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Three longcase clock cases

Two longcase clock cases

Seven longcase clock cases and various hoods

LATE 20TH CENTURY MAHOHANY LONGCASE CLOCK makers James Steart And Sons of Armagh, with swan neck pediment and arched Roman numeral dial, 195cm high Good condition.

A reproduction longcase clock with brass dial and a chime/silent indicator, the movement striking on eight rods with Georgian style case and glazed door

Oak & Mah. longcase clock bearing 'Carlisle' signed painted dial

Inlaid mah. longcase clock case with painted dial marked 'Cancy Market Rasen' and additional movement parts

An early 19th century North Country mahogany longcase clock:, the arched convex dial with hunting scene decoration, (a/f)

An oak 30 hour longcase clock, the square brass dial with Roman numerals signed Stockford Thame:.

An 18th century longcase clock, circa 1790:, the arched brass dial with silvered Roman numeral chapter ring engraved with seascape to centre, under an arched glazed hood with column supports over trunk fitted single door.

W M Avenell, Gravesend - A mahogany longcase clock:, the arched brass dial with Roman numeral chapter ring, subsidiary seconds dial and date aperture and pierced brass spandrels, under a swan neck pediment and glazed hood with column supports above trunk with canted sides fitted single door - the movement not contemporary with case.

A mahogany dwarf longcase clock

A mahogany dwarf longcase clock

AN 18TH CENTURY OAK LONGCASE CLOCK, with brass dial and eight day movement, by PHIL AVENELL, FARNHAM. 6 foot 11 inches high.

AN EARLY 18TH CENTURY BLACK LACQUER LONGCASE CLOCK with eight day movement, date and second dial. 6 foot 11 inches high.

A GOOD BLACK LACQUER LONGCASE CLOCK, circa 1950. With eight day movement, playing Westminster chimes, and Ave Maria. 6 feet 7 inches high.

An eight day longcase clock with painted dial, Wild of Dundee

An oak eight day longcase clock with painted dial, eight day striking movement, date niche and seconds hand

A 19th century eight day longcase clock in mahogany case CONDITION REPORTS Case with general wear and scuffs, various later replacement sections including to pilasters, finials, etc., replacement mouldings to base, crack to key escutcheon, some cracks and splits to wood and veneers and carcass, moulding to side broken off and loose, dial with wear, scuffs, chips and scratches, knocks and crazing. It is not known whether or not movement is complete nor whether in working order.

18th century eight day mahogany longcase clock by M. Whinnie of Ayr, painted dial with twin train movement, subsidiary second and date dials 86 x 19 x 10in. (218 x 48 x 25cm)

An oak 30-hour longcase clock, by Wraight & Woolley, Tenterden, the square painted dial with calendar aperture, striking the hours

A George V oak longcase clock with eight day movement chiming on gongs, the silvered dial with chime/silent indicator and inscribed `Enfield, James Walker, London`, the arched case with glazed door on a plain base and block feet, height approx 185cm, together with pendulum and three weights.

A George V oak longcase clock with eight day movement chiming on gongs, the brass break arch dial with silvered boss to arch inscribed `Tempus Fugit`, silvered chapter ring and inscribed `Bravingtons Ltd... London`, the hood with moulded arch pediment and glazed door, the trunk with glazed door on bun feet, height approx 197cm, together with pendulum and three weights.

A late 20th Century mahogany longcase clock, with eight day movement striking a choice of three chimes on gongs, the brass break arch dial with rolling moon to arch above Roman numerals, the hood with moulded arch pediment above a glazed door, the trunk with glazed door on a plain base, height approx 188cm, together with pendulum and three weights.

Two eight day longcase clock movements, two thirty hour movements and a collection of 18th Century and later assorted pulleys.

A 20th Century oak cased diminutive longcase clock with eight day movement chiming on gongs, the dial inscribed `Fenclocks, Suffolk`, the oak case with leaded glazed trunk door, on a plain base and bracket feet, height approx 151cm, together with a pendulum and two imitation weights (one glass panel missing).

A George III oak longcase clock with thirty hour movement striking on a bell, the painted break arch dial with river scene to arch above subsidiary seconds, Roman numerals and inscribed `D. Baker, Billingshurst`, the hood with moulded arch pediment and brass ball finials above a glazed door and turned columns, the trunk with arched door, on a plain base, height approx 215cm, together with pendulum and weight.

A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with subsidiary seconds and inscribed `Bromley, Horsham`, the hood with fretwork and brass ball surmount above a glazed door and columns, the trunk with rectangular door, on a plain base and bracket feet, height approx 205cm, together with pendulum and weight.

Three brass cased longcase clock weights, a pair of brass wall clock weights, three bells and a small collection of turned walnut case finials.

A collection of thirteen mantel clock pendulums, 19th and 20th Century, twelve longcase clock winders with turned wooden handles and various other winding keys.

A 19th Century oak longcase clock case, the hood with moulded pediment and carved foliate surmount above a glazed door flanked by turned pillars, the trunk with arch door on a plain base and bracket feet, height approx 208cm.

A late 20th Century mahogany longcase clock, with eight day movement chiming on gongs, the break arch dial with rolling moon, the hood with a moulded pediment above a glazed door, the trunk with a leaded glazed door, on a plain base with bracket feet, height approx 180cm, together with a pendulum and three weights.

A late 18th Century oak longcase clock with thirty-hour movement striking on a bell, the square brass dial inscribed `Taylor, Petworth`, the hood with moulded pediment above turned columns, the trunk with rectangular door, on a plinth base, height approx 192cm, together with pendulum and weight (faults and repairs).

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed `Alfred King, Chippenham`, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the trunk with crossbanded rectangular door above a similarly decorated base and bracket feet, height approx 226cm, together with pendulum, two weights and winder.

An early 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary date and seconds, inscribed `Sam Sly, Norwich`, the hood with arch pediment above a glazed door and columns, the trunk with arched door, on a plain base and plinth, height approx 206cm, together with pendulum, two weights and winder (alterations and restoration).

A late 20th Century mahogany cased diminutive longcase clock with eight day movement chiming on gongs, the break arch dial with brass chapter ring with black Roman numerals beneath a boss inscribed `Tempus Fugit`, the hood with arched surmount, the trunk with glazed door on a panelled base and bracket feet, height approx 179cm, together with pendulum and three weights.

A George III eight day longcase clock movement striking on a bell, the painted break arch dial with rolling moon to arch above Arabic numerals, subsidiary seconds, date aperture and inscribed `B. Richards, Coleford`, dial width approx 30.5cm, together with two weights and a pendulum.

A George III eight day longcase clock movement striking on a bell, the painted break arch dial with scene of swans to the arch above Arabic numerals, subsidiary seconds, date aperture and indistinctly signed, dial width approx 30cm (faults).

A George III mahogany longcase clock with a 32.5cm brass dial signed 'Coats, Wigan', with subsidiary seconds and date aperture, cast rococo spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above a fretwork frieze, the plain wood columns above quarter columns, raised upon a plinth base with brickwork angles and ogee bracket feet, possibly Gillows, height 212.5cm (illustrated)

A Victorian inlaid mahogany longcase clock with a 32.5cm white enamel dial with subsidiary seconds and date aperture, the spandrels painted with cottages above an arch similarly decorated with figures, the two train eight day movement with anchor escapement rack striking on a bell, the rosewood crossbanded case with a swan neck cresting above turned wood columns, the well figured mahogany lancet shaped door raised upon a plinth base, height 229cm (illustrated)

A 19th century mahogany longcase clock with a 32.5cm brass arch dial, signed 'Robert Dalgliesh, Falkirk', with subsidiary seconds and date roundel, engraved with leaves and flowers, with a roundel rotating painted with a masted galleon, not connected, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above fluted columns, flanked with a well figured mahogany door, the beaded columns raised on a plinth base and bell shaped feet, with two weights, pendulum and key, height 197.5cm (illustrated)

A Victorian oak longcase clock with a 13in white arched dial, with subsidiary seconds, calendar finger lacking, the spandrels painted with roses beneath an arch with a country house in the landscape, with a two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, linked to finials, the chamfered arched door raised upon a panel plinth base and shaped splay feet, 86 inches including finials (illustrated)

A monumental and decorative 19th century French Ormolu mounted kingwood and rosewood veneered striking eight day longcase clock, featuring a gilt metal 'father time' sculptural surmount, with twin weights and pendulum, total height approx. 280cm (approx. 9ft 3in) (illustrated)

An oak dwarf longcase clock

''The Longcase Clock'', Tom Robinson, Antique Collectors Club, (1981).

An George III mahogany, strung and crossbanded longcase clock, the painted face with secondary hand supporting a thirty hour movement under an arched hood, the trunk with shaped rectangular door on a plain base with ogee feet, the dial indistinctly signed and inscribed (?) Ulverston CONDITION REPORT: Case with losses, face rubbed, slightly reduced in height, no guarantee as to working order

Thomas Wood of Gratham, an 18th century oak longcase clock, the brass dial with secondary dial and date aperture within cast spandrels supporting a twin train striking movement under a 'caddy top' square hood with three vase shaped gilt finials, the trunk with arched hood on a plain base with plinth foot CONDITION REPORT: Recently restored, with receipt, no guarantee as to working order

John Barnes of Carlisle, an 18th century oak longcase clock, the gilt dial with silvered chapter ring and cast spandrels under a square hood, the trunk with ogee shaped door and plain base and conforming feet CONDITION REPORT: restored, the case with shrinkage, splits and wear, no guarantee as to working order H. 78.5" (6'4.5") Dial is 12"

Longcase clock casement. Condition report: see terms and conditions.

An oak 30 hour longcase clock, the 11 inch brass dial with rococo spandrels and silvered chapter ring, signed in the centre Rich. Gilkes, Devizes amongst engraved foliage and a bird, large calendar sector, four pillar movement in a plain case, flat hood with caddy top and blind fret, 77in (196cm) high.

A George III eight day mahogany longcase clock, the 12 inch brass dial signed Josh. Wynn, Windsor, on a arched plaque in the foliate engraved silvered centre, subsidiary seconds, foliate spandrels, the arch containing a calendar subsidiary (disconnected), four pillar rack striking movement, in a case with panelled plinth and double skirt, trunk door flanked by brass inlaid fluted pilasters, break arch hood with pagoda top and flanked by brass inlaid free-standing fluted columns, 93in (236cm) high.

An eight day walnut longcase clock, the 11 inch brass dial signed Jos. Cooper, Whitchurch, the matted centre with subsidiary seconds, date aperture and ringed winding holes, mask and scroll spandrels divided by engraved foliage, the five ringed pillar movement with inside locking plate striking and anchor escapement, in a case with glass lenticle to the trunk door, the flat hood with blind fret and flanked by barley twist columns, crossbanded sides, 83½in (212cm) high, circa 1710.

A walnut eight day longcase clock, the 10 inch brass dial signed John Martin, Londini Fecit beneath the silvered chapter ring, the matted centre with slender subsdidary seconds and date aperture, mask and scroll spandrels, the movement with five latched ringed pillars, bolt and shutter maintaining power, locking plate striking, the case with spoon and rising hood, blind fret flanked by barley twist columns, the slender trunk door with geometric boxwood stringing, crossbanded sides, on bun feet, 76in (193cm) high.

John Roger Arnold. A unique and well documented longcase domestic regulator, the 12 inch circular silvered dial signed J. R. Arnold, AD. MDCCCXXXIV, subsidiary seconds, most unusual arrow flight hands, substantial five pillar movement in shouldered plates, dead beat escapement with jewelled pallets and Harrison maintaining power, set-on-beat adjustment at top of crutch, mercury jar pendulum suspended from the back lock, in a mahogany case, the panelled plinth with double stepped base trunk door flanked by brass inlaid canted fluted corners, the break arch hood similarly flanked, ball and spire finials, 1834, 86in (218cm) high including finial. Literature: Robinson, Tom: The Longcae Close. Illustration of movement, dial and case on p. 407. Pages 406 and 409 discuss the clock: `Arnold was in partnership with Dent 1830-1840 so with this signature the clock must have been for personal or family use. Vandrey Mercer suggests that it could have been made to celebrate Arnold`s silver wedding`.

Christopher Gould. An early 18th century month duration burr walnut longcase clock, the 12 inch brass dial signed below the silvered chapter ring Chr. Gould, Londini Fecit, the matted centre with subsidiary seconds and date aperture, ringed winding holes and engraved rosette to centre, mask and scroll spandrels divided by engraved foliage, the six ringed pillar movement with locking plate striking and anchor escapement, in a case of warm colour, the flat hood with caddy top and frets, finial blocks to the sides (finials lacking), the sides and plinth with herringbone inlays and crossbanded panels, 88in (223cm) high. Christopher Gould. Free of the Clockmakers Company 1682. Died 1718. A maker of great repute, especially of longcase clocks.

A VICTORIAN THIRTY HOUR LONGCASE CLOCK MOVEMENT AND BREAKARCHED AND PAINTED DIAL, INDISTINCTLY SIGNED

AN EARLY 19TH C MAHOGANY LONGCASE CLOCK, THE PAINTED OVAL DIAL SIGNED WM NICHOLAS BIRMINGHAM IN GILT WITH SHELLS, FLOWERS AND IRISH HARPS HAVING EIGHT DAY MOVEMENT

A CARVED OAK LONGCASE CLOCK, THE BRASS BREAKARCHED DIAL SIGNED JOHN HARGRAVE SLEAFORD WITH EIGHT DAY MOVEMENT

A VICTORIAN MAHOGANY LONGCASE CLOCK PROBABLY SCOTTISH WITH SILVERED DIAL EIGHT DAY MOVEMENT AND CIRCULAR HOOD ABOVE TAPERED TRUNK AND PANELLED BASE

A LONGCASE CLOCK, THE BREAKARCHED AND PAINTED DIAL SIGNED JOSEPH GURNEY BRISTOL, HAVING EIGHT DAY MOVEMENT IN AN OAK CASE