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Jonathan Hall of Sleaford. A Georgian oak and mahogany crossbanded longcase clock, rectangular painted dial decorated with shell spandrels, dial bearing Roman numerals, eight day movement with bell strike, the case with a domed top, over fluted columns raised on a crossbanded and line inlaid trunk and rectangular base, feet lacking, with pendulum weight and key, 215cm H.
James Smith Aspeden. A Georgian style oak cased longcase clock, rectangular brass dial, with cherub spandrels, circular silvered chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the case of plain form, hood with 3/4 pilasters, raised on bracket feet, with weights and pendulum, 212cm H.
William Smith. A George III oak and mahogany crossbanded longcase clock. the break arch dial painted with medicine being administered to a wounded man, the circular dial bearing Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the hood with broken pediment and brass finials, raised on fluted and brass capped columns, the trunk with chamfered sides and door with oval paterae, raised on a plinth base, with pendulum and key, 206cm high.
A William IV oak and mahogany crossbanded longcase clock by Bothamley of Boston, the break arch dial painted with a fashionable lady fishing, and shell spandrels, the circular dial bearing Roman numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the break arch hood with brass central finial, plain brass capped columns, the trunk with chamfered sides and inlaid door, raised on bracket feet, with pendulum and key, 213cm high.
A Late 18th/Early 19th Century Oak Longcase Clock, by B. Gurden of Daventry, the 12ins arch painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, painted with flowers to spandrels and bird to arch, to the eight day two train movement striking on a bell, contained in case with moulded pediment and turned columns to hood, shaped trunk door crossbanded in mahogany, on plinth base, 81ins high Note: Benjamin Gurden of Daventry recorded working 1795
An 18th Century Mahogany Longcase Clock, by Ambrose Stokes of Deal, the 11ins square brass dial with wide chapter ring with Roman and Arabic numerals, matted dial centre and cast spandrels, to the brass and steel framed movement with outside count wheel striking on a bell, contained in plain mahogany case with moulded and dentil cornice and plain turned pillars to hood, on bracket feet, 78ins high
An 18th Century Oak Longcase Clock, by Thomas Ranger of Chipstead In Kent, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals and engraved silvered dial centre, to the brass framed thirty hour movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, 74ins highNote: Thomas Ranger recorded working Chipstead circa 1740 to 1773
A 19th Century oak and inlaid cased longcase clock, the eight day movement with arch dial depicting a huntsman and hounds in a landscape over a chapter ring with Roman numerals enclosing a subsidiary seconds dial and date aperture by J Bennett of Kirton Lindsay size approx. 47cm long x 200cm high x 23cm deep. Dial 33cm wide
An XVIII Century Mahogany Eight-Day Longcase Clock, the circular brass dial with Roman numerals and two subsidiary dials inscribed "Hill Sheffield", hood with arched pediment (no door), trunk with long door and reeded pilasters, the base with canted corners and applied moulding, on ogee feet.
A 19th Century flame mahogany North East Country longcase clock, the 13" painted arch dial with rocking galleon and marked for S. Bailey, Newcastle with subsidiary seconds and date dials, the original case with shaped door and flanking turned columns to trunk, with eight day bell striking movement
A Large Exhibition Type Longcase or 'Grandfather' Clock with a three train movement on eight chiming bells, supported by three large brass weights of varying sizes, playing Westminster and Whittington chimes. Subsidiary dials to the arched brass dial with silent and chimes display dial; the brass dial fitted with cast ormolu mounts to back corner, silvered chapter rings to the dial, maker or retailers name to the face, Thomas Armstrong and brothers, Manchester. Impressive mahogany case profusely inlaid with satinwood and various coloured exotic woods, with an Adams type urn to the central panel of the door; inlaid swags to the base, supported by shaped bracket feet. The hood with finely carved rosette roundels to the scrolls, with a central finial, fret work sides to the hood and finely matched Corinthian columns with capitals to both the case trunk and hood, 90'' high, 18'' wide, 12'' deep.
An 18th century George II, 1740 brass faced longcase clock by Edward Spring. The brass face with name and date upper centre having roman numeral chapter ring with fleur de lys decoration, faceted hands and gilt metal pierced and lattice spandrels to the corners. All set within an oak case with trunk and hood. Inset 30hour movement striking on a bell. Measures 208cm x 56cm x 22cm
A 19th century Dutch longcase clock, the walnut case with marquetry inlay, the brass face with musical movement and silvered dial set with Roman numerals, the hood with blind fret decoration, height 239cm.Additional InformationCase has general surface wear throughout, light scratches, very minor chipping to veneer, wear and tear, minor cracking to veneer, re-polishing/re-waxing around base.
WEIR & SONS OF NOTTINGHAM; a mahogany cased longcase clock, the brass face with silvered dial, with Roman numerals and musical movement, the case enclosing nine tubular bells, height 240cm.Additional InformationThe clock was wound with a couple of turns yesterday and it began to tick for around five minutes, although was not chiming and has since stopped ticking.
GEORGE HONEYBONE OF FAIRFORD; an oak cased thirty hour longcase clock, the painted dial with Roman numerals, height 196cm.Additional InformationReplacement lock mechanism to the interior of the case, craquelure to dial, wear to paint on dial, possible replacement door to case, pendulum holder looks to be re-soldered, complete with pendulum and weight.
Jones & Taylor, Newport - early 19th century mahogany longcase clock, the arched dial with moon roller with calibrated date arc over, the circular dial with black Roman numerals, seconds indicator, calendar aperture, 8-day movement striking on a bell, the case with barley twist pilasters to the hood and trunk, line inlaid detail throughout (lacking finials), complete with two weights and pendulum, 210cm tall
18th Century oak and mahogany banded longcase thirty hour clock by Jackson of Gainsborough, 30cm brass dial with pierced spandrels and calendar aperture to movement striking on a bell, contained in case with swan neck pediment, the trunk with Vitruvian scroll inlay, 202cm high, pendulum damaged, shrinkage split to base
An early 19th Century eight day mahogany and oak longcase clock, by Smith and Sons, Walton-on-Trent, the hood with a swan neck pediment, the glazed door set between turned columns, the painted dial with black Roman numerals and subsidiary dial, the door with a triple Gothic shaped arch, with two weights and pendulum. 223cm H x 61cm W x 26cm D
Peter Jacquet, London, a George III mahogany eight day longcase clock, circa 1770, pagoda pediment with fretwork panel, brass flame finials, reeded corinthian columns with brass inserts, arched brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, chime/silent subsidiary dial in the arch, urn and eagle spandrels, arched trunk door, height 222cm, (two weights, pendulum and key)
A George III mahogany 8-day longcase clock by Joseph Brown of Worcester (1767-1796), circa 1780, arch moulded pediment above a silver chaptered ring, brass dial, roman numerals, Arabic outer-track numerals, inlay inscription of the makers name, fluted pillars with brass quarter, moulded panel door, raised on bracket feet, weights and pendulum. 207cm H
A William III figured walnut 8-day longcase clock by Richard Baker of London, circa 1690, moulded cornice with floral fretwork, above barley twist columns, 10inch brass dial with silvered roman numeral chapter ring, subsidiary seconds, date aperture, cherub face mounted spandrels, signed engraving of Richard Baker, London, cushioned moulded panel door, moulded skirt on a plinth base. Weights, pendulum and key. 203cm H x 45cm W x 26cm DNote: Richard Baker is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as being apprenticed through the Blacksmiths` Company to John Chatfield before transferring to Richard Browne in 1683.He gained his Freedom of the Clockmakers` Company by redemption by order of the Lord Mayer in 1685. He is described as a `Great Clockmaker` and took on many apprentices including Peter Garon in 1687 for which he was fined by the Clockmakers` Company as Garon Clockmakers.
A George III oak and mahogany longcase 8 day clock by J Holliwell of Derby, globe finial on swan neck pediment hood, arch top with corner rose spandrels, roman numerals, date aperture, subsidiary seconds dial, flanked by turned flute pillars with moulded brass ends, satinwood strung, moulded panel door, raised bracket feet. 225cm H x 52cm W x 25cm D
A George III oak and mahogany inlaid 8-day longcase clock, circa 1780, three turned globe shape brass finials, swan neck scrolling pediment with brass floral inlay, above a square glazed door and square painted and brass inlay dial, Roman numerals, subsidiary second dial, moulded panel trunk with fluted pillars, raised on a platform base. 205cm H x 52cm W x 25cm
A George II Staffordshire oak longcase clock, square brass dial 11in (27.5cm) dial with Roman and Arabic chapters, cast brass spandrels, matted centre, pierced hands, date aperture,signed Redshaw/Newcastle, 30 hour movement, countwheel striking on a bell, hood with caddy top with wide cornice supported on turned columns, rectangular crossbanded door to waist with boxwood and ebony stringing, skirted plinth base, 85.5 in (220cm) high, weight and pendulum with brass bob.John Redshaw of Newcastle-under-Lyme was working from the 1740s to the 1760s before being succeeded by his son Daniel, who had taken over by 1771.
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41737 item(s)/page