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Click here to subscribeA late George III oak and mahogany crossbanded eight day longcase clock, the moulded hood above 12" brass dial set with silvered chapter ring, date aperture and inscribed "R. Bagnall, Talkoth Hill", with bull's eye glass to the long door and plinth base, height approx 210cm. CONDITION REPORT: Split to lower plinth and foot plinth later addition. Some crossbanding replaced and clock re-polished.
THOMAS MORGAN, EDINBURGH; a George III mahogany eight day longcase clock, the arched brass dial set with Roman numerals and inscribed with maker's name above long shaped door flanked by corner fluted pilasters, on a plinth base, height approx 219cm. CONDITION REPORT: Face is tarnished and scratched. Case is a good colour. Wear commensurate with age. Crack to glass. Old repair to swan neck pediment.
A 19thC mahogany 8-day longcase clock with Thomas Williams (and possibly Uxbridge/Axbridge) to dial, moonphase, seconds dial and date aperture, the case with banded and string inlay, with ebonised quarter reeded columns to sides, the hood with matching full columns and eagle finials (216cm tall)
An early 19thC oak longcase clock by Thomas Mills, Berkeley, the movement of 8-day duration striking on a bell, the arched painted dial with Roman numerals and Arabic minutes, the corner paintings depict flowers, the arch featuring a lady on a garden bench with a flower basket. The arched door with banded inlaid decoration and shell centre inlay, the hood with brass rosette decoration to the swan neck pediments, columned sides with brass acanthus leaf capitols and central eagle finial (215cm tall)
A c1790 mahogany and veneered longcase clock by Edward Shepley (1758-1807) Manchester, with fine cut mouldings and inlays, the hood with swan neck pediment on the break arch dial. The 8-day movement with finely painted enamel arched moon phase dial and subsidiary seconds and date dials, the corner paintings depict costumed ladies depicting seasons of the year, the centre picture depicting a shepherd and shepherdess, Roman numerals with Arabic to the outer, signed at bottom of chapter ring
A 19thC eight day oak longcase clock, the brass dial with date aperture and chased centre decoration of birds, the corners with overlaid spandrels, the arch featuring a central circular boss with pheasant and dragons either side, the engraved Roman numerals and Arabic outer figures. The case with quartered plain columns, the door with brass catch and escutcheon. The hood with swan neck pediment on the break arch dial with plain rosettes, reeded columns with turned brass capitols (221cm tall)
A late 18th century George Williams of Bristol longcase mahogany clock with arch painted moon dial with Britannia and sailing ships to either side, eight day movement, the hood with broken swan neck pediment and reeded columns to either side of case, height 224cm. CONDITION REPORT General wear commensurate with age, dial in fairly poor condition. No visible major damage to the case.
An oak and mahogany crossbanded longcase clock,early 19th century the hood with broken scroll swan neck pediment above a 14 inch white painted enamel dial with Roman numerals and rolling moon phase in the arch subsidiary seconds dial, eight day movement striking on a bell, indistinctly signed 'Bilston' above a short trunk door and panel base raised on bracket feet, 227high
A mid 18th century Dutch burr walnut eight day longcase clock, the 12 inch arched brass dial signed 'William Redie, Inventeur, Amsterdam', with centred subsidiary seconds dial, date and month apertures over pierced scrolling leaf spandrels to the lower corners under a rolling painted scene to the arch, the movement striking on a single bell, the arched hood with plain columns surmounted by Atlas and two further figures, the trunk with arched long trunk door with oval glazed lenticle and pierced oval mount depicting Father Time on a stepped box base with concave canted angles, 269cm high overall
A George III oak and mahogany crossbanded longcase clock, the hood with broken scroll pediment and brass eagle and ball finials above a 14 inch painted enamel arched dial with Roman numerals subsidiary seconds dial and date aperture and marked 'Hanny, Shrewsbury', eight day movement striking on a bell above a short conch shell inlaid trunk door and oval panels and on bracket feet, 239cm high,
A George III oak and mahogany crossbanded longcase clock, the arched hood with broken scroll, swan neck pediment and brass thistle stamped roundels, above an arched glazed door flanked by fluted brass capped pilasters enclosing a 12'' arched white enamel dial with Roman numerals and date aperture painted spandrels and painted flower pot in the arch, the dial marked Thos Fletcher, Barnsley, 30 hour movement striking on a bell above an ogive moulding and shaped top crossbanded trunk door, centred by an oval harewood and boxwood conch shell motif over a further moulding and conforming base board and on plinth base, 219cm high.
A 19TH CENTURY OAK AND MAHOGANY INLAID EIGHT DAY LONGCASE CLOCK BY JOHN CHAMBLEY OF WOLVERHAMPTON, the painted face with date aperture and subsidiary seconds dial, maker's name to the arch, the case with inlaid detail, H 215 cm A/F, twin weights and pendulum¦Condition Report:The base of the trunk is replaced.¦
Late 18th C oak longcase clock, eight day movement by Hill of Chester, dial with silvered chapter ring, subsidiary dial, date aperture and signed Thos Brown Chester to centre, C-scroll spandrels, the oak case with moulded top above turned columns, trunk with ogee moulding flanked by quadrant pilasters, 206cm h
An Edwardian mahogany inlaid chiming longcase clock,possibly by Gillett and Johnson, the three-train movement with deadbeat escapement, maintaining power and pull repeat, chiming on eight tubular gongs and striking the hours on a larger gong, the case finely inlaid and with columns and brass stop fluting, with a vacant nameplate on dial, three brass weights and a wooden rod pendulum, 233cm high
RICHARD ROUGHSEDGE, TWICKENHAM, A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, the brass and silvered 12-inch dial with strike/silent, subsidiary seconds, Roman chapter and date aperture, the hood with fret carved crest, three brass sphere finials and free-standing columns with brass stop fluting, the case with moulded break arch trunk door flanked by quarter reeded columns, the base with fielded panel and bracket feet. 238cm
A 19th century mahogany longcase clock with swan neck pediment, the painted broken arch dial with moonphase, calendar aperture and subsidiary seconds dial, inscribed "J Hammon, Clerkenwell", the trunk having pointed arched cross-banded door flanked by pair turned split pilasters, on chamfered base, 224cm high approx.
LATE VICTORIAN LONGCASE CLOCK WITH A GILT BRASS DIAL, SILVERED CHAPTER RING WITH BLACK ROMAN NUMERALS AND A CHIME/STRIKE SILENT DIAL IN THE ARCH ABOVE, A SILENT BELL LEVER ON THE RIGHT HAND SIDE, ENCLOSING A THREE TRAIN EIGHT DAY MUSICAL MOVEMENT, CHIMING AND STRIKING THE WESTMINSTER CHIMES ON EIGHT BELLS AND FIVE COILED GONGS, IN AN INLAID MAHOGANY CASE, THE HOOD WITH A SWAN NECK PEDIMENT CENTRED BY A SPHERICAL FINIAL, THE GLAZED ARCH DOOR FLANKED BY REEDED BRASS CORINTHIAN COLUMNS AND FRETWORK SIDES. THE ARCHED TRUNK DOOR INLAID WITH FLORAL SCROLL AND RIBBON DECORATION WITHIN A SATINWOOD BANDED BORDER, AND SIMILAR INLAY TO THE PLINTH BASE, ON BRACKET FEET (H: 236 cm)
GEORGE III LONGCASE CLOCK, THE BRASS SQUARE DIAL INSCRIBED 'OMNIA PROVIDETICE COMMITTO', WITH A SECONDS DIAL AND CALENDAR APERTURE ENGRAVED WITH TWO SHIELD RESERVES OF A GALLEON AT SEA AND ENGRAVED FLORAL SPANDRELS ENCLOSING A TWO-TRAIN EIGHT DAY MOVEMENT STRIKING ON A BELL, IN A MAHOGANY FINISH CASE (H: 214 cm)
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