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An early 19th century oak and mahogany eight day longcase clock with square white enamel dial

An early 19th century oak and inlaid mahogany eight day longcase clock, the arched painted white enamel dial signed J Bright, Sheffield

A late 18th century oak and mahogany eight day longcase clock, the arched dial signed by John Burges, Wigan (for restoration)

An unusual Regency oak longcase clock, circa 1820 in Gothic style, the 15-inch painted dial signed W. Jones, Ludlow, with seconds and calendar dials, iron false plate signed Wilson, 8-day rack and bell striking movement with anchor escapement h.238cm. W

P. McFarlane & Sons, Glasgow: a Regency flame mahogany eight day longcase clock, with circular cream enamel dial, in tapered case with shaped door, and circular top resting on carved stylised lotus leaf buds, and carved crest, on bun feet, with weights, key and pendulum.

AN 18TH CENTURY OAK AND CROSSBANDED LONGCASE CLOCK by James Somervell, no.547, the case with long arched door with a lenticle, above a square base on ogee bracket feet, the hood with square fluted columns surmounted by an arched pediment with brass eagle and ball finials, the arched brass dial with Roman and Arabic numerals to the chapter ring, date aperture, subsidiary seconds dial and moon phase in the arch, the two train eight day movement striking on a bell, 82".

A GEORGE III PINE LONGCASE CLOCK by Thos. Thorp, Colchester, the case with slender trunk, long arched door and square hood, the arched brass dial with Roman and Arabic numerals to the chapter ring, date aperture, inscribed "Tempus Fugit" to the arch, with thirty hour movement, 83".

A WILLIAM IV MAHOGANY LONGCASE CLOCK by Harris, Truro, the case with long arched door inlaid with satinwood stringing flanked by wrythen twist columns surmounted by an arched hood, the painted arched dial with Roman numerals, date aperture and subsidiary seconds dial with two train eight day movement striking on a bell, 84".

AN OAK AND MAHOGANY LONGCASE CLOCK by Clark, Cerne Abbas, the crossbanded trunk door surmounted by a hood with swan-neck pediment, the square painted dial with Roman numerals, subsidiary seconds dial and date aperture with thirty hour movement, 79" Tribe and Whatmoor record a number of clockmakers by the name of Clark working in Cerne Abbas during the 18th/19th centuries and this clock is probably the work of either Robert Clark, 1791-1861 or William Clark, 1793-1823.

A WILLIAM AND MARY STYLE WALNUT LONGCASE CLOCK, the slender quarter veneered trunk with oval glass lenticle above a rectangular plinth base, the arched hood with baluster turned side columns, parquetry border and inlaid stylised sun surmounted by a fretwork frieze, the 9" square brass dial with a silvered chapter ring with Roman numerals and floral engraved centre with thirty hour movement, 90".

AN EARLY VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK by Peacock High Worth, the case with crossbanded door inlaid with olivewood and satinwood shell paterae flanked by fluted quarter columns surmounted by a hood with swan-neck pediment, the painted dial with subsidiary date aperture and seconds dial with two train eight day movement striking on a bell, 85" high.

A South Gloucestershire line inlaid mahogany eight-day longcase clock dated 1820, the four-pillar rack and bell striking movement with 13.5 inch circular white painted Roman numeral dial signed 'Henry Wilkes, Thornbury & Wootton, 1820' to centre, the case with arched shaped crest over break-arch pedimented hood with fluted Corinthian pilasters, with rectangular trunk door flanked by canted corners beneath, on conforming plinth base with shallow skirt, 211cm high. Henry Wilkes is recorded in Dowler, Graham 'The Gloucestershire Clock and Watch Makers' as working from Thornbury in the early 19th century.

A George III London mahogany eight-day longcase clock circa 1770, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and applied silvered nameplate 'James Milner, London' to the matted centre within a silvered Roman numeral chapter ring with Arabic minutes, the angles with Indian mask spandrels and with Strike/Silent dial between dolphin mounts to arch, the break-arch top case with cavetto cornice to hood over break-arch trunk door and plain plinth base with moulded skirt, 221cm high. A James Milner is recorded in Britten's 'Old Clocks and Watches and their Makers' as working in London from 1737.

A Regency line inlaid mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral circular dial with subsidiary seconds and calendar dials to centre, the break-arch pedimented case with concave sided crest and reeded angles to hood over crossbanded trunk door flanked by conforming angles to trunk, on plinth base with bracket feet, 220cm high.

A mahogany crossbanded oak longcase clock, now with four-pillar eight-day rack and bell striking movement to the 12 inch square brass dial with subsidiary calendar dial to the foliate engraved silvered centre inscribed 'John Lawrence 1775', within applied silvered Roman numeral chapter ring and cast rococo spandrels, the flat-top case with turned hood columns over shaped-top crossbanded trunk door flanked by quarter columns, on plinth base, 202cm high.

An oak and mahogany 30-hour longcase clock circa 1830, the bell-striking movement with 12.5 inch white painted Roman numeral break-arch dial with arch calendar aperture to centre and floral decorated spandrels, the arch decorated with a pheasant, the swan neck pedimented case with turned hood pilasters and short trunk door over plinth base, 207cm high.

An eight-day longcase clock movement and dial circa 1690, the six finned and latched pillar movement with original anchor escapement, the striking train removed, the 11 inch square brass dial with vacant calendar aperture, ringed winding holes and subsidiary seconds dial to the rose engraved matted centre, within a silvered Roman numeral chapter ring with Arabic minutes and stylised sword hilt half-hour markers, the lower edge signed 'Tho. Wintworth, Sarum', the angles applied with cherub head spandrels with foliate engraving between. Thomas Wentworth (I) is recorded in Snell, Michael 'Clocks & Clockmakers of Salisbury' as working 1675-89 a clock by his son, Thomas is also included in this sale, Lot 611.

A late 18th century oak 30-hour longcase clock case, with moulded cornice over 11 inch square aperture and turned columns to hood, with rectangular trunk door and plain plinth base with bracket feet, 193cm high.

A George III inlaid figured mahogany eight-day longcase clock with moonphase circa 1790, the four-pillar rack and bell striking movement with 12 inch white painted break-arch Roman numeral dial, the centre with subsidiary seconds and calendar dials and signed 'Thomas Vennall, Rye', with polychrome and gilt rose painted spandrels and moonphase to arch, the case with fretwork arch crest to the break-arch hood with fluted pilasters, over break-arch trunk door and applied panel plinth with fan inlaid angles, on moulded skirt base, 205cm high. A Thomas Vennall is recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working from Deal 1826-9. This clock may well be an earlier example by this maker or by a relative.

A selection of assorted longcase clock and other pendulums.

Three pairs of eight-day longcase clock weights and eight assorted other weights.

An 18th century Continental iron framed 30-hour posted longcase clock movement and dial, with anchor escapement and countwheel strike on a bell, the 8.5 inch square brass dial with matted centre within applied Roman numeral pewter chapter ring with double C-scroll half-hour markers, with cherub head spandrels applied to angles and later crown and sceptre surmount, movement associated to dial.

Two late 18th century 30-hour longcase clock movements, each of four-pillar plated construction with outside countwheel strike and anchor escapement.

An early 18th century 30-hour longcase clock movement and dial, the posted movement with anchor escapement and countwheel striking on a bell above, with associated 10.5 inch square brass dial with matted centre and vacant calendar aperture, applied with Roman numeral chapter ring and cherub and crown pattern spandrels.

A 30-hour longcase clock movement and dial circa 1750, the four-pillar movement with anchor escapement and outside countwheel strike on a bell, the 10 inch square brass dial with floral engraved centre signed 'Geo Washbourn, Glow' within applied Roman numeral chapter ring with diamond half-hour markers, the angles with cockleshell pattern spandrels. George Washbourne is recorded in Dowler, Graham 'Gloucestershire Clock and Watchmakers' as working in Southgate St, Gloucester after 1721.

An 18th century Wiltshire mahogany eight-day longcase clock, the four finned pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and subsidiary seconds to the matted centre, within an applied Roman numeral chapter ring with Arabic minutes and fleur de lys half-hour markers, the angles with Indian mask pattern spandrels beneath a domed boss signed 'Thomas Wentworth, Sarum' between dolphin cast mounts to the arch with herringbone engraved borders, now in a Bristol area inlaid mahogany case with swan neck pediment over Corinthian pilasters and wavy edge door to hood, canted angles and break-arch conch shell inlaid trunk door, on shaped panel applied plinth base with double skirt, movement and dial circa 1730, case circa 1780, 226cm high. Thomas Wentworth (II) is recorded in Snell, Michael 'Clocks & Clockmakers of Salisbury' as working up to 1740, he was Mayor of Salisbury in 1719. A movement and dial by his father is also included in the sale, Lot 578.

A good Bristol area 30-hour longcase clock movement and dial dated 1759 the four-pillar outside countwheel striking movement with anchor escapement and 11 inch square brass dial with centre engraved 'Jesse & Esther Turner 1759' within leafy scrolls, the applied Roman numeral chapter ring with Arabic minutes, fleur de lys half-hour markers and signed 'Samuell Collings, Mangotsfield' along lower edge, with female mask spandrels to angles. Samuel Collings is recorded in Moore A.J. 'The Clockmakers of Bristol 1650-1900' as maintaining Stapleton Church clock in 1789. As this clock pre-dates this by thirty years, it may well have been made by an unrecorded relative.

A 30-hour posted longcase clock movement and dial circa 1740, the iron framed movement with anchor escapement and countwheel strike, the 10 inch square brass dial with square calendar aperture to the phoenix and Hoho bird engraved matted ground centre within an applied Roman numeral chapter ring with fleur de lys half-mour markers and signed 'Geo Wood, Nailsworth' to the lower edge, the angles with applied female mask spandrels with husk decoration between. George Wood is recorded in Dowler, Graham 'Gloucestershire Clock and Watchmakers' as working mid 18th century.

A 30-hour longcase clock movement and dial with penny moon circa 1740, the four finned pillar movement with outside countwheel strike, the 12 inch square brass dial with arched calendar aperture and penny moon with age to the foliate engraved matted ground centre, within an applied Roman numeral chapter ring with fleur de lys half-hour markers, Arabic minutes and signed 'Thomas Lister, Luddenden' to the lower edge, the angles with applied small urn pattern spandrels with herringbone engraving between. Thomas Lister is recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working in Luddenden, then Halifax up to 1779 his son, Thomas II was renowned for his world time dials.

A mahogany cased longcase clock, the eight-day single fusee four-pillar movement with Harrison's maintaining power and deadbeat escapement within A-shaped plates, the associated 12 inch square brass dial with arched calendar aperture and recessed nameplate inscribed 'Jo'n Bagnall, Dudley' to the foliate engraved matted centre, within an applied Roman numeral chapter ring with Arabic minutes and mask and scroll cast spandrel mounted angles, the later shaped-top pediment case with Corinthian hood pilasters over rectangular trunk door and panelled plinth base, composite, 203cm high.

A mid 19th century German Black Forest wooden framed longcase clock movement and dial, the four-wheel twin train outside countwheel bell-striking movement with anchor escapement and wooden arbors, fronted by a 12 inch cream painted Roman numeral break-arch dial with rose painted spandrels and cottage to arch.

A West Country inlaid figured mahogany eight-day longcase clock circa 1830, the four-pillar rack and bell striking movement with unusual 13 inch convex centred cream painted Roman numeral break-arch dial, with arched calendar aperture and subsidiary seconds dial within painted night-time cottage scenes to spandrels and conforming scene of The Old Woodman to arch, the break arch top case with wavy shaped edge crest and spiral turned Corinthian pilasters to hood over short panel inlaid trunk door between conforming twist pillar mounted angles, on crossbanded and line inlaid plinth base with bracket feet and shaped apron between, 225cm high. The scene to the arch is probably taken from an engraving by Bertolozzi after Thomas Barker of Bath entitled 'The Old Woodman', the model was called George Kelston who was well known in the Bath area in the 1790s. See 'The Barkers of Bath', an exhibition catalogue, Victoria Art Gallery, Bath, 17 May - 28 June 1986 p.27.

A 30-hour longcase clock movement and dial circa 1740, the outside countwheel bell-striking movement with 11.75 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate, insect and bird decorated matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Sam. Jackson, Wisbech' along lower edge, the angles with female mask pattern spandrels.

Six various 30-hour plated longcase clock movements, 18th and early 19th centuries, each with outside countwheel strike; two posted frames; a Continental weight-driven movement; two chapter rings and a small convex fusee clock dial, (12).

An early 19th century scumbled pine 30-hour longcase clock, with outside countwheel bell-striking movement and 11.75 inch square white painted Roman numeral dial with arch calendar aperture, polychrome painted bird perched on flowering branch decoration and signed J'N. Spurrier' to centre within rose painted spandrels, in a swan neck pedimented case with turned hood pilasters over rectangular trunk door and plinth base with moulded skirt, 209cm high.

An inlaid oak, mahogany and yew eight-day longcase clock with moonphase circa 1825 the rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds, polychrome painted views of windmills and signed 'Jn'o Smith, Wrexham' to centre with rose painted spandrels and moonphase to arch, the swan neck pedimented case with reeded hood pilasters over parquetry panelled frieze to throat and fretwork crested panelled short trunk door centred with conch shell cartouche flanked by turned pilasters to angles, on conforming inlaid and banded plinth base with bracket feet, 228cm high. A John Smith is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Wrexham up to 1830.

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'R. Foot' to centre, the angles with rose painted spandrels beneath gilt rosette and festoon decorated arch, in a later break-arch pedimented case with break-arch door and canted angles to trunk, on plinth base, 197cm high.

A Somerset oak cased 30-hour longcase clock circa 1770, the posted countwheel striking movement with 12 inch square brass Roman numeral dial, with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre within applied chapter ring with Arabic minutes and signed 'Nich. Roper, Oakhill' to lower edge, the angles applied with mask and scroll cast spandrels, now in a swan neck pedimented case with conch shell inlaid rectangular trunk door and recessed panel to plinth, lacking pilasters and door to hood, 211cm high.

An oak eight-day longcase clock circa 1740, the four finned pillar rack and bell striking movement with 12 inch square brass dial with square calendar aperture and subsidiary seconds dial to the matted centre, within silvered Roman numeral chapter ring with fleur de lys half-hour markers and Arabic minutes, the angles with applied female head pattern spandrels, the case with concave sided pediment and integral door columns to hood over long trunk door and plinth base with moulded skirt, 205cm high.

A 19th century inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch brass break-arch Roman numeral dial with subsidiary seconds to the matted centre, within silvered chapter ring with Arabic minutes and fleur de lys half-hour markers, signed 'W. Mapson, Wotten Bassett' along the lower edge, with gilt mask and scroll cast spandrel mounted angles beneath silvered boss inscribed 'Tempus Fugit' between dolphin mounts to arch, in a swan neck pedimented case with turned pilasters to hood, conch shell centred shaped-top mahogany crossbanded trunk door between fluted quarter columns, on plinth base with bracket feet, 220cm high.

A Scottish George III eight-day longcase clock in a scarlet lacquer case, the four-pillar rack and bell striking movement with 12 inch single-sheet brass break-arch dial (formerly silvered) with seconds dial and calendar aperture to the foliate engraved centre within Roman numeral chapters with Arabic minutes and scroll engraved spandrels, the arch signed 'Rob't Alexander, Leith' within foliate scrolls, in a flat-top pedimented case with integral hood pilasters and break-arch trunk door polychrome and gilt decorated with figures within elaborate Oriental pagodas, on a reduced plinth base with moulded skirt, case retouched, 209cm high. Robert Alexander is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Leith 1751-73.

A George III figured mahogany eight-day bracket clock circa 1800, the five-pillar twin fusee bell-striking movement now with anchor escapement, the backplate with foliate engraved border, the 7 inch cream painted Roman numeral break-arch dial signed 'Thomas Pace, London' within a leafy oval cartouche to arch, in break-arch case with brass carrying handle, rectangular side windows and brass fillet moulding to front door, on plinth base with brass ogee feet, losses to dial finish, 39cm high excluding handle. Thomas Pace is recorded in Brittens as working 1784-1840. A longcase clock by the same maker was sold in these rooms on 2nd March 2004 Lot 446 for # 3200.

An Edwardian inlaid mahogany eight-day precision longcase clock with moonphase, the four-pillar movement with deadbeat escapement and maintaining power, striking the hours on a tubular gong and with wood rod pendulum, the 13 inch brass Arabic numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate engraved centre signed 'T. Pear & Son, Stafford' within gilt numeral applied silvered chapter ring and female mask and scroll pattern spandrel applied angles, with moonphase to arch, the swan neck pedimented case with Corinthian pilasters to hood over oval fan cartouche centred trunk door and conforming plinth base with bracket feet, 234cm high. The inside is pasted with a presentation certificate from Tom Pear Senior to his son, Thomas William Pear, on the event of his marriage in 1910, it has remained in the same family since.

An early 19th century mahogany longcase clock, the arched hood with ball and spire finials and turned columns having a moulded arched waist panel door on a box base, the 31cm. arched brass dial with silvered chapter ring, date aperture and subsidiary seconds dial, signed to the arch 'James Low, Arbroath', the twin-train movement striking to a bell, 218cm. high.

A 19th century mahogany and inlaid longcase clock, the hood with swan-neck pediment and Corinthian columns, having an arched inlaid waist panelled door decorated with neo classical urn and ribbon designs with similar decoration to the boxed base, the 30cm. arched brass dial signed 'Benefink & Co., London', with subsidiary seconds dial, the twin train movement with anchor escapement, striking to a gong, 237cm. high.

A late 18th century oak and mahongay longcase clock, the arched hood with square top and turned columns, having an arched cross-banded waist panel door on a box base, the 30.5cm. arched brass dial signed 'Henry Strawbridge, Chudleigh', with subsidiary seconds and date aperture and engraved winged griffin to the arch, the twin train movement striking to a bell, 221cm. high.

A mid 19th century mahogany and boxwood strung longcase clock, the arched hood with ball and spire finial having a plain field panel door enclosed by fluted quarter columns on a box base, the 33cm. circular painted dial signed 'William Wright, Dunbar', with subsidiary seconds and date dial, the twin train movement striking to a bell, 215cm. high.

A late 18th century fruitwood and oak longcase clock, the square hood with caddy top with turned columns with a moulded plain field waist panel door with inset glass panel on a box base, the 30.5cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture signed to the arch 'Far. Webb', the twin train movement striking to a bell, 230cm. high.

An early 19th century mahogany and boxwood strung longcase clock, the square hood with swan-neck pediment, the trunk with plain field door raised on a moulded box base, having a 35cm. painted arched dial with spandrels depicting the four continents, with subsidiary seconds and date dials, the twin train movement striking to a bell, 221cm. high.

A 19thC oak and mahogany longcase clock, with painted dial with seconds dial and calendar aperture, painted with cottages and Roman ruin to the arch, signed Henry Goodwin, Newark, of 8 day movement, the hood with a swan neck pediment and turned pilasters, the crossband trunk with triple cusp door, on deep plinth, 83" high.

A 19thC flamed mahogany longcase clock, with swan neck pediment, reeded square column hood, the trunk having full length door enclosed by reeded insert columns, canted base with ogee feet, the painted 14" dial having churches to the spandrels, roman numerals, seconds ring, date crescent and marked J. KANT, Manchester, 8 day movement, striking on bell. 87" high.

A mid 18thC oak longcase clock, having a 12" square brass dial, with silvered chapter ring, seconds dial, date aperture, engraved with foliate scrolls to the centre, mask spandrels and signed Jos. Tilly, London, of 8 day movement. The hood with a cavetto cornice over dentil frieze and four barleytwist pilasters, the trunk with a rectangular moulded door, over plinth, 80" high. To be sold without reserve at the vendor's request.

An early 19thC mahogany longcase clock, the painted dial with seconds dial, gilt floral spandrels, with figural landscape to the arch, of eight day movement, the hood with arched pediment, turned parcel gilt pilasters, the trunk with arched door flanked by canted corner, over a deep crossbanded plinth, 811/2" high.

A 19thC mahogany and oak longcase clock, the painted dial with seconds dial, with a landscape to the arch, signed Pearce, Grantham, of eight day movement, the hood with swan neck pediment surmounted by three brass orb and eagle finials, turned pilasters, the trunk with satinwood strapping to the frieze, shaped cross banded door flanked by canted corners with acorn terminals. 88" high. To be sold without reserve at the vendor's request.

An 18thC flamed mahogany longcase clock, with arched and pillared hood, the trunk quarter inset with pillars and having full length crossbanded door, canted (and reduced) base, the brass 13" dial having moon roller to the chased arch and applied spandrels, the chapter ring having Roman hour numerals, Arabic minute numerals, the matted centre having subsidiary seconds ring and date aperture within an oval cartouche marked Seddon FRODSHAM. 8 day movement , striking on bell. 8' high to arch.

An 18thC mahogany longcase clock, with swan neck fluted pillar hood having verre eglomise panels, the trunk being quarter inset with fluted columns and full length shaped door, canted base with plinth, the 13" brass dial having painted and silvered moon roller to the arch, cast amorini spandrels, applied silvered chapter ring with Roman hour numerals and Arabic minute numerals, the centre field being a date ring with floral chased centre marked Rathbone, MIDDLEWICH, 8 day movement, striking on bell. 88" high.

An early 20thC mahogany miniature longcase clock, with 8-day Peerless chiming movement. 34" high.

GEORGE III EIGHT-DAY OAK LONGCASE CLOCK, by Baker of Appleby, with a brass dial, the hood with dentilled cornice, above a pair of tapering columns, on a panelled trunk. 206cm

AN OAK THIRTY HOUR LONGCASE CLOCK dial: 10inch brass chapter ring, the face signed Andrew Padbury of BpS, Waltham, 83in. (211cm.) high

A SMALL GREEN JAPANNED LONGCASE CLOCK dial: 8 1/4inch signed Chr. Gould, London, subsidiary seconds ring and calendar aperture, case: square hood flanked by turned pillasters with gilt metal capitals, blind fret carved cornice, the case worked with gilt chinoiseries, 70 1/2in. (179cm.) high