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A miniature Black Forest longcase clock

20th century Comitti of London longcase clock with arched silver and brass face in yew veneered case with broken scroll pediment

20th century Comitti of London longcase clock with arched silver and brass face, automaton cottage dial, in mahogany veneered case with broken scroll pediment

An early 19th century enamel painted longcase clock dial only, signed Edward Mathews of Welchpool (with some losses)

RICHARD COLSTON - LONDON WALNUT LONGCASE CLOCK, the recent walnut hood and case with flat topped hood, fretwork detail and graduated pillars. The case of slender proportions with bulls eye glass panel, the brass 9" dial with eight day movement striking on a bell, subsidiary dial and date ring, gilded cherub spandrels, matted centre and signed 'Richard Colston - London' at the very bottom of the dial, H 188 cm, A/F

19th century Mahogany and Crossbanded Longcase Clock with painted face marked H Young, Dundee with seconds and date aperature

19th century Mahogany Longcase Clock with painted face marked W. Buxton, Bishop Auckland

A chinoiserie decorated black lacquered pagoda top eight day longcase clock with a brass 12" arched dial signed Thos Page, Norwich having calendar and secondary dial - Height to finial 94" - with pendulum and weights Condition report: Some restoration to case and some later decoration

An 8 day longcase clock with a painted dial with a seconds hand in an oak case Condition report: With key and pendulum but no weights

An 8 day longcase clock with a painted arched dial with seconds hand in an oak case with a pendulum and one weight - Height 220cm Condition report: needing restoration

An oak and mahogany 8 day longcase clock with a 13 inch painted moon roller dial with pendulum and weights in need of restoration - 89 inches tall

Nathaniel Hedge of Colchester 18th century oak longcase clock, having signed silver 12" dial, with Arabic and Roman numerals, subsidiary seconds dial, twin winding holes for a brass eight day five pillar weight driven movement striking on a bell, the case having panelled door to a boxbase, h.216cm There are examples of Nathaniel Hedge (born 1710) clocks in Colchester Clock Museum

A circa 1800 provincial oak longcase clock having an unsigned painted square dial, thirty hour movement with single weight and pendulum

AN 18TH CENTURY AND LATER EIGHT DAY LONGCASE CLOCK SIGNED LEMASTER CARTON

A 19TH CENTURY MAHOGANY CASED LONGCASE CLOCK WITH EIGHT DAY MOVEMENT, BRASS DIAL AND SILVERED CHAPTER RING SIGNED W SHAKESHAFT, PRESTON

A 19TH CENTURY INLAID MAHOGANY EIGHT DAY LONGCASE CLOCK WITH PAINTED ARCH DIAL SIGNED LATHAM, MACCLESFIELD

A George III Oak and Inlaid Longcase Clock, the broken arch pediment above an arched door with reeded pilasters, the shaped door below flanked by reeded canted corners, raised upon bracket feet, the painted dial with moon phase movement and with Arabic numerals, seconds dial and date aperture and with two train movement, the dial inscribed 'Richard Sims, Walford'

A superb large early 20thC inlaid mahogany chiming longcase clock. Height 8'7"/ 260cms. Prov. Southend Hospital Trust Boardroom

A late 18th/early 19th century inlaid mahogany longcase clock, arched painted dial depicting figures in landscape, two train movement, Gothic style pierced side panels - H210cm CONDITION REPORT: case in good condition, painted dial crazed

A French provincial longcase clock, the white enamel dial inscribed Paugoue, twin winding holes, 8 day movement, striking on a bell, the case stained and painted

A longcase clock, Philip Avenell, Farnham, of unusual proportions

A MODERN MAHOGANY LONGCASE CLOCK, with pendulum and triple brass weights, marked Canham London (s.d.)

A monumental, Edwardian, tubular bells, longcase clock, in elaborate, carved mahogany Chippendale revival case. The movement striking "Whittington, or "Westminster" chimes. The arched brass dial with three subsidiary dials "strike/silent, chime/silent" and "Whittington/Westminster", silvered and engraved chapter ring, brass Arabic numerals, pierced steel hands, pull/repeat to the movement. The hood with inlaid foliate scroll panels, the base with shield panel inlaid with boxwood and stained basket of flowers, within a scroll inlaid border. The case blind-fret cut, scroll acanthus and carved floral scrolls. (movement needs a clean, bells need re-tuning). 274 cms height x 68 cm wide approx.

An oak longcase clock, square brass dial, signed Wm Lee, silvered chapter ring with subsidiary second dial and date aperture, cast urn and scroll spandrels, thirty hour movement, striking on a bell, oak case with a blind scroll fretwork frieze, long door, short plinth, height 213cm.

An oak longcase clock, square brass dial, signed Tho. Bridge, with dummy date aperture, cast appliques to the spandrels, eight day two chain movement striking on a bell, the case with a casket hood, carved scrolled frieze, long door, bracket feet, height 214cm.

A late Victorian "red" mahogany longcase clock, arched painted dial, signed BAILEY, LEICESTER, with a moon phase lunette, subsidiary second dial and with chime/silent and chime on eight bells/Westminster chime dials, cast mask head spandrels, three chain movement, mercury compensated pendulum, striking on nine gongs, the case with swan-neck pediment and grotesque mask, the hood with blind fretwork, glazed panel door, flanked by fluted quadrants with mask heads and lion paws, fielded panel and mask head plinth, on short cabriole legs, height 268cm.

An oak and mahogany banded longcase clock, arched brass dial, signed John Voyce, Deane, silvered chapter ring with second dial and date apperture, cast coronet and cherub spandrels, the lunette with a silvered eagle plaque, eight day two chain movement, striking on a bell, the case with broken swan neck pediments and brass urn finial, the hood with brass Corinthian columns, long door, bracket feet, height 220cm.

An oak and mahogany longcase clock, arched painted dial signed David Shaw, Leicester, with subsidiary second dial and date aperture, the lunette painted with a landscape and a bridge over a river, the spandrels with roses, eight day two chain movement, striking on a bell, the case with stringing and crossbanding, short door with a lancet top and shell marquetry oval, plinth base, (restored), 215cms.

An oak longcase clock, square brass dial, signed George Clinch, London, silvered chapter ring, subsidiary second dial, blind date aperture, cast mask head and scroll spandrels, eight day two chain movement striking on a bell, the case with plain frieze, long door, short plinth, height 205cm.

An oak longcase clock, square brass dial signed JOHN WILKINS, single hand, cast mask head, scroll and bird spandrels, thirty hour movement striking on a bell, the case with sarcophagus top, long door, short plinth, 193cm.

An early 19th Century Scottish mahogany longcase clock, the painted roman dial with subsidiary seconds dial and date aperture, with gilt decoration, two train movement with anchor escapement, the case with swan neck pediment and brass finials, arched glazed door, bowed waist door with shaped top flanked by stripped columns, banded panel base on bracket feet, 85in. high.

A brass inlaid longcase clock, the square silvered roman dial with arabic outer seconds numerals and inner arabic month numeral, with subsidiary seconds dial, signed Eardley Norton and No. 1914 three train musical movement with single large bell and eight graduated bells, the dial within gilt surround, the case with ornate pagoda style top cover to cornice and decorative frieze, the waist door with two glazed panels and ornate panel base, 93in. high.

John Bryson, South Shields: an early 19th Century mahogany longcase clock, the painted roman dial with anchor pattern spandrels and maritime scene to arch, two train movement with anchor escapement, the case with arched glazed door flanked by carved columns, arched line inlaid waist door and leaf decorated canted sides, panel base on bracket feet, 86in. high.

Wm. Snow, Padside: a large mahogany longcase clock, the painted roman dial with outer arabic numerals, subsidiary seconds and date dial, with moon phase to the arch, foliate spandrels, two train movement with anchor escapement striking on a bell, the case with broken pediment and dentil cornice, brass finials, blind fretwork frieze, moulded arched glazed door flanked by fluted columns with giltmetal capitals, arched and moulded waist door flanked by fluted quadrants, panel base, shaped bracket feet, 104in. high approximately.

Hugh Stockell, Newcastle: a late Georgian oak longcase clock, the arched brass dial with silvered roman chapter ring and ornate silvered centre with subsidiary seconds dial and date aperture, mask and scroll spandrels, two train movement with anchor escapement, the later carved case with pierced fret swan necked pediment above an arched glazed door flanked by fluted columns, mask and foliate carved arched waist door, panel base on ogee bracket feet, 94in. high.

Broughton: a Victorian oak and burr wood banded thirty hour longcase clock, the arched painted roman dial with date aperture, castle scene to arch, swan neck pediment, arched waist door, panel base, 87in. high.

W. Robson, North Shields: an early 19th Century mahogany longcase clock, the painted roman dial with oval scene to arch with a young boy hitting skin drum, two train movement with anchor escapement, the case with swan neck pediment above glazed door flanked by fluted columns, arched line inlaid waist door flanked by fluted quarter columns, panel base on block feet, 89in. high.

William Gill, Newcastle: an oak thirty hour longcase clock, the 11in. square brass dial with silvered roman chapter ring, matted centre with mask and scroll spandrels, anchor escapement, the case with dentil cornice and plain frieze, glazed door below flanked by columns, arched waist door, panel base, bracket feet, 82in. high.

A walnut and floral marquetry longcase clock, the 11 1/2in. square brass dial with silvered roman chapter ring, subsidiary seconds dial and date aperture, gilt foliate and mask spandrels, two train movement with five ringed colours, anchor escapement, the case with ornate shell, leaf and scroll cornice above a glazed door, with barley twist decoration, rectangular waist door with oval bullseye, panel base on plinth support, 93in. high.

Hamburg American Clock Company: an early 20th Century German walnut veneered miniature longcase clock, with enamelled arabic dial and shaped case with gilt metal mounts, 11 3/4in. high.

I. Kaye, Liverpool, 19th century 8-day mahogany longcase clock, the painted arched dial with moon-phase (30 x 55 cm), the case satinwood inlaid, on ogee bracket feet, 236 cm high Condition Report Old split to door top to bottom. Weights and pendulum are present

An 18th century eight-day mahogany crossbanded oak longcase clock with square brass and silvered dial having an arched date aperture, 200 cm high

A George III 8-day longcase clock by Woodley, Kington, arched brass dial with Old Father Time, engraved dial centre with subsidiary seconds and date aperture, in oak case, with pendulum, a.f. and weights, 8ft. 8in.

A George III 8-day longcase clock, arched brass dial signed JNO. Collins, Wattisfield, mahogany case with arched hood, with pendulum and weights, 6ft. 8in.

Modern mahogany double weight longcase clock

Antique carved oak eight day longcase clock having square brass and silvered dial, signed James Mills, Long Milford

A 1920's Oak Longcase Clock the circular dial with Arabic numerals with visible weights and pendulum

A Mahogany Longcase clock the arched brass dial with Roman numerals and second subsidiary dial

A 19th Century mahogany inlaid longcase clock having a broken swan neck pediment and domed hood enclosing a floral painted dial with Roman numerals, raised on bracket feet, complete with weights and pendulums, 214 x 52cm

A 19th Century mahogany longcase clock with a broken swan neck pediment and finial to top enclosing a handpainted dial inscribed J. McKerrow of Pathhead, the dial with Roman numerals, raised on a plinth base, complete with key, weights and pendulum, 53 x 215cm

A 19th Century mahogany longcase clock with carved hood enclosing a domed brass face with Roman numerals, inscribed Mitchell & Sons, Gorbals, raised on on fixed plinth base, complete with weights and pendulum, 56 x 205cm

A contemporary mahogany veneered cased longcase clock, the eight day Westminster chiming movement faced by Roman dial over three-quarter length glazed door, box base and plinth, 195cm.

A George II style oak and mahogany cased longcase clock, with a brass dial and eight day movement, striking on a gong, 234cm tall

An 18th century oak cased longcase clock, with a brass dial and eight day movement, striking on a bell, 219cm tall

An 18th century carved oak cased longcase clock, the brass dial signed Sam Reeve, Stoneham, with a thirty hour movement, 208cm tall

A modern Hertz walnut cased longcase clock, with Westminster chimes, 199cm tall

A Mahogany Eight Day Centre Seconds Longcase Clock, signed Willshire & Link, Bristol, circa 1775, swan neck pediment, 12-inch painted arched dial with Roman and Arabic numerals, date aperture, centre seconds hand, moonphase in the arch and above inscribed High Water at Bristol Quay, four pillar movement with anchor escapement and rack striking on a bell, 240cm high 16.01.15, Case is clean, surfaces have been polished, re-painted dial to a high standard, movement looks complete and clean, with pendulum and two weights.

An Oak Thirty Hour Longcase Clock, signed John Lupton, circa 1750, caddied hood, glazed side panels, 9-inch square brass dial with Roman numeral chapter ring, single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 222cm high 23.01.15, Hood with later caddy, wooden dial surround with slight damage and with a securing block to the reverse, later finials, trunk door edges with some splits, some replaced crossbanding, some cracks to plinth, skirting is later, top and bottom of the backboard are later, dial is slightly dirty, movement looks complete, later bell, together with weight and pendulum.

A Walnut Chiming Eight Day Longcase Clock, signed Tho Cartwright, Watchmaker to ye Prince, London, circa 1730, caddied hood with brass flame finials, glass side panels, trunk door with bevelled glass panel, stepped moulded plinth, 12-inch arched brass dial with silvered Arabic and Roman chapter ring, matted dial centre with date aperture and seconds dial, arch with lunar aperture, tidal dial and signed, triple weight driven five pillar movement with anchor escapement, quarter chiming with eight hammers striking a nest of eight bells and a further hammer striking a bell for the hours, later case, 270cm high 23.01.15, Case surfaces are polished, pierced front fret with some chips, later finials, some chips and cracks to the mouldings, left hand column of the hood with damage, case with replaced veneers in parts, wooden dial surround with chips and has been replaced, later trunk door and bevelled glass, later door hinges, plinth is re-built, bottom of the backboard is later, dial is clean, hand collet and the pin is missing, strike and chime mechanism needs re-setting, movement looks clean, later seatboard, two wooden blocks are beneath the seatboard on top of the case side cheeks, together with three later weights and a pendulum, dial and movement are circa 1730, the case is later.

A Musical Walnut Eight Day Longcase Clock, signed Tho Cartwright, Principi Horologious, Londini, Fecit, circa 1720, the Dutch style case with a caddied hood and three gilded finials, pierced side frets, arched trunk door with inlaid stringing and central glazed lenticle, bombe plinth with claw and ball feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre with date aperture, seconds dial and signed, arch with a two tune selection dial for The Fryar & ye nun/The happy clown, triple weight driven six pillar movement with anchor escapement, half hour and hour striking and playing the musical tune on the hour with sixteen hammers striking a nest of eight bells, 296cm high 23.01.15, Caddied portion of the hood has been re-built, case with some replaced veneers, slight fading to the trunk door, trunk door mouldings are lifting and with some cracks, bottom of the backboard is loose, case sides are faded, part of the plinth has been re-built and the bombay front appears to have been later added, silvered chapter ring is slightly faded, hour and half hour striking is not working correctly, musical tunes are working on the hour, strike needs re-setting, movement in going order, with three weights and a pendulum.