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Click here to subscribeCLOCKS - KENDRICK - DROITWICH A VICTORIAN OAK, MAHOGANY CROSSBANDED AND FIGURE VENEERED LONGCASE CLOCK, having 30 hour mechanism with locking plate bell strike with false plate, faced by an arched painted dial with subsidiary seconds, the case with swan neck hood and pilasters, waist door and plinth, 2m high
Thirty hour longcase clock movement, the 12" painted arched dial with subsidiary seconds dial and calendar aperture, painted with a hare coursing scene to the arch; also another thirty hour longcase clock movement, the 12" painted arched dial signed Rowe, Oakhampton, with subsidiary seconds dial and calendar aperture (2)
Pine and faux walnut thirty hour longcase clock, the 11" square brass dial signed Sam Barrow, Harmitage, London on the silvered chapter ring enclosing a matted centre, the case with long beaded moulded door fitted with a lenticle, the hood surmounted by a stepped moulded cornice, 79" high *This clock is sold with some information about the maker Samuel Barrow attached to the inside of the front door*
Mahogany eight day longcase clock, the 13" brass arched dial with silvered chapter ring enclosing a foliate engraved centre signed John Telford, Bellingham, with subsidiary calendar dial, centre seconds and moon phase to the arch, the case with long plain crossbanded pointed arched door and the hood surmounted by a swan neck pediment and brass ball and spike finial, 94" high
Oak and mahogany eight day longcase clock, the 12" painted arch dial signed Richard Wilson, Lincoln, with subsidiary seconds dial and calendar aperture, the case with long pointed arched crossbanded door flanked by fluted pilasters, the hood surmounted by a moulded swan neck pediment, 81" high
Oak and mahogany eight day longcase clock, the 12" painted arch dial signed Jonathan Smith, Marsh, with subsidiary seconds dial and calendar aperture, the case with long mahogany crossbanded door flanked by inlaid canted corners, the hood surmounted by a moulded swan neck pediment, 83" high
Oak and mahogany crossbanded eight day longcase clock, the 13" painted arched dial signed Webb & Son, Frome, with subsidiary seconds dial, calendar aperture and moon phase to the arch, the case with long rounded arched crossbanded door and the wavy edged hood door surmounted by a swan neck pediment and brass ball and spike finial, 90" high
Scottish mahogany eight day longcase clock, the 12" brass arched dial signed Taylor, Dumfries on a silvered boss to the arch over a silvered chapter ring enclosing a foliate engraved centre with calendar aperture, the flamed case with long arched door and the hood surmounted by a swan neck moulded pediment, 83" high
A 19th century mahogany and inlaid longcase clock, the hood with broken swan neck pediment above arched painted dial set with rolling moon and inscribed "Tos Richardson, Weaverham" and with eight day movement flanked by fluted square cut pilasters, the case with short arched door flanked by fluted uprights to a moulded plinth and ogee bracket feet, height approx 235cm.
A 19th century mahogany longcase clock, the hood with broken swan neck pediment above arched painted dial with rolling moon inscribed "N. Dumvile, Stockport" with eight day movement and flanked by fluted pilasters, the case with long arched door flanked by quarter cut fluted pilasters above a stepped plinth and ogee bracket feet, height 225cm.
A 19th Century oak and mahogany longcase clock by W. Williams of Llannadock, the 13ins arched painted dial with country scenes to arch and corners and with calendar aperture to the thirty hour movement striking on a bell, contained in case with scrolled cresting, with turned pillars to hood and trunk, on splayed front legs, 88ins high (extensively faded to case and worn to dial)
An early 19th Century oak longcase clock by James Last of Stalham (Norfolk), the 12ins arched painted dial with Roman numerals and subsidiary seconds dial and date aperture, the arch and spandrels decorated with shells to the eight day two train movement striking on a bell, contained in plain oak case with shaped cresting and turned and fluted pillars to hood, arched trunk door, 82ins high (case reduced in height and dial in need of cleaning), complete with pendulum, two cast iron weights, crank winding handle and door key Note : James Last record working Stalham 1796 and there is also recorded a clockmaker of the same name working 1836 (possibly father and son). The painted dial is by Walker & Hughes, Birmingham, who were in partnership from 1811 to 1835, and thus the clock will date circa 1820
A late 18th/early 19th Century mahogany longcase clock by Robert Woollan of Glastonbury, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and date aperture, the arch showing phases of the moon, and with silvered name plaque to the border to the eight day two train movement striking on a bell, contained in mahogany case inlaid with figured panels, crossbanding and ovoid shell motif, the upper part with moulded scroll pediment and turned and fluted columns with Corinthian capitols to hood and with conforming quarter columns to trunk, 85ins high
An early 19th Century mahogany longcase clock by C. Heizman of Canterbury, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial and with painted romantic landscape to arch, to the eight day two train movement striking on a bell, contained in plain mahogany case with arched and moulded cornice and plain turned pillars to hood, arched trunk door and on bracket feet, 80ins high Note: Charles Heitzman recorded working Canterbury 1832-1847
A fine walnut and floral marquetry longcase clock first quarter of the 18th century, the oak lined case with walnut veneered sides inset with stringing and cross banding, the front profusely decorated with floral marquetry on a background of ebony veneer, the hood with wide overhanging cornice supported on turned fruitwood columns to the front and quartered columns to the rear, all with gilded capitals and bases, the inlay of the long trunk door panel in varicoloured woods displaying birds, flowers in an urn supported by winged mythical figures and leafy foliage, surrounding a glass `bull`s eye` aperture with further birds, flowers and figures below, the base with an ogee moulding above another panel of floral inlay on a walnut plinth, the 12 inch square brass dial with subsidiary seconds dial, square date aperture and finely matted centre, mounted with spandrels of pairs of cherubs supporting crowns, engraved in the Roman chapter ring with minute track, `Clark Preston London`, maker of the movement which strikes on a single bell, 82½in. (209.5cm.) high, the trunk 12¾in. (32.5cm.) wide, plinth moved up and reaffixed to the bottom edge of the floral panel to shorten clock, original base of the case believed to remain behind plinth. See Illustration.
A Georgian oak longcase clock, the swan neck pediment over white painted arched face with Arabic and Roman numerals, painted spandrels, subsidiary second and date dials, eight day anchor escapement, striking bell flanked by fluted columns, arched trunk door, fluted quarter columns and plinth base, 205cm high
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