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An early 19th century oak longcase clock, the broken swan neck pediment above square painted dial, inscribed 'Alker, Wigan' with later carved door flanked by fluted corner pilasters to a plinth base on ogee bracket feet, height 220cm.

A late 18th/early 19th century oak and mahogany cross-banded longcase clock, the broken swan neck pediment above circular painted dial, later inscribed 'Whitehurst, Derby', with eight-day movement, long arched door flanked by fluted corner pilasters to a plinth base and bracket feet, height 214cm.

An early 19th century oak and mahogany cross-banded longcase clock case with associated walnut veneered hood, long arched door, fluted pilasters and plinth base, glazed aperture 46.5 x 32.5cm.

An early-to-mid 19th century oak and mahogany cross-banded longcase clock, the broken swan neck pediment above repainted square dial inscribed 'Thos Wood, Knutsford', with eight-day movement, short door and plinth base, height 222cm.

An early 19th century oak and walnut cased eight-day longcase clock of small proportions, the brass dial set with Roman numerals, inscribed 'James Worthington', the walnut hood above an oak body and pedestal base, height 160cm. CONDITION REPORT This has been heavily restored, much of the original walnut case has been replaced with oak, including the door which has been removed and replaced by two oak boards, now the only access to the movement and weights is through the top and back of the hood.

Thompson of Wolverhampton; a George III oak and mahogany cased eight-day longcase clock, the painted dial set with Roman and Arabic numerals, with subsidiary seconds dial, swan neck pediment, columned hood and quarter columned body above a plinth base to bracket feet, height 225cm.

A contemporary French oak eight-day longcase clock, the gilded and metal dial marked 'Brencklé Tssoudun', set with Roman numerals, long door with circular glass aperture above carved base, length 226cm.

A late 19thC bronze clock in the form of a longcase clock with two Dutch children, the silvered dial with Roman numerals, signed on the reverse G Vaerenbergh, 20cm tall

Thomas Laidlaw, Newcastle: a 19th Century mahogany longcase clock, the painted roman dial with subsidiary seconds and date dials to centre, two train movement with anchor escapement, the case with arched glazed door flanked by turned columns, arched waist door, panelled base with bracket feet, 218.5cms (86in.) high.

A 19th century oak 30 hour longcase clock, height 210cm

GEORGE III MAHOGANY LONGCASE CLOCK, with rolling moonphase, Signed J. Lister, Halifax, the 14" painted Roman dial with subsidiary seconds and date dials and spandrels painted as rural maids, set beneath a rolling moonphase to the arch and powered by an eight day movement, chiming on a bell, housed in a case with swan neck pediment, and capped free standing and fluted fore columns, over a flame cut trunk door with shaped top, flanked by reeded forecorners and raised on a conforming crossbanded base with bracket feet, 92" (233.7cm) high

LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK SIGNED HELM, ORMSKIRK, the 12" brass dial with subsidiary date aperture to the foliate scroll engraved centre, enclosed by conforming, pierced spandrels and powered by a 30 hour movement striking on a bell, housed in a case with broken architectural pediment above a glazed panel painted with scrollwork and free standing fore columns, over a long trunk door with shaped top, flanked by quarter columns and raise on bracket feet, 84" (213.4cm) high

A 19th Century mahogany longcase clock, the 12ins arched painted dial with Roman numerals, subsidiary minute and seconds dial, painted floral spandrels and swan to arch, to the eight day two train movement striking on a bell, contained in mahogany case, the hood with arched and moulded cornice, with turned acorn pattern finials and fluted pillars, shaped trunk door and on plinth base with shaped apron and bracket feet, 80ins high

A late 18th/ early 19th Century oak longcase clock by John Gerard of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in case with pagoda top and split turned columns to hood, arched top trunk door, on plinth base, 89ins high

An 18th Century oak longcase clock by John Varley, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, the dial centre showing phases of the moon and with subsidiary seconds dial, to the thirty hour movement striking on a gong, contained in oak case with scroll pediment and embossed brass flower paterae, above moulded and dentil cornice, the frieze inlaid with geometric bandings and with plain turned pillars, trunk door flanked by rounded quarter columns, the plinth with raised centre panel, on bracket feet, 84ins high Note: A John Varley recorded working in Huddersfield, born 1733 and died 1785.

A late 18th/early 19th Century oak longcase clock by Thomas Shaw of Spalding, the 12ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, oval fan motif and rose garland to arch, to the eight day two train movement striking on a bell, contained in case with shaped cresting and moulded cornice, turned and fluted pillars to hood, shaped trunk door, on plinth base and bracket feet, 86ins high

An 18th Century oak longcase clock by Thomas Hall of Maidstone, No. 100, the 12ins arched brass dial with narrow chapter ring with Roman and Arabic numerals, dial centre with twin seconds dial and calendar dial, with engraved leaf scroll ornament, to the eight day two train movement striking on a bell, contained in plain oak case, the hood with deep moulded cornice, with scroll pediment and gilt central finial and plain turned pillars, plain trunk door and double moulded plinth base, 90ins high (somewhat distressed -capitals missing - calendar dial hand missing - one weight missing - generally in need of repair) Note: Thomas Hall recorded Maidstone 1761-1768

An early 19th Century ornate oak longcase clock by Thomas Ross of Crowle, dated 1801, the 12ins arched painted dial with Roman and Arabic numerals, faintly painted with flowers, to the eight day two train movement striking on a bell, contained in ornate oak case, the hood with fretted cresting above moulded and dentil cornice, plain turned pillars, shaped trunk door with carved rope ornament and flanked by octagonal pillars inlaid with contrasting woods, set with white glass panels, panelled plinth, 91ins high Note: Thomas Ross recorded working as a Clockmaker in Crowle (Lincolnshire) from 1770

An 18th Century oak longcase clock by John Hargreave of Sleaford, the 12ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in plain case with deep moulded cornice and split turned pillars to hood, on plinth base and bracket feet, 81ins high Note: J. Hargreave(s) recorded working Sleaford circa 1790

A 19th Century oak and mahogany longcase clock by W. & J. Southey of Leicester, the 13ins arched painted dial with domed centre, painted with Roman numerals and with subsidiary seconds dial and date aperture, the arch and spandrel painted with a romantic landscape of a castle and cottages, to the eight day two train movement striking on a bell, contained in oak case banded in figured mahogany, inlaid with star motif, the hood with moulded scroll pediment and turned pillars, shaped trunk door with canted corners, on bracket feet, 88ins high Note: J. Southey recorded working Leicester 1849

An early 19th Century mahogany longcase clock by J. Cottier of Peel, the 14ins arched painted dial with Roman numerals, subsidiary seconds and calendar dial and phases of the moon to the arch, to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment, turned and reeded pillars to hood, shaped trunk door inlaid with stringings and crossbandings, reeded quarter columns to sides, on plinth base with bracket feet, 88ins high

An 18th Century mahogany longcase clock by George White of Bristol, the 12ins arched brass dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon, to the eight day two train movement striking on a bell, contained in mahogany case, the hood with moulded arched top and scroll carved ornament, turned and fluted columns to sides, shaped trunk door, on plinth base with bracket feet, 85ins high Note: George White recorded working Bristol circa 1774-1814

An 18th Century walnut longcase clock with later movement, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the matted centre with turned winding holes to the eight day movement striking on a bell, contained in walnut case inlaid with herringbone bandings, the hood with moulded cornice, blind fret frieze and split turned columns, the trunk door with brass framed circular lenticle, on plinth base, 81ins high (with adaptations and alterations)

A late 19th Century dark mahogany longcase clock of large proportions, retailed by F.H. Wilbee of Herne Bay and dated 1898, with 14ins arched gilt brass and silvered dial, the chapter ring with raised brass Arabic numerals, the gilt dial centre engraved with leafage and with subsidiary seconds dial, with Whittington/Westminster and chime/silent dials to arch, to the eight day three train movement with steel pendulum rod and mercury compensated cylindrical bob, three heavy plated metal cased weights and striking on nine plated cylindrical gongs, contained in dark mahogany case, the hood with bold fretted and carved leaf shell and scroll cresting, above deep moulded cornice, flanked by gilt brass fluted columns and with fretted side panels, trunk with arched door inset with bevelled glass panel, flanked by conforming brass fluted columns, the base with raised astragal moulding and moulded plinth base with block toes, 102ins high (case surface generally dull and two applied mouldings missing to base)

A George II oak and mahogany crossbanded longcase clock, 30-hour movement with 11in square brass dial by James Bradford, Buckingham, hood cornice over blind fret frieze and long trunk door, box base (cut down), 192 cm high, circa 1750

A George III oak longcase clock, eight-day movement with 12 in square brass dial by Thomas Bevan of Marlborough, in caddy top hood with blind-fret frieze, long trunk door and box base (cut down), 200 cm high

A George III oak cottage longcase clock, the 30-hour pillar movement with 10in brass dial, silvered chapter ring and single hand, Josiah Kember of Shaw, circa 1770, 194 cm high

A William & Mary/Queen Anne period seaweed-marquetry walnut longcase clock, the eight day five pillar movement movement with 12in square brass dial, Isaac Papavoine, Dukes Court, London (fl 1680-1710), silvered chapter ring, subsidiary seconds dial and square date aperture, gilt cast brass spandrels with putti supporting crowns, the seaweed marquetry-inlaid walnut case with moulded cornice above ebonised pilasters with giltwood mounts, long cockbeaded door beneath with brass framed lenticle glass and richly inlaid with mythical birds, beasts and grotesques, on box base with later plinth, 220 cm high Condition Report movement and case of conforming age, although we cannot guarantee the movement and case are original to each other, the movement complete and original with many signs of maintenance, the case showing signs of a reduction in height, the movement cheeks reduced in height, the backboard framed in later oak at hood height, the base with internal reinforcing/joining piece indicating top and bottom have been apart/repaired - consigned privately from lon term ownership

A 19th century inlaid oak eight day longcase clock, with a brass arched dial, lacking hood door, 223cm high

An Edwardian mahogany longcase clock by Cotterill Winksworth, the arch dial with Arabic numbers, gilt painted spandrels, the pagoda hood with fretwork and turned finials, having marquetry inlaid door with shell paterae, H:234cm

A 19th century mahogany longcase clock with painted dial by George Pearson, Low Wood

A 19th century walnut longcase clock by Chas Bosley, London

A 19TH CENTURY PINE CASED LONGCASE CLOCK with eight day movement, painted dial, subsidiary dial and date aperture, signed B:Michael Rustell, with automaton movement, the case with arch pediment top and columns standing on a plinth base, 204cm high x 44cm wide, the dial measures 30cm x 41cm (with weights and pendulum)

A 19TH CENTURY OAK AND MAHOGANY CASED LONGCASE CLOCK with eight day movement, painted enamel dial, a subsidiary dial and date aperture, indistinctly signed, the case with swan neck pediment and standing on a panelled plinth base, 230cm x 52cm, the dial measuring 33cm x 45cm (with weights)

Jolm Coates of Cirencester - a mid 18th century oak 8 day longcase clock H.199cm

A 19TH CENTURY MAHOGANY LONGCASE CLOCK the brass and silvered dial with Roman and Arabic numerals, subsidiary second hand and date aperture, signed William Freeman, London 29cm wide, the case 47cm wide x 197cm high

A MODERN LONGCASE CLOCK with moon phase and three train movement, striking the quarter hours 46cm wide x 188cm high

A GEORGE III LANCASHIRE OAK AND MAHOGANY CROSS BANDED LONGCASE CLOCK the 35.5cm square brass dial signed W. Watson, Blackburn with a date and second hand dials, the case with a break arch pediment and brass rosette mounts 222cm high

Painted longcase clock, battery movement, good decorative lot

An early 19th century mahogany longcase clock having bobbin pillar and swan neck hood containing painted arch dial and 30 hour movement, J Barnish, Rochdale, on inlay and shaped trunk and square base

An early 19th century oak and mahogany longcase clock having pillar and swan neck hood containing painted arch dial for J H Mercer, Appleby, on quadrant T crossband inlay trunk and square base

A 19th century Delft miniature model of a commode of bombe shape, with drawer and typical blue and white decoration, marked JB to base and a 20th century Delft miniature model of a longcase clock

CLOCK CABINET, 19th century mahogany with lancet carved panel door enclosing shelves (adapted from a longcase clock), 52cm W x 107cm h x 24cm D.

Two boxes of various clocks and watch and clock parts including a cuckoo, apprentice miniature longcase, Smiths etc, along with an antique carved smokers cabinet for restoration.

Reproduction mahogany longcase clock, twin weight driven movement, quarter chiming on rods, H196cm Condition Report Click here for further images, condition, auction times & delivery costs

A Victorian eight day oak and mahogany cross band longcase clock with painted arched dial

A 19th century oak longcase clock with 30 hour movement signed ''Scoles, Kendal'' with weight and pendulum

A 20th century oak longcase clock, the movement stamped 'Enfield Clock Company', glass detached

An 8 day longcase clock with a square painted dial signed Rob Williams with a second hand and calendar with weights and pendulum - Height 206cm

An 8 day longcase clock with a painted arched dial with a second hand and a calendar in an oak case - Height 210cm - with weights and pendulum

An oak longcase clock by Deykin, Worcs, 18th century and later, with square glazed hood and brass dial detailed 'Hen Deykin Worcester no.917 over a date aperture, with two train movement and a waisted case, 197cm high, (pendulum and two cast iron weights).

A mahogany eight day longcase clock, 19th century, with painted arch top dial, two train movement and a waisted case (a.f), 218cm high, (pendulum and two cast iron weights).

An oak eight day longcase clock, 19th century, by John Wallace, with broken arch white painted dial detailed 'John Wallace' over a subsidiary seconds dial with a two train movement and waisted trunk, (pendulum, two cast iron weights and two keys). 7.14

An oak eight day longcase clock, 19th century, the arch top painted dial detailed 'Edwd Tiddeman Canterbury', with subsidiary seconds dial and two train movement, over a waisted case, 213cm high, (lead pendulum, two lead weights, winding key).

An oak eight day longcase clock, 19th century, the brass arch top dial plate detailed 'George Avenell Farnham', with subsidiary seconds dial, date aperture and two train movement over a waisted trunk, with circular glazed pendulum aperture to the door, 230 cm high, (brass/lead pendulum and two brass cased lead weights).

A William IV mahogany eight day longcase clock, JAS Inman, Colne, the swan neck pediment above an arched painted dial, with twin train movement, above triple arched trunk door flanked by cluster columns, 245cm high, (2 weights, 1 pendulum).

An Edward VII inlaid oak fusee longcase clock, the silver dial signed Clarke, 1 Royal Exchange, London

For Restoration: an 18th century longcase clock, the painted face with floral spandrels, Roman numerals and inscribed 'Thomas Fowle East Grinstead', within an oak case of typical form CONDITION REPORT: Case requires restoration. Working order unknown but doubtful, with one weight and pendulum.

For Restoration: an 18th century longcase clock, the painted face with decorative spandrels, Roman numerals, secondary dial and a decorative phase, within an oak case of typical form CONDITION REPORT: With two weights and pendulum

A 19th century oak and mahogany 8 day longcase clock, the 13in arched painted dial inscribed 'T Rutherlord, Jedburgh', 225cm high, with weights and pendulum.