A 19TH CENTURY LONGCASE CLOCK by George Kiddle of Sherborne, a mahogany crossbanded oak case, the hood with swan neck pediment and central brass finial, column mounted, the painted arch dial with river landscape decoration, flowers to the spandrels, Roman numerals, secondary dial and date aperture, inscribed "G.Kiddle Sherborne", (George Kiddle was apprenticed in Sherborne 1823-1830, he set up business there until 1855 when he moved to Chelmsford, Essex, he died in Shoreditch in 1871) fitted 8-d ay striking movement.
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A 19th century George III mahogany and ebony line inlaid painted face longcase clock. The painted dial with unusual coastal sailing boat painted arch over Roman numeral chapter ring with seconds dial and date aperture. The case with brass ball finials and eagle to top of the hood. Complete with cast iron weights and pendulum. Measures 224cms high x 44cms wide
An 18th Century George III mahogany cased longcase grandfather clock by John Pollard. The flame mahogany trunk raised on bun feet with door to body. The silvered dial and movement having a Roman numeral chapter ring with subsidiary dials and faceted hands. Hand painted nautical themed arch with silvered manowar boat sailing ship to top. Measures 206cm x 46cm x 24cm.
A 19th Century longcase clock The unsigned painted arched dial, decorated with hunting scenes and Roman numerals, fitted with date aperture to a brass 30 hour movement striking on a bell, inset into an oak and mahogany case, with broken arched pediment, pillared side supports, short trunk door and box base, height 213cm
A GEORGE III CARVED OAK LONGCASE CLOCK, by Thomas Collier of Chapel- En- Le Frith (Derbyshire), the detachable hood with moulded cornice above a row of demi-lunettes, glazed door, enclosing a silvered dial, with Roman and Arabic numerals, set with gilt metal spandrels, over a trunk dial with arcaded design, lozenge and beaded borders, the plinth base carved with a quatrefoil rosette, enclosed within a guilloche band filled with flowerheads and rosettes .215cm high, 49cm wide
IRISH GEORGE III MAHOGANY LONGCASE CLOCK, by Charles Craig, Dublin, the hood with architectural cabinet and single glazed panel door enclosing a brass dial inked with Roman and Arabic numerals, signed, the waisted trunk section with fluted quadrants and solid panel door on plinth bass and bracket feet. 234 cm high
An unusual early 19th century 8-day longcase clock, the mahogany case having Gothic and Scottish styling influences, arched top hood with eagle and ball finials, turned columns flanking the opening glazed door, the trunk having Gothic top 3/4 length opening door, flame mahogany panel with banding in lighter veneers, unusual applied half round columns, fluted spear-point finials and architectural roundels, the base having lighter cross-banded frame to match the door, supported on turned and stepped feet, dial is very colourful having four seasons to the corners and a country scene to the arch, indistinctly signed, the 8-day bell striking movement is mounted directly to the dial with no falseplate, approx. 220cm tall.Estimate £300 to £500Notes: A documented history is with the clock starting from 1836 (probably less than 20 years after the clock would have been made, they could have been the first owners) with successive generations of the Carr family of Camperdown, Northumberland. Whilst the name on the dial does not appear to be Carr, there was a Joseph Carr listed as clockmaker (Loomes) in Hexham, about 25 miles from Camperdown. He died in 1775 (too early for this clock) however it is possible that there was a familial connection between them. This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply
Rare Bentley electric longcase master clock, the 11.25" silvered chapter ring enclosing a skeletonised centre with subsidiary seconds dial, over a precision volts gauge dial and brass pendulum with steel rod, within a bevelled glazed panelled stepped case surmounted by a moulded rounded arched pediment, 80" high (pendulum and bob)
Thirty hour longcase clock movement, the 11" square brass dial signed R. Marshall, Wolsingham to the foliate engraved centre with calendar aperture; also another thirty hour longcase clock movement signed Jonathan Overall, Ramsey to the foliate engraved centre with subsidiary seconds dial and calendar aperture (2)
Good eight day longcase clock movement with five latched pillars, the 12" brass arched dial signed Daniel Delander, London on an applied gilt plaque to the matted centre with subsidiary seconds dial, enclosed by a silvered chapter ring and surmounted by a subsidiary calendar dial (pendulum and brass cased weights)
Mahogany eight day longcase clock, the 14" painted arch dial signed Thomas Ingram, Blackburn, with subsidiary seconds dial and moon phase to the arch, the case with short oval inlaid door and the hood surmounted by a swan neck foliated painted pediment, 90" high, in need of extensive restoration (pendulum & weights)
Oak thirty hour longcase clock, the 11" square brass dial signed Josiah Way, Trowbridge on an arched silvered plate to the matted centre with calendar aperture enclosed by a silvered chapter ring, the case with long door and the hood surmounted by a moulded stepped pediment, 8.5" high (pendulum and weight)
Mahogany longcase clock, the regulator movement with maintaining power and deadbeat escapement, the 13.25" brass arched dial signed John Broome, Castle Combe to the engraved silvered centre with calendar aperture, with high water at Bristol Quay and moon phase to the arch, the case with long door flanked by canted fluted pilasters and the hood surmounted by three brass ball and eagle finials, 93" high (wooden rod pendulum, weight and winding key) (alterations)
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed W.R. Cornforth, Macclesfield, with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with short Gothic pointed crossbanded door inlaid with a bird to the centre and the hood surmounted by a swan neck pediment, 88" high (pendulum and two weights)
Good English oak eight day weight driven small longcase clock, early 20th century, the 10" square brass dial signed Maple, London with subsidiary seconds dial, the case with long carved panelled door and the hood surmounted by a moulded stepped pediment over a carved frieze, 73" high (pendulum, two weights and winding key)
Good English oak eight day weight driven three train small longcase clock, early 20th century, the 10" square brass dial signed Maple, London, the case with long carved panelled door and the hood surmounted by a moulded stepped pediment over a carved frieze, 75.5" high (pendulum and three weights)
Scottish mahogany eight day longcase clock, the 13" painted arch dial signed Peter Penman, Dunfermlyn to the centre, with subsidiary seconds and calendar dials, the case with short bow fronted door flanked by fluted columns, the hood with a swan neck pediment and brass ball and spike finial, 88" high (pendulum, weights & key)
Oak thirty hour longcase clock, the 12" square brass dial signed James Smyth, Saxmundham on the silver chapter ring enclosing a matted centre with subsidiary seconds dial, the case with long reeded moulded door and the hood surmounted by a stepped flat pediment 80" high (pendulum but no weight)
Mahogany three train longcase clock, the 12" painted arched dial signed John Blundell, Clerkenwell, the substantial movement playing on a nest of eight bells, the flamed case with moulded rounded arched door and the hood surmounted by a wavy rounded moulded pediment, 86" high (pendulum and three weights)

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44426 item(s)/page