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George III mahogany longcase clock, the arched hood above an arched door, the gilded and silvered dial inscribed Tempus Fugit, with Arabic and Roman numerals, subsidiary seconds and calendar aperture, with a two train movement striking on a bell CONDITION REPORT It is 19th Century. The clock is currently running but we give no guarantees it will remain so.

Edwardian mahogany longcase clock, the engraved brass arch top dial having silvered chapter ring with Arabic numerals and three train movement over a single door with bevelled glass pendulum window and conforming plinth base with inlaid decoration (lacking pendulum)

18th Century oak longcase clock, the square hood with blind fretted decoration above a rectangular panel door on plinth base, the gilt brass dial inscribed Phillips, Bromyard, with subsidiary seconds and calendar, the two train movement striking on a bell CONDITION REPORT Dial is 11.5ins square

Samuel Hodges, London, George III mahogany longcase clock, the arched hood with open fretwork and three brass finials, flanked by fluted columns above an arched door, plinth base and later feet, the brass dial with silvered rings, subsidiary seconds and date aperture and silent strike dial, the two train movement striking on a bell CONDITION REPORT Movement is complete and appears to be working but we give no guarantee it will remain so. Case is in ok condition other than feet and corners just above the feet. See photos. One piece of the side moulding to the plinth is missing. 95ins high

George III mahogany longcase clock, the arched hood with fluted pilasters above an arched door and plinth base, the brass dial with Roman and Arabic numerals, subsidiary seconds and calendar, inscribed Henry Ranorth, Plymouth (minus arched top), with a two train movement striking on a bell (minus one weight)

18th Century brass longcase clock movement, the dial with Arabic and Roman numerals, subsidiary calendar, seconds and strike / silent apertures, with a two train movement (for restoration)

19th Century mahogany longcase clock, the painted dial with Roman numerals and two subsidiary dials, the two train movement with anchor escapement striking on a bell

Early 19th Century mahogany longcase clock, the arched hood with turned pilasters above an arched door and plinth base, the painted enamel dial with Arabic and Roman numerals, with a two train movement striking on a bell

Early 19th Century mahogany and inlaid longcase clock, the square hood with square side pilasters above a shaped panel door on conforming plinth base, the square painted dial with Arabic and Roman numerals, subsidiary seconds and date aperture

Early 19th Century oak and mahogany crossbanded longcase clock, the broken arch hood above a shaped panel door and conforming plinth base, the painted dial with Roman numerals and subsidiary date aperture bearing indistinct signature, the single train thirty hour movement striking on a bell

George III oak longcase clock, the square hood with flanking pilaster above a rectangular panel door and conforming plinth base, the painted dial with Arabic and Roman numerals and single hand, signed Maxwell, Horsham, the single train thirty hour movement striking on a bell

George III mahogany longcase clock, the broken arch hood with flanking pilasters above an arched moulded figured door and conforming plinth base, the painted dial with Arabic and Roman numerals, subsidiary seconds and date dials and a strike silent selector to the arch, signed Jos Ferenbach, Camberwell, the two train five pillar movement with anchor escapement striking on a bell (various damages and alterations)

A 19th century eight-day longcase clock by George Poole, Taunton W.48cm

A late 18th century oak longcase clock, Hercules Rickard, Exeter, the silvered, signed 12 inch Roman and Arabic dial with subsidiary calendar and seconds dial to centre and painted moonphase to arch, inscribed "High Water at Boscastle Quay", the associated four pillar, two train weight driven movement with anchor escapement and rack strike on a bell, dial, case and movement associated, 7ft 8.25in.

An 18th century and later mahogany longcase clock, Carter of Uxbridge, the inlaid case with fluted quarter columns, the signed 12 inch dial with subsidiary calendar, strike / silent and seconds dial, engraved with foliate scrolls to the arch, the five pillar two train weight drive movement with anchor escapement and rack strike on a bell, 7ft 8.5in.

An early 19th Century Scottish mahogany 8 day longcase clock with five pillar movement. Comes with brass clad weights, pendulum and key.

A 20th century Mahogany longcase clock with a brass dial and silver chapter ring. Three weight driven with visible pendulum and beveld edge glass.

Early 19th century oak and mahogany longcase clock, enamel dial painted with flowers, signed for 'Thomas Northwood', 30-hour movement striking on bell, H200cm Condition Report Click here for further images, condition, auction times & delivery costs

J. Delve Barnstaple; an early 19th century mahogany 8 day longcase clock, the painted dial with rocking ship to the arch, the twin train movemet on a false plate striking on a bell. 

Jno Hargreave, Sleaford; An early 19th century oak and mahogany 8 day longcase clock, with arched painted dial supporting twin train movement striking on a bell. 

An inlaid mahogany dwarf longcase clock

A George IV mahogany 8-day longcase clock

19th century oak cased longcase Grandfather clock by W Nicholson of Newcastle Under Lyme, painted arched rolling moon dial

Two oak longcase clock cases (incomplete) with three pairs of clock weights

Victorian mahogany eight-day longcase clock, arch painted dial, signed J C Elliott, Leeds, with two weights and pendulum

An oak thirty hour longcase clock

Samuel Abdell of Richmond An oak longcase clock with eight day movement, 205cm high

A Welsh oak longcase clock circa 1780, the 26cm brass and silvered dial signed by Watkin Owen of LLanrwst,, 184.5cm high Note: This longcase was included in the project 'Clockmakers of Llanrwst' by the authors of the book Colin & Mary Brown in collaboration with the Welsh Folk Museum, St Fagans, Cardiff. Provenance: The property of a lady and purchased from Avon Antiques, Bradford On Avon October 2005

An 18th century twelve inch brass dial eight day striking North Country longcase / grandfather clock by Henry Watson of Blackburn, circa 1745-1765. The clock with brass face and silvered chapter ring, date aperture, engraved decoration and applied spandrels. Nicely patinated oak case with swan neck pediment, the trunk door flanked by pilasters

A 19th century large french fruitwood comptoise longcase clock - grandfather clock. Of tall upright form having enamel dial with faceted hands marked for Gaillard a Cancon. gilt metal pressed spandrels, large swing pendulum and weights. Measures 240cms high x 44cms wide x 36cms depth

A REPRODUCTION MAHOGANY STAINED LONGCASE CLOCK, THE BREAK ARCH STYLE INSCRIBED C WOOD AND SON, 196CM H

A DWARF OAK LONGCASE CLOCK, C1930, 140CM H

A mid 18th century lacquered, eight day longcase clock by Tho Bradford, London, having a brass dial, silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture. The five pillar movement striking on a bell and the case door having visible pendulum and fluted columns to the hood, 77 1/2"h

An early 18th century oak longcase clock, with eight day strike on bell movement, regulated by a pendulum, the brass and silvered dial with Roman numerals, subsidiary second hand dial and date aperture, the matted centre engraved with cherub mask spandrels, signed WM Farrer, Pontefract, the square hood with cushion canopy, moulded cornice and plain pilasters, the pendulum door with later carved portraits, the base later carved with heraldry, 83" h

A Georgian oak cased longcase clock, with a 12" white enamelled Roman dial with date aperture, 30hr movement, striking on a bell, with two weight trains and pendulum, 82" h

A MID 18TH CENTURY OAK CARVED LONGCASE CLOCK BY ARCHIBALD STRACHAN - NEWCASTLE, the 11" brass dial with subsidiary seconds dial and bearing maker's name, the hood and the case having carved decoration, two weights and pendulum, H 202 cm

A FRENCH TALL COUNTRYMADE LONGCASE CLOCK, H 260 CM, a/f

A George III mahogany longcase clock with 13 inch painted arch dial with moon phases and maritime view, he dial with birds and shell spandrels, in gilt metal mounted swan neck hood with ball finial and columns above trunk with flame figured door and reeded pilasters, (a/f), 221cm high

A George III inlaid mahogany longcase clock with 13 inch brass arched dial, Roman numerals, subsidiary seconds and calendar dials, pierced spandrels and plaque inscribed, Wm. Greaves, Newcastle, in swain neck hood with brass ball finial and capped columns above trunk with flamed figured door flanked by fluted panels, 237cm high

19th century eight day longcase clock by Underhill of Newport with white painted face and second and date apertures, 204 x 53 x 26 cms

An oak and mahogany banded 30 hour longcase clock in inlaid oak case, the arched painted roman dial inscribed 'Yates, Penrith', the hood with broken swan neck pediment and brass finial, the door flanked by turned columns with brass mounts, above a trunk with shaped crossbanded door, plinth base (missing feet).

A 19th century longcase clock with painted dial by Clark of Morpeth, with pendulum and two weights, height 222cm.

A George III oak 30 hour longcase clock, with painted dial signed R. Morland, height 210cm.

An early 19th Century Scottish figured mahogany Longcase Clock, with attractive hand painted domed dial, decorated with a landscape showing stately home by a lake, flowers etc., and signed Arch.d. Grey, Lesmahagow, and bearing a brass plaque engraved with coat of arms, and name James Reid, 1841, 229cms (90") high. (1)

Robert Sutton, Stafford, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell with a wood rod to the pendulum, the thirteen-inch break-arch brass dial engraved to the solid centre with the maker's name Sutton, Stafford and with cast brass female-head corner spandrels, the chapter ring engraved with black Roman numerals, large Arabic five minute numerals, with decorative blued steel hands and a sweep seconds hand, the arch showing the date and phases of the moon to a finely painted disc showing two moons, with a landscape picture to one side and a seascape to the other unusually depicting a sailing and steam ship, a feature seen on another Staffordshire moon disc, the mahogany case with finely fluted free standing pillars to the trunk and hood, a shaped top to the door, with three shells inlaid to the frieze above the door and further shell inlay to the four corners of the base and to the plinth below the trunk pillars, the swan-neck pediment to the hood fronted with three panels of blind fretwork, with side blocks, a ball-and-spire brass finial and brass paterae, the case standing on cabriole bracket feet, height 236cms.* Biography Robert Sutton is recorded as working from circa 1769 when he took John Chambley as an apprentice followed by William Gilbert in 1779. Various watches were recorded stolen from his premises in 1774 and 1781. He is known as a maker of fine longcases, with one in particular being an exceptional musical example with the dial showing the saint's days, holy days and the Gods of the four seasons along with an annual calendar.Another example, with a wooden movement showing the influence of the great John Harrison who had previously worked in the area, is on display at The Collection, Art & Archaeology in Leicestershire where it is stated: Although influenced by Harrison, Sutton remains an outstanding craftsman and innovator in his own right. Reference: Joseph McKenna, Clockmakers & Watchmakers of Central England, Mayfield Books, 2002.The rear of the moon disc and the frontplate of the movement are both signed, one scratched, the other punched, by the clockmaker Thomas Pear of Stafford who is recorded as working at 4, Marston Road, Stafford, from before 1880 until at least 1896 and beyond. This mark would indicate that he carried out some repairs/restorations on this clock.

A lacquered longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted break-arch dial having black Arabic numerals and subsidiary seconds and date dials, the corners and arch painted with gilt and green floral decoration on a black ground, with decorative gilt-brass hands, indistinctly signed to the centre, possibly Blyth, …mouth, the associated black lacquered case having a flat-top hood with gilt-wood capitals to the three-quarter hood pillars, with raised giltwood Oriental decoration to the trunk door and base and further decoration to the case, height 209cms.

An apprentice minature oak cased longcase clock & a coopered brass bound tobacco jar

Carved oak 30 hour longcase clock having square brass dial inscribed Abdell, Richmond

Carved oak triple weight longcase clock having square brass dial inscribed R. Bullock, Ellesmere

A George III mahogany longcase clock, with an arched dial with moon phase inscribed 'A Hutchinson, Leeds', with a silvered dial and chapter ring, subsidiary seconds and calendar dials, enclosing an eight-day movement, dial 12in, 242cm overall

A mahogany chiming longcase clock, playing on eight or four tubes, with a 9 1/2 in dial, 206.5cm high, lacking pendulum and weights

A late George III oak thirty hour longcase clock, by Thomas Haden of Dudley W.52cm

An early 19th century oak longcase clock, with silvered dial signed John Wood, Grantham, day dial and subsidiary seconds dial, eight day, chiming movement, domed hood with broken swan neck pediment, with pendulum, two weights, winder and key, 46 by 25 by 206.5cm high.

AN EIGHTEENTH CENTURY EIGHT DAY LONGCASE CLOCK BY JOHN OWEN OF LLANRWST, the brass face having subsidiary seconds dial and date aperture housed within square section hood above projecting base and raised over stile feet, 204cms high Auctioneer's Note: John Owen (1719-76) was the esteemed Welsh clockmaker and the creator of the famous clock-making dynasty in Llanrwst, the small Conwy Valley market town in North Wales. See 'The Clockmakers of Llanrwst' by Colin & Mary Browncondition:Please find enclosed additional photographs of the clock The front panel at the bottom is coming away, there are a few chips from corners and a few scuffs and scratches 

A 19th c. Mahogany cased Longcase Clock by F.J. Wild of Dundee, having swan pediment hood with turned columns, painted face with Roman numerals, second hand (missing) and date hand, short door case with half turned column detail, on lower cross-banded section, standing on bracket feet, 85'' high x 20'' wide x 10'' deep

A Georgian Oak longcase Clock, cornice and turned columns to the hood, square painted face with Roman numerals and second hand, long door case on lower square section with shaped plinth, 19'' wide x 75 1/2'' high x 9 1/4'' deep

A 19th Century oak 8-day longcase clock, the painted arched dial signed George Moore, Cumnock, a/f

19th century Oak and Mahogany 8 Day Longcase Clock, the painted face marked Rufsell & Vickers, Lancaster, the four spandrels painted with figures, Roman and Arabic Numerals, Seconds Dial, Date Aperture

19th century Mahogany 'Ashwick ' Longcase Clock, 8 day movement, the painted face with seconds dial and date aperture

Richard Ham, Milton Abbas, an eight-day longcase clock, the brass face with cherub and crown spandrels, Roman and Arabic numerals, date aperture and secondary dial, within a plain oak and pine case CONDITION REPORT: Two weights and pendulum, working order unknown and not guaranteed. The auctioneers do not know if the case is contemporary to the movement. Please see the additional images. Dial plate is 30 x 30 cm. Please Note: the hood and door are stained oak, the rest of the case is stained pine.