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Collection of five antique longcase clock cases.

The remains of a 19th century longcase clock, broken arch painted dial and eight day striking movement, together with two weights (af)

A Georgian mahogany longcase clock, the hood with column supports beneath a dentil frieze exposing broken arch dial with silvered chapter ring and etched centre, set below a pierced arched panel with eight day striking movement, subsidiary calendar and secondary dials by Nicolas Roper of Oakhill, with two brass cased weights and pendulum

Mid-18th century oak longcase clock, the trunk with canted corners, the hood with column supports enclosing a 31cm square brass dial, with cast spandrels and engraved centre, with subsidiary painted 'penny moon' lunar dial and arched calendar dial, with eight day striking movement by David Collier of Gatley

A 1920's oak longcase clock, height 193cm

A reproduction gilt metal mounted longcase clock, height 184cm

A John Collins Wattisfield, 30hr longcase clock, brass dial. 208cms h. 28.5cms d.Condition ReportGood working order.

Oak cased mid-18th century longcase clock with a four pillar 30-hour rope driven movement striking the hours on a bell, recoil anchor escapement with an outside countwheel, ten-inch square brass dial with a nine-inch brass chapter ring, engraved roman numerals, half hour markers and quarter-hour track, finely matted dial centre with a pierced and fettled steel hand, �cockle-shell� spandrels to the corners, chapter ring inscribed �Stonehouse, Whitby�, dial pinned directly to the movement, flat topped case with a broad moulded cornice and plain frieze, square dial door flanked by two turned columns with brass capitals, trunk on a double skirted plinth with a long door and broken arched top. There are two members of the Stonehouse family recorded as working in Whitby, Richard Stonehouse (I) and his son (Richard II) both recorded as working in Whitby between 1715 and 1809.With weight and pendulum.Dimensions: Height: 204cm 

Mid-19th century oak and mahogany longcase clock with a swan neck pediment, brass patera and a brass ball and eagle finial, inlaid with vertical satinwood panels, glazed broken arch door flanked by part-ringed turned columns with brass capitals, trunk with recessed rope-work quarter columns and two inlaid satinwood panels, applied radiating carving above the door, short oak door with inlay and wide mahogany banding, conforming inlay to plinth with shaped bracket feet, painted 13-inch-wide break arch dial with a white center, roman numerals and minute track, subsidiary seconds dial and semi-circular date aperture with disc behind, matching stamped brass �crown� hands and brass winding collets, corresponding floral bouquets to the spandrels and a representation of a rural farmyard scene in the arch, dial faintly inscribed �Walton Crawford, Scarborough�, dial pinned via a cast falseplate stamped �Finmore & Sons� to a four pillar weight driven eight-day rack-striking movement with a recoil anchor escapement, striking the hours on a bell. With pendulum and weights. Walton Crawford is recorded as working in New Street, Scarborough 1851-66.Dimensions: Height: 234cm 

21st century replica longcase clock by �Wood & Son� in a incised light wood case with a swans neck pediment and finial, turned columns flanking a glazed broken arch hood door, trunk with a full length glazed door on a short stepped plinth, visible lyre pendulum with dummy chains and weights, 31 day going barrel movement striking the hours and half hours, brass and silver effect dial with roman numerals and decorative steel hands, faux (non- working) moon dial to the arch.Dimensions: Height: 215cm  Length/Width: 56cm 

A George IV bird's eye maple longcase clock, signed Richard Millar & Son, Edinburgh, the 13 in. enamelled dial with Roman chapter ring, subsidiary seconds and date dials, the twin train movement striking on a bell, within a channel-moulded hood (lacking glass) and architectural trunk, with weights and pendulum. 211cm

An Edinburgh George III mahogany longcase clock, signed Jas. Bymer, the 12 in. silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the twin train movement striking on a bell, within a swan neck hood, above a shaped trunk door, on a box base, includes pendulum and weights. 214cm

An early 19th century oak longcase clock, by Jno Charlton, Durham, the painted arched dial with a ship / moon roller to the arch, subsidiary seconds dial and date roller, twin train 8 day movement a/f with one train disconnected and string/chain and weight missing, the hood with broken swan neck pediment, plain trunk, with pendulum and one weight, 58 by 25.5 by 228cm high.

A 19th Century Scottish Longcase Clock Movement and Mixed Items, the movement by C. Shedden of Perth, the 13ins arched painted dial with Roman numerals and subsidiary dials, painted with literary figures to spandrels and "Fair Maid of Perth" to arch, to the eight day two train movement striking on a bell, and pendulum for same, a longcase clock thirty hour movement, by Wraight & Woolley of Tenterden, two other clock dials, assorted finials, a pendulum and a single weight Note: Charles Shedden of Perth recorded working 1813-1871

An 18th Century Oak Longcase Clock by Hindley of York, with 12ins arched brass dial with wide chapter ring, with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture, and with strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in imposing plain oak case with deep moulded cornices and blind fret frieze, with turned and fluted pillars to hood, the arched trunk door and lower panel later carved with bold floral and leaf ornament, plinth base, 97ins high Note: Henry Hindley of York (1701-1771) - a very able maker of watches, clocks and turret clocks

An 18th Century Oak Longcase Clock, by B. Fieldhouse of Leominster, the 12ins brass dial with Roman and Arabic numerals, to the thirty hour weight driven movement striking on a bell, contained in plain case with moulded cornice and fluted columns to hood, trunk door inlaid with shell motif, on plinth base with bracket feet, 77.5ins high Note: Benjamin Fieldhouse recorded working Leominster 1756

A 19th Century Oak Longcase Clock by Charles Frodsham, the 12ins cream painted dial with Roman numerals, subsidiary seconds dial and painted with roses, to the eight day two train movement deadbeat escapement striking on a bell, contained in oak case with arched pediment, cant corners to hood, plain trunk, on panel plinth base, 78ins high Note: Charles Frodsham, London 1810-1871

A George III Mahogany Longcase Clock, by James Warren of Canterbury, the 12ins arched painted metal dial with Roman and Arabic numerals and subsidiary seconds dial, the arch and spandrels decorated in gilt with floral and leaf paterae and scrolled leafage, to the eight day two train movement striking on a bell, contained in figured mahogany case, probably by Lepine of Canterbury, with shaped cresting above moulded cornice and turned and fluted pillars to hood, arched and moulded trunk door, the base with applied astragal moulding and double plinth, 86ins high (including later turned finials) Note: James Warren recorded working Canterbury, Kent, 1767-1793.

A Late 17th/Early 18th Century Walnut and Marquetry Longcase Clock, by Brounker Watts of London, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture, cast gilt brass winged angels head spandrels interspersed with engraved leaf ornament, to the eight day two train five pillar movement with outside locking plate striking on a bell, contained in walnut and marquetry case, the hood with overhanging moulded cornice above fretted frieze and with spiral turned columns, the door face and moulded edge inlaid with trailing leaf and floral marquetry, the matched panel door with circular glass lenticule within crossbanded borders and with conforming panel plinth on bracket feet, 86ins high Note: Brounker Watts was Apprenticed to Joseph Knibb January 1684 - February 1691, Free of The Clockmakers Company 1693 and recorded working in Fleet Street. In 1711 he avoided Stewardship of the Company as he was "Out of Town", He Died in 1719.

A 19th Century oak and mahogany 8 day longcase clock

A 19th century oak cased 30 hour longcase clock measuring 220 cm tall

A 19th century oak cased 8 day longcase clock with painted dial, pendulum and two weights, measuring 222 cm tall

A North Country mahogany and oak longcase clock with eight day movement and painted arch dial, with weights and pendulum, height 218cm (AF).

An oak cased eight day longcase clock by Alfred Minnis of Spalding with broken arch pediment, brass face with silvered chapter ring, eight day movement with pendulum and weights, height 240cm.

An eight day longcase clock with 12 inch painted arch dial, indistinctly signed Geach St Columb, within an oak and mahogany crossbanded case, height 207cm.

An unusual wall mirror formed from a longcase clock face, fitted a convex mirror with gilt gesso frame, width 35cm.

A Cornish longcase clock face and movement by John Sampson of Penzance, fitted a typical eight day movement striking on a bell, together with pendulum and weights, height 58cm.

A pine cased Cornish longcase eight day clock, the painted dial signed Cohen Redruth, with pendulum and weights, height 189cm (AF).

A Foley Intarsio ceramic model of a longcase clock, designed by Frederick Rhead, colour-decorated with an Art Nouveau lady in profile, blowing dandelions, inscribed 'Prithee Whats O'Clock', printed marks and number 3116, height 34.5 cm.Condition report:The swan neck pediment has been restored professionallyThe movement has been replaced with a battery movement but the dial has been retained

An oak eight day longcase clock, Roger Lee Leicester, early 18th c, the 11½" brass dial with profusely engraved centre, subsidiary seconds ring, ringed winding squares and date aperture, pierced hands, silvered chapter ring and mask spandrels, five pillar movement, the case with ogee pediment and ogee trunk door, on stepped base, pendulum and two iron weights, 205cm h excluding later finials Provenance: Dorothy Taylor, Leicester, September 1985, £3500 According to notes left by Dr Wakely, Miss Taylor bought the present clock in 1985; prior to this it was in the same family from 1787, who had occupied a farmhouse at Billesdon from then until 1965, and were subsequently at Birstall, 1965-85 Dial and movement original to the case, seconds hand replaced, hours and minute hands apparently original or at least contemporary, case backboard replaced, elm stepped base replaced

White (George) ‘ English Lantern Clocks, illustrated, dust jacket, Woodbridge 1989 and other principal works of reference on antique clocks, to include Clutton & Daniels ‘ Watches, T Robinson ‘ The Longcase Clock, P G Dawson (et al) - Early English Clocks, C N Ponsford ‘ Devon Clocks and Clockmakers, C Jagger- Royal Clocks and others (15) and Antiquarian Horological Society ‘ Antiquarian Horology (35 approx)

A mahogany eight day longcase clock, Robert Storer London, late 18th c, the 10½" breakarched brass dial with matted centre, oval silvered tablet inscribed Robt Storer London, subsidiary seconds dial and date aperture, silvered chapter ring, strike / silent ring to the arch, pierced hands and rococo spandrels, in pagoda topped case with fluted pillars and breakarched, flame figured moulded door to the trunk, on panelled base and bracket feet, pendulum and two brass sleeved weights, 229cm h Provenance: Hoffman, January 1976, £1425 Horizontal veneer crack across base panel, otherwise good restored condition as when supplied by the clock dealer concerned in 1976

A Scottish mahogany and line inlaid eight-day longcase clock, James Gray, Kinross, c1820, the 14" painted dial with twin subsidiary dials and pierced gilt hands, the figured trunk with arched door flanked by pilasters, on crossbanded, stepped base, pendulum and two lead weights, 211cm h Provenance: H J L Viney & Daughter Limited, Winchester, February 1962, £36 10s 0d Glass in door cracked, paint on dial flaking and rubbed, case lightly re-polished, minor vertical veneer shrinkage crack to base

A MODERN GLAZED LONGCASE CLOCK BY MONEGA - GERMANY H-202CM

AN ANTIQUE OAK BRASS FACED LONGCASE CLOCK WITH 8 DAY MOVEMENT - J. JARVES - DALTON TWO WEIGHTS - A/F

A VICTORIAN MAHOGANY LONGCASE CLOCK WITH PAINTED MOON DIAL

A 19th century continental oak longcase clock with painted dial and weights

Georgian 30 hour longcase clock with circular painted dial in an oak case Ht212cm

CIRCA 1840 30 HOUR INLAID OAK LONGCASE CLOCK BY J Hanbury, West Haddon, the square hood with single glazed door and brass capped turned pillars housing a single weight pendulum driven bell strike movement, the 11in square dial set with Arabic numerals and date aperture, the shaped top trunk door with crossbanded edging, boxwood stringing and central Sheraton style shell inlay on a stepped base, pendulum and weight included, 201cms H, 45.5cms W

A FINE GEORGE III LONGCASE CLOCK by (Thomas) “HELM, ORMSKIRK”, the 13” brass & silvered dial with moon phase to the arch, minutes, hours, & days of the month, with subsidiary seconds dial, eight-day striking movement, engraved decoration & embossed spandrels, in figured mahogany case with swan-neck pediment, quarter-round pilasters, boxwood inlay, & on bracket feet; 88½” high.

An early 19th century longcase clock with 12” painted dial with landscape decoration, in mahogany case with brass finials & turned pilasters to the hood; “ high.

James Desenne of Shoreditch. A late 17th century marquetry inlaid walnut eight day longcase clockThe 11 in. brass dial with silver Roman chap to ring subsidiary seconds and date aperture signed Jam. Desenne, Shours Ditch, movement with anchor escapement, case with seaweed marquetry and glass lenticleH 217cm. W 49cm.

William Pridham, London. A George III green lacquered longcase clock,the 30cm arched brass dial with central automaton inscribed 'The Royal George' over a silvered chapter ring, subsidiary seconds and date aperture, movement with anchor escapement, the case decorated with gilt motifs and a chinoiserie style panel to the trunk door and box base,W.51cm H.136cm

A reproduction mahogany eight day longcase clock, height 218cm

REPRODUCTION MAHOGANY CASED LONGCASE CLOCK

A George III oak eight day longcase clock, marked William Nash Bridge, height 210cm

A George III oak 8 day longcase clock, marked Waggitt, Richmond, height 213cm

A 19th Century bleached mahogany longcase clock having painted dial depicting 'Lady of the Lake' , 8 day movement, named for A Johnstone, Kilwinning

18th/19th century Oak and Mahogany cased longcase clock, with brass dial by Warburton. Approx. 223cm H x 49cm W x 25cm D

18th Century oak longcase clock by Sam Coxall of Royston, the arched hood with flying eagle finials above a glazed door, the silvered chapter ring with Roman numerals and outer Arabic minutes track, central date aperture and subsidiary seconds dial, pierced brass spandrels, the oak case with door and reduced plinth base, with weights and pendulum, 205cm high

A collection of 19th century and later longcase clock finials

A circa 1800 provincial oak longcase clock, the square brass dial signed James Whitworth, Lussley, the incomplete dial with twin winding holes for an eight day weight driven movement, trunk door locked, with pendulum and single weight (requires significant overhaul and restoration throughout), h.210cm

A contemporary Fenclocks of Suffolk, oak longcase clock having an arched moon phase brass dial, triple weight driven movement and with pendulum and three weights, height 195cm

An early 19th century Longcase clock, B.S. Russel of Selkirk, 8 day movement, 13" dial with floral to corners below a scene of titled gentlemen, having seconds and date dials, oak case with reeded pillars, 85" tall, in running order, case and dial in good condition

A 19th Century oak 30 hour longcase clock, the painted circular dial signed J. Wainwright, Nottingham

A mahogany triple weight Westminster chime longcase clock

A mahogany longcase clock, the brass dial with the makers name John Glasgow (H220cm)

A P.Feren of Dundee mahogany longcase clock with broken arch pediment set with turned finials, abbey design Roman numerated face with subsidiary dials

A miniature mahogany longcase clock, white dial, painted with Arabic numerals, together with another miniature longcase clock, made from a moulded black plastic, with a silver and gilt dial, with Roman numerals (2)

A late 19th century mahogany miniature longcase clock, white enamel 3.5 inch dial marked made in France, the trunk with boxwood and stained shell inlay, the movement stamped made in France, 56cm