch painted with a portrait medallion of Robert Burns, the corners painted with figures emblematic of Scotland, England, Ireland and Wales, eight day movement striking on a bell, above a three quarter length trunk door flanked by quarter columns over a canted moulding and crossbanded base board raised on shaped bracket feet, (movement detached), 91 in (231.14 cm) high
A GEORGE III OAK AND MAHOGANY CROSSBANDED COTTAGE LONGCASE CLOCK, late 18th/early 19th century, the broken swan neck pediment centred by a ball and spire finial and stamped brass terminals above a pair of brass capped fluted pilasters flanking a crossbanded square glazed door enclosing a 12" white painted dial marked 'John Webster, Salop', Arabic numerals, date aperture painted with a bird to the centre and fan motifs to the corners, thirty hour movement striking on a bell, above a three quarter length crossbanded trunk door over a cushion moulding and base board, and raised on a later shaped plinth, (distressed), 81 in (205.74 cm) high
A GEORGE III OAK AND MAHOGANY CROSSBANDED COTTAGE LONGCASE CLOCK, early 19th century, the square hood surmounted by a stepped cornice and with reeded pilasters flanking a crossbanded door enclosing an associated 12" white painted enamel dial with Arabic numerals, subsidiary seconds dial and date aperture marked 'Robert Garrard, Bury St Edmonds', painted with baskets of flowers to each corner above a shaped top full length crossbanded trunk door flanked by fluted quarter pilasters over a bevelled moulding and raised base board with concave corners between canted angles on plinth base, eight day movement striking on a bell, (distressed), 78.5 in (199.39 cm) high
A GEORGE III MAHOGANY LONGCASE CLOCK, late 18th century, the broken scroll swan neck pediment centred by an eagle and ball finial, the scrolls terminating in applied gilt brass paterae above a square glazed door flanked by turned brass capped pilasters enclosing an 11" square brass dial with Roman numerals and date aperture, and marked 'Thomas Shepherd, Wotton under Edge', engraved with flowers to the centre and corners, thirty hour movement striking on a bell, above a rectangular full length trunk door and ogive moulding, over a plain base and raised on shaped bracket feet, (base board cracked, moulding losses), 82 in (208.28 cm) high
A MAHOGANY AND INLAID LONGCASE CLOCK, Edwardian and later, the dentil moulded and faux fluted square hood above a glazed door enclosing a brass dial with silvered chapter ring and Roman numerals and marked 'John Cole, Barnstaple', pierced cherub spandrels, eight day movement striking on a bell above a full length trunk door inlaid with an oval chequer strung panel between canted angles over a concave moulding, the base board inlaid with a circular panel raised on a shaped apron and splay bracket feet, (losses, movement damaged and incomplete), 79.5 in (201.93 cm) high
J. W. Howard, Bootle, mahogany longcase clock, early 19th Century, broken swan neck pediment surmounted with turned finials over spiral reeded and turned columns flanking painted 14 in (35.56cm) dial with moon phase, the main dial with Roman numerals, subsidiary seconds dial and date aperture, signed, eight day movement striking on a bell, the trunk crossbanded and with further columns flanking a shaped door over a box base crossbanded and with canted corners, shaped apron and bracket feet, 92 in (233.68 cm) high
A LONGCASE CLOCK MOVEMENT, 18th century, the arched 13" brass dial with silvered chapter ring and Roman numerals, inset silvered subsidiary seconds dial, foliate engraved centre and date aperture, and marked "Lassel Lark", cast with the Four Seasons spandrels, rolling moonphase in the arch, eight day movement striking on a bell
A GEORGE III OAK AND MAHOGANY CROSSBANDED AND EBONY STRUNG LONGCASE CLOCK, early 19th century, the broken scroll swan neck pediment above a boxwood and ebony strung frieze and arched glazed door flanked by fluted brass capped pilasters enclosing a 14" arched white painted dial with Roman numerals, subisidiary seconds dial and date aperture painted with flowers in each corner, the arch painted with miners at a coal-face, above a three-quarter length shaped top crossbanded trunk door centred by an oval boxwood conch shell motif within an ebony strung pergola flanked by fluted brass capped quarter columns over a panel and stepped moulding, the base board centred by a flowerhead motif between canted angles, incomplete, eight day movement striking on a bell, 89 in (226.06 cm) high
A GEORGE III OAK AND WALNUT CROSSBANDED LONGCASE CLOCK, circa 1790, the moulded cornice above a frieze painted with a gilt floral design against a black background over a square glazed door flanked by pilasters enclosing a 12" square brass dial with Roman numerals, subsidiary seconds dial and date aperture, and marked "Thomas Birchall, Nantwich" within foliate and urn cast pierced spandrels, eight day movement striking on a bell above a shaped top, full length trunk door flanked by quarter pilasters over an ogive moulding and raised panel and later plinth, cut down, 80 in (203.2 cm) high
AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, George III and later, the scroll cornice above a square glazed door flanked by fluted tapering pilasters enclosing a later associated 12" square brass dial with silver chapter ring, Roman numerals and silvered centre with subsidiary seconds dial and date aperture and marked Winstanley, foliate cast pierced spandrels, eight day movement, striking on a bell, above a full length trunk door flanked by fluted quarter pilasters over an ogive moulding and base board on plinth base, 82 in (208.28 cm) high
AN OAK LONGCASE CLOCK, 18th century, the moulded stepped cornice above a glazed door applied with three quarter pilasters enclosing an associated 10" square brass dial with silvered chapter ring and Roman numerals, the centre engraved with a windmill, barn and farmer scything wheat, and marked "Benjaminans Highworth", within pierced cast spandrels, thirty hour bird-cage type movement with outside count-wheel striking on a bell, above a bevelled full length trunk door and ogive moulding over a base board and on plinth, 80.5 in (204.47 cm) high
An early 19th century mahogany and crossbanded longcase clock, the arched painted dial with a subsidiary seconds dial and signed 'L.Koos, Merthyr' the eight day movement striking on a bell, the hood with a swan-neck pediment above an arched trunk door, on bracket feet, 223cm high. *L. KOOS is listed as working in Merthyr Tydfil in the early part of the 19th century
A George III mahogany longcase clock, the arched brass dial with silvered chapter ring, calendar and seconds subsidiary, with circular silvered disk signeed 'Steil, Edinburgh', the eight-day movement striking on a bell, the hood with a pierced fretwork swan-neck pediment above an arched door flanked by fluted columns, 213cm high

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44426 item(s)/page