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An 18th century and later oak, mahogany and rosewood longcase clock, the swan neck pediment above an enamelled face with Roman numerals, date aperture, pierced hands and painted flower spandrels, by Benjamin Edwards of Knowle, with a thirty hour movement, h. 211 cm, w. 52 cm, d. 25 cm CONDITION REPORT: Later plinth. Restorations to case. General wear and tear

Oak granddaughter two train longcase clock, the French mantel clock movement striking on a bell, the 4.5" white chapter ring enclosing a visible recessed escapement, within a plain case, 40.5" high (key)

Three assorted longcase clock cases.

John Stokes, Walden, a brass dial Longcase Clock the eight day movement with silvered chapter ring having Roman numerals and Arabic minutes with subsidiary seconds dial and date aperture, in associated case 232cm (90in)

An 18th century and adapted oak longcase clock, the flat top hood with dentil moulding flanked by turned pillars with brass capitals, the trunk with arched panel door and flanked by canted corners over a plain base and bracket feet, the 10" brass dial with silvered chapter ring and Roman numerals and Arabic five minutes, signed 'W. Porthouse, Penrith', and with silvered plaque engraved 'Nicholas and Mary Lowes, 1748', within gilt mask spandrels, with associated four pillar movement with anchor escapement and striking on a bell. 215cm high

A 19th century and later oak cased longcase clock, with painted dial showing arabic numerals (adapted)

A 19th Century oak longcase clock with a brass dial and thirty hour movement 'Henry Deeme, Honiton' 197cm high

A longcase clock of architectural proportions, the brass dial pierced to the top with vertical bars with veneered wooden plaque behind the chapter ring, Roman numerals, the centre dial with shaped fret cut inner dial and subsidiary seconds dial, the case with simulated brickwork, the top with arched bell tower, further towers flanking, the case with porticos and niches, the glazed door with simulated keystones and flat tracery with sand blast textured glazed panels, the top bearing brass plaque inscribed Made by W. Keegan AD 1988, three weight five tube striking movement, the base with classical arcaded pillar gallery, 288cm high approx., 90cm wide approx.

A George II black painted longcase clock, the arched dial inscribed John Thompson, London, within an engraved circle flanked by a pair of mythical horse and scroll cast spandrels, the brass chapter ring with Roman and Arabic numerals, matted centre dial, cherub pierced spandrels, the hood with pair of ebonised pillars, the arched trunk door with gold painted ovolo moulding, 196cm high (extensive faults, old restorations, newer restorations, reduced); together with a box inscribed Black Grandfather Clock containing a number of items relating to this particular clock including: cogs, bell striker etc.

Seven longcase and other clock movements, some incomplete (qty)

A George III oak cased longcase clock with swan neck pediment, the arched enamel dial painted to the top with sailing ship and castle, the spandrels floral painted, Roman and Arabic numerals with subsidiary seconds and month dial, twin winding holes and pierced hands the hood with pair of brass capped fluted pillars, the trunk door shaped with shaded shell patera within two strung lozenges, the panelled base similar, 218cm high; a George III oak longcase clock, the hood with fret cut swan neck pediment, the arched enamel dial painted to the top with a half length portrait of a young woman holding a sprig of flowers, floral painted spandrels, Roman and Arabic numerals, subsidiary seconds and month dials, twin winding holes, the hood with pair of brass capped pillars, the trunk with indented angles and mahogany crossbands, fluted angles, 212cm high approx., Circa 1780; a Victorian mahogany cased longcase clock with hood, swan neck pediment centred on a ball and eagle finial enclosing an arched dial inscribed Tho Hawxwell, Brompton, decorated with scrolls, Roman and Arabic numerals, shaped crossbanded trunk door, 217cm high approx., all late 18th / early 19th Century (all with extensive faults, the latter with serious faults to case) (3)

REPRODUCTION LONGCASE CLOCK by Ridgeway, the unsigned weight driven movement striking on gongs, the silvered brass 9 inch dial with Arabic numerals, pierced steel hands, encased within an arched hood, the oak case with glazed door and sidepieces, on plinth base, 200cm

A George III Mahogany Longcase Clock: William Garrett, London The brass arched dial with Roman numeral chapter ring and outer Arabic dial, subsidiary seconds dial and calendar aperture, gilt foliate spandrels, eight-day movement, the hood with fret-cut panel and free standing pillars, brass ball and eagle finials. H 241 cm CONDITION REPORT: Clock stands well, bowing to the door to the arch, door opens (no lock) & closes freely. Clean condition overall, recent service with new catgut & weight holders. Minor surface dirt to the dial, original lead weights, later pendulum. Card set to the back of the clock as a gap.

A 19th Century Chinoiserie Miniature Longcase Clock: Black lacquered and gilt case, with Chinese scenes and pagoda-style top, Arabic numeral dial with French key wound movement. H50cm x W14cm x D8cm CONDITION REPORT: In good original condition, minor nibbling to the edges of the lacquer & gilding. Structurally sound. Movement in good working order

An early 19th century 30-hour longcase clock by Mich. Thorne, South Wolton, Square dial painted with a cockerel, subsidiary calendar aperture, plain oak case on pedestal base, 200cm high

An early 19th century 30-hour longcase clock by John Telford of Wigton, floral painted arched dial with Roman numerals, subsidiary calendar aperture, oak and mahogany-crossbanded case with swan-neck pediment, 220cm high

A mid 20th century oak longcase clock, Arabic numerals, twin weights

An oak Lancashire George III longcase clock, the 34cm dial, with Roman chapter with Arabic minutes numerals, floral spandrels, white moon phase within main chapter painted with bucolic scene, subsidiary date dial , pierced gilt hands, signed Hodghon[sic]/Preston, eight- day movement striking on a bell, the hood with mahogany frieze, turned pilasters, shaped door, flanked by plain quarter columns, canted angles to base, 199.4cm high The blundered signature relates to Thomas Hodgson of Preston was working in the later decades of the 18th century and is thought to have been related to the Hodgson clcokmakers of Lancaster.

A VICTORIAN OAK THIRTY HOUR LONGCASE CLOCK, WITH PAINTED DIAL BY STEVENSON OF NOTTINGHAM

A 19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the painted arched dial with subsidiary seconds dial and date aperture, maker's name 'Jn Bloor - Newcastle', the Gothic style case with inlaid detail, twin weights and pendulum, H 219 cm

A William & Mary Longcase Clock with 11 inch square brass dial inscribed James Tudman, London, subsidiary seconds dial and date aperture, cherub spandrels, 8-day movement, in walnut and floral marquetry case, the hood with spiral pilasters, 6ft 9in high

An early 19th century oak and inlaid longcase clock, the eight day movement to a painted dial with seconds and date apertures, 206cm high

An inlaid mahogany longcase clock, the arched painted dial inscribed 'John Lacey, Cardiff' with 8 day movement and rocking swan, 207cm high

A Mahogany Longcase Clock; with a broken arch pediment, trunk with long door, brass and silvered dial with moonphase and Arabic numerals, three brass weights

A LATE 19th CENTURY LONGCASE CLOCK, oak and mahogany, having a square hood with painted dial and eight-day movement by John Owen, Pwllheli

An 18th century cottage longcase clock, 12in. square, enamelled dial signed I. Pickett, Marlbro., 30-hour movement striking on a bell, in oak case, with pendulum and weight

A lot to include the parts of a Grandfather / longcase clock to include the trunk, face, movement etc ( af )

'GWILLIAM' 20TH CARVED MAHOGANY LONGCASE CLOCK WITH PAINTED DIAL, BATTERY MOVEMENT

Mid-19th century mahogany and boxwood inlaid and rosewood crossbanded 8 day longcase clock, Stonehouse Leeds, the hood with swan neck pediment over a broad frieze panel to freestanding bobbin-turned columns and moulded throat, to a short trunk with chamfered cornice flanking short and shaped trunk door and raised on a plinth base, to a 13 arched and painted 3rd period dial, decorated to the arch with a musician and a shepherd over floral spandrels, to a Roman chapter ring with outside minute track and enclosing subsidiaries for seconds and days, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 88 (losses and damage throughout)

Mid-19th century mahogany cased 8 day longcase clock, Jas Bowes Bradford, the hood with swan neck pediment over a plain frieze and freestanding baluster columns to a moulded throat and short and shaped trunk door, to a panelled plinth base on splayed feet, to a 14 arched 3rd period painted dial decorated to the arch with a biblical scene of Christ carrying the cross, to further country house scene spandrels enclosing a convex Roman chapter ring with outside minute track and enclosing subsidiaries for seconds and date, with pierced and stamped brass hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (case and movement associated), height 96

Early 19th century oak cased 30 hour longcase clock, W Stanford Yarmouth, the hood with moulded cornice and shaped pediment over freestanding columns with gilt painted capitals to a moulded throat and long arched trunk door, to a reduced plinth base, to a signed 11 square painted dial with shell and floral spandrels enclosing an Arabic chapter ring with further Arabic quarters and outside minute track to gilt spade hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (bell lacking), height 72

Late 18th century oak cased 30 hour longcase clock, Jno Huxtable Chittlehampton, the hood with ogee moulded pediment over dentil work detail, to > columns and moulded throat to long and reeded trunk door on a plinth base, to a 2 “ square brass dial with cast and applied floral and foliate spandrels (one spandrel missing), enclosing a Roman and Arabic chapter ring and further engraved centre with a river scene and with pierced steel hands, to a posted movement with back mounted count wheel and anchor escapement and strike on a bell (losses throughout)

Early 19th century oak cased 30 hour longcase clock, W Marsh Diss, the case with overhanging cornice and shaped pediment over freestanding columns to a moulded throat and long trunk door on a plinth base, to a 12 second period painted dial with gilt highlights and painted rosette spandrels enclosing an Arabic chapter ring with outside minute track and further Arabic quarters, and date sector with black painted and pierced hands, to a movement with plated united by four knopped pillars and anchor escapement and strike on a bell, height 86

LONGCASE CLOCK, George III oak with brass and silvered face inscribed Robert Brooks London eight day movement, 52cm x 213cm H. (restorations, associated parts)

A 1930's oak cased longcase clock, with a three train movement, 182cm tall

A 1930's oak cased longcase clock, having a three train movement, 184cm tall

A 19th century 8 day longcase grandfather clock with painted arch face by Grason Lincoln

A Georgian style walnut longcase clock with brass chapter ring, striking movement, pendulum window, raised on a box base with plinth, height 195cm

A longcase clock movement, the painted dial with a phase of the moon, and an eight day movement, 31 cm wide, and a longcase clock, having a modern printed dial and quartz movement, in a 19th century mahogany case Condition report With a pendulum and trunk door key Report by GH The movement generally with a very worn face and some minor repairs evident on the movement. Movement does not appear to have been used for a long time but generally appears complete. The longcase has been altered to accommodate its modern face and quartz movement. Trunk door generally slightly bowed, a piece of moulding is missing from below the door and various gouges, chips, scratches and dents particularly around the bottom of the case. Generally quite heavily sun faded.

An oak gun cabinet, with a glazed door, 69 cm wide, an Art Deco style dwarf longcase clock, a mahogany chest of drawers, and three rugs (6)

A longcase clock, the 31 cm square arched dial with Roman numerals, subsidiary seconds and STRIKE/SILENT dial, signed S A Yorke 13 New Street St Birmingham, fitted an eight day movement, striking on a bell, in a mahogany case, 225 cm high (over finial) Condition report Report by NG The longcase clock has a pendulum and a key

An oak and mahogany 8 day longcase clock, the painted dial signed Hodson, Dudley. 89' high

An oak 30hr longcase clock, the brass dial obscuring a painted dial. 78' high

An oak and mahogany longcase clock with 8 day movement, the enamel dial with painted spandrels. 81' high

Victorian line inlaid mahogany drumhead longcase clock, 215cm. CONDITION REPORT: Dial worn and lacking seconds hand. The hood missing side moulding. Sides restored. Missing one rear foot. The second rear foot repaired. Generally, poor restored condition, requires more restoration.

FINE GEORGE III MAHOGANY LONGCASE CLOCK BY HENRY JENKINS, LONDON circa 1770, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 11 inch arched brass dial with silvered Roman numeral chapter ring and outer Arabic seconds, matted brass centre, subsidiary seconds at twelve, date aperture at six, strike/silent dial to arch, applied brass spandrels, pierced hands, encased within an architectural hood with doric columns, contained within a waisted mahogany case, on plinth base with bracket feet, 235cm

GEORGE III LONGCASE CLOCK circa 1760, by Eli Stancliffe, Honley, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 10 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary rolling moon dial at twelve, calendar dials at twelve and six, pierced steel hands, applied brass spandrels, housed within a caddy hood, contained within a waisted mahogany case, with later carved decoration, on plinth base with bracket feet, cm high

MID-TWENTIETH CENTURY LONGCASE CLOCK by Hendersons, the unsigned weight driven movement striking on gongs, the 11 inch silvered dial with Arabic numerals, pierced steel hands, chime/silent lever at three, the arched case with glazed hinged frontpiece, on plinth base with bun feet, 186cm high

MID-TWENTIETH CENTURY LONGCASE CLOCK the unsigned three weight driven movement striking on gongs, the 10 inch silvered dial with Arabic numerals, pierced steel hands, chime/silent lever at three, the case with glazed hinged frontpiece, on plinth base with bracket feet, 184cm high

EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK BY SHAWTER PEARSON, HULL the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 11 inch arched brass dial with silvered Roman numeral chapter ring and outer Arabic seconds, matted brass centre, subsidiary seconds at twelve, date aperture at six, two front winding holes, pierced hands, applied brass spandrels, encased within an arched hood with swan neck pediment, contained within a waisted oak case, on plinth base with bracket feet, 208cm

REPRODUCTION LONGCASE CLOCK by Ridgeway, the unsigned weight driven movement striking on gongs, the silvered brass 9 inch dial with Arabic numerals, pierced steel hands, encased within an arched hood, the oak case with glazed door and sidepieces, on plinth base, 200cm

LONGCASE CLOCK OF EIGHTEENTH CENTURY BOULLE DESIGN unsigned three train movement, the 9 inch gilt dial with Roman numerals, pierced steel hands, three front winding holes, contained within a waisted case painted with boulle style decoration, with applied gilt mounts, on plinth base with bracket feet, 202cm

A George III oak and mahogany crossbanded eight day longcase clock, by Samuel Newnes of Whitechurch With 34cm painted dial with Roman and Arabic numerals, seconds dial, date apeture, arched dial with the makers name and decorated with flowers, two weights, pendulum and saucer bell, the case with shaped door, reeded columns, hood with broken swan neck pediment and column supports, height 210cm. (af)

A 1920's eight day oak longcase clock, 24cm silvered dial with Roman numerals, Westminster and Whittington chimes Subsidudary seconds dial, with chime and sient option, Rococo spandrels with upper roundal decorated with a cottage scene, three weights and weighted pendulum, the oak case with 17th Century style segmented decoration, the arched hood with barley twist supports, height 196cm. CONDITION REPORT: Pendulum bob is brass. The weight is not brass covered. Clock movement reconditioned. Tear to fabric behind fretwork on left hand side of hood. Hinge replaced on the case. Case in good condition.

A George III eight day oak and mahogany crossbanded longcase clock signed J N Bloor Newcastle The painted arched dial with a Scottish landscape scene of a figure wearing a kilt and a young lady, the spandrel corners with painted decoration of young ladies as the four Seasons, Roman numerals, seconds dial and date apeture, dial size 32cm, two train movement with weights and pendulum, the case with inlaid decoration, hood with swan neck pediment and turned wood supports, height 206cm.

An early 19th Century mahogany and oak cased eight-day longcase clock The twin swan neck upper pediment with central fleur scroll finial, the glazed hood flanked by twin turned columns, the floral painted 13 inch dial, with Roman numerals, moon dial and subsidiary seconds and date dials, above sectional trunk with turned columns, with two weights and pendulum, 230cm high.

A late 18th Century eight-day oak longcase clock, James Gray of Edinburgh The twin swan arched upper pediment with central sphere and eagle finial, above arched hood flanked by twin columns, the 11 inch brass dial with subsidiary sconds dial and foliate cast spandrels, above slender trunk inset with conch shell vignette, with two weights and pendulum, 210cm high.

A 19th Century figured mahogany and crossbanded eight day longcase clock, by Barry Bolton The swan neck glazed upper hood, enclosing 14 inch white enamelled dial with black Arabic numerals and adorned with foliate spandrels and two subsidiary dials, with upper moon phase in the arch, the inlaid trunk with reeded columns and swept carved door, raised on bracket feet, with pendulum and two weights, 222cm high. CONDITION REPORT: Lot 1185 Does the clock come with pendulum, 2 x weights, winding key and door key - YES Saucer bell off but present. Hood and case - with splits, scratches and dents Pendulum feather bent No idea if marriage.

An 18h Century mahogany longcase clock, signed William Thompson, Chester A 32cm brass dial with Roman numerals, seconds dial and date apeture, with rolling moon, with Rocco spandrels, with two weights a pendulum and a saucer bell, case with arched door, column decoration, hood with arched broken pediment, brass ball and eagle with turned mahogany supports, height 216cm.

A George III mahogany cased eight day longcase clock by Robert Higginson, Chester The laquered brass face with 31cm dial with Roman and Arabic numerals, seconds dial, date apeture and rolling moon, with Rocco spandrels, two weights, pendulum and saucer bell, the mahogany case with figured door, column supports, the hood with swan neck pediment and pierced fretwork decoration and fluted columns, height 232cm. (af)