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A selection of clock and watch reference books consisting of: ''The Longcase Clock'' volumes one and two by John Robey; ''Pocket Watches from the Pendant Watch to the Tourbillon'' by Reinhard Meis; De Carle's ''Watch & Clock Encyclopedia''; ''Practical Watch Repairing'' and ''Clock and Watch Escapements'' by W.J. Gazeley; clock magazines etc (two boxes)
Good English oak eight day weight driven three train longcase clock, early 20th century, the 11" square brass dial signed Maple, London, with subsidiary seconds dial and foliate engraved centre, with chime/silent and six gongs/four gongs selection levers, the case with long carved panelled door and the hood surmounted by a stepped moulded pediment over a carved frieze, 80.5" high (pendulum and three weights)
Mahogany three train musical longcase clock, the 14" brass arched dial signed W Drew, Lynn on the silvered chapter ring, with four bells/eight bells lever positioned at three o'clock enclosing a foliate engraved centre with subsidiary seconds dial, with moon phase and painted ships to the arch, the movement playing on a nest of eight graduated bells, the flame mahogany case with long triple pointed arched ebony banded door, surmounted by a swan neck pediment and inlaid overall with oval reserves depicting conch shells, birds and Classical urns, 88" high (pendulum and three weights)
Oak eight day longcase clock, the 12" painted arched dial signed R. Hampton, Manchester to the centre with subsidiary seconds dial and calendar aperture, the case with long rounded arched mahogany banded door and the hood surmounted by a pagoda top with three brass ball and eagle finials, 94" high (pendulum and two weights)
Impressive oak three train longcase clock, the 11" silvered circular dial with raised gilt Arabic numerals, fitted with chime/silent and Whittington/Westminster selection levers, the case with long glazed door with applied foliate carvings and the hood surmounted by a carved foliate border, 90" high (pendulum and three weights)
Oak thirty hour longcase clock, the 12" square painted dial signed Samuel Shortman, Newnham to the centre with subsidiary seconds dial and calendar aperture, the case with medium length crossbanded door and the hood surmounted by a swan neck pediment and three brass finials, 80.5" high (pendulum and weight)
Mahogany three train musical longcase clock, the 12" arched dial with moon phase and calendar chapter ring, over a silvered principal chapter ring with Arabic numerals enclosing an engine turned centre with subsidiary seconds dial, the movement playing on eight tubular bells, the case with long rounded arched bevelled glazed door and the hood surmounted by a rounded arched moulded pediment, 91" high (pendulum and two weights)
Good walnut month going longcase clock with five pillar movement, the 11" square brass dial signed William Williamson, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and central engraved Tudor rose, the case with long featherbanded beaded door fitted with an oval lenticle and the hood surmounted by a flat stepped top over a blind geometric carved fretwork panel, 82" high (pendulum, two weights and keys)
Mahogany grandmother eight day longcase clock, the 6.5" brass arched dial signed Thomas Scott, Bath on a silvered arched plate to the matted centre, the case with long moulded rounded arched door, the hood surmounted by a swan neck pediment with brass ball and eagle finial, 68" high (pendulum, two weights and key)
Oak thirty hour longcase clock, the 10.25" square brass dial signed Phippard, Poole on the brass chapter ring enclosing a matted centre with single iron hand and the movement with outside countwheel, the case with long beaded moulded edge door and the hood surmounted by a flat moulded stepped cornice, 80.5" high (pendulum and weight)
Oak and mahogany eight day longcase clock, the 12" painted arched dial signed Tomlinson, Horncastle, with subsidiary seconds dial and arched calendar aperture, painted with a marine scene to the arch, within a case with short mahogany banded pointed door, the hood surmounted by a moulded swan neck pediment with three brass ball finials, 84" high (pendulum, two weights and keys)
Mahogany eight day longcase clock with five pillar movement, the 12" silvered dial signed T. Payne, London, with subsidiary seconds and calendar dials to the centre, also with strike/silent dial to the arch, the case with long moulded arched door and the hood surmounted by a moulded rounded arch pediment, 86.5" high (pendulum, two weights and key)
Good English mahogany regulator longcase clock, the 12" circular silvered dial signed James Morton, Sunderland & So. Shields, Cardiff to the centre with subsidiary seconds and hour dials, the movement with pinwheel escapement and maintaining power, the case with long glazed rounded arched door over a panelled stepped base, with pierced carved foliate embellishments, 74.5" high (pendulum, weight and keys)
Good mahogany inlaid eight day longcase clock signed Samuel Thorpe, Abberley on the oval dial plate with subsidiary seconds and calendar dials, the oval dial plate with moon phase to the top over symbolic painted standing ladies to either side, the movement with deadbeat escapement and maintaining power, the case with medium length moulded arched door flanked by gun barrel turned pillars, surmounted by a moulded swan neck pediment with carved foliate rosettes, 96" high (pendulum and two weights)
Oak thirty hour longcase clock, the 11" square brass dial signed Richard Boyfield to the foliate engraved centre with later alarm dial, the case with long pointed arched door carved with the poem 'Our life is a dream our times a stream slide swiftly away and the fugitive moment refuses to stay' surmounted by a moulded stepped pediment, 76" high (pendulum but no weights)
An early 19th century oak and mahogany cased eight-day longcase clock; the 13.15" broken-arch dial with silvered chapter ring with Roman numerals and central foliate style engraving and the arch with a silvered roundel signed J. Davison, Perth; shaped crossbanded trunk door flanked by quadrant fluted pilasters with gilt-metal capitals and raised on short ogee-style bracket feet (approx. 220cm high)
GEORGE GOODALL OF ABERFORD; a George III mahogany longcase clock, the moulded cornice above domed brass moon phase dial set with Roman numerals and date aperture, inscribed with maker's name and number 549, above single slender door, plinth base and bracket feet, height 232cm.Additional InformationCrude and poor restoration to hood and door. Movement plate is modern. Repainted moonphase. Spandrels are crude replacements. Vertical splits to door. Large vertical split to plinth base. Some mouldings reapplied. Movement, case and dial associated.
GABRIEL SMITH OF CHESTER; an 18th century oak cased eight day longcase clock, the brass dial set with Roman numerals, subsidiary seconds dial and date aperture, height 192cm.Additional InformationHands and spandrels are replacements. General wear and tear to the case, including some chips and losses.
A 19th century mahogany cased longcase clock of architectural form, the square silvered dial with Arabic and Roman numerals with subsidiary seconds dial above plain case with glazed central door, raised on bracket feet, height 219cm.Additional InformationUnfortunately we are unable to provide an image of the movement for this lot.
An 18th century Scottish mahogany longcase clock, the hood with swan neck pediment, carved flower head decoration and reeded columns, similar quarter turned columns and full length door tot he trunk, on bracket feet, arched brass dial with silvered chapter ring and 'compass point' seconds dial, 8 day movement by Matt Wylie, Paisley No 369, height 211 cm
An early 19th century oak longcase clock, the later case with mahogany crossbanding, the hood with broken arch pediment and reeded side columns, quarter reeded columns and full length arched door to the trunk, on ogee bracket feet, square painted dial and 8 day striking movement by Thos Holmes, Cheadle, height 215 cm
A late 18th/early 19thC mahogany longcase clock, the silvered dial with moon face, engraved with Roman numerals etc., eight day four pillar movement, the reverse of the dial stamped Wright, the mahogany case with three brass finials, shaped crest and reeded pilasters, the door with moulded edge and base with similar mouldings, on bracket feet, 224cm H.
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41749 item(s)/page