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An Edwardian carved oak chiming longcase clock, 8ft 5ins

Cook, Derby, Mahogany and oak eight day longcase clock

William Carter of Chertsey, longcase clock

An early 19th century oak thirty hour longcase clock, 6ft 7ins

John Wyke, Liverpool. A Regency mahogany eight day longcase clock, 7ft 11in.

A late Victorian satinwood banded mahogany eight day longcase clock, 7ft 9ins

A George III oak longcase clock, circa 1800, by Mark Skinner, Eye, the painted dial with shooting scene to the arch with eight day Birmingham movement stamped Wright, with calendar aperture, with two weights and a pendulum, 222 cm high.

A George III oak and mahogany crossbanded longcase clock, circa 1780, by John Smith Chester, the swan neck pediment over an embossed brass dial with silvered chapter wheel, with moon phases in the arch and eight day rack striking movement, with one pendulum and two weights, 222 cm high.

A George III fruitwood longcase clock, by George Quinton Downton, the eleven inch brass dial with silvered calendar crescent aperture, with 30 hour movement, a strung trunk with one pendulum and one weight, 185 cm high.

A Queen Anne style red japanned longcase clock, circa 1920, the eight day movement with brass dial and silvered chapter ring, the slender trunk with gilt chinoiserie decoration overall, 190 cm high.

A GEORGE III MAHOGANY STRIKING EIGHT DAY LONGCASE CLOCK WITH CHELSEA ENAMEL DIAL THE DIAL SIGNED SAMUEL CLARE, WARRINGTON. CIRCA 1770, THE MOVEMENT LATER The 12 in. wide enamel dial with subsidiary seconds and date square to scroll-painted centre, the conforming arch signed 'Saml. Clare/Warrington', blued steel hands, the movement with anchor escapement and rack strike on bell 91 in. (231 cm.) high View on Christie's.com

A WILLIAM IV MAHOGANY CROSS BANDED OAK STRIKING 30 HOUR LONGCASE CLOCK A.SULLY, NOTTINGHAM. CIRCA 1830 The 13 in. wide painted dial signed 'A SULLEY/NOTTINGHAM' to the centre, cut brass hands, movement with anchor escapement and countwheel strike on bell 86 in. (219 cm.) high View on Christie's.com

A CHARLES II RED JAPANNED STRIKING MONTH GOING LONGCASE CLOCK BROUNKER WATTS, LONDON. CIRCA 1685 With engraved border to 12 in. square brass dial, cherub and coronet spandrels to engraved chapter ring signed 'Brounker Watts London' subsidiary seconds and date square to engraved and matted centre, movement with five ringed pillars, replaced anchor escapement, rack strike on bell 77½ in. (197 cm.) high View on Christie's.com

A QUEEN ANNE GREEN JAPANNED STRIKING EIGHT DAY LONGCASE CLOCK THOMAS SPEAKMAN, LONDON. CIRCA 1710 The 11 in. wide brass dial with winged cherub mask and foliate spandrels to the engraved chapter ring signed 'Tho Speakman Londini fecit', subsidiary seconds, engraved date square and ringed winding holes to the matted centre, blued steel hands, the movement with five ringed pillars, replaced anchor escapement and internal countwheel strike on bell, case redecorated 82 in. (208 cm.) high View on Christie's.com

A CHARLES II STRIKING EIGHT DAY LONGCASE CLOCK HERCULES HASTING, BURFORD. CIRCA 1670 The 10 in. square brass dial with winged cherub mask and foliate spandrels to engraved chapter ring with half hour markers, subsidiary seconds and date square to floral engraved centre signed 'HECULES HASTINGS/BURFORD', blued steel hands, movement with five ringed and latched pillars, anchor escapement and outside countwheel strike on later gong, associated case 85 in. (214 cm.) high View on Christie's.com

A WILLIAM AND MARY WALNUT AND ARABESQUE MARQUETRY INLAID STRIKING LONGCASE CLOCK OF MONTH DURATION JOHN LONG, LONDON. CIRCA 1690 The 12 in. wide brass dial with engraved border to engraved chapter ring with sword hilt half hour markers, subsidiary seconds and engraved date square to matted centre, hands lacking, the movement with five ringed and latched pillars, anchor escapement and outside countwheel strike on bell (countwheel lacking), associated case 91 in. (231 cm.) high View on Christie's.com

A WILLIAM AND MARY WALNUT STRIKING EIGHT DAY LONGCASE CLOCK JOHN BAYLEY, LONDON. CIRCA 1700 Engraved border to 12 in. square brass dial, Indian mask and foliate spandrels to engraved chapter ring signed 'John Bayley/London', subsidiary seconds, ringed date aperture and ringed winding holes to matted centre, cut steel hands, movement with five ringed pillars, anchor escapement, rack strike on bell 82¾ in. (210 cm.) high View on Christie's.com

A GEORGE III MAHOGANY AND BRASS-MOUNTED EIGHT DAY LONGCASE CLOCK FRANCIS PERRIGAL, LONDON. DATED 1778 The 12 in. wide brass dial with foliate spandrels to engraved chapter ring, subsidiary seconds and date square to the matted centre with applied cartouche signed 'FRANCIS PERIGAL/Royal Exchange/LONDON/1778', strike/silent to arch, blued steel hands, substantial movement with five ringed pillars, anchor escapement and rack strike on bell 89 in. (226 cm.) high View on Christie's.com

A GEORGE II STAINED PINE STRIKING 30 HOUR LONGCASE CLOCK RICHARD GILKES, ADDERBURY. CIRCA 1740 The 9 in. square brass dial with cherub and coronet spandrels to engraved chapter ring (possibly replaced) signed 'Gilkes Adderbury', cut steel hand, movement with four ringed pillars, anchor escapement and countwheel strike on bell (bell lacking), case possibly associated 75½ in. (192 cm.) high View on Christie's.com

A WILLIAM IV MAHOGANY STRIKING EIGHT DAY LONGCASE CLOCK THOMAS RUSSELL, LANCASTER. CIRCA 1830 The 14 in. wide painted dial, convex centre with subsidiary date and seconds rings and signed 'Thos. Russell Lancaster', cut brass hands (hour hand broken), movement with four ringed pillars, anchor escapement and rack strike on bell 92 in. (24 cm.) high View on Christie's.com

A GEORGE II BLACK JAPANNED STRIKING EIGHT DAY LONGCASE CLOCK JASPER TAKEMAN, LONDON. CIRCA 1750 The 12 in. wide brass dial with mask and foliate hands to engraved chapter ring, movement with five ringed pillars, anchor escapement, rack strike on bell 96 in. (244 cm.) high View on Christie's.com

A GEORGE III MAHOGANY STRIKING EIGHT DAY LONGCASE CLOCK WASBOROUGH, BRISTOL. CIRCA 1770 The 12 in. wide engraved brass dial with subsidiary seconds and date square to the engraved centre, signed 'Wasbrough/BRISTOL', moon roller to the arch inscribed 'HIGH WATER AT BRISTOL KEY', blued steel hands, movement with four ringed pillars, anchor escapement and rack strike on bell 89½ in. (225 cm.) high View on Christie's.com

SIX 30 HOUR LONGCASE CLOCK MOVEMENTS 11in. square painted dial 12in. wide painted dial - Jessops & Jackson, Tavistoke 10½in. square brass dial - Thomas-Andre Naftel, Guernsey 10 in. square brass dial - Joseph Kember, Shaw 10 in. square brass dial - John Gulliford, Bristol View on Christie's.com

James Liddle, Bathgate: a Georgian mahogany longcase clock, the brass dial with silvered roman chapter ring, subsidiary seconds and date dials, foliate spandrels, nameplate to the arch, signed `James Liddle, Bathgate`, anchor escapement, the case with pierced fretwork swan neck pediment decorated foliate design, dentil cornice above an arched glazed door flanked by spiral twist corinthian columns, arched waist doors flanked by spiral twist corinthian quadrants, panelled base on bracket feet, 84 1/2in. high.

Stockell & Stuart, Newcastle: an oak longcase clock, the painted roman dial with subsidiary seconds dial and date aperture, foliate decoration to arch and spandrels, anchor escapement, the case with dentil cornice above an arched glazed door flanked by fluted columns, with pointed arch waist door, on panel base, 81in. high.

Robert Swan, Bridlington: an walnut cased longcase clock, arched brass roman dial, with subsidiary seconds dial and date aperture, nameplate signed `Robert Swan, Bridlington`, with strike silent dial to arch, ornate dolphin and scroll pattern spandrels, the five pillar movement with anchor escapement, the case with brass eagle and globe finial, arched convex frieze above a glazed door flanked by fluted columns, arched and banded waist door on panel base with bracket feet, 97 1/2in. high.

Webster & Son, Salop: an oak longcase clock, with brass roman dial with date aperture, figural spandrels, anchor escapement, the case with blind fret frieze above a square banded waist door flanked by plain columns, rectangular waist door, on panel base, 79in. high.

J. Bryson, Dalkeith: a Victorian Scottish mahogany longcase clock, with circular silvered roman dial with subsidiary seconds and date dials, anchor escapement, the case with pierced pediment above an arched concave frieze, circular brass framed glass door below, rectangular waist door flanked by fielded panel base on bracket feet, 86in. high.

John Stancliffe: a carved oak longcase clock, with brass roman dial, matted centre, with dated aperture, mask and scroll spandrels, the case with mask and scroll cornice, foliate frieze, square waist door flanked by plain columns, the lower section with mask and foliate frieze, arched shell and leaf waist door, scroll pattern panelled base on bracket feet, 89 1/2in. high.

A late George III oak cased longcase clock having a painted arch dial with an eight day movement

"Robert Davey of Hoveton, an early 19th century longcase clock, the brass face with silvered chapter ring, secondary dial, date aperture and strike stroke silent, supporting a twin train striking movement under an arched hood with fretted pediment, the trunk and base with starbursts on bracket feet "

A 19TH CENTURY OAK AND CROSSBANDED COTTAGE LONGCASE CLOCK with square painted dial and thirty hour striking movement, the square dial with date aperture

A George III longcase clock by George White Bristol, with eagle and ball finial between a swans neck pediment with blind fretwork carving in turn above further arched blind fretwork frieze and glazed door, flanked by fluted columns with brass capitals and enclosing the painted dial with eight day striking movement, subsidiary seconds dial and date aperture, with moon phase to the arch by George White, Bristol, in turn above a long trunk door flanked by fluted canted angles and conforming base. Height including brass finial 97 ins (see illustration).

An oak longcase clock, with arched hood, arched glazed door and silvered brass dial with "Tempus Fugit" to the arch and with Roman numerals to the chapter ring, with three-train clockwork movement striking on eight gongs. Height 66 ins.

An early 19th century oak and pollard oak crossbanded longcase clock by William Taylor Whitehaven, with turned finial between the swans neck pediment in turn above the arched glazed door flanked by simple turned columns enclosing the 14 inch arched painted dial with moon phase, with Arabic numerals, date aperture and subsidiary seconds dial, with basket of fruit spandrels in turn above the long arched trunk door with cluster column corners and conforming base. Height 93 ins (see illustration).

An early 19th century inlaid mahogany eight day longcase clock, the arched painted white enamel dial with subsidiary seconds and date aperture, indistinctly signed, probably James Lazarus, Lincoln (Illustrated).

An 18th century oak eight day longcase clock, the square brass dial signed Redshaw, Newcastle, above a long door on bracket feet, height 212cm. This clock is believed to have been made by John and/or Thomas Redshaw of Newcastle under Lyme (Illustrated).

A late 18th/early 19th century oak and mahogany eight day longcase clock, the square dial with subsidiary seconds and date aperture above a long door, on bracket feet, height 202cm (Illustrated).

A crossbanded mahogany longcase clock with painted rolling moon dial, eight day movement by Humphrey Williams, Carnarvon

A parcel of old longcase clock parts, dial, wooden carpentry braces etc

A CHARLES II WALNUT STRIKING EIGHT DAY LONGCASE CLOCK JOHN EBSWORTH, LONDON. CIRCA 1680 Side glazed panels and twist columns to hood, moulded trunk door over replaced plinth; later inner frame to dial mask, scored line border to 10 in. square brass dial signed along the lower edge 'John Ebsworth/Londini Fecit', cherub mask and foliate spandrels to silvered chapter ring, matted centre with subsidiary seconds, date square and rosette engraved centre, blued steel hands, movement with five ringed and latched pillars (one lacking), anchor escapement and outside countwheel strike on bell, formerly with bolt and shutter maintatining power; later seatboard, associated case 80½ in. (204 cm.) high View on Christie's.com

Modern Mahogany Triple Weight Longcase Clock having arched moon phase dial

Early XIXth Century Mahogany 8-day Longcase Clock, having arched floral painted dial

Sam Wainwright, Northampton, a mahogany longcase clock, the circular brass dial inscribed with the maker, the eight-day movement striking on a bell, 201cm high

A mahogany longcase clock, early 19th century, with arched brass dial, inscribed ‘Bullock Worcester’, with moon phase mechanism, 223cm high dial 31cm diameter (12in)

H. Peters, Cambridge, an eight-day mahogany longcase clock, 18th century, the arched hood enclosing a silver dial with a subsidiary seconds dial 228cm high 30cm dial

H. David Wenham (Dereham 1780-1819), an 18th century oak longcase clock, the arched hood enclosing a painted dial and eight-day striking movement, 214cm high 28cm dial

Finlay & Field, Glasgow, a mid-19th century mahogany Gothic longcase clock, the circular painted dial enclosing an eight-day movement, subsidiary seconds and calendar dials, 206cm high dial 28cm diameter (11in)

Spiller, Plymouth, an early 19th century strung and inlaid mahogany longcase clock, the eight-day movement striking on a bell, the arched painted dial with a moon phase, seconds hand and calendar aperture, the case with gilt bronze capped ebonised quarter columns, dial 30cm height 213cm

William Speakman, Hatton Wall, a George III oak eight-day longcase clock, the square dial with a silvered chapter ring, seconds dial and calendar aperture, on a matted and engraved ground, dial 11in (28cm) case 6ft 6in (198cm)

An 8-Day Striking Westminster Chime Longcase Clock having brass arched dial with 3 weights, in 19th century mahogany case having inlaid stringing with fluted twist supports, on bracket feet, 2m 20cm high

Thomas Brown, Birmingham, 30-Hour Striking Longcase Clock having arched brass dial, with calendar, having pierced spandrels depicting figurehead and scroll decoration, in oak case, 2m 22cm high

An early 19c French boullework longcase clock of waisted form with cast gilt brass rococo mounts. The case has a broad splayed base and lentical glass to the trunk and the 10" diameter embossed brass dial has white enamel numeral plaques. The clock is now fitted with an English longcase movement (weights and pendulum missing). All in need of extensive restoration, the clock stands 81" tall overall.

A late 19c eight day longcase clock, the unsigned 14" arched brass dial having date and seconds rings and a moon phase to the arch and scroll spandrels to the corners. The eight day movement has anchor escapement and is rack striking on a bell. It is contained in a broad mahogany case, the hood having swan neck pediments and baluster turned columns flanking the dial. The short trunk door is triple pointed and the trunk corners are canted. The base has been severely cut down and the clock stands 79" tall overall.

CLOCKS - "GAMMON, BIRMINGHAM AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having hood with swan neck pediment and flank fluted columns with brass capitals, the trunk with crossbanded waist panel, door flank pilasters, on box base, 30-hour" four pillar mechanism, faced by an arched painted dial, 2.2m high

A GEORGE II WALNUT AND BURR WALNUT LONGCASE CLOCK the brass dial signed on the chapter ring John Everell London and with subsidiary seconds dial, matted centre, ringed winding holes and engraved date aperture, with cherub-and-crown spandrels and pierced hands, having five-pillar eight-day movement, the hood with blind fret pediment and cornice above turned pilasters with brass capitals, the trunk enclosed by a crossbanded and moulded full length door, on conforming base, 209cm h Provenance: In the same private family`s ownership since the late 19th c. ++A clock of especially pleasing colour and patina, of `dry` appearance and in a fine, unrestored state of preservation save as follows: lacking two corner finials from the top of the pediment, the dial plus movement plus case original, on original or early seatboard, the cheeks of full height and free from packing, the backboards original with a number of old holes, localised old worm holes mainly to the right of the hinges of the trunk door, two small losses to mouldings on the top corner of the trunk door. Base - skirted plinth of later date (? early 20th c), two old pieces of replacement crossbanding

A GEORGE III MAHOGANY LONGCASE CLOCK the damaged and incomplete brass breakarched dial engraved WILLMHURST BRIGHTON and with subsidiary dials, having eight-day movement, the hood with turned pillars, the trunk enclosed by a crossbanded and line inlaid door with oval patera, on conforming base, 207cm h ++Losses and requires restoration

A SCOTTISH FRUITWOOD LONGCASE CLOCK the break arched and painted dial inscribed JAS RODGER ABERDEEN, with twin subsidiary dials, three exotic birds to the arch and gilt spandrels, having eight-day movement in line inlaid case with swan neck pediment and pilasters, 204cm h ++Case of pleasing colour and in reasonably good condition with the odd small old repair including a later plinth, the dial original but slightly discoloured and scratched with small paint chip to the right of the calendar, the movement original but very dirty. The seat board possibly original but with some packing, localised worm damage, the base with old let in repair on one side

AN OAK LONGCASE CLOCK the brass dial with subsidiary seconds dial, engraved centre inscribed "T Tompion Londini 1700" and mask spandrels, having eight-day movement, the George III oak case embellished and carved at later date with fluted pilasters, the DOOR WITHdate 1736 and initials TW, the base with two laying hens, on bracket feet, 238cm h ++A late 19th/early 20th c made-up clock, the movement and dial associated to the case, the movement late 18th c, the dial 19th c but of convincing appearance, the case with later pediment, the carved decoration of c1900, the top left corner of the door to the trunk chipped, the movement very dirty but apparently complete

George III oak longcase clock by Thomas Williams of Chew Stoke, square moulded cornice with fluted columns, trunk with long door and standing on bracket feet, square brass and silvered dial with engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, 30 hour striking movement, 205cm high