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A Regency 8 day longcase clock by J Chambley and W Hampton, the 14 inch enamel dial with Arabic numeral and allegorical decoration, with subsidiary silencer dial, housed in a mahogany and marquetry case, the hood of swan neck arched pediment form, signed 'J Chambley' and 'W Hampton'

A C19th Austrian carved oak longcase clock decorated with a knight slaying a dragon, the brass dial signed and inscribed Wien, 27'' wide, 79'' high

A 1930s Smiths Electric longcase clock in the Art Deco manner, 136.5cm high.

A Victorian oak longcase clock with 8 day movement by Mosely of Cumberworth, with brass dial.

A George III oak eight-day longcase clock with unusual chapter ring, Charles and Edward Gillet, Manchester, late 18th century, the four pillar movement with anchor escapement and hour striking on a bell controlled by locking pins fitted to the strike great wheel, the 12 inch square brass dial with subsidiary seconds and calendar dials to the symmetrical scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track and unusual half hour markers which comprise of letters to form the name JOSEPH JEPSON the lower edge signed Cha`s & Edw. Gillet, Manchester, the angles with rococo scroll cast spandrels, the case with ogee shaped caddy surmount above cavetto moulded cornice, foliate fretwork frieze and columns flanking the square hood door, the trunk with shaped-top mahogany crossbanded caddy-moulded door flanked by quarter columns to front angles, on raised-panel fronted plinth base with ogee bracket feet, 217cm (85.5ins) high. The partnership between Charles and Edward Gillet is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1790-1800. The name formed from letters positioned as half hour markers is highly unusual and probably spells out the name of the original owner.

An Edwardian inlaid mahogany quarter chiming eight-day longcase clock, unsigned, early 20th century, the four pillar triple train movement chiming the quarters on a choice of either eight bells or four gongs and striking the hour on a further gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the angles with winged cherub head and scroll cast spandrels and with chime selection switch at three o`clock, the arch with subsidiary CHIME/SILENT selection dial flanked by scroll cast mounts, the swan neck pedimented case with foliate inlay above brass Corinthian pillars and rectangular scroll pierced sound frets to sides, the trunk with shallow-arch door decorated with a drapery swag above elaborate tall foliate scroll marquetry cartouche within satinwood banded surround, on plinth base with conforming marquetry panel and moulded skirt incorporating shaped apron and bracket feet, 234cm (92ins) high.

An unusual mahogany cased gilt brass eight-day longcase domestic regulator, Ernest Mortimer Thomas, dated 1962, the four pillar movement with hour-glass shaped pierced frontplate and conforming large diameter backplate with Harrison`s maintaining power, deadbeat escapement and six-spoke wheel crossings, regulated by steel-alloy rod pendulum with large diameter cylindrical bob supported via `T` bar suspension from scroll pierced brackets fitted to the circular movement supporting plate screwed to the rear of the case, with signature Ernest Mortimer Thomas 1962 to centre and scroll decorated spandrel projections to angles, the 13 inch pierced slender silvered Roman cartouche numeral chapter ring supported via four elongated feet to the edge of the movement backplate and with conforming subsidiary seconds dial beneath twelve o`clock, the simple mahogany case with moulded cornice above bevel glazed front door and side panels, on tall plinth base with ogee moulded skirt, 203cm, (80inches) high.

A George III oak eight-day longcase clock, George Hewett, Martley, late 18th century, the four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and signed signed George Hewett, Martley to the scroll engraved silvered centre within applied Roman numeral chapter ring with concentric calendar to the inner track and Arabic five minutes, the angles with scroll cast spandrels, in a case with cavetto moulded cornice and three-quarter columns to hood above rectangular caddy moulded door to trunk, on plain plinth base with moulded skirt, 198cm (78ins) high.

An oak eight-day longcase clock, the dial bearing signature for Springer, Stockport, 18th century and later, now with 19th century four pillar rack and bell striking movement fitted to an 11 inch square brass dial with ring turned calendar aperture to the foliate scroll engraved matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and bearing signature Springer, STOCKPORT to lower edge, the angles with female mask and scroll cast spandrels, now in a case with ogee moulded caddy above conforming cornice, blind fret fronted frieze and turned columns flanking dial, the trunk with shaped top door over plain plinth base with moulded skirt incorporating bracket feet, 206cm (81inches) high.

A walnut eight-day longcase clock, mid 18th century and later, the 19th century four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary calendar and seconds dials and bearing signature Leddgeer, Norwich to centre, with game bird painted spandrels and conforming landscape with hunstman and hound to arch, now in an earlier case with later swan neck crest above moulded cornice and three-quarter columns to hood, the trunk with break-arch crossbanded door, on conforming plinth base with moulded skirt, 226cm (89ins) high.

A French gilt brass mounted walnut miniature longcase clock, Maple and Co. Paris, circa 1900, the eight-day bell striking movement stamped MAPLE & Co. PARIS within rectangular cartouche to backplate, the circular cream enamel dial painted to simulate a thirteen piece Roman numeral dial with Arabic five minutes to outer track and with glazed convex bezel, the case with foliate scroll crest and conforming side mounts terminating with stylised dolphins to hood section above glazed waisted trunk with further mounts to angles, on panel fronted plinth base with scroll cast feet, 49cm (19.25ins) high; with non original a gilt metal mounted oak wall bracket of ogee outline with cast mounts to angles and base, 19cm (7.5ins) high, the clock and wall bracket 58cm (22.75ins) high overall.

Late eighteenth century eight day longcase clock movement with 12 inch square painted dial with painted fruit and floral spandrels, subsidiary moon roller and calendar dials, indistinctly signed, possibly Hewett Marlborough

A George III eight day striking mahogany longcase clock by B & A Levy of Plymouth, with silvered arch dial, Height 86"

An early 19thC eight day striking painted dial mahogany banded oak longcase clock, moonphase to arch, swan neck cresting to hood, shell inlay to door, Height 88"

German early 20th century longcase clock, chiming, with gilt dial in oak case with carved cornucopiae and glazed door.

A Victorian mahogany longcase clock, a/f

An inlaid mahogany longcase clock with painted dial and 30 hour movement, signed Pollard Crediton, a/f

A thirty hour longcase clock, the 18th Century movement with 11" brass dial signed Mark Hawkins, St. Edms Bury in a later oak and mahogany case

A mahogany longcase clock with painted dial

E. STEVENS, BOSTON AN 18TH CENTURY OAK LONGCASE CLOCK, the hood with moulded pediment over an arched glazed door, flanked by twin pilasters with brass capitals, 8-day four pillar mechanism with bell strike, faced by an arched brass dial with moon ph" ase, silvered chapter, subsidiary seconds and calendar, 2m high

W** S** AN EARLY VICTORIAN NORTHERN ENGLISH/SCOTTISH MAHOGANY LONGCASE CLOCK having 8-day four pillar mechanism with false plate faced by an arched painted dial with subsidiary seconds and calendar, hood with swan neck broad trunk with shaped waist" door inlaid on box base with bracket feet, 2.3m

SUMMERHAYES, ILMINSTER A PRINCIPALLY 19TH CENTURY OAK 8-DAY COTTAGE LONGCASE CLOCK, having hood with moulded pediment, later caddy flank pilasters with carved gilt wood capitals, waist door and box base on later plinth, four-pillar mechanism with an" chor escapement, no false plate, faced by a re-painted 12" dial, 2.05m high

A GEORGE II WALNUT LONGCASE CLOCK the brass breakarched dial with silvered chapter ring, matted centre, subsidiary seconds dial and engraved on a disc to the arch Edward East London, with dolphin and mask spandrels, the three train movement striking on a bell and chiming on a carillon, in richly figured case with chain stringing, swept pediment and cavetto cornice, fluted pillars and moulded door, 236cm h excluding finials Dial/movement associated, the signature spurious, the movement apparently complete, of good quality and quite clean, the case of pleasing colour with embellishment including later pediment, inlay and some reveneering, lacking small piece of moulding from the door

A VICTORIAN OAK LONGCASE CLOCK the brass break arched dial with matted centre, CHIME/SILENT ring to the arch and cherub spandrels, the substantial triple fusee movement striking on a coiled wire gong and chiming on a carillon, in dark stained case with swan neck pediment, fluted pillars and carved trunk with grotesques and scrolling foliage, fan fluting and a flower filled urn, 244cm h Minor shrinkage crack in trunk, just above the arch of the door but really in excellent original condition, a little dusty, long in the present local private ownership

A good John Distin of Guernsey eight day longcase clock early 19th century, the four pillar twin train movement striking on a bell, the gilt brass front plate with strike / silent dial to arch flanked by dolphin spandrels, silvered dial with Roman chapter ring, subsidiary seconds and date arch to the floral and foliate engraved centre, signed `John Distin, Guernsey`, within gilt floral, foliate and shell spandrels, the mahogany case with moulded arched cornice with three brass ball finials supported on stop fluted columns with gilt brass capitals, the trunk with fan inlaid and cross banded arched door, on a fielded panelled base with turned corner roundels, on bracket feet united by a wavy apron, 89¼in. (26.5cm.) high. .

A late-18th century Nicolas Blondel Channel Islands longcase clock the brass arched dial with matted centre with silvered Roman chapter ring with outer arabic seconds, subsidiary seconds dial and date aperture, pierced blued steel hands and gilt brass acanthus spandrels, the arch with brass roundel signed `Nicolas Blondel a Guernesey`, the eight day, four pillar twin train movement striking on a bell, the plain oak case probably original, with flared moulded cornice, arched glass hood with arched side glasses and turned pilasters, arched door to the trunk and plain plinth base,78½in. (199.5cm.) high, plinth reduced in height. .

An early 19th Century Longcase Clock, the arch dial inscribed "Barker, Easingwold" and painted with Britannia, with thirty hour movement in oak case with swans neck pediment. 6` 9" (209cms) high.

A 19th Century Longcase Clock, the painted arched dial inscribed "J Snowden, North Shields" with seconds and date rings, eight day striking movement in mahogany case, on short turned supports. 7` 6" (229cms) high.

A 19th Century Longcase Clock, the painted arched dial inscribed "W C Watters, Milnerthorpe" with seconds and date rings and eight day striking movement in mahogany case with swans neck pediment, canted corners and bracket feet. 7` 4" (224cms) high.

A George III oak and mahogany crossbanded longcase clock, oversailing stepped cornice above a square painted dial, Arabic numerals, subsidiary date aperture, inscribed W Price Llanrihanget, painted spandrels, flanked by two columns, rectangular door, skir

A George III oak longcase clock, oversailing stepped cornice above an arched brass dial, silvered chapter ring, with Roman and Arabic numerals twin winding holes, inscribed Richard Evans, Oswestry, arched rectangular door, skirted base, carved throughout

Thomas Payne, Moreton, an early 19th century oak mahogany crossbanded longcase clock, the enamel dial with Arabic numerals and date aperture with enamelled gilt spandrels within a scroll neck hood, raised on plinth base and bracket feet

A 1930`s oak longcase clock, in Art Deco style, with silver dial, Arabic numerals, glazed arched front, raised on bun feet, 109cm h

A 19th century mahogany longcase clock, swan neck pediment, brass eagle finial, painted arched dial with Roman numerals, twin winding holes, subsidiary dial, inscribed B. Eynon Templedruid, shaped rectangular door, skirted base, bracket feet

A French farmhouse longcase clock

An early 19th century carved oak longcase clock, the 29cm enamel dial with Roman numerals, date aperture, eight day movement, Inscribed J Glover, Leicester, on carved trunk, on plinth base with bracket feet, 200cm h

A George III oak and mahogany cross banded longcase clock, swan neck pediment, brass finial, painted arched dial, Roman numerals, subsidiary dial, spandrels painted with flowers and birds, inscribed Thomas Hallam Nottingham

EIGHTEENTH CENTURY FIGURED MAHOGANY MUSICAL LONGCASE CLOCK, signed J.C. Jennens, London, the 12" brass dial with silvered chapter ring, signed and subsidiary seconds dial and date aperture to the matted centre, enclosed by pierced foliate scroll and mask spandrels and set beneath a silent/strike dial to the arch, powered by a substantial eight day movement, striking on a bell and nine hammers and bells above the pinned cylinder, housed in an arch top case with swan neck pediment, turned finials and blind carved frets above a pair of freestanding, fluted columns with cast brass Corinthian capitals over a quarter cut long trunk door with shaped top, flanked by cluster columns and raised on a flame cut, panelled base with chamferred fore corners and ogee bracket feet, 7`1" (2.16m) high EST 1500-200

MAHOGANY LONGCASE CLOCK, signed Davy, Gt. Yarmouth, the 12" brass dial with silvered chapter ring and subsidiary seconds dial and date aperture to the foliate scroll engraved centre, signed, set beneath a relief cast sun to the arch and powered by an eight day movement striking on a bell, housed in an arch top case with free standing fluted brass fore columns, over a long trunk door with arch top and raised on a plain base with shaped plinth, 7` (2.135m) high, movement married to case EST 300-400

EIGHTEENTH CENTURY CARVED OAK LONGCASE CLOCK, signed William Lister, the 12" brass dial with roman and Arabic chapter ring, signed, seconds and date aperture, one with moonphase above, to the floral engraved centre, enclosed within scroll pieced spandrels and powered by and eight day movement striking on a bell, housed in a case with swan neck pediment and free standing, fluted forecolumns, over a long trunk door with shaped top and mask and foliate scroll carved decoration, flanked by fluted quarter columns and raised on a conforming base with chamferred forecorners and shaped plinth, 7`2" (218.5cm) high EST 300-500

EARLY NINETEENTH CENTURY MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, signed Hughes, Birmingham, the 14" repainted dial with subsidiary seconds dial, date aperture and later hands, powered by an eight day movement striking on a bell, housed in a flat top case with shell inlaid frieze and free standing square cluster forecolumns, over a long trunk door with oval shell inlay to the centre flanked by square cluster quarter column and raised on an inlaid base with chamferred forecorners and ogee bracket feet, 7` (2.135m) high EST 500-700

1930`s OAK LONGCASE CLOCK,the 10" silvered Arabic dial powered by an eight day movement with three weighs and polished pendulum bob, striking on eight rods and housed in an arch top case with long twin glazed trunk door and raised on a plain base with ogee type bracket feet, 73 1/2" (186.7cm) high EST 200-300

EARLY VICTORIAN MAHOGANY LONGCASE CLOCK THE 13" PAINTED ROMAN DIAL WITH SUBSIDIARY DATE AND SECONDS DIALS, topographical spandrels and a scene of a young man fishing to the arch, powered by an eight day movement striking on a bell and housed in an arch top case with swan neck pediment free standing turned fore columns, short trunk door flanked by quarter turned columns and panelled base, raised on bracket feet, 93" (236.2cm) high, dial re-touched

Oak longcase clock, 19th Century, long door, bracket feet, brass dial signed William Woodley, thirty hour movement.

An eight day striking oak and crossbanded mahogany longcase clock with a brass arched 12 dial with date and second dials signed Webb Wellington - standing 92" tall to finial"

A modern mahogany effect three train longcase clock

A mahogany framed eight day longcase clock with painted arched dial

19th century thirty hour longcase clock, Blakeborough, Otley

An ebonised longcase clock case and a Japanned longcase clock (2) (distressed)

An 18th century oak longcase clock, James Green Richmond 1776, with brass arched dial and thirty hour movement

"Longcase clock by Watson of Blackburn, brass face with Roman numerals, moon phase and date apertures, brass spandrels, 235cm "

A 19th century mahogany longcase clock case (for restoration)

A mahogany cross-banded oak Macclesfield longcase clock case

A reproduction mahogany effect chiming longcase clock with brass dial

Of Masonic interest an early 19th century oak and mahogany longcase clock by R. Ramsbottom, Newmillerdam with thirty hour movement striking on a gong, the painted dial with image of a mason in the arch and rural building in the quadrants also decorated wi

Reproduction mahogany longcase clock by Richard Broad, Bodmin Cornwall with three chain movement, 195cm high

An early 20thC longcase clock, the pierced brass dial bearing the name for A.C. Pailthorpe Jewellers of Grimsby, with an eight day movement and musical chimes striking on nine gongs in a mahogany case, 224cm high

An early 20thC Art Nouveau style longcase clock with a silvered chapter ring and decorative copper centre, four pillar movement striking on three gongs, in a carved walnut case, the glazed door with copper embellishment, 217cm high

An oak cased grandmother longcase clock

An oak cased grandmother longcase clock