We found 44426 price guide item(s) matching your search

George III mahogany-cased eight day painted dial longcase clock, maker indistinct, with 12-inch break arch dial, subsidiary seconds and calendar, the hood with blind fret work beneath dentil cornice, 217cm high

A Georgian oak cased 8 day longcase clock. The dial having gilt metal spandrels, Roman numerals and signed Honeybone, Wanborough. The movement striking on a bell, 76"h x 19 1/2"

Reguladora, Portugal: a black lacquer longcase clock c.1970, the arched brass dial with Roman minutes and Arabic seconds, the eight day movement with Westminster or Ave Maria chimes. The lacquered case with arched top and finials above a shaped glazed door, the case profusely decorated with lacquer flowers raised on a box base with shaped bracket feet. 174cms high

An 18th century 30-hour longcase clock, with square painted dial and one subsidiary dial, marked Huxley of Lamberhurst, oak-cased, H194cm

An 18th century 8-day longcase clock, with enamelled arch-top dial and one subsidiary dial, by W Strickland Tenterden, with carved oak case, H220cm

An 18th century 30-hour longcase clock, having an arch-top painted dial with 2 further subsidiary dials, marked J A Briscall, Birmingham, in crossbanded mahogany case, H237cm

A Georgian oak longcase clock, signed William Wilks, Wolverton, brass dial with engine turned scrolled spandrels, eight-day movement, striking on a bell, width 47cm, depth 26cm, height 211cm.

A George III oak longcase clock, Thomas Scott, Gainsborough, eight-day movement, arched painted dial, Roman numerals, date aperture, width 23cm, height 225cm.

Early 19th century 8 day longcase clock with painted arched dial , decorated with battle scene signed R.Holt, Newark

George III 8 day longcase clock, signed and inscribed 'Knutsford', painted arched dial with lunar arch and shell spandrels in oak and mahogany case with shell motive decoration 240cm high

Early 18th century longcase clock with 30 hour chain driven bird-cage movement, 10 inch square brass dial, with female image and floral spandrels, matted centre and brass chapter ring, signed Ralph Sayers, Lindfield, single pierced hand. In an oak case, with full length door, hood, with shaped columns and architectural pediment. 211cm overall height (weight and pendulum present)Condition report: Movement is very dirty, it appears to be free but we are unable to confirm if it is in full working order. Seat board has been replaced. Dial has been cleaned and decoration is filled with metal polish, pendulum rod is rusty and bob is somewhat battered and dirty. Case needs attention. Surface of wood is badly worn in places, both trunk side panels are damaged where pendulum swings. Door is damaged. Plinth has poor repair and may have been shortened. Hood is worn in places and glass surround beading is broken, other areas of beading are damaged. Dial surround is larger than actual dial. See photographs.

George III eight day longcase clock by William Skeggs, London with gilt brass and silvered dial with strike/silent to arch, subsidiary seconds and date aperture in mahogany case with brass spiked balls to hood. Key,weights and pendulum present, 220cm high

An early 19th century Channel Islands eight day mahogany longcase clock, the bell strike movement fronted by a painted Roman arched dial, signed 'Poign and Jersey', with painted vine fruit spandrels and exotic pheasant and floral spray to the arch, a further pair of birds to the centre, the case with broken arched hood with later brass ball and eagle finials, over a trunk with broken arched door, the plain base with bracket feet and wavy apron, 95in. (241.25cm.) high.

An 18th century oak provincial longcase clock, by John Lawson (probably of Bradford or Bingley), the weight driven movement with four knopped pillars and outside countwheel bell strike, the arched Roman brass dial with outer Arabic minute track, matted centre with arched date aperture and three turned roundels, gilt brass scroll spandrels and sun mask to arch, the case with broken arched top with central brass finial over an arched door with turned fruitwood columns, the canted trunk with serpentine arched door, on a plain base with bracket feet, 91in. (231cm.) high.

An early 19th century waxed pine 30 hour longcase clock by T. Watson, the square painted Roman dial with floral spandrels and birds, arched date aperture and brass signed maker's plate, the bell strike movement with outside countwheel strike and four knopped pillars, the hood with flared top on turned columns, the trunk with turned quarter columns and plinth base, 78½in. (199.5cm.) high.

A late Georgian oak and mahogany cased longcase clock by Rogers of Dudley, second quarter 19th century, the arched brass dial plate with mask and dolphin spandrels, silvered Roman chapter ring and engraved centre with winged mythical beasts, subsidiary seconds dial and arched date aperture, signed to roundel to the arch, eight day bell strike movement, the mahogany hood with swan-neck pediment over reeded columns, conforming with the half-length quarter columns flanking the shell inlaid door on the oak trunk, over a deep box base with shell inlay, on bracket feet, 96½in. (245.2cm.) high.

An early 19th century Channel Islands mahogany longcase clock by Naftel of Guernsey, the eight day bell strike movement fronted by an arched silvered dial with Roman chapter ring and Arabic outer minute track, subsidiary seconds dial below 12, date aperture above 6 and strike/silent ring to the arch, signed 'Naftels Guernsey', the arched hood with two eagle and ball finials, on tapered reeded columns with brass acanthus capitals, the trunk with arched door and checker board stringing between fluted half columns to the canted corners, above a deep base with conforming inlay and quarter fans to the corners, standing on a moulded plinth, 83in. (210.75cm.) high.

Dame of Sark interest - an early 19th century inlaid mahogany North Country eight day longcase clock, by Thomas Dodson of Leeds, with bell strike movement fronted by an arched painted Roman dial signed 'Dodson Leeds', with painted floral urn spandrels and cornucopia to arch, subsidiary seconds dial at 12 and date dial at 6, the case with swan's neck pediment on turned columns, the trunk with crown-top door within kingwood and mahogany cross banding, on an inlaid roundel base with bracket feet, 92in. (234cm.) high. * Provenance: Previously owned by Dame Sybil Hathaway, the Dame of Sark and purchased at auction by the current owners in Guernsey.

A continental painted longcase clock signed Lindtner, with pendulum and two weights

Thos. Carter, Cricklade. An 18th century oak longcase clock, H.196cm

A small longcase clock movement with moon face, height 26cm

AN EARLY 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK the 14 1/4" painted arched Roman dial signed Jos. Bates, Huddersfield, with subsidiary seconds and date dials, village scene to the arch and with floral spandrels, the hood with swan neck pediment, turned pillars over a short trunk door and panelled base, complete with pendulum, two weights and key, 226cm high At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report

A GEORGE I WALNUT EIGHT DAY LONGCASE CLOCK by William Moore of London, the case with quarter veneered door with crossbanded border and moulded decoration, the hood with blind fret work banding and pilaster columns, the 12 inch brass dial with subsidiary second hand, signature plaque and date aperture to the matted centre, and with mask decorated spandrels to the corners, the movement striking the hours on a bell, 51cm wide x 27.5cm deep x 217cm high Condition: marks, dents and scratches overall due to age and use, the plinth base almost certainly a later addition, the plinth with inserted newer timber to the rear, the door with slight loss to the moulding top right corner, the lenticle a later insert, the interior of the door with an ivorine label for Percy Webster 87 Great Portland Street and with a further Percy Webster paper label stating that William Moore was apprenticed in 1693 to Ben Johnson, small loss to the crossbanded veneer at the top of the bracket just below the hood on the left hand side, the hood with lock lacking to the front door, signs of restoration to the structure and possibly later inset glass sides, the movement seemingly in reasonable condition but in need of a clean, complete with two matched cast iron weights, winding key and a pendulum

A SILVER CHARM BRACELET, the bracelet hallmarked London 1977, charms include longcase clock, guitar, owl, Mickey Mouse, etc, some hallmarked silver. 109 grams gross

AN EDWARDIAN INLAID MAHOGANY THREE-WEIGHT MUSICAL LONGCASE CLOCK, the hood with swan-neck pediment and free-standing brass Corinthian columns, the 11¾-inch break-arch brass dial with chime/silent switch and Roman numerals to the silvered chapter, the case door and plinth with floral marquetry, three weights and pendulum. 236cm high

AN OAK EIGHT-DAY LONGCASE CLOCK, RICHARD RICHARDSON, with caddied hood, pointed arch trunk door with lenticle, 12-inch square brass dial with chapter ring signed Richard Richardson, seconds dial and date aperture, dial with engraved borders, four pillar movement with anchor escapement and inside countwheel striking on a bell. 221.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.With pendulum, two weights and winder.

A WEST YORKSHIRE BRASS-INLAID MAHOGANY EIGHT-DAY LONGCASE CLOCK, SIGNED HELLIWELL, LEEDS, the 14 1/2-inch break-arch dial painted in the arch with "The Asscension (sic)", Saints Matthew, Mark, Luke and John painted to each corner, subsidiary seconds dial and date calendar, the hood with break-arch pediment and brass eagle finial above turned columns, the case with ring-turned quarter columns flanking a moulded door with three-pointed top above a moulded panel, the base with conforming quarter columns flanking an octagonal fielded panel with reel moulded edge, raised on bracket feet flanking a shaped apron, complete with two weights, pendulum and winder. 254cm high

19th century Oak and Mahogany Longcase Clock with broken swan neck pediment, the arched painted face marked ' Newark ' 201cms high (case a/f)

An early 19th century Scottish mahogany eight day longcase clock, the 13in silvered arched dial inscribed 'Stewart, Glasgow', 209.5cm high, with winding key, weights and pendulum.

A George III oak and mahogany crossbanded 30 hour longcase clock, the 12.5in square painted dial inscribed 'Luckman, Bickenhill', 193cm high, with weight and pendulum.

~ A Scottish mahogany eight day white dial longcase clock, signed R.Cringan, Carluke, early 19th century

~ A Green chinoiserie eight day longcase clock, signed Stevens, Boston, 18th century

~ An oak thirty hour longcase clock, signed Geo Brownless, Staindrop, late 18th century

A Scottish oak eight-day longcase clock, arch painted dial, signed ANDw Ritchie Forfar, early 19th century

~ An oak eight day longcase clock, signed Jno Johnston, Morpeth, late 18th century, arched dial with an inner date ring

An Edwardian small chiming longcase clock, movement chiming on gong rods

~ A painted pine thirty hour longcase clock, signed Jackson, Hexham, late 18th century

~ An oak and mahogany eight day longcase clock, signed John Evans, Lampeter, late 18th century, later case

An oak thirty hour longcase clock, brass dial with circular disc signed Wm Gibson B Castle, with original movement now detached from dial . Dial now with battery driven movement

~ An oak eight day longcase clock, signed Cuth Darnton, Chester Lee Street, late 18th century

~ A painted pine thirty hour longcase clock, signed Thos Morpeth, Hexham, circa 1785, square brass dial inscribed Robt & Margrett Robinson Catton 1785

~ A mahogany eight day longcase clock, signed Mathison, Berwick, late 18th century

An oak thirty hour longcase clock, arch painted dial signed Chris Dixon, Hexham

A Scottish mahogany eight day longcase clock, early 19th century, arch painted dial signed J N Donaldson of Glasgow

WILLIAM IV MAHOGANY LONGCASE CLOCK, Simson, Southampton, early 1830s, the arched hood with moulded cornice above the circular convex glass door, flanked by stylised pilasters; the trunk with arched door above a vacant panel, flanked by canted angles; the conforming base on bracket feet; with painted Roman dial, twin barrel movement and strike on bell; with pendulum, two weights and winder, 206cm high, 48cm wide Note: Stephen Simson is recorded as working in Southampton between 1830-39. See Loomes (Brian) Watch & Clockmakers of the World, Volume II

GEORGE II OAK LONGCASE CLOCK, the brass arched dial with penny moon phase, date aperture and seconds wheel, the chapter ring inscribed " Jn Clough Manchester", the two train movement striking on a bell, in an associated oak case, 214cm high

A CARVED OAK MINIATURE LONGCASE CLOCK, with watch movement. 13.5ins high.

19thC Eight day painted dial mahogany longcase clock C G Alder, Blyth

18thC Eight day brass face oak longcase clock - Richard Hackett, Harringworth

18th/19thC Eight day painted face oak longcase clock

Bluart Tempus Fugit reproduction longcase clock

A Georgian Period Eight Day Oak and Mahogany Longcase Clock - by Edward Harrision, Warrington. Circa 1760's of superb proportions, painted square dial. Eight day movement is rack striking on a bell. Subsidiary dial. Stands 86'' - 215 cm. 21'' wide - 52.5 cm.

An antique longcase clock, the 10 3/4" brass and silvered square dial marked for John Knight of Fareham, with thirty hour bell striking movement - no pendulum or weight - hood pillars restored and other minor damage

A 20th Century Artime reproduction walnut longcase clock with glazed door to trunk and triple weight driven eight day chiming mpvement

A good collection of vintage dolls house furnishings including baskets, crockery, longcase clock, ornaments, pictures, shoe buckles, etc.

A Victorian mahogany longcase regulator Signed for William Russell, Tunbridge Wells, mid 19th centuryThe eight-day four double-screwed pillar movement with thick plates measuring 8.25 by 6.75 inches enclosing wheel train with Harrisons maintaining power and deadbeat escapement incorporating jewelled pallets, regulated by mercury jar compensated seconds pendulum incorporating wide jaw suspension and hanging from an brass bracket screwed to the case backboard, the 12 inch circular silvered brass dial with subsidiary seconds over Roman numeral hour dials and signed William Ruffell, Tunbridge Wells to centre within outer Arabic minute track, with blued steel hands and canted silvered bezel to circumference, the arched case with pendulum hanging access flap to apex of the top over arch-glazed double-locked door enclosing fine foliate scroll carved and pierced apron beneath dial and silvered beat scale to the backboard, on plinth base centred with a recessed panel to front over moulded skirt, 193cm (74ins) high. William Russell of Tunbridge Wells appears not to be recorded in the usual sources listing clock and watch makers. From this it is most likely that William Russell was a jeweller and retailer of watches with the current lot being supplied by a London (Clerkenwell) maker and signed with his name as the 'shop regulator'.Condition Report: The movement appears complete and all original and is in working order although a precautionary clean and overhaul is advised. The pendulum is in good condition with faults limited to discolouration to the lacquered and polished surfaces. The dial has some surface rubbing and scuffing around the winding hole otherwise is in good original condition with minor tarnishing to the silvering in places. The brass cased weight is in good condition with only minor surface discolouration, the silvering to the beat scale is in similar condition. One of the movement securing screws to the seatboard is lacking it's large diameter washer.The case is in good original condition with faults limited to some relatively minor shrinkage and veneer cracking to the towards the rear of the right hand side of the arched-top and a very light crack to the left hand side around at dial height. The base front panel is loose but is undamaged (simply requires gluing back in place) faults to case otherwise limited to minor bumps, scuffs and wear commensurate with age as well as a few spots of what appear to be ink spots to the front at the case. Condition Report Disclaimer

A George III mahogany eight-day longcase clock with rolling moonphase incorporating tidal indicationJohn Baker, Hull, circa 1780The four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arc h dial with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll-pierced blued steel hands and rococo cast spandrels to angles beneath arch with rolling moonphase signed IOHN BAKER HULL to upper margin and calibrated for age of the moon and high-water times to the circumference of the lunar disc over lunettes engraved with globe delineations flanking two adjustable blued steel pointers to centre, the case with gilt Ho-Ho bird centred oval fretwork panel to the pagoda upstand over hinged glazed dial aperture flanked by free-standing Corinthian columns, the trunk with rectangular flame-figured door with concave-cut upper angles and flanked by fluted canted angles, on figured plinth base with ogee bracket feet, 228cm (89ins) high. John Baker is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as believed working in Hull, during the late 18th century. The current lot is perhaps a little unusual in having two steel pointers within the moonphase; the first is intended for the age of the moon whilst the other can be adjusted to provide the times of high water for a given port to be read from the scale engraved to the edge of the disc. Condition Report: Movement appears to be all-original and in relatively clean working condition although a precautionary clean and overhaul is advised. The dial has some patchy discolouration to brass plate -most noticeably to the centre, otherwise is in good condition and free from alterations or noticeable faults except for a well executed patch repair to the rear of the lunar disc (probably to stabilise a casting crack).The movement rests on an old seatboard which in turn rests on uprights (cheeks) which continue down to the throat area where they terminate and are fixed with screws to the inside of the trunk sides. The fact that these 'cheek' uprights are not integral to the sides of the trunk indicate that we cannot offer any assurances that the current movement and dial are original to the case. However the mask applied to the inside of the hood appears unaltered and fits the dial perfectly which would support the possibility that all started life together. Indeed the case would seem to be a provincial interpretation of the 'London pagoda' case hence is of correct type for the movement and dial.Generally the case is in fine condition with faults limited to some shrinkage cracking to the trunk door and base fascia. For some unknown reason the backboard has been cut just above the rear of the seatboard and then re-attached via batons applied behind (probably to ease transport at some time). The colour of the door appears a little lighter than the rest of the case but this could no doubt be addressed by a good cabinet maker/surface finisher.Clock is complete with pendulum, weights, case key and winder. Condition Report Disclaimer

A George III oak eight-day longcase clock with moonphaseGeorge Baddely, Newport, circa 1785The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 13 inch single sheet silvered brass break-arch Roman numeral dial with subsidiary seconds and calendar dials to centre and Arabic five minutes to outer track, with scroll pierced blued steel hands and rococo scroll engraved decoration to spandrels beneath arch with rolling moonphase calibrated for the age of the moon and signed GEORGE BADDELY NEWPORT to the upper margin over conforming rocaille engraved lunettes, in a case with dentil moulded open-arch break-arch pediment over hinged glazed dial aperture flanked by free-standing fluted Corinthian columns and the sides with half-round Roman Doric columns applied to bargeboards at the rear, the trunk with ogee throat mounding over shaped-top caddy-moulded door flanked by Corinthian quarter-columns, on shaped raised panel fronted plinth base with canted angles and ogee bracket feet, 219cm (86ins) high. George Baddely is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newport, Shropshire, in 1784.Condition Report: The movement appears complete and all original and is in working order although a precautionary clean and overhaul is advised. The pendulum is missing its suspension spring. The dial has overall light discoloration and tarnishing giving an overall attractive mellow hue to the finish otherwise is in good original condition. The movement rests on a replacement seatboard which in-turn sits on cheek uprights of case which shoe evidence of being restored to their current height therefore we can offer no assurances that the movement and dial are original to the case however they do appear perfectly suited to each other.The case is in good condition and of fine colour with significant faults limited to a horizontal shrinkage crack to the panel fronting the plinth and a loose rear foot; both of these could be easily rectified by a competent cabinet maker/restorer. Faults are otherwise limited to minor historic bumps, scuffs, shrinkage and wear commensurate with age and use which generally add to the 'character' of the object.Clock has pendulum, two weights, a case key but no winder. Condition Report Disclaimer

A Queen Anne pine thirty-hour longcase clock with 10 inch dial James Delance, Downton, early 18th century The posted countwheel bell striking movement with thick plates and generous square section uprights enclosing anchor escapement for regulation by seconds pendulum, the 10 inch square brass dial with matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and signed Jam's Delance, Downton to lower margin, with pierced steel hour hand and crested male mask centred foliate scroll cast gilt spandrels to angles, in a case with generous ogee cornice over vacant moulded-edge rectangular frieze panel and conforming fixed glazed dial aperture, the sides with further rectangular windows framing the movement, the trunk with lenticle-centred slender rectangular door over applied waist mouldings and continuing down to form the integral plinth base with moulded skirt, 205cm (81ins) high.   James Delance is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Downton, Wiltshire in 1655. He is believed to have learnt the clockmaking trade from Lawrence Debnam in Frome prior to moving to London in 1677 where he was admitted as a Free Brother to the Clockmakers' Company the following year. Delance remained in London until 1685 when he left the city and returned to Frome where he set up business in Cheap Street - probably succeeding Lawrence Debnam who died in 1683 at the age of 40. Delance is recorded as undertaking work on clocks for Lord Weymouth at Longleat from at least 1694 until 1703. By 1721 Delance had moved to Downton, Wiltshire and was still working in 1736. The well-made nature of the movement of the current lot extends to the use of substantial rectangular section corner uprights which appear to have been favoured by Delance as these can be seen on other clocks by him including a fine thirty-hour musical clock by him sold at Christies, King Street THE VITALE COLLECTION OF HIGHLY IMPORTANT EUROPEAN CLOCKS on Tuesday 26th November 1996 (lot 247). Condition Report: Movement appears complete and original with no obvious evidence of alteration or significant replacements. The mechanism is currently very dirty hence will require a sensitive clean and gentle overhaul before putting to use. The dial is generally somewhat dirty/neglected but appears free from significant faults and appears to retain its original hand. The movement rests via spikes onto two wooden blocks applied to the inside of the top of the trunk of the case. These blocks are most likely not original hence no assurances can be given as to whether the movement and dial started life in this case. However the case is typical of those used by Delance hence we would be inclined to believe that movement/dial and case belong together. The case appears to have previously been scumbled to resemble walnut (finish still visible on the inside of the trunk door). The hood has replacement cornice mouldings and is lacking fret and front glass, the trunk has historic (seemingly non-active) worm damage to throat mouldings otherwise is in fine condition with no significant faults other than uneven finish. Case generally is a nice 'survivor' in structurally sound condition only really requiring cosmetic attention to bring it back. Clock does not come with pendulum or weights; in other words the lot only comprises of movement with dial, hood and trunk.   Condition Report Disclaimer

A William III ebonised thirty-hour longcase clock with 10.25 inch dial and passing strikeJohn Michell, Chardstock, circa 1695The substantial five finned and latched pillar countwheel bell striking twin-handed movement with plates measuring 7.5 by 5 inches and anchor escapement regulated by seconds pendulum, the top of the frontplate with a second smaller bell and hammer sounding a single blow on the half hour, the 10.25 inch square brass dial with concentric ring-turned decoration to the matted centre within applied Roman numeral chapter ring with stylised wheatear half hour markers, Arabic five minutes within the outer minute track and signed John Michell, Chardstock Fecit to lower margin, with pierced sculpted steel hands and winged cherub head and scroll cast spandrels to angles divided by sunflower and foliate bud engraved decoration to margins between, in a case with generous ogee cornice and tulip centred fretwork frieze over Solomonic twist turned three quarter columns flanking the fized glaxed dial aperture and rectangular side windows, the trunk with convex throat over rectangular door centred with a brass-framed lenticle and applied with twin vertical rectangular raised panels, on plinth base with cavetto top mouldings and stepped skirt, (case with restoration), 208cm (82ins) high. John Michell of Chardstock is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as believed to have been born in 1669 and married Elizabeth Markes in 1687. He worked in Chardstock from at least 1687 until his death in 1733 when he was succeeded by his son-in-law Thomas Drayton. Loomes notes a number of lantern clocks by him including an unusual hybrid example similar to those by Walter Archer. The current clock is particularly well made for a provincial thirty hour longcase with generous plates, latched pillars and passing half hour strike on a second bell. The plated construction of the movement also appears to differ from Michells other known work hence may have been a special order or perhaps designed to show-off his abilities.Condition Report: Movement is in fine original condition with no evidence of alteration or significant replacements with the only notable fault appearing to be a slight casting crack to the backplate. The vendor has maintained it in working condition whilst preserving the patina hence although the mechanism may look a little neglected the clock is in good operational condition although some historic pinion wear is evident. The dial is generally dirty/patinated with old uneven wear to the finishes but appears undamged. The hands are original.The movement rests on two blocks applied to the top surface of a replacement seatboard hence we can offer no assurances that the movement and dial started life with the case. The case is basically contemporary with the movement and dial but has undergone restoration. The restoration work has been well executed and would seem to include replacement of the cornice mouldings, probably the fret also and work to the frame of the dial aperture -possibly to correct front being cut for a hood door but there is no visible evidence present to support this view. The trunk and backboard appear sound with the latter continuing down to the floor. The exterior side panels of the plinth base appear to be restorations, the front panel may possibly have original elements which have been re-attached. The internal vertical corner strengthening batons/blocks and mouldings to the skirt are replacements. The finish exhibits a pleasing degree of wear, patination and some historic bumps, scuffs and shrinkage with restored elements carefully matched hence overall the case is in good decorative order.Clock is complete with pendulum (repaired), weight and a case key. Condition Report Disclaimer