Good early 20th century mahogany three train longcase clock, the 10.5" brass arched dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial; also with chime/silent and silent/strike levers at three and nine o'clock, also with St Michael/Whittington/Westminster chime selector dial to the arch, the movement playing on eight tubular bells and striking on another, the case with long astragal glazed door over a panelled base and the hood surmounted by a moulded rounded arched pediment, 81" high (three brass cased weights and a pendulum)
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Stained wooden thirty hour longcase clock, the 10" square brass dial signed John Boot, Sutton Ashfield to the chapter ring enclosing an engraved centre with false winding holes and arched calendar aperture, the case with long door bearing a lenticle window, the hood with a stepped moulded cornice surmounted by a wavy top with cushion padded cornice, 76" high (pendulum)
Mahogany eight day longcase clock, the 12" brass arched dial signed William Burton, Kendal on a silvered disc to the plain centre with calendar aperture, enclosed by a silvered chapter ring under a moon phase, the case with wavy door and the hood with a cut-down flat top and three brass ball and eagle finials, 92" high (pendulum, key and two weights)
Good ebonised pine eight day longcase clock, the 11" square brass dial signed John Aylward, Guildford Fecit on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes, central engraved Tudor rose and calendar aperture, the movement with five knopped ringed and finned pillars, external countwheel strike on a bell, the case with long moulded edged door fitted with a circular lenticle and the hood with a stepped cornice over barley twist pillars, 77" high (pendulum and two weights)
Fine English mahogany month going longcase regulator clock, the 12" circular silvered dial signed E. Satchell, St Albans, with outer minute ring and subsidiary seconds and hour dials, the substantial movement with five latched knopped pillars, deadbeat escapement and jewelled palettes, also with high-count five wheel train and six-spoke wheels, maintaining power and shouldered plates, with separately suspended mercury pendulum with beat adjustment on the crutch, the case of flame mahogany with a long rounded arched door flanked by canted corners (also with a replacement glazed trunk door), the hood surmounted by a stepped cornice over a fluted carved frieze, 78.5" high (mercury pendulum, original oval weight and keys)
Ebonised eight day longcase clock with five pillar movement, the 12" square brass dial signed Joshua Savage, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long door and circular lenticle, the hood with a caddy stepped top and two brass sphere finials, 96" high (pendulum and two weights)
Good walnut and marquetry month duration longcase clock with six pillar movement, the 10" square brass dial signed John Wise, Londini Fecit below six o'clock on the dial plate, the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the later case with long floral marquetry door fitted with a circular lenticle and the hood with a stepped cornice over a blind foliate fret carved frieze, 80.5" high (pendulum, two brass cased weights and keys) (alterations)
Good walnut marquetry inlaid eight day longcase clock, the 11" square brass dial signed Benjamin Johnson, Londini, fecit to the silvered chapter ring enclosing a subsidiary seconds dial above ringed winding holes and calendar aperture, the inlaid case with long moulded door with lenticle window, the converted hood surmounted by a moulded stepped cornice above a fretwork panel, 82" high (pendulum and two weights)
Good Scottish two train regulator longcase clock, the movement with deadbeat escapement and maintaining power striking on a bell, the 13" circular silvered dial signed Jas Muirhead, Glasgow, with subsidiary seconds dial, the satin case with moulded arched glazed windows to the front and sides enclosing a mirrored panel to the back, the balloon shaped hood with moulded surround and applied carved acanthus detailing, 85" high (pendulum, two weights)
An early 19th Century oak and mahogany crossbanded longcase clock with broken swan neck pediment and arched topped door with flanking reeded pillars before a 14 ins rolling moon painted dial with subsidiary seconds and date aperture, maker's name Robert Roberts, Bangor, painted spandrels and Roman numerals, eight day twin weight pendulum driven movement striking on a bell, the case trunk with quarter cut reeded pillars, crossbanded shaped top door with ivory escutcheon and a stepped trunk base on bracket feet, pendulum and weights included, 225 cms high, 56 cms wide
An 18th Century oak longcase clock, the square hood having a scrolled pediment with brass finials, narrow turned Corinthian columns with corresponding half reeded columns to the case and with a long crossbanded door and having a similar period 31 cms (12 ins) square brass dial with subsidiary dials and eight day movement marked Joyce, Ruthin
A 19th Century mahogany longcase clock with 12 ins diameter silvered dial marked Robert Chignell, London, twin weight pendulum driven eight day movement striking on a bell, angled architectural top hood, circular aperture door hood (glass missing), single long trunk door with shaped top on a concave stepped base top, single front moulded edge panel on a plinth base, 205 cms high, 45 cms trunk base width (requiring some restoration)
An early Victorian oak and mahogany longcase clock with broken swan neck pediment and turned finial, applied half cut flanking pillars with single glazed door set before a 14 ins fully restored dial with painted spandrels, subsidiary seconds dial and date aperture, maker David Hughes, Ffestiniog, eight day movement striking on a bell, pendulum and weights included, single rectangular trunk door with flanking half cut turned pillars and lower inset panel on a stepped trunk base, moulded edge inset panel with inlaid cartouche, 221 cms overall height
An early 19th Century oak and mahogany longcase clock, the hood with broken swan neck pediment, arched top glass door with flanking reeded pillars with brass caps, 13 ins arched top dial with rolling moon eight day movement striking on a bell, maker J N o Burton, Norton, single trunk shaped top door with flanking reeded quarter cut pillars on a stepped trunk base with applied moulded edge panel, pendulum and weights included, 218 cms high
A fine quality oak and mahogany inlaid longcase clock having an arched hood with brass and scrolled pediments, inlaid panels and a brass and silvered arched dial having Corinthian side columns to a long door with shell inlay, eight day movement striking on a bell (small crack to door glass), weights and pendulum included, 220 cms overall height, 49 cms hood width
A mahogany cased 8-day quarter chiming musical longcase clock, the associated figured mahogany case circa 1770 with triple fusee movement striking on eight bells and a spiral gong, circa 1890, the brass arched dial with silvered chapter ring signed Windmills & Bennet, London, circa 1725, incorporating strike/silent to the arch and subsidiary seconds and date aperture, 257 cm h overall, the dial 30 cm wide Condition Report The case good/original, the movement associated to case and dial in clean complete condition, the dial good but lacking seconds hand and drive, movement not running as pedulum suspension broken off (BUT WINDS AND PROBABLY RUNS OK), all chimes function correctly on quarters/hours
Daniel Catlin, Lynn Regis (Kings Lynn, Norfolk) a rare 18th century japanned longcase clock having an 8-day movement, the silvered brass arched dial with a bright cut figure of 'father time' counting the seconds over subsidiary minutes and date aperture, 225 cm high Condition Report movement and dial good, clean and complete, weights/pendulum present, the case intact and largely original but typically suffering the ravages of time that japanned cases are prone to
18th century oak longcase clock, 30 hour movement signed William Barnish of Rochdale, chiming on a bell Condition Report Overall the clock is in good condition. The case is well polished with no major splits, cracks or damage. It is uncertain whether the dial/movement is contemporary to the case.
A longcase clock, the 28 cm square painted dial signed R Pugh, Newtown, with Arabic numerals and subsidiary seconds dial, fitted a 30 hour movement, in an oak case, 216 cm high (over finial) Condition report Report by GH Case generally good with scratches, marks and dents commensurate with age. Plinth to the base is possibly not original. Some evidence of old woodworm to the fretwork at the top of the clock. Finials dented but all three present. Clock face appears to have been restored. Cheeks appear to have been modified with extra pieces of wood inserted, suggesting that the face is not original to the case. Face appears to fit the case reasonably well.
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