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A late18th century mahogany longcase clock By Robertson, Leeds the eight day movement, striking on a bell, the arched enamelled dial painted with a side portrait of a minister and with floral decoration, Arabic and Roman numerals, subsidiary date and second dials, the hood with swan neck pediment, arched door flanked by gilt metal mounted Corinthian columns, moulded arched trunk door, flanked by quarter columns, boxwood strung base (feet lacking) 230cm high
A 19th century mahogany longcase clock the eight day movement with anchor escapement, painted arched dial depicting Mary Queen of Scots and the home nations as young ladies, Roman numerals, subsidiary date and second dials, the swan neck pediment with brass ball finials over arched hood door flanked by fluted Doric columns, boxwood and ebony inlaid panel, moulded crossbanded trunk door, another similar panel, crossbanded plinth base, raised on bracket feet 230cm high
An 18th century mahogany longcase clock the twin train movement striking on a bell, the painted arched dial depicting Mary Queen of Scots escaping Loch Leven Castle and portraits of Douglas, Seton, Herries, Fleming, Roman numerals, subsidiary date and second dials, the projected moulded cornice over an arched hood door, plinth base, shaped apron, raised on bracket feet 230cm high
Rare heavy 12" circular silvered brass longcase clock dial signed Alexander Bain, Patentee, with subsidiary seconds dial; also a 4.75" circular enamel dial signed Ste des Horloges Electriques, Systeme Hemmequin... E Guenot & Cie, 12, Rue du Mont-Thabor, Paris, within a gilded metal bezel (2)
Fine three train longcase clock movement, the 12" brass arched dial signed Simon Decharmes, London, with subsidiary strike/silent dial to the arch over a subsidiary seconds dial and calendar aperture to the matted centre, the five pillar movement chiming the quarters on six bells (sold with possibly the original key); also a contemporary (possibly original) mahogany longcase clock hood with moulded arched cornice and stepped caddy top over fine foliate pierced fretwork carved panels, with three brass finials
Oak and mahogany eight day longcase clock, the 12" painted arched dial signed Slater, Lichfield, with painted rural scene to the arch over a subsidiary seconds dial and arched calendar aperture, the case with short chevron and mahogany crossbanded door and surmounted by a broken arch swan neck pediment, 88" high
Mahogany eight day longcase clock, the 13" painted arched dial signed K. Ganz, Swansea, with subsidiary seconds dial and arched calendar aperture, painted to the spandrels and arch with rural scenes, the case with short door inlaid overall with chevron banding and boxwood lines, surmounted by a wavy arched cornice, 88" high
Mahogany eight day longcase clock, the 13" painted arched dial signed Arthur P. Davies, Newcastle, Emlyn, with subsidiary seconds dial and arched calendar aperture, painted to the spandrels and arch with castles overlooking mountainous lakesides, the case with short door inlaid overall with chevron banding and boxwood lines, surmounted by a wavy rounded arched cornice, 84" high
Good mahogany eight day longcase clock, the 14" circular white dial signed Peter Keir, Dalkeith with subsidiary seconds and calendar dials, the case with long moulded arched door flanked by quarter fluted pilasters, surmounted by a rounded moulded cornice over a brass bezel glazed door, 85" high
Mahogany eight day longcase clock, the 12" painted arched dial signed B. Lantier, Bath to the arch over a subsidiary seconds dial and arched calendar aperture, the ebony and boxwood banded case with short drawer and surmounted by a swan neck pediment and gilded ball and eagle finial, 84" high
Good mahogany eight day longcase clock, the 13" painted arched dial signed F. Faller, Rhymey, with subsidiary seconds dial and arched calendar aperture, painted with a Church within a mountainous lakeland scene to the arch and various buildings to the quadrants, the highly flamed case with short crossbanded wavy door flanked by baluster turned columns, surmounted by a swan neck pediment, 88" high
Oak eight day longcase clock, the 13" painted arched dial signed McGregor & Son, Dunse with subsidiary seconds and calendar dials, painted with a rural scene of Dryburg Abbey to the arch, the case with medium size arched door flanked by plain pillars and surmounted by a swan neck pediment, 80" high
Good oak eight day longcase clock, signed William Cook, Kingston on a plate to the matted centre with silvered sunburst engraved seconds dial and calendar aperture, the arch with automata seesaw before a painted fortified village scene, the case with long moulded arched door, surmounted by a moulded rounded arched cornice and caddy top with three brass ball and spike finials, 93" high
Good mahogany eight day longcase clock, the 13" painted arched dial signed D. Eardley, Aberavon, with moon phase to the arch over a subsidiary seconds dial and calendar aperture, the flamed case with short door inlaid with chequered banding and flanked by cabled turned columns, with further chequered banding to the trunk and base, surmounted by a wavy rounded arched cornice, 85" high
Black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Bennet Harvey, Weymouth to the foliate engraved centre, with subsidiary seconds dial, calendar aperture and circular silvered plaque to the arch engraved with Father Time, the case with long moulded arched door decorated with figures in pagoda garden landscapes, surmounted by a caddy top, 88" high
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41749 item(s)/page