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A late 18th century oak and mahogany 8-day bell striking longcase clock, 13 inch square painted dial having no visible name or place, painted roses to the corners and stylised birds to the centre suggest Wilson as the dial manufacturer, dial mounts without a falseplate, seconds and date indication, missing hands and hood door, the case having shaped top to the trunk door, mahogany cross-banding, quarter reeded columns to the trunk, reeded columns to the hood, surmounted by swan-necked pediment and a turned wooden finial, cross-banding to the base, ogee feet, with weights and pendulum - Estimate £80 to £120
A late 18th century oak and mahogany 8-day bell striking longcase clock, 13 inch square painted Wilson dial signed for Winstanley, Holywell, painted roses to the corners and stylised birds to the centre, seconds and date indication, matched steel hands, the case having shaped top to the door, mahogany cross-banding, quarter reeded columns to the trunk, reeded columns to the hood, cross-banding to the base, missing the original feet, with weights and pendulum - Estimate £80 to £120
A MONTH GOING LONGCASE CLOCK BY JON. INKPEN OF HORSHAM, the 9.5" dial with silvered chaptering and engraved with a dove, within pierced gilt spandrels, the month going movement striking on a bell, with a flat topped hood above a trunk with tall cross-banded door and conforming base, 76" high See illustration.
A MUSICAL LONGCASE CLOCK BY WILLIAM. CUFF OF SHEPTON MALLET, the silvered dial with subsidiary seconds dial and engraved decoration within a silvered chapter ring with Roman numerals and pierced spandrels, beneath a tablet, 'Tempus Fuget', the eight-day three-train movement striking on a bell and eight graduated bells, in an oak case with all-over later carved decoration, 79" high. See illustration.
A 19TH CENTURY SCOTTISH MAHOGANY CASED LONGCASE CLOCK, the enamelled dial with subsidiary seconds and date dial, the arch inscribed W.M. Robb Montrose, with an eight-day two-train movement striking on a bell, the hood with scrolling pediment and central ball and eagle finial, the dial flanked by gilt-capped columns, 90" high
A GEORGE III MAHOGANY LONGCASE CLOCK, the white painted dial signed "Rivers & Son, Cornhill, London" with subsidiary strike/silent dial and seconds dial, with an eight day two train five pillar movement striking on a bell, the arch top hood above a conforming tall trunk door between canted corners, on a conforming base with bracket feet, 83" high. See illustration
A GEORGE III LONGCASE CLOCK, the white enamelled dial signed Jno. Bennett, Norwich, with subsidiary seconds and date dials, and gilt decorated arch, with a two train movement striking on a bell, the arched top hood with three ball and pinnacle finials, the trunk with a long arch topped door, 85" high
A late 18th/early 19th century oak and mahogany crossbanded longcase clock, the moulded cornice above painted dial set with Roman numerals, rolling central moon phase, date aperture and eight day movement, indistinctly inscribed "GAM Barlow", above mahogany crossbanded door flanked by fluted quarter cut pilasters to a plinth base, height 210cm.
A late 18th century oak longcase clock of small proportions, the 11" brass dial set with Roman numerals to the chapter ring and date aperture inscribed "Wainwright Bunny" flanked by turned pilasters above a long arch door to plinth base, height 181cm. Humphrey Wainwright of Bunny is noted in Baillie Watchmakers and Clockmakers of The World in reference to a late 18th century musical longcase clock.
An early 19th century mahogany and satinwood longcase clock, the hood with broken swan neck pediment above arched painted dial set with rolling moon phase, Roman numerals, subsidiary seconds hand and date aperture, inscribed "Brown, Manchester", above long arched door to plinth base, height 228cm (in need of restoration).
A 19th century mahogany and inlaid eight day longcase clock with broken swan neck pediment above arched dial with painted rolling moon phase, set with Arabic numerals with painted floral spandrels, indistinctly inscribed, above single shaped door to a plinth base with shaped apron (for restoration).
A 19th century French provincial pine eight day longcase clock with circular white enamel dial set with Roman numerals and inscribed "Bosserdet a St Leger S/-Dheune" with embossed floral surround above shaped glazed door enclosing embossed painted floral pendulum to a tapering plinth base, height 233cm.
An Edwardian mahogany musical tube chiming longcase clock, the hood with broken swan neck pediment above arched dial set with Arabic numerals to the chapter ring, chime/silent dial, subsidiary seconds hand and inscribed "Webster, Queen Victoria St, London", with eight day movement and detailed gilded fretwork throughout, the door with oval bevelled glass to a plinth base with bracket feet, height 217cm.
An 18th century longcase clock, by Wm Browntie of Hamilton, with eight-day movement striking a bell, square brass dial with arched top, maker's boss, pierced brass spandrels, applied silvered chapter ring with Roman numerals and Arabic numerals, mahogany case with plain caddy top, turned pilasters, trunk with plain door, raised on pedestal base with shaped apron, 210cm high
A William IV mahogany eight day longcase clock the 14 inch circular enamel dial with centred date aperture under a subsidiary seconds dial within an inner ring of Roman numerals an outer ring of Arabic numerals the hood with swan neck pediment over a circular glazed door between reeded front corner hood pilasters over a crossbanded trunk door between cluster front corner trunk pilasters on a crossbanded base with cut-off corners raised on ogee shaped bracket feet, 226cm high
A mid 19th century oak crossbanded mahogany eight day longcase clock the 14 inch arched enamel dial with centred subsidiary seconds dial and date dial, within a ring of Roman numerals under a rolling moon to the arch with figural painted spandrels, the hood with swan neck pediment over baluster turned front corner hood pilasters above a short Gothic arched trunk door on a crossbanded box base with canted front corners raised on short bracket feet, 238cm high
An early 19th century oak 30 hour longcase clock the 12 inch enamel dial signed 'Owen Richards, Bala', within a ring of Roman numerals under a date aperture with painted floral spandrels the hood with swan neck pediment over turned front corner hood pilasters above a short crossbanded trunk door on a crossbanded box base and skirting plinth (at fault) approximately 212cm high
An 18th century oak 30 hour longcase clock, the 11 inch square brass dial signed Arthur Callott, Cotton with centred date aperture within a ring of Roman numerals and pierced spandrels, the hood with ogee moulded cornice over a square glazed hood door above a long trunk door on a boarded base and shaped bracket feet. 195cm high
A George III oak longcase clock, 33cm white dial, dummy winding holes, Roman chapter, signed Jas Ashton/Tideswell, subsidiary seconds dial, 30 hour movement striking on a bell, the hood with curly pediment, fluted brass capped columns, shaped door with Baroque brass escutcheon, flanked by fluted quarter columns, plinth base, 207cm high James Ashton was a third generation member of the extensive clockmaking dynasty which flourished on both sides of the Derbyshire/Cheshire border, being grandson of Samuel Ashton of Tideswell and son of Samuel's younger son, Aaron, also of Tideswell. The elder branch of the family flourished at Ashbourne and Macclesfield, James himself was born c. 1769, was apprenticed to his father 1783-1790 and married Sarah Shepley (a relative of John Shepley of Derby, clock maker) at Glossop in September 1791, working into the second decade of the 19th century.
A 19th century mahogany longcase clock Dd. Greig PERTH, the 14" circular enamel dial with Roman Numerals and two subsidiary dials, the twin train four pillar movement striking on a bell, enclosed by a dome top hood, the arched trunk door flanked by spiral reeded columns, on a rectangular base with bracket feet, weights, pendulum and key present, 212cm high
A 19th century mahogany longcase clock THOS. DOBBIE, GLASGOW, the 13" circular enamel dial with Roman Numerals and two subsidiary dials, the twin train four pillar movement striking on a gong, enclosed within a pierced and foliate carved hood, the arched trunk door flanked by quarter columns raised on an arched panelled base with four square feet, key, weights and pendulum present, 220cm high
A 19th century mahogany and boxwood lined longcase clock GIBSON, GLASGOW, the enamelled dial with decoration emblematic of the seasons, Roman numerals and two subsidiary dials, the twin train four pillar movement striking on a bell, enclosed within an arched top hood set with two urn shaped finials, the case with plain rectangular door and base, pendulum present, 210cm high
A 17th/ 18th century walnut, oyster veneered, marquetry inlaid and ebony lined longcase clock Nichs. Bodle East Grinsted, the 10" square brass dial with Roman Numeral chapter ring and pierced spandrels, the four pillar movement striking on a bell, enclosed within an architectural hood supported by reeded columns, the trunk door decorated with panels of flowers and foliage with an oval-shaped bullseye, on a rectangular base and slightly shaped plinth, pendulum and weight present, 207cm high
A WALNUT LONGCASE CLOCK dial 10ins. signed Jonathan Chambers, silver chaptering, winding holes with pull shutter closure, movement four pillar, outside count wheel, striking on a vertical bell, case the hood flanked by spiral twist pilasters beneath a blind fret frieze, the waist door with twin quarter veneering, 76 3/4ins. (195cms.) high
A WALNUT LONGCASE CLOCK dial 11ins. signed Maple & Co. Ltd, London, subsidiary seconds ring and strike silent lever, movement striking on a gong, case the hood flanked by baluster pilasters beneath a shell and scroll carved pediment, the waist door carved with a band of husks, 87ins. (221cms.) high
A MAHOGANY LONGCASE CLOCK dial cream painted, signed Hemr. Lawson, Hindley, subsidiary seconds ring and calendar ring, phases of the moon to the arch, the spandrels painted with ladies representing The Seasons, case the hood flanked by gilt capitalled pillars and pilasters beneath a key pattern and diced parquetry inlay, the waist inlaid with ebony and boxwood diagonal stringing, 88 1/2ins. (225cms.) high
Late 18th / 19th century longcase clock with thirty hour movement, eleven inch square brass dial with brass chapter ring and Roman numerals, scroll and foliate spandrels, engraved centre signed - Thos. Davies Monmouth, in a mahogany case with inlaid ebony and boxwood stringing and short door, hood with shaped door, fluted columns and swan-neck pediment with applied brass rosettes, 205cm overall height (weight and pendulum present, key lacking)
Early 19th century longcase clock with thirty hour movement striking on a bell, twelve inch square white enamel dial with Arabic numerals, painted floral decoration and decorative spandrels in oak case with full length door, hood with turned columns, swan-neck pediment and two brass finials, 203cm overall height (weight and pendulum present, key lacking)
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41737 item(s)/page