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19th century Mahogany Longcase Clock, the Painted Arched Face by Cornish maker Andrew Harris of Penzance, 8 Day Movement, Seconds Dial and Date Aperture, 209cms high

An unusual early 19th century 8-day longcase clock, the mahogany case having Gothic and Scottish styling influences, arched top hood with eagle and ball finials, turned columns flanking the opening glazed door, the trunk having Gothic top 3/4 length opening door, flame mahogany panel with banding in lighter veneers, unusual applied half round columns, fluted spear-point finials and architectural roundels, the base having lighter cross-banded frame to match the door, supported on turned and stepped feet, dial is very colourful having four seasons to the corners and a country scene to the arch, indistinctly signed, the 8-day bell striking movement is mounted directly to the dial with no falseplate, approx. 220cm tall.Estimate £300 to £500Notes: A documented history is with the clock starting from 1836 (probably less than 20 years after the clock would have been made, they could have been the first owners) with successive generations of the Carr family of Camperdown, Northumberland. Whilst the name on the dial does not appear to be Carr, there was a Joseph Carr listed as clockmaker (Loomes) in Hexham, about 25 miles from Camperdown. He died in 1775 (too early for this clock) however it is possible that there was a familial connection between them. This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply

Mahogany longcase clock, brass dial with Roman numerals by George Hardie. 192cm high

Victorian mahogany longcase clock with painted face depicting Rob Roy to the arch and the four seasons to the corners. Weights & pendulum. Height 240cm

Oak Longcase clock, engraved brass and silvered dial with Roman numerals with subsidiary dial by Thomas Read Stevenage. Striking on a bell, top of dial engraved Time Passeth a Way. Two weights and a pendulum, with engraved moving figure connected to seconds hand, 207cm high

18th century 30 hour brass dial longcase clock movement by Thomas Bayley Burton 1764-1790 12in dial

Fischer style Magneta longcase clock movement with double magnet generator on the side

Rare Bentley electric longcase master clock, the 11.25" silvered chapter ring enclosing a skeletonised centre with subsidiary seconds dial, over a precision volts gauge dial and brass pendulum with steel rod, within a bevelled glazed panelled stepped case surmounted by a moulded rounded arched pediment, 80" high (pendulum and bob)

Thirty hour longcase clock movement, the 11" square brass dial signed Hen Druce, Winfield on the brass chapter ring enclosing a matted centre and single iron hand (pendulum, weight and seat board)

Thirty hour longcase clock movement, the 11" square brass dial signed Jonathan Coates, Tetbury on the silver chapter ring enclosing a matted centre engraved with exotic flying birds (pendulum, weight and seat board)

Thirty hour longcase clock movement, the 11" square brass dial signed R. Marshall, Wolsingham to the foliate engraved centre with calendar aperture; also another thirty hour longcase clock movement signed Jonathan Overall, Ramsey to the foliate engraved centre with subsidiary seconds dial and calendar aperture (2)

Thirty hour longcase clock movement, the 10" square brass dial signed Quartemaine, Aylesbury to the foliate engraved matted centre enclosed by a silver chapter ring

Good eight day longcase clock movement with five latched pillars, the 12" brass arched dial signed Daniel Delander, London on an applied gilt plaque to the matted centre with subsidiary seconds dial, enclosed by a silvered chapter ring and surmounted by a subsidiary calendar dial (pendulum and brass cased weights)

Eight day longcase clock movement, the 12" square brass dial signed Thomas Bruton, Crumhall on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture

Eight day longcase clock movement, the 12" brass arched dial signed James Clark Frome to the arch over a moon face and brass chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture

Mahogany eight day longcase clock, the 14" painted arch dial signed Thomas Ingram, Blackburn, with subsidiary seconds dial and moon phase to the arch, the case with short oval inlaid door and the hood surmounted by a swan neck foliated painted pediment, 90" high, in need of extensive restoration (pendulum & weights)

Oak thirty hour longcase clock, the 11" square brass dial signed Josiah Way, Trowbridge on an arched silvered plate to the matted centre with calendar aperture enclosed by a silvered chapter ring, the case with long door and the hood surmounted by a moulded stepped pediment, 8.5" high (pendulum and weight)

Mahogany longcase clock, the regulator movement with maintaining power and deadbeat escapement, the 13.25" brass arched dial signed John Broome, Castle Combe to the engraved silvered centre with calendar aperture, with high water at Bristol Quay and moon phase to the arch, the case with long door flanked by canted fluted pilasters and the hood surmounted by three brass ball and eagle finials, 93" high (wooden rod pendulum, weight and winding key) (alterations)

Walnut Art Deco three train longcase clock, the 10.5" square silvered dial within a glazed case upon a shaped plinth, 75" high (pendulum and three weights)

Walnut three train longcase clock, the 10" circular brass dial over a long bevelled glazed door and surmounted by a stepped moulded pediment, 80" high (pendulum, but no weights)

Oak and mahogany eight day longcase clock, the 14" painted arched dial signed W.R. Cornforth, Macclesfield, with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with short Gothic pointed crossbanded door inlaid with a bird to the centre and the hood surmounted by a swan neck pediment, 88" high (pendulum and two weights)

Good English oak eight day weight driven small longcase clock, early 20th century, the 10" square brass dial signed Maple, London with subsidiary seconds dial, the case with long carved panelled door and the hood surmounted by a moulded stepped pediment over a carved frieze, 73" high (pendulum, two weights and winding key)

Good English oak eight day weight driven three train small longcase clock, early 20th century, the 10" square brass dial signed Maple, London, the case with long carved panelled door and the hood surmounted by a moulded stepped pediment over a carved frieze, 75.5" high (pendulum and three weights)

Swedish Mora eight day longcase clock, the 11.75" white painted dial within a white and gilt painted case with long door, the hood surmounted by a pierced pediment, 78" high (pendulum and two weights)

Scottish mahogany eight day longcase clock, the 13" painted arch dial signed Peter Penman, Dunfermlyn to the centre, with subsidiary seconds and calendar dials, the case with short bow fronted door flanked by fluted columns, the hood with a swan neck pediment and brass ball and spike finial, 88" high (pendulum, weights & key)

Mahogany eight day longcase clock, the 12" painted square dial signed Carter, Salisbury with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a swan neck pediment with brass ball and eagle finial, 82" high (pendulum and two weights)

Oak longcase clock with battery movement, the 11" square painted dial signed George Lowe, Gloucester, the case with short door and the hood surmounted by a swan neck pediment, 80" high

Oak thirty hour longcase clock, the 12" square brass dial signed James Smyth, Saxmundham on the silver chapter ring enclosing a matted centre with subsidiary seconds dial, the case with long reeded moulded door and the hood surmounted by a stepped flat pediment 80" high (pendulum but no weight)

Mahogany eight day longcase clock, the 13" painted arched dial signed Samuel Polak, with subsidiary seconds dial and calendar aperture, the case with short door, the hood surmounted by a swan neck pediment and brass ball and eagle finial, 86" high (pendulum and two weights)

Mahogany three train longcase clock, the 12" painted arched dial signed John Blundell, Clerkenwell, the substantial movement playing on a nest of eight bells, the flamed case with moulded rounded arched door and the hood surmounted by a wavy rounded moulded pediment, 86" high (pendulum and three weights)

Oak eight day longcase clock, the 11.25" square brass dial signed Thomas Maddock, Leek on an arched plate to the matted centre with subsidiary seconds dial, the case with long rounded arched door and the hood surmounted by a moulded stepped pediment, 83" high (pendulum and two weights)

Mahogany eight day longcase clock, the 12" painted arched dial indistinctly signed ..., Bath, with subsidiary seconds dial and strike/silent dial to the arch, the case with long door inlaid to the centre with a Classical robed figure and the hood surmounted by a swan neck pediment, 86.5" high

Oak electro-magnetic eight day longcase regulator clock, the 9.5" silvered dial signed C. Theod Wagner Wiesbaden, with subsidiary seconds dial, the movement with deadbeat escapement and maintaining power, the second train operating switch gear, the case with long glazed rounded arched door surmounted by a moulded triangular pediment, 87" high (large wooden rod pendulum and two weights)

Oak thirty hour longcase clock, the 11" square painted dial signed Foster, Tiverton, the case with medium length door and the hood surmounted by a swan neck pediment and brass eagle finial, 78" high

Scottish mahogany eight day longcase clock, the 14" painted arched dial signed Ketterer & Co, Edinburgh with subsidiary seconds and calendar dials, the case with short bowed door flanked by turned columns and the hood surmounted by a swan neck pediment and gilt metal finial, 84" high (pendulum and two weights)

Scottish oak eight day longcase clock, the 12 " brass arch dial signed Alex Trotter, Jedburgh on a flat circular plate to the arch, the case with long rounded arch door carved overall with a bulls head and lyres amidst stylised foliage and the hood surmounted by a swan neck pediment and brass ball and spike finial, 91" high (pendulum, weights & key)

Good mahogany regulator longcase clock, the 12" square silvered dial with outer seconds chapter ring enclosing subsidiary minute and hour chapter rings, also inscribed Sept 1925 to the centre, the movement with deadbeat escapement and maintaining power, the case with long glazed door surmounted by a broken triangular pediment and brass urn finial, 78" high (pendulum, weight and keys)

Oak eight day longcase clock, the 12" silvered arched dial signed George Steevens, Hindon, with subsidiary seconds dial and calendar aperture, the case with long mahogany crossbanded door and the hood with a moulded arched stepped pediment, 87" high (pendulum)

Mahogany three train musical longcase clock playing on tubular bells, the 12" brass arched dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and with chime/silent dial to the arch, the case with long foliate etched glazed doors and the hood surmounted by a moulded swan neck pediment, inlaid overall with ferns and stylised foliage, 94" high (pendulum and three weights)

Good walnut eight day longcase clock with five pillar movement, the 13" brass arched colendrical dial signed William Mantlove, London on a silvered arched plate to the matted centre with subsidiary seconds dial, enclosed by a silvered chapter ring and surmounted by a calendar dial to the arch flanked by subsidiary months of the year and strike/silent dials, the case with long rounded moulded arched door and the hood surmounted by a moulded rounded arched pediment with three gilded finials, 96" high (pendulum, two weights and winding key) *This clock was sold by Christie's in London on 13th May 2008 catalogued as the property of a nobleman

Nine longcase clock weights (9)

Good pair of brass cased longcase clock weights

Pair of old brass cased longcase clock weights (2)

Quantity of longcase clock parts and fittings including weights, lines, pulleys, dial spandrels and case parts etc.

John Robey - The Longcase Clock Reference Book, volumes I & II, signed by the author, Cedric Jagger - Royal Clocks, The British Monarchy and Its Timekeepers, 1300-1900, Ian White, Watch and Clockmakers in The City of Bath, A History To the End of the 19th Century, signed by the author and J.K. Bellchambers - Somerset Clockmakers (5)

EDWARD FAULKNER, LONDON. A GEORGE II WALNUT LONGCASE CLOCK the pagoda top and concave mould above glazed arched door with canted corners on slender trunk having a quarter veneered moulded edged door on box base, the 12" arched brass dial with gilt spandrels and engraved chapter ring surrounding a matted centre with calendar aperture and seconds dial fronting an eight-day five pillar weight driven movement striking the hours on a bell 233cm to top mould

W NICOLAS, BIRMINGHAM. A LATE GEORGE III OVAL DIAL LONGCASE CLOCK the figured mahogany case with swan neck pediment above a glazed door with rope inlaid border on slim trunk flanked by reeded quarter columns on box base with reeded canted corners and bracket feet, the 13.5" oval painted dial with floral and shell work decoration, Roman chapter ring and subsidiary seconds dial fronting a weight driven eight day striking movement 233cm high

A RARE CHARLES II 10" KNIBB STYLE LONGCASE CLOCK MOVEMENT PRE-1680 the square brass dial having gilt winged cherub head spandrels and narrow silvered engraved chapter ring surrounding a matted centre with fine steel hands fronting a large seven pillar latched plated eight-day weight driven movement with bolt and shutter maintaining power, outside countwheel, and unusual escapement

TIGHT, READING. A FINE REGENCY FIGURED MAHOGANY DOMESTIC REGULATOR LONGCASE CLOCK having an architectural hood with ebonized moulds repeated on the case with recessed trunk door flanked by reeded brass capped quarter columns on box base, the 12" silvered engraved dial with Roman numerals and subsidiary seconds and calendar dials, strike/silent lever above the twelve, fronting an eight-day weight driven five pillar movement with deadbeat escapement and Harrison maintaining power run on a very heavy compensated gridiron pendulum and brass cased weights 216cm

JOSEPH COOPER, WHITCHURCH. A MID 18TH CENTURY 12" SQUARE FACED LONGCASE CLOCK MOVEMENT the brass dial with gilt spandrels and silvered engraved chapter ring surrounding a matted centre with calendar aperture and a subsidiary seconds dial with penny moon fronting an eight-day weight driven movement with finned knopped pillars striking the hours on a bell

CHARLES GABRIEL, LONDON. AN EARLY 18TH CENTURY BURR WALNUT LONGCASE CLOCK having a flat top pediment above a glazed door flanked by brass capped columns on a slim trunk with moulded door, the 12" square brass dial having gilt spandrels and silvered engraved chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture fronting an eight-day five pillar weight driven movement striking the hours on a bell 215cm high

JOHN BROWN, LIVERPOOL. A GEORGE III FLAMED MAHOGANY EIGHT DAY LONGCASE CLOCK with a 13” brass arched dial having a silvered chapter ring, rococo cast brass spandrels, surrounding a chequered engraved centre, concentric calendar and a rolling painted moon dial to the arch. Fronting an eight-day weight driven movement with hourly rack strike on a bell and anchor escapement. The typical high-quality Liverpool case with eglomsié swan-neck pediment, on eight reeded columns, long trunk door, and panelled base 231cm high

THOMAS HUSBAND, HULL. A LATE GEORGE III FIGURED MAHOGANY LONGCASE CLOCK the pagoda top above a glazed arched door flanked by brass capped reeded Corinthian columns on a slender trunk with canted corners and moulded break arch door on box base, the 13" arched painted tidal dial with floral spandrels and Roman numerals, the arch with moon phase aperture fronting an eight-day weight driven movement striking the hours on a bell 237cm high

CLAUDE DUCHESNE, A UTRECHT. A LATE 17TH CENTURY DUTCH MARQUETRY AND WALNUT LONGCASE CLOCK having a flat top pediment above a glazed inlaid door flanked by barley twist columns on matching floral inlaid trunk, the 11" brass square dial having winged cherub head spandrels and engraved Roman chapter ring surrounding a matted centre with engraved decoration and subsidiary seconds dial and calendar aperture fronting an eight day weight driven five pillar movement striking the hours on a bell 215cm high

A GEORGE III FIGURED MAHOGANY MUSICAL LONGCASE CLOCK having a swan neck pediment above a glazed door flanked by brass capped reeded Corinthian columns on matching trunk with brick moulded decoration on panelled base, the 14" painted arched dial with applied gilt brass spandrels and Arabic numerals with subsidiary dials in the arch for Chime/Not Chime and tune selector fronting an eight-day three train weight driven movement chiming seven tunes on a nest of nine bells and the hour on a larger bell 233cm high

HELM, ORMSKIRK. A GEORGE III FLAMED MAHOGANY EIGHT DAY LONGCASE CLOCK with a 13” brass arched dial having a silvered chapter ring, rococo cast brass spandrels, surrounding a chequered engraved and matted centre, concentric calendar and a rolling painted moon dial to the arch. Fronting an eight-day weight driven movement with hourly rack strike on a bell and anchor escapement. The typical high-quality Liverpool case with blind fret, swan-neck pediment, reeded columns, long trunk door and panelled base 228cm high

THOMAS FAYRER, LANCASTER. A FINE GEORGE III CHIPPENDALE STYLE FIGURED MAHOGANY GILLOWS LONGCASE CLOCK the architectural pediment having dentil mouldings and pierced panels above an ogee moulded hood door on slender trunk with reeded quarter columns and decorative moulded arched door on canted base, the 13" arched brass dial with gilt spandrels and silvered engraved chapter ring surrounding a silvered engraved centre with subsidiary seconds dial and calendar aperture, the arch enclosing a moon phase aperture fronting an eight day weight driven movement striking the hours on a bell 239cm high to top of pediment - comes with canted ogee bracket feet

JOSEPH CROSSKILL, NORTH WALSHAM. A GEORGE III FIGURED MAHOGANY LONGCASE CLOCK the case with shaped pediment above a glazed arch door flanked by brass capped Corinthian columns on slender trunk and box base, the 12" arched brass dial with gilt spandrels and silvered engraved chapter ring with Roman and Arabic numerals surrounding a matted centre with calendar aperture and subsidiary seconds dial, the arch having rotating moonphase fronting an eight day weight driven movement striking the hours on a bell 218cm high without finial

WILLIAM WEBBER, POWIS STREET, WOOLWICH. A LATE GEORGE III FLAMED MAHOGANY ROUND DIAL LONGCASE CLOCK with a 12” painted dial having Roman numerals and seconds dial and strike silent (lever disconnected). Fronting an eight-day weight-driven five pillar movement, rack strike of a bell and anchor escapement. The case with fret worktop, cast bezel and brass reeded columns, the archtop trunk with flame veneer and panelled base 222cm high

THOMAS BAYLEY OF BURTON; a George III oak, mahogany crossbanded and line inlaid eight day longcase clock, the broken swan neck pediment above a brass face, the silvered chapter ring set with Roman and Arabic numerals, with foliate spandrels and inscribed maker's name, the arched long door flanked by columns and raised on plinth base to bracket feet, height 220cm.Additional InformationLength of face 45.5cm, width 32.5cm, diameter of dial 30.4cm.