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Wirksworth oak longcase clock, arched painted enamel dial, Roman numerals, 214cm high overall

An 8-day longcase clock, the reconditioned early 19th century movement striking bell, re-painted square dial with arched top, Roman numerals, subsidiary seconds dial and calendar aperture, inscribed 'Hocking, Bodmin,' the modern pine case with swan-neck pediment, fluted columns and pilasters, on pedestal box base, original weights and pendulum, 228cm high

A good quality 18th Century walnut Longcase Clock, with arched blind fret work hood over a brass and silver dial, the circular chapter ring with Roman numerals, a second hand, and aperture, signed Thomas Wilmshurst of Deal, the main body with arched panelled door on box base, approx. 219cms (86")high. (1)

An Irish George III period mahogany Longcase Clock, the brass dial with Roman and Arabic numerals, the subsidiary dial for seconds, and date aperture, signed "Charles Morgan, Dublin," the swan neck pediment above an arched dial, with panel door, flanked by fluted half pillar on box base with bracket feet, approx. 93" (236cms) high x 20" (51cms) wide. (1)

Rogers of Dudley. George III mahogany longcase clock, with a painted rectangular dial with fan and bird design, with an arched top above single door, on block base, 30 hour movement with pendulum and weight, 197cm high, 49cm wide, 22cm deep.

D Rowrand of 'Aberistwith'. A 19thC and later longcase clock, in a stained pitch pine case with a painted dial depicting birds and flowers, 30 hour movement, with pendulum and weight, 201cm high, 44cm wide, 23cm deep.

John Matthews of Leighton Buzzard. A George III mahogany longcase clock, with a painted white dial, with a swan pediment neck and single door, with pendulum, 204cm high, 48cm wide, 21cm deep.

A George III oak cased longcase clock, with a painted dial and arched pediment hood above single door, with 30 hour movement with pendulum and weight, 217cm high, 46cm wide, 21cm deep.

Spendlove of Thetford. A George III oak longcase clock, with a painted dial depicting figures and greyhounds with flowers, with eight day movement, date dial and seconds, with arched pediment top and single door, on bracket feet, with pendulum and weights, 200cm high, 48cm wide, 23cm deep.

Late 18thC oak cased 8 day longcase clock, Ashton Macclesfield to engraved brass dial, with Roman and Arabic numerals, date aperture and secondary seconds with masked spandrels to corners, flute top hood with Greek key design and plain pillars, H207cm

John Hamilton, Glasgow late 18thC mahogany longcase clock, the silvered Roman dial with brass dolphin mounts flanking the boss with maker's name, the hood with carved decoration and twist column pillars, the case similarly decorated with carved Acanthus leaf capitols, H208cm, with restoration receipt for movement dated 2007

19thC 8 day longcase clock by Peter Brownsword Derby, the arched painted Arabic dial with moonphase feature, date aperture and secondary seconds, the oak case with cross banding, the hood with reeded columns and swan neck pediments, H226cm

18thC 8 day longcase clock movement with silvered Roman and Arabic chapter ring, date aperture, masked brass spandrels to corners, pendulum seat and hood top

An Art Deco oak longcase clock with barometer, 190cm high Condition Report: Available upon request

An inlaid mahogany longcase clock with a brass Tempis Fugit face with Roman numerals, 222cm high Condition Report: Available upon request

A 19th Century mahogany longcase clock, with painted face "W J TORRY, KILWINNING" (Def), 220cm high Condition Report: Available upon request

An oak longcase clock with barley twist supports with a panelled door and base, 178cm high Condition Report: Available upon request

A George III oak longcase clock with 13inch painted dial signed Wm Walters, each of the four spandrels with seated scribe, possible apostles, in swan neck hood and trunk with turned corner edges, 220cm

A 19th century oak and mahogany crossbanded longcase clock by William Rippen Holbeach, with two train striking movement, case door inlaid with a shell. Height 219 cm. CONDITION REPORT: The dial width is 33.3 cm or just under 13 ¼”.

An early 19th century oak and mahogany crossbanded longcase clock, with painted dial and foliate painted spandrels and two train striking movement. Height 230 cm.

A Victorian Scottish mahogany drumhead longcase clock by William Wilson, Airdrie, with two train striking movement, the case with keyhole shaped trunk door. Height 193 cm (see illustration). CONDITION REPORT: We have both weight and pendulum. The movement is extremely dirty and the bottom of the crutch is missing from the escapement. When weight is applied to the going train it does operate and the same applies to the strike train. The date wheel is not present. The clock case itself is in generally good order with no significant issues. The hood has the usual stress fractures to the veneers and some veneer losses around the cylindrical section behind the circular door. There are no splits to the sides. The door is not warped and there are no significant problems with the base.

A George III oak longcase clock, with swans neck pediment above the arched painted dial and two train striking movement, with long trunk door and conforming base raised on bracket feet. Height 213 cm. CONDITION REPORT: We have both weights and pendulum. We have not had the movement running, however when weight is applied to both the strike and going trains the movement does strike and tick. The face is all over crazed and the numerals have been repainted. The case is a little tired. Whilst there are no significant losses to the hood there is old woodworm in the sides. The trunk door is not warped. It does lock as it should. Again there are traces of woodworm to the sides of the case. The base is original and all present. In our opinion any woodworm is long gone.

A George III oak longcase clock, with eight day striking movement by Walter Prestidge Towcester, with long trunk door and shaped apron to base. Height 210 cm. CONDITION REPORT: We have two weights and the pendulum. The pendulum suspension is missing. We have not had the movement running but when weight is applied to both the strike and going trains the movement does tick and strike. The moon phase operates when the hands are advanced. The numerals and name have clearly been fairly recently repainted. These have been done professionally. The case is in generally good condition with no serious issues. The door is not warped. The sides are in good condition and the colour is universal. There are the usual join stress fractures and the odd mark but no serious problems with the case.

An 18th century walnut longcase clock by Hampson Wrexham, numbered 1162 with two train striking movement and with long trunk door. Height 202 cm. CONDITION REPORT: We have two weights and the winding key and pendulum. Whilst we have not had the clock running, when weight is applied to both strike and going trains it does appear to operate as it should. The date wheel is present but does not appear to be connected. The case is in generally good condition with no serious issues. The trunk door is a little warped at the top but closes effectively. The base has lost the front edge moulding and appears a little short in height. We have the missing section of base moulding.

A George III mahogany longcase clock by Jonathan Blake Fulham, with two train striking movement with strike/silent to arch and with subsidiary seconds dial, with long trunk door and raised on bracket feet. Height 232 cm (see illustration). CONDITION REPORT: The movement winds on both trains and is currently ticking away and striking when advanced. The date advances when the hands are manually advanced. The case is in generally very good condition with no significant issues. The trunk door closes as it should and is not warped. Due to shrinkage there is a very slight gap to the top left hand corner of the door between the door and the case, this would easily rectify by slight movement up over of the hinges by around 1 mm if indeed it was deemed problematic. The base is in good order, we can see no evidence of any woodworm.

A Regency mahogany longcase clock by Samuel Moore Tewkesbury, with penny moon to arch and eight day striking movement with subsidiary seconds and date, with long arched trunk door flanked by canted angles and with conforming base. Height 210 cm (see illustration).

A 1930's oak longcase clock of Art Deco design, the 25 cm silvered dial with Arabic numerals to the three train movement striking on five "Peerless" gongs in case with bevelled glazed door. 212 cm high.

A late 18th/early 19th century mahogany longcase clock by Jacob Houtman of Lancaster, the 32 cm brass dial with silvered chapter ring, calendar aperture, gilt brass spandrels and moon phase to the eight day two train movement striking on a bell, the hood with brass finial, arch cresting and turned pillars, the trunk with quarter fluted columns and crossbanding and shaped door. 225 cm high, with winding handle (see illustration). CONDITION REPORT: The clock winds on both trains and is currently ticking away. Both the date and the moon phase seem to advance correctly when the hands are manually adjusted. The mask fits the dial well. The seat board appears original and there is no packing. The case of good quality and typical of that from the Lancaster region. There are no significant condition issues with the case. The trunk door is not warped. It closes correctly. There are no issues of any note with the base or bracket feet.

A 19th century oak and mahogany banded longcase clock by Mitchell of Cockermouth, the painted dial to the eight day movement striking on a bell contained in case with scroll cresting, turned pillars to hood and reeded quartered columns to trunk. 215 cm high.

A late 18th/early 19th century mahogany longcase clock by J. Hodgson of Whitehaven, the 31 cm painted dial with subsidiary seconds aperture painted with ship to arch, the eight day two train movement striking on a bell, the hood with scrolled cresting, Ho Ho bird finial and fluted turned columns, the trunk with quartered fluted columns and shaped inlaid trunk door. 213 cm high, with winding handle.

An early 19th century mahogany longcase clock, with arched painted dial and eight day striking movement with short trunk door and panelled base. Height 231 cm.

A SMALL MAHOGANY LONGCASE CLOCK, signed "Leigh Lymm", the eight day movement with anchor escapement striking on a bell, 8 1/2" arched dial painted with female figures allegorical of the seasons, Roman and Arabic numerals, secondary dials and painted moonphase, the case with scrolled pediment carved with flowerheads and centred by a brass finial on turned columns, arched door, panel base and bracket feet, 76 1/2" high (Est. plus 21% premium inc. VAT)Generally all in very good condition with weights and pendulum

AN OAK LONGCASE CLOCK by John Edwards, Norwich, the thirty hour lantern movement with anchor escapement and outside count wheel striking on a bell, 11" square brass dial with Roman and Arabic numerals, leaf chased centre with calendar dial, the case with scrolled fret pediment and brass finial on engaged columns, arched door, panel base and bracket feet, 83 1/4" to top of finial (Est. plus 21% premium inc. VAT)movement and face in very good condition, case with good rich colour, replaced door hinges, small loss to base moulding, possible reduced (?), with weights and pendulum but feather snapped off

AN OAK LONGCASE CLOCK, signed David Collier, Gatley, the eight day movement with anchor escapement striking on a bell, 13" square brass dial with Roman and Arabic numerals, foliate chased centre with penny moonphase over calendar dial, the burr walnut banded case with caddy top, with turned wood and brass finials over verre eglomise frieze dated 1765, turned columns, moulded door and canted base, on plinth, 90 1/2" high (Est. plus 21% premium inc. VAT)Possibly a marriage of case/movement(?), movement good and quite clean, face good bar much wear to silvering of chapter ring, unusual case in generally very good condition bar split to throat moulding to right of front and along the right hand side and shrinkage splits to base, with weights and pendulum

A MAHOGANY LONGCASE CLOCK by Andrew Dickie, Edinburgh, the eight day three train movement with anchor escapement striking on a bell and chiming on a nest of six bells, arched brass dial with Roman and Arabic numerals, plain matted centre with seconds dial and signature, strike/silent to the arch, the case with scrolled pediment and turned wood finials, leaf decorated paper frieze on engaged columns, stop fluted and carved with trailing foliage, arched door and panel base with bun feet, 90 1/2" high (Est. plus 21% premium inc. VAT)Movement and dial need a clean, some wear to silvering of chapter ring, case generally good, small piece of moulding missing above right front hood column, and left side of base, shrinkage split to base and piece of wood missing on trunk door near the back, with weights and pendulum

AN OAK LONGCASE CLOCK, signed W. Barnard Newark 473, the eight day movement with anchor escapement striking on a bell, 12 1/4" square brass dial with Roman and Arabic numerals, the centre with seconds dial and calendar aperture, the case with cavetto moulded cornice on turned columns, arched door, panel base and bracket feet, 77 1/4" high (Est. plus 21% premium inc. VAT)Movement and dial very good - cleaned, case good bar shrinkage split to base, with weights and pendulum

A George III 8-day longcase clock, having a 14" painted dial with 2 subsidiary dials, by William Peplow of Wellington, in oak and mahogany-banded case, with pendulum and weights, H226cm

An 18th century longcase clock, having a 12" square brass dial with 1 subsidiary dial striking on a bell, dial signed George Hewett Marlborough, oak-cased, with key, pendulum (A/F) and 2 weights, height 221cm

An 18th century 30-hour longcase clock, 12" square painted dial with 2 subsidiary dials, dial signed, with pendulum and single weight (A/F)

A GEORGE III MAHOGANY LONGCASE CLOCKThe white painted arched dial with Roman numerals, signed 'F.WALDEK LONDON', overall height 230cm

An oak eight day longcase clock, Josh Bell, Norwich, early 19th c, with break arched and painted dial, in light oak case, pendulum and weights, 206cm h Lacks seconds dial, dial decoration worn, base altered, fretwork cornice lacking finial

A cream japanned eight day dwarf longcase clock, Elliott London, second quarter 20th c, with silvered dial, striking on rod gongs, 146cm h A very well preserved good example. Good condition and apparently working order

A George III oak longcase clock, c1800, the swan neck pediment above an arched glazed door enclosing painted cream enamel dial with Arabic numerals, subsidiary seconds dial, calendar aperture, inscribed Barber Nottingham, the arch with female resting on a classical urn and pedestal with country house landscape and swans on a lake, floral spandrels, eight day striking movement, the trunk with shaped door flanked by chamfered angles, the base with shallow bracket feet, 216cm h Case later carved with leafage, roundels and scrolls. Case with overall bituminised varnish which is separating, cracks, chips, losses, wear, abrasions overall and the dial with wear and rubbing, minor chips to edges

An oak eight day longcase clock, William Barnard, Newark, 12" brass dial, ring winding squares and urn spandrels, case with ogee pediment and blind fret frieze, pendulum and weights, 203cm h excluding later finials Basically good condition

A crossbanded and stained-oak thirty hour longcase clock, Drury Banbury, early 19th c, with painted dial, brass hands, date sector and ogee pediment to the case, pendulum and case, 203cm h Some restoration and re-polishing

An inlaid mahogany thirty hour longcase clock, Fra Berry Northampton, late 18th c and later, with brass dial and swan neck pediment, pendulum and weight, 214cm h Dial / movement associated; some restoration and alteration

A Finnigans oak longcase clock, with a quarter striking musical movement on eight bells, the silvered dial with brass arched face, labelled 'Finningans Ld Manchester', in an oak case, with carved details, 28.5cm dial, 212cm highCondition report: Hands on the seconds dial missing, three weights,and pendulum. Currently not working. Wear and knocks to the case. Fret sides with losses to the fabric.

Edwardian oak and brass mounted miniature longcase clock with a replacement quartz movement, 17ins high

George III stained pine longcase clock, the square hood with turned pilasters above a rectangular panel door and conforming plinth base, the painted dial with Arabic numerals, signed Bromley, Horsham, the single train thirty hour movement striking on a bell

Early 19th Century oak and mahogany crossbanded longcase clock, the square hood with swan neck pediment above a rectangular panelled door flanked by fluted quarter pilasters above a conforming plinth, the painted dial with Roman numerals, signed indistinctly and inscribed Tewksbury, with gilt hands, date aperture and single train thirty hour movement

19th Century oak and mahogany banded longcase clock, the brass dial with Roman numerals and single hand with a single train thirty hour movement

18th Century walnut longcase clock, the square brass 10in dial with Arabic and Roman numerals with date aperture, signed C. Raymond, Lideway

George III carved oak longcase clock, the square hood above a rectangular panelled door on a plinth base, the 11in square brass and silvered dial with Roman and Arabic numerals, subsidiary seconds and calendar aperture, inscribed Rich Chalklen, Wrotham, with a two train movement striking on a bellCase is clean and in very good condition. Movement is clean and with new gut. Runs and strikes correctly although we never give guarantees it will continue to do so. Carving assumed to be of a later date.

18th Century oak longcase clock, the 10.75in brass dial with Roman numerals and single hand, signed Waddington, Chorley, with a thirty hour movement striking on a bell78INCHES HIGH

19th Century longcase clock, the arch top dial having painted decoration with Roman numerals and moonphase and subsidiary dials (at fault), with two train movement above a shaped flush panelled crossbanded door and conforming plinth base (at fault), with pendulum, weights and winding key, 87ins high x 23ins wide

Late 19th / early 20th Century Continental walnut longcase clock, the rectangular case with moulded cornice above a circular dial window, rectangular pendulum window and moulded panel base, flanked by turned, carved and fluted pilasters, the silvered dial with Arabic numerals, signed Vegelin, Grenoble, the three train weight driven movement striking and chiming on tubular bells, 7ft 5ins high

George III ebonised longcase clock, the square hood with flanking pilasters above a rectangular panel door and conforming plinth, the painted dial with Arabic numerals and subsidiary date aperture, signed Ja's Mallett, Barnstaple, with a single train thirty hour movement, 6ft 6ins high

19th Century Continental oak longcase clock, the floral carved hood with a bar glazed pendulum window above a rectangular panel door and moulded plinth base, the convex enamel dial with Roman numerals and two train weight driven movement, 7ft tall approximatelyThere is evidence of slight historic woodworm in the back board only. The pendulum to this clock is missing and therefore it cannot currently run. Also has minor damage to the floral surmount.

Late 19th / early 20th Century mahogany longcase clock in George III style, with an arched hood above an arched panel door flanked by quarter columns above a panelled plinth base, the silvered and gilt brass dial with Roman and Arabic numerals and subsidiary seconds with two train movement, striking on a gong

George III oak mahogany crossbanded longcase clock, the square hood with swan neck pediment above rectangular door and a plinth base, the 12in square enamel dial with Roman numerals and subsidiary calendar, with a two train movement striking on a bell