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An 18th century oak longcase clock, the 29cm brass square dial with Roman numerals, twin winding holes, striking on a bell, the associated case with square hood, shaped door to waist with inlaid with star, later carved, 199cm long

An early 20th century continental miniature gilt porcelain longcase clock, H. 41cm.

A late 18th century oak longcase clock by Francis Turner of Rochford Essex with silvered and brass dial and moonphase function , H. 224cm excellent condition and understood to be in working order.

A Miniature Longcase Clock on bracket.

A Miniature Longcase Clock. On bracket.

A Mahogany Cased Longcase Clock. Early 19th century. In need of restoration.

20th Century mahogany longcase clock, the silvered chapter ring with Roman numerals and makers name Geo. Rice Rudgely, with mask and scroll spandrels, 37cm wide, 187cm high

George III Welsh oak 30 hour longcase clock by Ratcliff of Welshpool, the hood housing the brass dial signed "Ratcliff W.Pool 104", the chapter ring with Roman numerals flanked by urn and scroll spandrels, 195cm high

George III oak, rosewood and satinwood strung 30 hour longcase clock by W.H. Griffiths, Bishops Castle, the hood with swan neck pediment, the arched signed painted dial with date aperture and foliate spandrels, the case with shaped door, 210cm high

An early 19th century George III oak and mahogany crossbanded 30 hour longcase clock, by John Wainwright of Nottingham, circa 1810, broken dental pediment, centred with a brass eagle on globe finial, on a dental cornice, 13inch circular painted enamelled dial Arabic numerals with date aperture, the hood flanked by turned pilasters on a dental apron, cartouche panel door encloses a weight and pendulum, raised on moulded plinth base. 214cm HProvenance:The content of Unicorn Brewery, Stockport.

A George III oak 8-day longcase clock by James Hinksman of Madeley, circa 1800, 11.5inch brass dial with two cicular chapter rings, Roman and Arabic numerals, pierced brass spandrels, two subsidiary dials. 226cm H

A George III mahogany, satinwood and ebonised strung 8-day longcase clock by Joseph Plowman, Cawood (Selby, North Yorkshire), circa 1820, brass globe finial on scrolling pediment, above an arch shape glazed panel door opening to a 33.5cm wide painted dial, landscape scene on the arch above Arabic hour and outer quarter of an hour minutes numerals, subsidiary dial and date aperture, twin wind up key holes, above a serpentine panel door with ivory escutcheon revealing weights and pendulum, moulded base, raised on carved bracket feet. 

Victorian mahogany two train eight day longcase clock with arched painted face with Roman numerals, phases of the moon, seconds dial and date aperture. Including pendulum and two weights.(B.P. 21% + VAT)

A RARE IRISH GEORGE II 'HUGUENOT' LONGCASE CLOCK, by Nicholas Lemaistre, Dublin (active c.1740), fitted with glazed architectural hood enclosing a brass dial with pierced cresting, inked with Roman and Arabic numerals, the mahogany case, with shaped trunk door, between fluted quadrants, on plinth base and bracket feet. 248cm high The history of the Huguenots in Ireland, particularly in Dublin is well established, and it is now recognised that they played an important role in the professional society of the time. Following the revoking of the Edict of Nantes in 1685 by Louis XIV, which decreed that the remaining Huguenot protestant population in France must convert to Catholicism in order to remain in country free from persecution, large numbers fled to neighbouring Protestant countries of Holland, Germany and further afield to Great Britain. It is thought that around 10,000 arrived in Ireland via Britain, with majority settling in Dublin, Cork, Portarlington as well as in counties Antrim and Down. From the early decades of the 18th century, Huguenots were actively living and working in Dublin with the population recorded as approximately 2,100 in 1701 and jumping up to 4,000 by the 1720s (Jessica Cunningham, ‘Dublin Huguenot goldsmiths, 1690 – 1750: assimilation and divergence’, IADS, Vol XII, 2009, Irish Georgian Society). With the arrival of these immigrants to Ireland, some who were merchants, artisans and craftsman, they needed to be able to participate and contribute to the economy of the city. Records from the Dublin Goldsmiths’ Company show a number of them active within the guild as free brothers, quarter brothers, journeymen and apprentices. As an organisation it oversaw not only the production and trade of silver and gold objects but also jewellery, timepieces, watch and clock cases. This longcase clock, signed by the maker Nicholas Lemaistre, is a clear example of the high level of craftsmanship in the early 18th century. G.H Baillie records in his seminal book Watchmakers and Clockmakers of the World a Nicholas Lemaistre in Paris in 1675 and then subsequently residing in Dublin in 1743 working as an established watchmaker. Surviving examples such as this are rarely seen at auction and it provides us with a greater understanding of the role the Huguenot population played during a very important period of production of decorative arts in Ireland.

A George III mahogany longcase clock: the eight-day duration movement striking the hours on a bell with brass-bound weights, with the twelve-inch painted break-arch dial having black Roman numerals, a subsidiary seconds dial, shell decoration to the four corners and arch, and indistinct makers name, with blued steel hands, the mahogany case having inlaid stringing and crossbanding, the hood surmounted with typical Norfolk' wavy' cresting, height 224cm.

Jones & Son, Merthyr, an oak and mahogany longcase clock: the thirty-hour duration movement striking the hours on a gong, the twelve-inch painted break-arch dial having black Roman hour numerals, a subsidiary seconds dial and date aperture, with painted floral decoration to the four corners and church ruins within the arch, with gilt-brass hands, the oak case with turned ebonised columns to the trunk and hood, mahogany crossbanding and a swan-neck pediment, height 208cm.* Biography David Jones, born circa 1760, is recorded as working in Merthyr Tydfil from 1816 and invented a 'night watch' in about 1828 with a light going out at 11 o'clock when 'all people should be in their houses'. His son, also David, is known working in the High Street from circa 1835 until circa 1852.* Notes Reference William Linnard Wales Clocks & Clockmakers Pub. Mayfield Books 2003.

Walter Tucker, Exeter a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch silvered brass dial engraved with black Roman numerals, floral decoration to the four corners, Father Time to the arch, subsidiary seconds and date dials to the centre and engraved with the makers name Walter Tucker, Exeter, with a 'strike/silent' lever to the side, the mahogany case having canted corners to the trunk, crossbanding to the base and a swan-neck pediment with turned wooden centre finial and fluted columns to the hood, all standing on bracket feet, height 216cm.* Biography Walter Tucker, born circa 1801, was a member of the well-known Tucker watchmaking family being the son of John Tucker. He is recorded as working as a clock and watchmaker, silversmith and jeweller in the High Street from circa 1826 until 1848 before moving to 9, Belmont Terrace in circa 1850.* Notes Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub. David & Charles 1985.

Twist, Ormskirk, a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell and having a typical Ormskirk fourteen-inch square painted moonphase dial with black Arabic numerals, florally painted decoration to the corners and signed for the maker Joseph Twist, Ormskirk, with the moonphase disc below XII painted with seascape and landscape images either side of the moon, and with decorative brass hands, the rear plate to the dial signed by the dial painter Walker & Hughes, Bham, the mahogany case having a shaped door with raised mouldings, the trunk with matching mouldings and flat fluted columns, the hood having a swan-neck pediment above a painted frieze with the tapered columns having cast-brass capitals, the base with raised mouldings and canted corners, height 212cm.*Biography Joseph Twist is recorded as living in Burscough Street, Ormskirk in 1854 as a maker of longcase clocks, all of them having eight-day movements, mahogany cases and painted dials. At an auction at Brook Farm on behalf of Mrs Jane Wright, held by Richard Hart in October 1898 was sold 'A large 8 day's clock in mahogany by Twist, Ormskirk'.* Notes Reference Anthony Daly Ormskirk Clockmakers & Watchmakers Pub. Mayfield Books 2006.

Eight longcase clock winding keys: of crank form with wooden handles.

A rare Pratt ware watch stand, c.1800, modelled as a longcase clock flanked by a boy and girl, the case moulded and enamelled in typical palette with Classical scenes, minor faults, 26.8cm. Together with a later Metoda pocket watch. (2) Cf. J & G Lewis, Pratt Ware, for a similar example illustrated on the dust jacket. Provenance: purchased from Oliver Sutton Antiques.

A Dixon Austin & Co Pratt ware watch stand, c.1820, modelled as a longcase clock flanked by two children in Classical dress, the case moulded and painted with further figures, decorated in a typical palette of blue, green, yellow and ochre, impressed mark to the top of the base, a small amount of restoration, 28cm.

A crate of modern longcase clock dials

A 19th century oak longcase clock with brass and silvered dial signed H Smith of Mareboe, with pendulum and weights

A Tempus Fugit longcase clock with pendulum and weights

Oak and mahogany longcase clock, case with mahogany panels, shaped and cross-banded door, ogee bracket feet, square painted dial with Arabic numerals, subsidiary seconds dial and date aperture, signed W Massey, Nantwich, eight-day two-chain movement, 203cm.

Late 19th century French miniature longcase clock in green painted and gilt metal mounted case decorated with romantic figures and flora, 45cm high, pendulum present

Robert Parry, Pwllheli, early 19th century oak and fruitwood crossbanded longcase clock with painted arched dial with lunar arch with two weights and pendulum 224cm highMovement appears to be complete and moves freely, but we unable to confirm if it is in full working order, dial is quite good, slightly worn and damaged round border, some numerals have been repainted. Case is dirty, scratched and marked, veneer is missing in places, plinth is cracked, door is coming away from inner frame and lock is missing. Hood is good.

An early to mid-20th century oak and glazed longcase clock, fan-shaped relief details, Arabic numerals to the face denoting hours, H178cm

A George III mahogany cased eight day longcase clock, by Charles Clay, London, the 30cm arched silvered dial with moonphase, subsidiary seconds and calendar aperture, height 224cm

A George III oak longcase clock case and an inlaid clock case, larger 222 cm high.

A George III oak eight day longcase clock, the 30cm arched dial marked Arlot, Sunderland, with subsidiary seconds and calendar dials, case 250cm high (later carved)

An 18th century brass eight day longcase clock movement, with silvered chapter ring, subsidiary seconds and date aperture marked Thomas Weeks, 28cm sq.

A 19th century thirty hour longcase clock movement with painted arched dial, width 33cm height 47cm

An Edwardian painted satinwood miniature longcase clock, height 51cm

A George III oak cased thirty hour longcase clock, by Price Evans, Salop, the 28cm dial with calendar aperture, case later carved, height 230cm

An early 19th century mahogany banded oak cased thirty hour longcase clock, with 25cm square brass dial, height 207cm

A 19th-century longcase clock, inscribed Brindley, Newcastle, the painted arched moon phase dial, with date aperture, subsidiary second dial, having eight-day movement striking on a bell, the hood with swan neck pediment above a crossbanded case54cm wide 23.5cm deep230cm highNot been tested, weights pendulum and key present

A 20th Century small longcase clock, with Tempus Fugit dial, pre-trained weight driven movement, above a glazed trunk, panel base, 32cms wide at hood x 148cms high.

A Victorian mahogany eight-day longcase clock, the painted dial with figural spandrels and a scene with boy, dog and farmer, inscribed 'C. Thompson, Belford', two-train eight-day movement, flamed mahogany door with moulded quadrants, rectangular base, tapered bracket feet and shaped apron, 45 x 208cms high approximately.

R. Crawford of Glasgow: a mahogany longcase clock, the arched brass dial with silvered roman chapter ring, with outer arabic numerals, subsidiary seconds dial to matted centre, tempest fugit plaque to arch, eight-day movement with anchor escapement, the case with swan neck pediment, the glazed door flanked by fluted columns, arched waist door, panel base, on bracket feet, with brass weights, pendulum, and winding key, 220cms high.

A George Wadham of Bath 30hr longcase clock with a false winding hole in an oak and mahogany case with kingwood stringing. 12-inch dial with calendar and seconds (unrestored). Square rosewood pillars to hood, 78" high x 18" x 8.5" deep.Condition report: All complete, associated weight. Movement not tested. A/F. Replacement case back board.George Wadham is recored as working in Bath 1856-75

A good Victorian 8 day Longcase clock by Rhind of Manchester, with moon phase in the arch of the dial. Contained in a lovely mahogany case with turned and reeded columns to the hood, the trunk is decorated in different cuts of mahogany.There were 2 Rhinds working in Manchester. James 1828-76 and Thomas 1828-51 

A Robert Dawson ALFORD  Blue Chinoiserie longcase clock  with rocking ship automaton to the arch. 12-inch brass arch dial with seconds and dummy calendar 4 pillar movement. Brass cased weights. Contained in a blue  Chinoiserie case 19" x 92" x 10"Condition report: Movement may not be original to case: Movement pillars also do not match, calendar wheel missing and filled with blank. Case looks original and in reasonable condition. Keys present.A Robert Dawson Alford is recorded in 1678

A Victorian Longcase Clock case only with arch dial measuring 12" x 16" highMahogany case with new back board

Whitehurst of Congleton 8 day longcase clock with 12" square dial. Contained in  oak and mahogany case with cross-banding 22" x 80 x 10" deep.Condition report Extensive restoration which is not in keeping with the clock. Possibly a marriage movement to case. No calendar dial hand

18th / 19th Century mahogany longcase clock, the inlaid case with spiral turned flanking pilasters, the brass dial with moonphase arch and subsidiary date aperture, signed John Arnold Child, Ockford, with weights and pendulum (for restoration)

Mahogany longcase clock with a pierced fretwork pediment, square hood and arched panel door, the painted dial with Arabic and Roman numerals, subsidiary seconds dial and date aperture signed Fuler, North Walsham, with weights and pendulum

19th Century mahogany longcase clock, the broken arch hood and rectangular panel door with flanking fluted pilasters, the painted dial with arch depicting the S.S. Great Britain, signed W. Burnock?, Appledore, with pendulum, weights lacking

Mahogany longcase clock, the square hood with a swan neck pediment above the rectangular panel door, the painted dial with Arabic and Roman numerals, signed Tanner, Hailsham, with pendulum (weights lacking)

Mahogany longcase clock, the square hood with flanking pilasters above a rectangular door, the painted dial with Roman numerals, signed Damper, Rotherfield, with a subsidiary date aperture and thirty hour movement (pendulum and weights lacking)

Mahogany longcase clock, the square hood above a rectangular panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, signed Thomas Dadswell, East Grinstead, with a thirty hour movement, with pendulum (weights lacking)10ins square dialHeight of the case 6ins high

Longcase clock movement and dial, the square 11in dial with Arabic and Roman numerals, signed Thomas Fowle, East Grinstead, with a thirty hour movement

Longcase clock movement and dial, the 11in square dial with Arabic and Roman numerals, signed George Hill, Lambourn, with a thirty hour movement

Two unsigned brass longcase clock dials with thirty hour movementsAdditional photographs of the movement10.75ins square and 27.5cm square

Two 19th Century longcase clock eight day movements, together with a similar thirty hour movement

George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a shaped panel door with flanking quarter pilasters and conforming plinth base, the painted dial with moonphase arch and subsidiary seconds with an associated two train movement (for restoration, weights lacking)

George III mahogany longcase clock, the broken arch hood above an arched panel door and conforming plinth, the painted dial signed Simkin, London, with a strike silent selector to the arch, subsidiary date and seconds dials, the two train movement with anchor escapement striking on a bellWeights and pendulum present. Please see photographs

George III mahogany inlaid and painted longcase clock, the broken arch hood with brass ball finials and flanking Corinthian pilasters above a rectangular panel door flanked by fluted quarter pilasters and conforming plinth base, the brass mounted and painted dial with Roman numerals, subsidiary seconds dial and date aperture, signed Ninyon? Brighthelmstone, the two train movement with anchor escapement striking on a bell

George III oak longcase clock, the square hood with flanking pilasters above a shaped panel door and conforming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals and subsidiary date aperture, signed F. Stripling, Lichfield, the single train thirty hour movement striking on a bell

19th Century oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above an arched door and conforming plinth base, the painted dial with a hunting scene to the arch, Roman numerals and date aperture, the single train thirty hour movement striking on a bell