We found 41749 price guide item(s) matching your search

A late Georgian longcase clock, the arched painted dial decorated with a scene of a shepherdess and companion having Roman numerals, subsidiary seconds dial and inscribed Davis, W-Hampton within an oak and mahogany case, 89" high.

A Fenclocks of Suffolk modern oak longcase clock with three train chiming movement and gilt moon phase dial, 78" high.

An Emperor modern longcase clock with three train chiming German movement, the gilt dial with moon phase, 75" high.

A 19th Century 30 hour longcase clock, the arched painted Roman dial with date aperture inscribed Danl. James, Llandovery with an oak and mahogany case, 87" high.

An eight-day hour striking longcase clock, the brass dial with subsidiary date dial, cross-hatch engraving to the dial centre and sweep centre date dial, the age and lunar phases to the arch with the inscription `Time shews the way of life`s decay`, in a mahogany case with swan neck pediments to the hood, (c1775) 88"high

A rare eight-day longcase clock depicting Lord Nelson and his flagship with sweep seconds and date calendar, the age and lunar phases to the arch in an inlaid mahogany case with brass lion head capitals, (c1800) the painted dial signed William and Caleb Nicholas of Birmingham, 260cm high

An early eight-day longcase clock with brass dial, subsidiary date and second hands with herringbone engraving to the arched brass dial, the movement striking each hour on a single bell, in a walnut case with glass lenticel to the door retaining its original top and finials, (c1700), the dial signed Thomas Trowe of London, 103" high

A mid 19th century mahogany eight-day longcase clock, maker J Bough, the arched painted dial with Roman numerals and subsidiary seconds and date dials, the case with swan neck pediment, arched door on a plinth base, 207cm high

18th Century Brass Face 8 Day Oak Longcase Clock With Square Brass Dial-Bearing Signature Henderson Scarbrough

Dourdilly a Langreac, a 19th century French pine longcase clock, the enamelled dial with embossed gilt spandrels supporting a twin train striking movement in a grained and painted case on bracket feet

Hill of Stafford, An 18th century and later carved oak longcase clock, the gilt face with silvered chapter ring and secondary dial supporting a twin train striking movement under an arched hood with swans neck pediment

A George III mahogany longcase clock by William Taylor of Whitehaven, with swans neck pediment with foliate terminals and scrolling fretwork beneath, with arched glazed door enclosing the 13.25 inch dial with Roman numerals, subsidiary Arabic numerals, centre date hand and eight day striking movement with moon phase by Taylor, Whitehaven, flanked by fluted columns and with long arched trunk door beneath, being crossbanded, boxwood and ebony strung and flanked by fluted quarter column corners, with conforming base. Height 91 ins (see illustration).

An early 19th century mahogany longcase clock by Samuel Birley of Birmingham, with swans neck pediment with rosewood banding beneath and with punched brass terminals above the arched glazed door enclosing the arched painted dial with Roman numerals, subsidiary seconds and date dials, moon phase to the arch and eight day striking movement, with spandrels emblematic of the four seasons, flanked by turned and twist columns with Corinthian capitals and in turn above a triple arched trunk door flanked by similar columns to the hood, with conforming base raised on bracket feet. Height 99 ins (see illustration).

A George III Dublin longcase clock, by George Chalmers, having a swans neck pediment with foliate carved terminals above a central grotesque mask and scroll carved pediment, the glazed door enclosing 13.5 inch square brass dial with silvered chapter ring with Roman numerals and subsidiary Arabic numerals inscribed "Geo. Chalmers, Dublin", date aperture and subsidiary seconds dial, with cherub and foliate spandrels and with eight day striking movement, flanked by fluted columns, the long trunk door being shaped and flanked by fluted quarter columns and with conforming base raised on ogee bracket feet. Height 93 ins (see illustration).

A George III mahogany longcase clock by Henry Tyson of Egremont, with brass finial between the swans neck pediment above the arched glazed door enclosing the painted dial with moon phase to arch, with Arabic numerals, subsidiary date and seconds dial and with two-train movement by Henry Tyson, Egremont, flanked by simple turned columns, with three quarter length arched trunk door beneath being boxwood strung and flanked by reeded pilasters and with conforming base raised on bracket feet. Height 89 ins (see illustration).

An early 19th century longcase clock by J. Taylor of Wolverhampton, with swans neck pediment with gilt floral terminals with rosewood crossbanding beneath in turn above the arched glazed door enclosing the arched painted dial with moon phase, with eight day striking movement, with subsidiary seconds and date dials and corners emblematic of the continents, flanked by turned half round turned columns with Corinthian capitals with triple arch beneath, further flanked by turned columns and with conforming base. Height 94 ins (see illustration).

A George III mahogany longcase clock, with moulded dentil cornice above a glazed door enclosing the thirty hour movement and painted dial by Bellman, Broughton, with Roman numerals and rose spandrels, flanked by simple turned columns, with long trunk door flanked by fluted quarter column corners and with conforming base.

An Edwardian inlaid mahogany longcase clock, having a swans neck pediment with steeple and ball finial above the arched glazed door enclosing the silvered brass dial with Roman numerals and subsidiary seconds dial with eight day striking movement, flanked by fluted columns with Corinthian capitals, the trunk door inlaid with urn and cover swags and bellflower ornament, the base similar, raised on bracket feet. Height including finial 98 ins (see illustration).

A George III oak and mahogany crossbanded longcase clock, with moulded cornice above a glazed door enclosing the 11 inch square brass dial with Roman numerals, subsidiary Arabic numerals and cast brass spandrels by JAS. Hendrie, Wigton and with thirty hour movement above the long crossbanded trunk door flanked by fluted column corners and with conforming base (see illustration).

A George III oak longcase clock, inscribed to the dial "Jam Burpull Fecit", with three steeple and ball finials to the arched hood and door enclosing the 11 inch dial with arch, with eight day striking movement, date aperture and subsidiary seconds dial with strike and silent to the arch, with cherub and crown spandrels and Roman numerals and with five pillar movement, flanked by simple turned columns with brass capitals, with long trunk door beneath and with conforming base. Height including finial 92 ins (see illustration).

An eight day mahogany longcase clock, in the 18th century taste, the 13 ½ inch arched brass dial with inner ring of Roman numerals, outer ring of Arabic numerals, pierced corner spandrels under a radiating sun disc to the arch, above a name plate bearing the name `Richard Marshall Boston`, the four pillar eight day movement striking on a single bell, the hood with swan-neck pediment over an arched hood door, flanked by fluted front corner hood pilasters and open fret sides, the marquetry and painted case, with blind fret canted corners to the trunk and an arched long trunk door, ribbon decorated over a central motif depicting country crafts, above a painted and inlaid panel to the box base, depicting a basket of summer blooms, raised on shaped short bracket feet, 223cm high

An oak crossbanded mahogany eight day longcase clock, early 19th century, the 13 inch arched painted dial indistinctly signed `Wheeler, Bridgnorth`, the ring of Roman numerals with centre date aperture under an arch painted with an Abbey ruin and thatched cottage, the hood with swan-neck pediment over an arched hood door, between square tapering front corner hood pilasters, the ogee arched short trunk door between quarter fluted front corner trunk pilasters, on a crossbanded base with later skirting plinth, 220cm high Note: Douglas J Elliot lists Cornelius Wheeler in `Shropshire Clock and Watchmakers` at Willmore Street 1828 - 1842.

A Regency oak crossbanded mahogany eight day longcase clock the 15 inch diameter circular dial signed `Jn Savage, Shrewsbury` with ring of Roman numerals the four pillar movement striking on a single bell, the hood with swan neck pediment over a circular glazed arched hood door flanked by ring turned front corner hood pilasters over a short crossbanded trunk door with conche shell inlay between quarter fluted front corner trunk pilasters over a box base on splay bracket feet, 219cm high

A late George III oak and mahogany eight day longcase clock, the 14 inch square painted dial indistinctly signed `Sam* Tho**, H*der***` with centred subsidiary seconds dial and date aperture within a ring of Roman numerals, painted with figures to the spandrels depicting the Continents, the hood with swan neck pediment over a square hood door flanked by tapering reeded front corner hood pilasters over a short crossbanded trunk door on a crossbanded box base, lacking bracket feet, 214cm high

An oak cased eight day longcase clock the 12 inch arched brass dial signed `R Midgley, Halifax` with centred date aperture and moon phases within a silvered chapter ring and pierced corner spandrels under a portrait disc to the arch, the four pillar eight day movement striking on a single bell the oak case later carved in the 17th century style the hood with pagoda top over an arched hood door between turned front corner hood pilasters over a leaf carved arched trunk door on a carved box base with later skirting plinth, 215cm high

An oak eight day longcase clock the 12 inch square brass dial signed `Wrigley Blackburn` with centred date aperture within a chapter ring and pierced corner spandrels the five pillar eight day movement striking on a single bell the case later carved in the 17th century style the hood frieze serpent carved over a square hood door between spiral turned front corner hood pilasters over an ogee arched long trunk door carved with scrolling leaves on carved box base and cut-out plinth, 215cm high

A Victorian flame mahogany eight day longcase clock the 14 inch arched painted dial signed `Lashmore, Oswestry`, with centred subsidiary seconds dial and date aperture within a ring of Roman numerals with architectural ruins painted to the spandrels under a rolling moon to the arch, the hood with swan-neck pediment over an arched hood door flanked by baluster turned front corner hood pilasters over a short ogee arched trunk door between front corner baluster turned trunk pilasters on a crossbanded box base with canted front corners raised on short bracket feet, 234cm high

An oak and mahogany eight day longcase clock early 19th century the 12 inch arch painted dial indistinctly signed with centred date aperture and subsidiary seconds dial the spandrels painted with castle ruins under an Egyptian figure painted arch the hood with swan neck pediment over and arched hood door flanked by turned front corner hood pilasters over a short lozenge inlaid cross banded trunk door on a lozenge inlaid crossbanded box base (lacking bracket feet) 215cm high (at fault)

A oak thirty hour longcase clock 18th century the 11 inch square dial with inner ring of Roman numerals, outer ring of Arabic numerals and pierced corner spandrels, the thirty hour movement striking on a single bell, the case with square glazed hood door over a long trunk door on a cut down box base, 180cm high

A George III and later oak eight day longcase clock the 11 inch arched brass dial with silvered chapter ring the arched hood with fluted front corner hood pilasters over an arched long trunk door on a box base raised on short shaped bracket feet (movement face and case associated) 201cm high

19TH CENTURY MAHOGANY FRAMED LONGCASE CLOCK, THE BRASS DOMED DIAL WITH ARABIC AND ROMAN NUMERALS, SECONDARY DIAL AND DATE APERTURE, WITH CARVED SPANDRELS TO THE OUTER WITH INSCRIPTION TO THE DOME WILLIAM LANCASTER PLYMOUTH DOCK WITH 8 DAY MOVEMENT

18TH CENTURY OAK FRAMED LONGCASE CLOCK BY WILLIAM BERRY OF GATESHEAD, THE MOON SHAPED DIAL WITH ROMAN AND ARABIC NUMERALS, SECONDARY DIAL AND DATE APERTURE WITH BRASS SPANDRELS TO THE CORNER, THE CASE WITH SWAN NECK PEDIMENT, THE FRONT DOOR WITH CROSS BANDED DECORATION 84" HIGH

A MAHOGANY LONGCASE CLOCK by William Winstanley, Wigan, the eight day movement with anchor escapement striking on a bell, the 12 1/2" arched brass dial chased with foliate scrolls, silvered chapter ring with Arabic and Roman numerals, secondary dial, painted moonphase, the arch with name over, the case with scrolled pediment carved with rosettes, embossed green leather frieze gilded with birds and flowers on fluted Corinthian columns, arched door flanked by fluted quarter columns on rustic plinths, canted base with blind fret angles and arched panel, on ogee bracket feet, 90 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by John Stancliffe, Barkisland, the eight day movement with anchor escapement striking on a bell, the 13" square dial painted with flowers and birds, Roman and Arabic numerals, secondary dial and painted moonphase, the case with scrolled pediment on turned columns, arched banded door flanked by quarter columns, on panel base and plinth, 87" high

AN OAK AND MAHOGANY LONGCASE CLOCK by William McDowall, Pontefract, the eight day movement with anchor escapement and rack striking on a bell, 13" arched dial painted with a maiden in landscape and floral spandrels, Roman numerals and two secondary dials, the case with banding and stringing, scrolled cornice with brass finial on reeded columns, arched door with marquetry patera depicting Britannia, canted trunk and panel base, 90 1/4" high

A George III oak cased thirty hour longcase clock, the arched top 13" dial with painted floral corner spandrels, subsidiary day of month and second aperture, the dial signed ` T.Humphereys`, `Bar...Castle`, the false plate stamped FINNEMORT, the hood with broken swan neck cornice and flanking turned pillars, the cross banded trunk with rectangular door, flanked by canted corners, resting on a plinth base, 206 cm high.

An antique oak Longcase Clock having square brass dial with silvered chapter ring inscribed Samuel Bradley, Worcester, eight day movement, the case cross-banded in mahogany, 7ft

An oak Longcase Clock with eight day movement, sun and moon dial, `Thos, Bister,` corner columns,7ft H

A 19th Century mahogany Longcase Clock with brass arched dial inscribed James Smyth, Saxmundham, eight day movement, the case having arched door, 7ft H

A 19th Century oak Longcase Clock having square brass dial inscribed Tho. Gildes, Shipton, 30 hour movement and having cross-banded door, 6ft 9in H

A Longcase Clock with square brass dial, subsidiary seconds dial and date aperture, inscribed Benjamin Tipton, Ludlow, 8-day movement in oak case having satinwood medallion inlay

A 20th Century doll`s house antique shop, the pitched roof with balustrade and removable panel showing an attic room, the hinged front revealing two rooms, on a tiled plinth base, width approx 40.5cm, together with a collection of 20th Century doll`s house furniture, including a longcase clock, a dresser and occasional tables.

A Lacquered Chinese Chippendale Style Miniature Longcase Clock. The 9½ inch (24 cm) square silvered dial inscribed Maple London and engraved with peacocks perched on sprays of scrolling acanthus with a subsidiary seconds dial encompassed by the brass chapter ring and winged angel head spandrels to the corners. The black case decorated in raised gilding with chinoiserie scenes, panels of fine trellis work and floral sprays. The hood with a swept pagoda pediment surmounted by turned finials, 72 ins (183 cms) tall.

19th century figured mahogany regulator longcase clock, circular silvered dial signed S A Sharpe Retford, mercury filled pendulum, 203cm

Early 19th century oak and mahogany banded eight day longcase clock

Modern light wood longcase clock

An Early 19th Century Scottish 8-Day Striking Longcase Clock having circular brass dial with seconds dial and calendar, having Arabic and Roman numerals, in figured mahogany case, on bracket feet, 2m 25cm high

John Burputt, London 18th Century Black Lacquered 8-Day Striking Longcase Clock having square brass dial with chased spandrels depicting figurehead, leaf and scroll decoration, gilt chapter ring with Roman and Arabic numerals, having seconds dial and calendar, in black case with all over gilt and red oriental figure, bird, landscape, floral and scroll decoration (case completely overhauled), 2m 7cm high

Early 19th century style longcase clock, signed, Dillon, Waterford in stained pine case

W** A** WHALE JANTOBIE(**), AN EARLY 19TH CENTURY OAK LONGCASE CLOCK CASE AND DIAL, the arched brass dial with cast spandrels, Roman Arabic chapter, the plain case with flank pilasters, trunk door and plinth base, raised on bracket feet, 2.08m high

A 19th Century longcase clock, with eight day movement striking to bell, the arched painted dial painted with a "Lady of the Lake" scene and head and shoulder portraits of Ramsay, Ferguson, Burns and Scott to the corners, with date and seconds dials, in mahogany case with scroll pediment, the case door cross banded, on platform base and bun feet, 88" high

A 19th Century longcase clock, the eight day movement with painted arched dial depicting a river scene, hunting hounds and game to the spandrels with seconds dial and date aperture, in mahogany and oak case with broken pediment on turned column supports, pointed arched trunk door, flanked by ring turned pilasters and bracket feet, 85 1/2" high

George II oak longcase clock, the case having a long door, hood with swan neck pediment and cylindrical pillars, square brass dial with silvered chapter ring and calendar aperture, engraved decoration to the centre depicting a sun amongst scrolling foliage, signed John Reynolds, Hagbourn, 205cm high.

George III oak longcase clock, the hood with moulded cornice and tapered pillars, trunk with long door and standing on bracket feet, the square brass dial having cast spandrels and Roman numerals, signed James Webster, Salop, eight day striking movement, 193cm high.

George III mahogany longcase clock by William Bilbie of Chew Stoke, the hood with moulded swan neck pediment having carved giltwood foliate embellishments, reeded pillars with brass Corinthian capitals, trunk with long door flanked by reeded canted corners and standing on bracket feet, arch shaped brass dial with painted moon phase, silvered `High Water At Bristol Key`, silvered chapter ring, subsidiary seconds dial and calendar aperture. Signed William Bilbie, Chew Stoke - eight day striking movement, 232cm high - see full length image on page one.

Early 18th Century longcase clock, the later oak case having a moulded cornice with cylindrical columns, trunk with short door with Gothic mouldings, standing on a plinth base, the period square brass dial having spandrels depicting cherubs flanking a crown, Roman numerals, subsidiary seconds dial and calendar aperture, signed Joseph Thomson, Cirencester, the unusual probably adapted 30 hour brass movement having a double frame and striking on two bells, 214cm high.

George III oak longcase clock, the hood with a stepped moulded pediment and a band of scroll penwork, reeded pillars, the trunk with mahogany crossbanded long door and standing on bracket feet, the square silvered and brass dial with cast spandrels, moon phase and calendar aperture, signed John Collier, Cheadle, 213cm high.

An early 19th century mahogany longcase clock the arched hood enclosing a 12 inch silvered dial with ship at sea movement, marked J.Y. Hatton, London, with arched trunk door flanked by reeded half columns, 88in (204cm) high.

A mahogany cased longcase clock mid. 19th century, the hood with twin swan-neck pediment, the arched door enclosing a 12inch brass dial inscribed Geo. Jackson, Plymouth, with rolling moon movement, the trunk with arched door, in as found condition, 85in (216cm high).

An oak cased longcase clock 1930s, the hood with an arched and moulded pediment over an arched glazed door flanked by barleytwist columns, enclosing an eight day movement and silvered Roman Numeral dial with `Tempus Fugit` cartouche, gilt metal crown and putti spandrels and pierced blued hands, the trunk with an arched glazed door and panelled base, on shaped bracket feet, 77in (195.5cm) high.