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A longcase clock, the painted dial signed by Robert Clark of Hull, decorated with female figures to each spandrel, with eight day four pillar movement in associated yew veneered case, 202cm H.

A 19thC and later longcase clock, the square dial with silvered chapter ring signed Bagnall Dudley, with a 30 hour movement, in an associated oak and mahogany crossbanded case, 226cm H.

A late 20th/early 21stC longcase clock, the arched dial engraved Emperor Clock Company Ltd., in a yew veneered case, 171cm H.Provenance: This timepiece formed part of Luke Jerram's installation Harrison's Garden, at The Ropewalk Gallery, Barton Upon Humber 2019.

A MODERN OAK CASED LONGCASE CLOCK WITH MOON ROLLING MECHANISM, TRIPLE WEIGHT AND PENDULUM

SAM COLLIER, ECCLES, GEORGE III INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, the 14” painted dial with subsidiary seconds and date dials, enclosed by figural spandrels, allegorical of the seasons, and set beneath the arch, inscribed: I LABOUR HERE WITH ALL MY MIGHT TO TELL THE HOUR BOTH DAY AND NIGHT, THEREFORE EXAMPLE TAKE BY ME AND SERVE THY GOD AS I SERVE THEE’, signed: SAM COLLIER, ECCLES and also faintly signed GEO KENT, powered by an eight day movement striking on a bell, and housed in a case with dentil moulding and spike and ball brass finials to the swan neck pediment, above a green and gilt painted frieze, inscribed: J. BIRCH, ECCLES, over free standing fluted columns to the fore corners, long trunk door with shaped top, flanked by cluster columns to the fore corners, and raised on a conforming, panelled base with chamfered fore corners and ogee bracket feet, the front with oval paterae and shell inlays, 94 ½” (240cm) high, lacks central finial

WILLIAM LASSELL, TOXTETH PARK, LIVERPOOL, GEORGE III LATE 18th CENTURY FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, square 12" brass and silvered roman dial with subsidiary seconds dial, applied rococo scroll spandrels, third hand indicating the day of the month on an inner Arabic chapter ring, the broken arch hood with black glass frieze, free stand Ionic side columns, the waist with shaped top door and fluted quadrant side columns, on low feet, 7'3" high, circa 1780

MEX NIMMO, LINLITHGOW, No 208, GEORGE III FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, with arched brass and silvered roman dial, named and numbered on a disc in the arch, subsidiary seconds dial and date aperture, applied rococo spandrels and with dolphins in the arch, the hood flat topped with delicate carved fluted narrow top over a cavé relievo foliate scroll frieze, slender fluted and spirally fluted side columns with brass capitals and bases, the columns repainted as quarter columns to the rear of the sides which are also quatrefoil pierced and with silk lining, repeat carved frieze above the shaped top door, fluted quadrant side pilasters, raised on bracket feet, 6'9" high

JOHN KENT, MANCHESTER, GEORGE III FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, arched painted dial with subsidiary seconds dial and date aperture, phases of the moon in the numbered arch which shows two semi-circular terrestrial maps, the dial and spandrels painted with a bird and flowers, the hood with swan neck pediment filled in with a centre plinth, four pillar cluster side columns to the hood and waist, the waist door with triple pointed arch top with carved acorn surmount, on ogee bracket feet, 7'11" high(N.B. G. H. Baillie in 'Watch Makers and Clock Makers of the World' lists John Kent of Platt Hall, Manchester)

LEIGH OF NEWTON, GEORGE III EARLY 19TH CENTURY INLAID AND FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, arched painted roman dial with two subsidiary dials for seconds and day of the month, revolving moonphase in the numbered arch with terrestrial half-globes, the spandrels painted with female figures allegorical of the seasons, the hood with swan neck pediment, the centre filled in with a plinth, fluted side pilasters with gilt metal corinthian capitals, the waist with fluted quadrant side pilasters, marquetry banding decorating the frieze and having shell lozenge above the shaped top door, on ogee bracket feet, 7'11" high, circa 1820

John Gilbertson, Ripon. An early 19th oak longcase clock, the hood with scrolled and architectural pediment enclosing a painted arched 13" dial with calendar supporting a thirty hour movement striking on a bell. The half length door flanked by 1/4 turned reeded pilasters above a box base on bracket feet, 226cm

An early 19th century oak longcase clock, the painted 12in calendar dial supporting a thirty-hour bell striking movement, 206cm

George III oak longcase clock, arched pained dial with subsidiary date chart, the lunette with a cherub holding a goblet of wine, eight-day movement (defective), case with swan-neck pediment, long door, height 227cm.

Oak longcase clock, square brass dial signed John Boot, Sutton Ashfield, with a date aperture, cast spandrels, eight day two chain movement, the case with a plain hood, long door, plinth base, 197cm.

Mahogany longcase clock, arched painted dial with moon phase, inscribed 'Sic Est Vita Hominis', eight-day movement, height 202cm.

Modern stained wood longcase clock, arched brass dial signed Rapport, London, three chain movement, glazed door, height 185cm.

A Continental silver novelty box, bears import marks for Chester, 1904: in the form of a miniature longcase clock, with Roman dial, movable hands, the hinged lid decorated with figures amongst foliate scrolls, 11cm. high, 74gms, 2.39ozs.

A George III mahogany eight day longcase clock , the arched dial with painted details and Roman numerals, 219 cm high

An Edwardian mahogany eight-day longcase clock, the brass arch dial with a musical gong strike movement, the swan neck hood and trunk both with blind fret friezes on ogee feet, 240cm high dial 30cm

Charles Frodsham, London, a quarter-chiming longcase clock: the substantial eight-day duration movement striking the hours on a gong and the quarters on a further four gongs with brass-bound weights and a mercury-filled jar to the pendulum bob, the twelve-inch break-arch brass dial having a raised silvered chapter ring with black Roman numerals and black Arabic five-minute markings with engraved decoration between and signed Chas. Frodsham, London, 2368, the gilded-brass dial plate profusely engraved with floral and c-scroll decoration, with a subsidiary seconds dial and decorative blued-steel fleur-de-lys hands, the arch having a subsidiary strike/silent dial, the mahogany case having a glazed trunk door, fluted quarter-columns to the hood and trunk, an inset panel to the base, a swan-neck pediment to the hood and all standing on bracket feet, height 232cms.* Biography Charles Frodsham was born into the famous Frodsham family of clockmakers on the 15th of April 1810 and apprenticed to his father William Frodsham, a founder of the chronometer making firm Parkinson & Frodsham. Charles entered eleven chronometers in the Premium trials at Greenwich until the cessation of these trials in 1836, receiving a 2nd prize in 1830. After marrying he set up on his own account at 7, Finsbury Pavement and in 1843 acquired the chronometer making business of the eminent Arnold family moving to 84, The Strand and trading as Arnold & Frodsham until 1858. On the death of Benjamin Lewis Vulliamy in 1854 Frodsham purchased the goodwill of the Vulliamy business, and on the recommendation of Airy succeeded Vulliamy as Superintendent and Keeper of Her Majesty's Clocks at Buckingham Palace. Charles Frodsham was a highly regarded author of papers and books on horology and in 1871 published The History of the Marine Chronometer, the first English language book on this subject. Frodsham died of liver disease in 1871 being succeeded by his son Harrison Frodsham and from 1884 the firm traded as Charles Frodsham & Co., becoming incorporated in 1893 and moving to 115 New Bond Street in 1895.

An Art Nouveau oak chiming longcase clock: the eight-day duration, weight-driven movement having brass bound weights, hour striking on one gong, the round silvered dial having black Arabic hour numerals and signed with the name of the retailer J. Cramp, Horsham, the oak case having a curved top, a glazed trunk door with applied metal trim, with the base having typical carved decoration to the front and sides, height 193cms.

John Bickard, Exeter, a mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell, the eleven-inch square painted dial having black Roman hour numerals and decorative corner spandrels with the centre having a date aperture, a painted bird, decorative blued-steel hands and signed for the maker John Bickard, Exeter, the flat-top mahogany case having with three-quarter columns with gilt-wood capitals to the hood, a long trunk door and plain base, height 200cms.

Jas. Gardner, Greenock, a Scottish longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch round painted dial having black Roman hour numerals, subsidiary seconds and date dials and signed Jas. Gardner, Greenock, with blued steel moon hands, the shaped mahogany case having applied carved mouldings to the hood and base of the trunk, with a glazed trunk door, the shaped base with canted corners and a flared plinth, height 205cms.* Biography James Gardner is recorded as working at 14, Hamilton Street, Greenock, Renfrewshire as a watch and clockmaker, jeweller and chronometer maker from at least 1853 and was known to be at number 8 by 1868. * Note Reference Donald Whyte, Clock & Watchmakers of Scotland, pub. Mayfield Books, 2005.* Note Being sold on behalf of Rowcroft Hospice

John Belling, Bodmyn, an oak longcase clock: the thirty-hour duration movement having a birdcage movement with anchor escapement and striking the hours on a bell with an outside countwheel and shaped hammer return, the ten-inch square brass dial having a raised chapter ring engraved with black Roman hour numerals and meeting-arrowhead half-hour markings with the matted dial centre having a date aperture, with cast-brass c-scroll spandrels to the four corners and a blued-steel single hour hand, the oak case having shaped pillars with cast-brass capitals to the flat-top hood and all decorated with later carving, height 203cms.* Biography The first John Belling, born 1685, is recorded as working in Bodmin, Cornwall (spelt Bodmyn on the dial) until 1761 with his son, also named John and born 1738, working until his death in 1807, this example being made by Belling Snr in the early-to-mid 1700s.

A primitive oak longcase clock case, early 17th CenturyHaving a twin swan neck pediment above a break arched glazed door flanked by reeded columns above the rectangular crossbanded door flanked by reeded canted corners and checkered inlay, above a plain lower board, 214cm.

A VICTORIAN FLAME MAHOGANY AND BANDED EIGHT DAY LONGCASE CLOCK, scrolled swan neck pediment, the painted dial with seconds dial with automaton landscape scenes, faded Roman numerals, indistinctly signed J. Moore, Birmingham, the case with triple gothic lancet door flanked by turned uprights, height approximately 237cm (distressed case)

A 19th century mahogany longcase clock

A 19TH CENTURY LONGCASE CLOCK the painted dial signed G. Stephenson, Warminster, having a hunting scene above Roman numerals, a subsidiary second hand and a date aperture, the mahogany case overall 209cm in height

An early 19th century oak longcase clock by Juler of North Walsham H.232cm

William Lauder Pather - an early 19th century mahogany longcase clock, the arched brass 12" dial signed to arch disc, with dolphinium spandrels, silvered chapter ring with Roman and Arabic numerals, engraved centre with subsidiary seconds dial, date aperture, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having bowed door over a boxbase, h.222cm. Restored and re-polished.With fixed metal back/wall plate.Scuffs throughout; upper arch, centre left body spindle, feet etc.With key, pendulum and weights, but no winder.

A circa 1900 Continental geometric moulded oak longcase clock, having an arched brass and silvered dial, glazed trunk door, with three weights

A late 19th / early 20th century century continental carved walnut and stained wood eight day longcase clock, c1900, with Roman numeral chapter ring, subsidiary seconds and date dial, with movement striking on a gong, within an elaborately carved and shaped case decorated with a maiden, 209cm H CONDITION REPORT: There is a fininal lacking and the central finial to the hood is damaged to the block base. The left hand side of the carved swag to the underside of the hood door is lacking. There is a loss to the block detailing to the right finial on the base. The sides of the clock have some hair line cracks. The clock appears to have been overhauled but not toon recently. The movement is not original to the case and may be earlier. The hinges to the door are not original. General age wear patina throughout with some degradation to the varnished finish. Overall appearance ok. The movement may be made up from older clock parts

A George III eight day oak longcase clock, with silvered Roman numeral dial signed 'Jno Oliver Manchester', the matted centre with date aperture and subsidiary seconds and movement striking on a bell, in oak case with bracket feet, 206cm H CONDITION REPORT: The movement may not be original to the clock, the seat board is very thick and in two section (one later to the other). There some holes in the back plate which do not appear to be currently used and a shadow from where a former bracket may have been, The movement may have been altered.

A George III eight day oak longcase clock, the painted dial indistinctly signed 'Malpas', with Roman numerals, subsidiary seconds and date aperture, with movement striking on a bell, 191cm H

An early 19th century oak 30 hour longcase clock, the 11in square painted dial inscribed 'J Miller, Kingsclere', 190.5cm high, with weight and pendulum.

A reproduction Metamec mahogany small longcase clock, 153cm high, with pendulum. 

A good Edwardian musical longcase clock, with 12in gilt brass and silver dial, 223.5cm high, with three brass weights and pendulum, (hood lacking glass to door).

A reproduction oak longcase clock, the brass dial with moon phase arch, 201cm high, with three weights and pendulum. 

An oak longcase clock, the 9½in painted circular dial inscribed 'Aurange, a Villeneuve', 182cm high, with weights and pendulum.

A George III oak eight day longcase clock, the 13in square painted dial inscribed 'J Joyce, Ruthin', 208cm high, with weights and pendulum.

A George III oak and mahogany crossbanded eight day longcase clock, the 12¾in brass and silvered dial inscribed 'Seddon, Frodsham', height including finial 214cm, with weights and pendulum, (alterations to dial and movement).

An Early XX Century Mahogany Cased Mantel Clock, white enamel dial, Roman numerals, on plinth base, a 1930's oak cased miniature longcase clock with 'Mercedes' movement, an an Edwardian inlaid mahogany clock. (3)

A 1930's Oak Longcase Clock, with chrome numerals to silvered dial, three weight movement.

A 1920's Oak Longcase Clock, with glazed door, silvered dial, eight day movement.

MAHOGANY LONGCASE CLOCK, the 12" brass dial with subsidiary seconds dial and date aperture, inscribed Henry Watts, Poole beneath an eagle crest and the motto Tempus Fugit, on a brass eight day, four pillar movement hourly striking to a bell, the domed hood with three quarter columns, the case with arched door, with weights and pendulum, height 197cm

MAHOGANY LONGCASE CLOCK, the brass dial with a 11 1/2" matted silver chapter ring and subsidiary seconds dial and vacant date aperture, beneath a strike silent dial and an arch inscribed Fladgate and Willder, London, on a brass, eight day striking movement, the case with pagoda hood and arched trunk door, with pendulum, weights and key, height 240cm

GEORGE III MAHOGANY LONGCASE CLOCK, the 12" painted dial beneath an arched panel and with maiden to the spandrils, subsidiary seconds dial and date aperture on a brass, eight day, four pillar movement striking to a bell, the case with pagoda hood and reeded columns, the trunk with an arched door and panelled base, height 235cm

WELSH OAK LONGCASE CLOCK, the brass dial with 12" silvered chapter ring enclosing a seconds dial, beneath a moonphase and arch inscribed Waktin Owen, Llanrwst, on a brass, eight day, four pillar movement striking to a bell, the case with an arched hood and the trunk door flanked by quarter columns, with key, weights and pendulum, height including finial 230cm

OAK LONGCASE CLOCK, the brass dial with pierced fretwork decoration and inscribed Thos Akers, Collingbourn on a thirty hour four pillar steel and brass movement striking hourly on a bell, the case with a square glazed door flanked by columns, with pendulum and weight, height 199cm

MAHOGANY LONGCASE CLOCK, the 11" brass dial with moonphase and date aperture and inscribed Edwd Barlow Oldham on a brass, eight day, four pillar movement striking to a bell inscribed Gainsworth Warrn., the Regency case with arched hood and the trunk door with glazed aperture, with pendulum and brass cased weights, height 213cm including finial

LATE 18th CENTURY LONGCASE CLOCK FACEwith an eight day movement with two brass weights, the arched face decorated with castle scenes around a circular dial with Roman numerals and two subsidiary dials, the movement with a perspex box around it, 43cm high

Victorian oak, rosewood crossbanded and marquetry inlaid 8-day longcase clock with painted dial, Groom, Willington

An oak thirty hour longcase clock, square brass dial, signed William Terry, Masham, in a later case

19th century mahogany cased grandfather longcase clock with painted dial.

19th century G and T Gibson of Alnwick longcase grandfather clock with painted dial, the arch top with recumbent lady in a forest and stag, the spandrels with conch shells, within a mahogany case, 217cm tall

A retro 1970's 20th Century teak wood Danish made longcase clock by Westminster Clocks of Copenhagen. The dial baton hands to the clock face with fitted quartz movement, full length glazed door to front with shelved interior in the modular style

INLAID MAHOGANY EIGHT DAY LONGCASE CLOCK BY O'SHAUNASSEY, CORK, PAINTED DIAL, TWO TRAIN MOVEMENT, 223CM HIGH

OAK EIGHT DAY LONGCASE CLOCK PAINTED DIAL WITH ROMAN NUMERALS SIGNED R VORLON STAMFORD, 223CM HIGH (1932 ATS)

OAK EIGHT DAY LONGCASE CLOCK, WHITE ENAMELLED DIAL SIGNED B E COALES, WAKEFIELD, 220CM HIGH

A WILLIAM AND MARY WALNUT AND FLORAL MARQUETRY LONGCASE CLOCK by Edward Bird, London, the case with long inlaid panelled door with oval lenticle, the hood with stepped domed pediment, the 11" brass dial with Roman numerals to the chapter ring and pierced cherub spandrels enclosing a date aperture and seconds dial, the two train movement striking on a bell, basically circa 1700, 89" high

A mahogany longcase clock by Richard Broad of Bodmin, with brass dial, silvered chapter ring and Roman numerals