We found 44425 price guide item(s) matching your search

A William IV Mahogany Longcase Clock, the arched hood with swan neck pediment and spiral turned pilasters above an arched panel door and similar base, the painted dial inscribed 'Thomas Evans, Bangor', the arch painted with a young girl with dog, with Roman numerals and subsidiary seconds dial and date aperture and with eight-day two train striking movement on a bell See illustration

19th century boxwood strung and parquetry inlaid longcase clock with painted day/night arched dial, silvered chapter ring with subsidiary seconds and date dials, stamped Walker, eight day movement striking on a bell h: 92 in.

18th century oak longcase clock by J. Wilson of Newcastle, dial with Roman and arabic numerals, subsidiary seconds dial, date window and incised scrollwork decoration, the hood with dentil cornice, arched door on pedestal base, h: 80 x w: 21 x d: 10.50 in.

19th century Danish oak longcase clock, the brass and silvered dial signed J. Wied, Apenrade, with 8 day two train movement (altered and not original to this case), above shaped door on plinth base h: 88 in.

George III mahogany longcase clock with brass and silvered dial with strike/silent in the arch, subsidiary second hand and date dials, by Peter Smitton, London, eight day striking movement, 86.5" high h: 86.50 in.

A George III oak and mahogany cross banded longcase clock, with painted dial and thirty hour movement, the hood with broken arch pediment decorated with a dentil cornice above fluted pilasters and an arched panelled door, the trunk below decorated with cross banding and inlaid shell motif, flanked by reeded pilasters, raised on bracket feet, 19in. x 81in. high.

A Georgian longcase clock with 12in. brass dial and silvered chapter ring, the centre inscribed Jn. Bell, Hexham, fitted a date aperture, the thirty hour chain driven movement striking on a single bell, the black lacquered case decorated with painted foliage and birds, square hood flanked by turned brass mounted pilasters, raised on a cut-away plinth base, 19in. x 78in. high. See illustration

A George III mahogany longcase clock by John Nevill Norwich, the arched hood with brass stop fluted columns, the brass break arch dial with eight day rack striking movement, the trunk with arch door, (repairs to case), pendulum, two weights and key, 224 cm high.

An oak longcase clock, with flat top hood, the trunk with arch moulded door, the 10" brass dial signed Jno Inkpen Horsham, the open framed thirty hour movement striking on a bell, two lead weights and pendulum, 208 cm high.

An oak longcase clock, the swan neck hood, the columns flanking 12" brass dial signed George Eubank Ellend, the thirty hour movement striking on a bell, weight and pendulum, 201 cm high.

An early 19th century mahogany longcase clock, the swan neck hood with reeded columns, the painted enamel dial with indistinct signature, with eight day Birmingham movement, the trunk with inlaid crenellated, the plinth with inlaid octagonal panel, two weights, 235 cm high.

A mahogany longcase clock, the hood with inlaid Prince of Wales plumes and brass capped columns, the brass dial engraved Thomas Radford Leeds, the eight day rack striking movement with anchor escapement, the trunk with break arch door over crossbanded panel plinth, two weights and pendulum, 231 cm high.

A mahogany longcase clock by John Ross Inveraray, the swan neck hood with silvered dial, the eight day rack striking escapement and trunk with fluted corner columns, two weights and pendulum, 216 cm high.

An oak longcase clock with 11in. square dial bearing a plaque, inscribed "Newton, Hexham", with date aperture and roman numerals, fitted thirty hour chain driven movement striking on a single bell, the hood with flared cornice above the glazed panelled door, flanked by gilt metal mount pilasters, cross banded panelled door under flanked by canted corners, raised on bracket feet, 18in. x 83in. high.

A 19th Century mahogany longcase clock, the white painted dial with roman numerals, subsidiary seconds dial and date aperture, maker's name indistinctly inscribed, the arch painted with castle scene and sailing vessel with churches painted in the spandrels, fitted eight day movement, striking on a single bell, the case decorated with reeded moulded, raised on bracket feet, 20in. x 82in. high. See illustration

An early 19th Century mahogany longcase clock with white painted dial, inscribed "Robert Marshall, Greenside", fitted subsidiary seconds and date dials, painted with a spaniel flushing a pheasant to the arch, fitted eight day movement and striking on a single bell, the arched hood with glazed panelled door flanked by turned pilasters, a single cross banded panelled door to the trunk flanked by turned pilasters, raised on bracket feet, 21in. x 86in. high. See illustration

A Georgian mahogany longcase clock with 13in. square brass dial, inscribed "J. Thomas, Chester", seconds dial and date aperture fitted roman numerals and pierced steel hands, eight day movement striking on a single bell, the stained hood swan neck pediment above an arched panelled door, painted Old Father Time in oil, flanked by fluted pilasters, figured panelled door below flanked by fluted pilasters, raised on bracket feet, 19in. x 90in. high. See illustration

A late Georgian oak longcase clock with white painted dial and roman numerals, indistinctly inscribed J.N. Thompson, fitted an eight day movement, the case decorated with inlaid stringing and foliate motifs, raised on bracket feet, 19in. x 90in. high.

A LATE 18TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, eight day movement, broken swan neck pediment, the dial painted to the arch with a female harpist, the spandrels with houses and ruins around a white dial, black Roman numerals, subsidiary seconds dial and date aperture, arched trunk door. Height 219cms. See illustration

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, with satinwood inlay, swan neck pediment and vase finial, the arched dial painted with a seated lady and spaniel 8 day movement, maker Jonathon Heron Greenock, Height 216cms See illustration

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK of 8 day movement striking on a bell, the painted dial with moon phase to the arch, black painted Roman numerals, seconds dial and date aperture, signed Cornelius Strange of Glasgow, the spandrels painted with fruit filled cornucopia; the hood with dentil moulded cornice and fret carved frieze, the trunk door flanked by wrythen moulded pilasters, on bracket feet, 200cms high. See Illustration

A late George III thirty hour longcase clock, the 10Ó brass dial signed George Stevens, Hinden, with outer ring of Arabic numerals, inner ring of Roman numerals and inner date aperture, between pierced spandrels, the thirty hour movement striking on a single bell, the hood with swan neck pediment over a square glazed door, flanked by front corner turned and tapering hood pilasters over a plain trunk door on a box base with skirting plinth, 194cm high

A George III eight day longcase clock, oak, later carved and ebonised, the 12Ó square brass dial signed J Stancliff Barkisland with outer ring of Arabic numerals, inner ring of Roman numerals, centred dated aperture and rolling moon, the movement striking on a single bell, the hood later carved with lunettes and scrolling leaves, the trunk now later carved, raised on shaped bracket feet, 201cm high

A George III eight day longcase clock, oak and mahogany crossbanded, the 12Ó square dial with silvered chapter ring, signed ‘J N Fisher, Preston’, with inner date aperture, outer ring of Arabic numerals, inner ring of Roman numerals, between urn and leaf decorated spandrels, the hood with turned and tapering front corner pilasters flanking a square glazed hood door, over a long trunk door with brass key escutcheon between quarter columns and a box base with canted corners and cut-out plinth, 206cm high

A late George III thirty hour longcase clock, oak, the square painted dial signed Wheeler, Bridgnorth, with outer ring of Arabic numerals and centre date aperture, the hood with mahogany crossbanding under a swan neck pediment over a square glazed hood door, over a short trunk door on a box base and later plinth, 207cm high

A 19th century oak and mahogany banded longcase clock, the swan neck pediment above 12inch dial signed 'Petts Hertford' painted with a young cricketer to the arch, with four pillar 8 day movement (repairs, probably associated) 202cm high

Benjamin Smith, Alfreton, an oak 8 day longcase clock, the swan neck hood with circular lacquered 13inch brass dial with nicely engraved centre and seconds dial (lacking calendar hand), the trunk with quarter columns upon a panelled plinth, 211cm high

A 19th century 8 day longcase clock, the hood with swan neck pediment and convex 14inch painted dial signed 'Richd Holroyde, Stockport', with moon phase disc to the arch and subsidiary seconds and calendar dials, the trunk with canted corners and shaped door upon a rectangular plinth, 235cm high (some cracking and sections of veneer missing)

Brumhead, Stamford, an oak 8 day longcase clock, early 19th century, the 13inch arched painted dial with subsidiary seconds and decorated with figural emblematic scenes, the hood with swan neck pediment and canted corners to the trunk, raised on a reduced plinth, (case probably associated) 200cm high

Matthews, Ely, a 19th century mahogany and crossbanded longcase clock, the 12inch arched painted dial with floral spandrels, seconds dial and date aperture, the hood with whale's tail cresting and canted corners to the trunk, 220cm high (lacking some sections of veneer, and some cracking)

Kemp Brothers, Union Street, Bristol, a Victorian mahogany and marquetry tubular chiming longcase clock, the swan neck hood with side fret panels above the 12inch dial, the three train movement chiming on four tubes and striking on a further tube, the glazed trunk revealing an adjustable pendulum, 245cm high

An 18th Century Oak Longcase Clock, with an eight day movement. The 12 inch (30 cm) square brass face having a silvered chapter ring with hours & minute divisions, encircling a subsidiary seconds dial and a calendar aperture amidst sprays of engraved flowers and inscribed John Evans, LAMPETER (Circa 1750-60). The corners embellished with scrolling floriate gilt spandrels. The hood having a key design moulded frieze above a glazed door with shaped brass H-hinges & flanked by columns. The case with a double arch-topped long trunk door and canted sides enriched with stop-fluting. Measuring 84 ins (213.5 cms) in height.

A Fine 18th Century Chinoiserie Lacquered Longcase Clock. The eight day movement having a 12 inch (30.5 cm) brass dial with a silvered chapter ring encircling a silvered centre signed John Clark, Bury (Bury St Edmonds, circa 1770) and incorporating a subsidiary seconds dial, a calendar aperture and finely engraved foliate embellishments. The arch having a silvered Strike/Silent dial flanked by pierced gilt mounts, with spandrels adorning the corners. The hood having a pagoda pediment painted with floral sprays, and surmounted by three gilt spired-ball finials. The arched cornice above two decorative columns flanking the glazed door. The impressive long arched top trunk door edged in moulding and intricately decorated with a chinoiserie figural scene; continued on the base, and highlighted in gilding. 101 ins (257 cms) high, 19 ins (48 cms) wide, 9¼ ins (23.5 cms) deep.

An 18th Century 30 Hour Oak Longcase Clock, Circa 1720 of good colour & patination. The single handed 11 inch (28 cm) square brass dial inscribed W.Hough, Wrexham along the chapter ring encircling a matted centre engraved with scrolling foliate sprays surrounding a calendar aperture & having decorative brass spandrels to the corners. The thirty hour movement striking the hour on a bell. The hood carved with the initials M D K 1740, and having turned columns flanking the glazed door. The arch-topped slender trunk door edged in applied D-mouldings. Standing 75½ ins (192 cms) high, 17½ ins (44.5 cms) wide and 11½ ins (29 cms) deep.

Edwardian inlaid mahogany pocket watch holder in the form of a longcase clock and a quartz clock

A George III mahogany eight-day longcase clock with an arched painted dial with river landscape above a Roman numeral dial and two subsidiary dials, indistinct makers mark, the arched hood with quarter columns on a corresponding crossbanded trunk with plinth base, 202cm high

A George III carved oak eight-day longcase clock, maker E. Hariman of Crosby, the circular brass Roman and Arabic numeral dial with matt ground centre and dated aperture, the case with later floral carving on bracket feet, 217cm high

An early 19th century chequer strung mahogany eight-day longcase clock, maker Walter McAdam of Bathgate, the circular enamel Roman numeral dial with subsidiary seconds and date dials, the arched hood above a trunk with arched door and fluted quarter columns on a plinth base, 201cm high

A 19th century mahogany eight-day longcase clock, maker David Peat of Crieff, the arched painted enamel dial with Roman numerals, subsidiary seconds and date dials and a coat-of-arms, the hood with swan neck pediment and fluted columns above the trunk with quarter columns and plinth base on bracket feet, 210cm high

A mahogany cased eight-day longcase clock,. the moverment made by Mathew Lyon of Lanark, with arched brass dial, Roman numeral chapter and scalloped silver seconds dial engraved with a star, applied with intricately cast C-scroll mask and dolphin spandrels, in a later George III design case, 216cm high

An early 18th century square brass longcase clock dial, with Roman numeral chapter, date aperture, a single pierced brass hand, ringed winding holes and cast spandrels depicting the four seasons, 28cm x 28cm

A George III arched brass eight-day longcase clock movement, with Roman and Arabic numeral chapter ring, scalloped seconds dial and date aperture applied with cast spandrels, 48cm high

An 18th Century eight day longcase clock with reeded oak case, the maker Edward Massey of Burslem, the dial hand painted with Summer fruit, with second hand and date aperture, 79" high. NB. Edward Massey is noted as an inventor of a form of lever escapement called The Crank Roller and a form of keyless winding for watches. He died in 1852 aged 82.

A XIX century longcase clock the oak and mahogany case enclosing the arched painted dial decorated with castle scene and signed "Hargrave Bawtry", 30 hour striking movement, the trunk enclosed by a long shaped crossbanded door 220cm high

An early XIX century mahogany longcase clock the arched painted dial with an automaton of Adam & Eve in the arch, subsidiary seconds ring and date aperture, signed "Wm. Latch Newport", contained in a swan neck pedimented hood flanked by Corinthian columns, the base enclosed by a short door, chevron banded and boxwood strung overall 226cm high

An XVIII century oak longcase clock with later chiming and striking free train movement on eight bells, the brass dial with applied spandrels, silvered chapter rings with seconds ring and striking silent dials 220cm high

Quantity of longcase, mantel and other clock dials

Edwardes Ernest L. - The Grandfather Clock, 2 vols; Eric Bruton - The Longcase Clock and seven various other horological standard reference books (9)

Twelve various longcase clock weights

Longcase clock thirty hour posted movement with original bell

Eight day longcase clock movement, the 13" arched raised dial with subsidiary seconds and calendar dials painted with floral spandrels and a mallard shooting scene to the arch

Good three train musical longcase clock movement on eight bells, the 12" brass arched dial signed Thomas Robins, Chatham, with subsidiary seconds dial and four bells/eight bells dial to the arch

Thirty hour longcase clock movement, the 11.75" square brass dial with silvered chapter ring signed Thomas Dicker, Silchester with floral engraved centre

Eight day longcase clock movement, the 12" brass arched dial signed Samuell Ogborne, London on a boss to the arch, with subsidiary seconds dial and calendar aperture to the matted centre

Thirty hour longcase clock movement with 11" square dial; also five other painted square dials (6)

Eight day longcase clock movement, the 14" painted arched dial signed Webley Bromsgrove with subsidiary seconds dial and calendar aperture, painted with dogs and rabbits to the spandrels and gamekeeper shooting ducks to the arch

Eight day longcase clock movement, the 12" arched dial signed Samuel Guy, London on a boss to the arch, the matted centre engraved with birds and foliage, with subsidiary seconds dial over ringed winding holes and calendar aperture

Interesting and unusual eight day longcase clock movement with automata moon sphere, the 14" brass arched dial signed James Bush, London on a plate to the matted centre, with subsidiary seconds, calendar and moon phase dials, the five pillar plated movement with outside wheel train mechanism operating the sphere

Eight day five pillar longcase clock movement, the 12" arched brass dial signed John Ellicott on an oval plaque to the matted centre also with a subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch

Eight day five pillar longcase clock movement, the 12" square brass dial signed William Speakman Junior, Old Street, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes