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P. PRICE OF CHESTER; a 19th century mahogany eight-day longcase clock with painted moon phase dial depicting churches, the dial set with Roman numerals, secondary dial and date aperture, within a hood with broken swan neck pediment and inlaid case with reeded pilasters, height 226cm.Condition Report: - There is a piece missing from the broken swan neck pediment. There are various scratches and knocks. Scratches to the dial, the paint has faded from the numbers. The front of the case has an acorn finial missing. Various scratches, knocks, etc. The feet have been cut off.

A mid 19th century mahogany longcase clock with eight day striking movement and moon phase, the dial painted with exotic birds enclosed by a glazed door below a blind fret frieze and broken swan neck pediment over a long trunk door flanked by pilasters on a canted plinth base, height 222cm.

A 1930s oak longcase clock, with eight day striking movement, the circular Arabic dial over a bevelled glass panelled door on lozenge plinth base, height 182cm.

A 19th Century mahogany crossbanded longcase clock with 30hr movement, painted dial by Pegg Ashby enclosed by a reeded pillar hood over shaped long trunk door, on canted plinth base, height 204cm.

A 19th Century mahogany longcase clock, the painted arch dial with the nativity, eight day striking movement enclosed by a glazed pillared hood over a short trunk door and reeded pilasters with brass capitals on a canted plinth base, height 230cm.

An early 19th century mahogany longcase clock by J Black of Kirkaldy, reconditioned throughout, having Roman numerals and arched dial with date and second hand dials, scrolled pediments to hood and painted face

A George II 30hr longcase clock with brass square dial, Roman and Arabic numerals, etching detail to face corners, by Peter Owen of Crediton, in oak case.

A George III 8 day longcase clock by P Wood of Grantham, with arched brass face, silvered dial, second dial and date dial, Roman and Arabic numerals, etched lions face to top with ornate spangles.

A George III 8 day longcase clock by Charles Barnish, with silvered square dial, night and day dial, date dial, Roman and Arabic numerals and etched seasons to corners, within oak case.

Wreghit of Patrington (Yorkshire)-fine mid 19th century oak and mahogany 8-day longcase clock, with a swan necked pediment and ball and spire finial, break arch hood door flanked by turned pilasters, slender case with canted corners and a wavy topped door with inlay, rectangular plinth with crossbanding, raised on bracket feet, painted dial with original coloured transfer prints depicting a huntsman and his dogs to the arch and spandrels, Roman numerals, brass stamped hands, seconds dial and date aperture, dial pinned via a falseplate to a rack striking movement, striking the hours on a cast bell, with weights, pendulum and key. Dimensions: Height: 224cm  Length/Width: 46cm  Depth/Diameter: 22cm

H Jones of Oswestry - Early19th century oak and mahogany eight-day longcase clock, with a swans neck pediment and central brass ball and spire finial, break arch door beneath with detached reeded pilasters, trunk with recessed pilasters and a full-length wavy topped door with inlay, square plinth with a raised crossbanded panel on padded feet, early Wilson painted dial with Roman numerals, matching steel hands, five minute Arabic's, seconds dial and date aperture, floral spandrels with gesso borders and an oval to the arch depicting a country girl gathering kindling, dial pinned via a Wilson falseplate to a rack striking weight driven movement, sounding the hours on a bell. With weights, pendulum and key. Dimensions: Height: 220cm  Length/Width: 45cm  Depth/Diameter: 25cm

J C Elliot & Sons of Leeds- Late-19th century 8-day mahogany longcase clock c1880, with a swan necked pediment and break arch hood door beneath, ring turned pilasters and curved backsplats, trunk with cushion moulding and small wavy topped door, on a broad plinth with a circular recessed panel, Fully painted dial with Roman numerals, seconds and date dials and stamped brass hands, mirror images of rural cottages to the spandrels and a rural scene to the arch, dial pinned via a cast falseplate to a rack striking movement, sounding the hours on a ball. With pendulum, weights and key.Dimensions: Height: 225cm  Length/Width: 65cm  Depth/Diameter: 27cm

A 19th century mahogany and oak cased 30 hour longcase clock, painted dial with basket of fruit with Pear, Cherries, Gooseberries, Plum and an Apple, floral spandrels, marked Chesterfield, Roman numerals, single train 30hrs movement, 218cm high, 48cm wide, 22.5cm deep

A 19th century Scottish satinwood inlaid Mahogany Longcase clock, 32cm diameter creamy white dial signed W. L. Scott, Dundee, bold Roman numerals, two subsidiary dials, eight day two train movement, 201cm high, 45cm wide, 21cm deep

A 20th century mahogany novelty timepiece, as a longcase clock, W. Thornhill & Co, 144 & 145 New Bond St London, 6cm dial inscribed with Roman numerals, key wound movement, 40cm high.

A Regency 30 hour longcase clock movement with enamel painted dial with Roman numerals A/FLocation: BWRIf there is no condition report shown, please request

An 18th century heavily carved oak 8-day longcase clock, the gilt dial signed Thomas Verner, 220cm h x 52cm wLocation:If there is no condition report shown, please request

A GEORGE III MAHOGANY LONGCASE CLOCK. the 13" arched moon phase dial signed John Taylor, Manchester, with silvered chapter ring, subsidiary seconds dial and date aperture, on a two train movement striking to a gong, the case with fluted column detail, scroll and flowerhead pediment and imitation brickwork, with pendulum, two weights and winder, 236cm high. *CR Re-polished and restored, some scratches and lifting to veneer on case, ends of brass finials bent, one finial missing it's support, seconds hand loose, section of case moulding needs re-attaching.

COMITTI, LONDON; THE EMPIRE FLOOR CLOCK, NO. 40, A MAHOGANY QUARTER TUBE CHIMING EIGHT-DAY LONGCASE CLOCK52cm wide; 230cm highThe case with a pierced swan neck pediment, above hinged bevelled glazed door, flanked to each side by fluted uprights and with a bevelled glazed panel to each side, above an arched glazed panel inset trunk door, flanked by fluted quarter columns and with a bevelled glazed panel to each side, on a rectangular base with carved outline, with stepped plinth, on ogee bracket feet; the 28cm arched dial detailed Comitti, London, with moon phase in the arch, above silvered chapter ring and Arabic chapters, seconds subsidiary below the 12, the German  three train movement chiming each quarter and with tune selector for Whittington, St. Michael or Westminster, and with a secondary selector for chime/silent/silent at night, the movement with deadbeat escapement; three brass cased weights and pendulum, with crank key

19TH CENTURY IRISH LONGCASE CLOCK, Gregory Upington, Cork, brass face with pendulum and weights, 212 (h) x 49 (w) x 26cms (d)Provenance: private collection Conwy

Robert Fletcher, Chester an oak longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch break-arch painted dial having black Roman numerals, painted floral decoration to the four corners, a subsidiary seconds dial, date aperture and signed Rt. Fletcher, Chester, the oak case having mahogany crossbanding, fluted quarter columns to the trunk, fluted columns to the hood and surmounted by a swan-neck pediment, height 223cm.Notes: There are two clockmakers recorded named Robert Fletcher being father and son, with the younger Robert working in Chester from circa 1800 when he took over the business from his father who was first recorded in Linenhall Street in 1782 and then Higher Bridge Street and Foregate Street. Robert Jnr. died in 1841.Reference: Clockmakers of Chester, Keith Appleby, Farmhouse Antiques 1999.

Joseph Hill, Bristol, an oak rocking ship automata longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch arched painted dial with a rocking ship automata within the arch and having black Roman numerals, a subsidiary seconds dial, date aperture, with cottage and castle scenes to the four corners and signed Joseph Hill, Bristol, the oak case having canted corners to the base, fluted quarter-columns to the trunk, cast-brass capitals to the hood pillars and surmounted by a swan-neck pediment with a brass eagle-and ball finial, height 230cm.Note: Joseph Hill was a member of the well-known Hill clockmaking family and is recorded as working at 7, The Parade, Bristol as a watch and clockmaker in the late 18th century/early 19th century. Ref: The Clockmakers of Bristol, A.J.Moore, Pub. The Author 1999.

Musgrave, Taunton an oak longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial engraved with black Roman numerals, five-minute outer numerals, floral corner decoration and maker's name Musgrave, Taunton, with a subsidiary seconds dial, date aperture and decorative blued-steel hands, the oak case with blind fret above the dial, quarter columns to the hood and typical Westcountry chimney, height 202cm.Note: George Musgrave is recorded as working in Taunton from 1760 until at least 1790.

Benjamin James, London an oak longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and Arabic five-minute outer numerals, the matted centre with ringed winding holes, subsidiary seconds dial and decorative engraving to the date aperture, with cast-brass crown and cherub spandrels to the four corners, the arch with a silvered boss engraved with the maker's name Benjamin James, London, the oak case with break-arch top to the trunk door and fluted pillars to the hood, height 220cm.Notes: Benjamin James is recorded as working in London in circa 1730.Reference: Watch and Clockmakers of the World, Brian Loomes, N.A.G. Press 1988.

James Greene, London a mahogany pagoda top longcase clock having an eight-day duration, five-pillar movement striking the hours on a bell, with a pair of brass bound weights, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the makers name James Greene, London, with cast-brass c-scroll spandrels to the four corners, the arch with a silvered boss with a hand setting to allow for strike/silent, the mahogany case with brass inset to the fluted hood columns, flame finials to the pagoda top and a raised panel to the base, all standing on a double plinth, height 236cm.Notes: James Greene is recorded as having been apprenticed in 1736 and then working in London from 1747 until at least 1777. He is possibly the son of James Greene who was himself apprenticed to Henry Jones in 1678.Reference: Watch & Clockmakers of the World, Brian Loomes, Pub. N.A.G. Press 2006.

John Waters, London a late-17th-century longcase clock the month duration, six-pillar movement (sixth pillar removed) having latched dial pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring with engraved black Roman numerals and meeting-arrowhead half-hour markings, the matted centre with engraved decoration to the date aperture and subsidiary seconds dial, with cast-brass cherub-head spandrels to the four corners, with engraved decoration to the dial edge and later blued-steel hands, signed below the chapter ring John Waters, London, the later flat-top oak case with shaped door, quarter columns to the trunk and standing on a double plinth, height 189cm.Notes: John Waters was apprenticed to John North in July 1674 but being passed over to Nicholas Beck after a few months. He became a Freeman of the Worshipful Company of Clockmakers in 1682. Amongst the apprentices he took on in his working life was John Ellicott senior, being the father of John Ellicott junior who was to become a famed and eminent maker. In 1705 John Waters was made an Assistant to the Court of the Clockmakers Company but there is no record of him recorded after 1706.

An oak moonphase longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch dial having black Roman hour numerals, Arabic five-minute numerals, a subsidiary seconds dial, date aperture, blued-steel hands, decorative floral corner spandrels with the arch showing the phases of the moon, the iron false-plate to the rear embossed with the dialmaker's name Wilson, Birmingham,the oak case having fan inlay to the door, hood and raised panel to the base, with canted corners to the trunk, full pillars to the hood and surmounted by a swan-neck pediment, height 222cm inc. centre finial.

George Gould, South Molton a longcase clock movement and dial having a thirty-hour bird-cage movement with turned brass pillars, anchor escapement and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, the dial centre with engraved decoration and signed George Gould, South Molton, with a single blued-steel hand, with cast-brass c-scroll spandrels to the four corners.

An oak 8-day longcase clock, of small size, the brass Roman dial with foliate decoration, fitted two train movement with anchor escapement, the case with shaped waist door, with weights and pendulum, the movement 19th Century, the case 20th Century, 34 x 21 x 174cms high.

William Harrison, Hexham: a mid-19th Century mahogany 8-day longcase clock, the arched painted dial with convex Roman chapter ring and subsidiary date and seconds dial, the arch depicting a male harp player, the two train movement with anchor escapement, striking on a single bell, the mahogany case having a swan neck pediment, the glazed door flanked by turned columns over a shaped waist door, panelled box base, on bracket feet, 224cms high, with weights and pendulum.

‘R. Goodwill’ ‘No.Bottle’: an inlaid mahogany and rosewood banded longcase clock, the brass Roman dial with silvered chapter ring and subsidiary seconds dial, foliate decoration, with two train movement, the case with arched pediment above arched glazed door flanked by tapered columns, above arched waist door, with pendulum and weights, 59 x 26 x 225cms high.

An early 20th Century inlaid and banded mahogany longcase clock, the brass Roman dial with silvered chapter ring and floral decoration, the two train movement striking on the hour, the case with moulded pediment above lazed door flanked by barley twist pilasters and glazed panels to the side, above waist door and panel base, with pendulum and weights 41 x 25 x 181cms high.

W. McAdam, Glasgow: a Georgian mahogany and inlaid marquetry 8-day longcase clock, the white painted Roman dial with maritime decoration and Lord Nelson portrait to arch, subsidiary seconds and date dials, with two train movement and anchor escapement, the moulded pediment above arched glazed door, above flame mahogany waist door, raised on turned feet, with weights and pendulum, 45 x 22 x 219cms high.

An early 19th Century mahogany 8-day longcase clock, the arched painted dial having Roman and Arabic numerals, a subsidiary date aperture and seconds dial, the face decorated with birds, anchors and gilt scrolls, the two train movement with anchor escapement, striking on a single bell, all in a mahogany case, the hood having a broken pediment, the glazed door flanked by turned fluted and capped columns over a long waist door, above a box base, 234cms high, with weights and pendulum.

David Cairns Morpeth: an oak longcase clock, the painted white Roman dial with two subsidiary dials, painted castle and maritime scene to the arch, and seashells to the dial and two train movement, the brass capped swan neck pediment above arched glazed panel door and arched waist door, with weights and pendulum, 49 x 22 x 217cms high.

A Victorian inlaid mahogany eight day longcase clock, pendulum and weights, 205cm h Base split, numerous chips and losses to veneer consistent with age

A belge noir drum cased mantle clock, with enamel dial, 22cm h, an oak miniature longcase clock with arched top brass movement, with silver chapter ring and pendulum, embossed brass fender, turned wood truncheon and Middle Eastern metal table lamp 

AN EIGHT-DAY LONGCASE CLOCK WITH 12 inch BRASS DIAL SIGNED BROWN, BIRMINGHAMwith subsidiary seconds dial, date aperture, turned winding apertures and cast spandrels, in an oak case (a/f; crutch broken, case shortened)

A 19th century inlaid mahogany eight day longcase clock with pendulum and weights, later movement, height 208 cm

Contemporary triple weight longcase clock, 185cm.

Early 20th Century oak double weight longcase clock, 175cm.

λ A TORTOISESHELL LONGCASE CLOCKBY JOHN MILLER, LONDON, LATE 17TH / EARLY18TH CENTURY AND LATERthe brass eight day movement with six knopped pillars, with an outside countwheel and an anchor escapement, striking on a bell, the backplate with an anchor-shaped cut-out, the 10 inch brass dial with a silvered chapter ring with black Roman hours and fleurs-de-lys half hour markers and a narrow minute chapter ring with Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture, inside winged cherub head spandrels and an engraved border, the lower edge inscribed 'John Miller Londini Fecit', the hood with a square glazed door flanked by barley twist columns, the trunk with a rectangular door with a circular lenticle, on a panelled base with shaped feet, with two weights and a pendulum, the movement and case possibly associated210cm highCatalogue NoteJohn Miller was apprenticed to Samuel Knibb in 1667 and, on Knibb's death, to Knibb's cousin Joseph being declared Free of the Clockmakers' Company in 1674. The present movement shows a number of similarities to movements by Joseph Knibb including the thin plates, form of the turned pillars and the anchor escapement cut-out in the back plate.See Sotheby's London, 17th May 2022, Furniture, Silver, Clocks and Ceramics, lot 13 for a related longcase clock by John Miller with a similar dial and movement features including the numerals and markers and anchor escapement cut-out in the backplate.

A George III mahogany longcase clock c.1770, by John Jefferis, the arched brass and silvered dial to an 8-day striking movement, hood with open columns, the case a long door flanked by canted reeded sides, the base on ogee bracket feet53cm wide28cm deep214cm highCondition ReportLacking the seconds hand, case with wear, photos of the movement added. 

A George III oak longcase clock, by Wilkins Wigton, the brass broken arch dial with ship automaton movement, the shaped trunk door flanked with fluted corners, complete with weights and pendulum, 214cm highProvenance: Lime House, Earls Colne, Essex Condition ReportThe clock cannot be tested and therefore the working condition is unknown.

Engels staande klok met mahonie kast, maanaanduiding, tollen in top, koperen wijzerplaat imposante klok H 240 cm. - English longcase clock with mahogany case, moon indication, spinning top, copper dial, impressive clock H 240 cm

Staande klok Engels met vogel in top kast ingelegd met div. houtsoorten, koperen wijzerplaat met speelwerk en timphaan, H 240 cm. - English longcase clock with bird in top case inlaid with various types of wood, brass dial with playwork and tympanum, H 240 cm

A mid to late 18th-century oak longcase clock The silvered brass Roman dial signed 'Baxter, Tewksbury' with central alarm set indicator, the 30-hour birdcage movement with separate alarm winder to the side.44cm wide x 225cm highQty: 1Marks dents and scratches to the case due to age and use. The movement is reasonably clean and in good condition but not guaranteed working. The case applied with a brass presentation plaque. Complete with a pendulum but with no weights.

A Gillett & Johnston eight-day quarter-chiming regulator longcase clock The 18th-century style oak case of simple form with barley twist pilasters to the hood and lenticle to the door. The brass dial with a silver chapter ring, subsidiary second hand and silent/chime lever. The two train movement with deadbeat escapement and maintaining power, striking the hours and quarter hours on five gongs. The pendulum with invar rod and cast lozenge-shaped pendulum bob typical of the maker. The gong mount cast 'G & J'.47cm wide x 28cm deep x 212.5cm highIn generally good condition. The movement in need of a clean. Complete with key and weights. The pendulum suspension spring associated.

P Lanny, London, a mahogany longcase clock, with square hood having fluted columns, with arched waist panel door, on a box base, the 30cm arched brass dial signed P Lanny, London, with strike/silent to the arch, subsidiary seconds dial and date aperture, with silvered Roman chapter ring, the twin train movement striking to a bell, 225cmm high.

A 19th century oak longcase clock, the arched hood with turned columns, the trunk with cross banded door, on a box base, having a 30cm painted arched dial with date aperture, the twin train movement striking to a bell, 210cm high

A chinoiserie lacquered eight day longcase clock, Jno. Haydon Windsor, height 222cm. Condition - fair to good Large amount of old woodworm holes - worm no longer present. Case door is warped and doesn't sit flush when shut. There is a split to the arch on the hood. Dial is pitted and stained in places. Lacquer chipped and faded.

An 18th century oak thirty hour longcase clock by Jno. Muzzell, Horsham, height 183cm. Condition - poor

A GEORGIAN OAK THIRTY HOUR LONGCASE CLOCK, the twin swan neck pediment, flanking a central finial, the square glass door enclosing a 12 inch enamel dial, signed Bell, Uttoxeter, above a single trunk door, on a box plinth, height 217cm, condition report: one weight, one pendulum, untested, historical marks, scuffs, splits, repairs, alterations, other wear and usage

A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, with twin swan neck pediment, the arched glass door enclosing a 12 inch enamel dial, signed Donnington, above a trunk door, on a box plinth, height 200cm, condition report: two weights, one pendulum, two winding keys, historical marks, scuffs, splits, damages, repairs, losses, untested, other wear and usage

A George III flame mahogany 8 day longcase clock, brass round rial having Roman and Arabic secondary numerals, and days of the month inner dial, engraved foliate decoration, paper stuck internally with religious motto, some very slight cracking and losses to veneer, with winding key, height 198cm, dial diameter 34cm, depth 16-23cm, max width 47.5cm.

A circa 1800 provincial oak longcase clock, the painted square dial signed William Bearn, Wellingborough, having 30 hour movement, with pendulum (lacking weights), height 198cm

Scottish George III mahogany longcase clock, Robert Coats of Hamilton, (A/F) 59 x 236 x 31cm.

19th century carved oak longcase clock, (A/F) 70 x 214 x 27cm.

A 19th Century oak longcase clock, the hand painted dial signed Marshall, Lincoln

An early 19th century mahogany longcase clock with eight day movement and floral-painted arch dial, 227 cm overall