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Early 19th century oak and mahogany banded longcase clock, swan neck pediment with finial, fluted quarter columns, enamel Roman dial painted with birds signed 'Richd Giffith, Denbigh', eight day movement striking the hours on bell, false plate signed 'Wilson', H214cm Condition Report Click here for further images, condition, auction times & delivery costs

19th century figured mahogany longcase clock, enamel moon phase Arabic dial painted with birds, subsidiary seconds dial and date aperture, 8-day movement striking the hours on bell, H228cm Condition Report Click here for further images, condition, auction times & delivery costs

A 19th Century oak 8-day longcase clock

A mahogany triple weight longcase clock

A mahogany 8-day Longcase Clock, by Jo'n Thompson, Doncaster, with two-weight movement striking on a bell, the twelve-inch arched brass dial with silvered chapter ring, black Roman and Arabic numerals and cherubic spandrels, the case with plain trunk door, pagoda-style hood with brass spherical finials surmounted by eagles, 95in (241cm) high.

An 18th century longcase clock with 8 day chiming movement, brass face plate, Signed William Stumbles Totnes.

A 19th century longcase clock with 8 day movement, the dial with two subsidiary dials, painted with ships J.Howden & Co Edinburgh.

A George III oak longcase clock case, 209cm

An oak thirty hour longcase clock, brass dial inscribed Thos Lister, later case

An oak and mahogany eight day longcase clock, swan neck pediment, mahogany crossbanded trunk door, 13-inch painted arched Roman numeral dial inscribed W.Wain Alfreton, seconds dial and date aperture, corners painted with pink roses and the arch depicting a lady holding a lyre, four pillar movement with attached Walker & Hughes falseplate, anchor escapement and rack striking on a bell, possibly a later case, 213cm high 03.09.18, Pediment with chips and cracks to the veneers, hood door with a small hole to the bottom edge, door with small cracks and chips to veneers, case sides and plinth with small cracks, trunk door escutcheon is damaged, later skirting/feet, dial is rubbed in parts and with scratches, painted dial surfaces have been re-touched in parts, possibly a later case, with pendulum and two weights.

A mahogany longcase clock, the painted arch dial signed Tho Pattinson, Winton

An oak longcase clock

A Victorian eight-day longcase clock having a painted maritime rolling dial inscribed John Jones of Aberystwyth

An early nineteenth century oak encased longcase clock inscription for William Hesman of Reigate to the painted dial, bearing Roman numerals, 217cms high Condition Report: please request via email. Condition reports not stated with descriptions in this auction

An Edwardian inlaid mahogany brass dial eight-day longcase clock with silvered chapter ring & Arabic numerals, 203cms high

Thomas Marsh of London 8-day chinoiserie decorated longcase clock, the brass face with Roman numeral chapter ring, subsidiary dials & corner spandrels with dolphin decoration with an arch topped hood with bird pediment. The longcase body profusely decorated with Chinese motifs & designs, raised on platform base

A good nineteenth century marquetry encased eight-day longcase clock with unusual marquetry with hens and flowers and having a painted arched rolling-moon dial, two subsidiary dials & Roman numerals, the dial inscribed W Woolrick, Wolverhampton, 233cms high Condition Report: please request via email. Condition reports not stated with descriptions in this auction

Joshua Farrer - a George III mahogany eight day longcase clock, the 11" brass dial with date aperture and silvered chapter ring with Roman numerals, the arched pediment with pierced cherub decoration, the movement striking on a bell, the hood with a swan neck pediment, the case with boxwood inlay, 2 x weights, pendulum, height 240 cm. The Farrer family of clockmakers are numerous and a very complicated group to understand. They began in and around Pontefract, where they mostly worked, though there is indication that the first Farrers learned their trade in the Halifax area, perhaps under the Ogden family. The first Farrers, Abraham and William, were working in Pontefract by the 1690s. These were no country clocksmiths. They were highly proficient, fully conversant with the best London practices and styles of the day and were quite capable of making top quality clockwork. They were followed by three or perhaps four more generations each with numerous practitioners of the craft. Joshua Farrer, born at Pontefract about 1771, also worked in Doncaster and died in 1838.

H. Berhoud, Bern - a 20th century oak Swiss Art Nouveau style eight day longcase clock, the 12" octagonal brass dial with applied Arabic numerals, the movement striking on two gongs with repeater cord, the floral carved case with a stained glass door panel, 2 x brass weights, pendulum, height 216 cm.

I. Wreghit, Patrington - a George III mahogany and oak cased eight day longcase clock, the 13" painted dial with subsidiary seconds dial and date aperture, the movement striking on a bell, the hood with a swan neck pediment, to a boxwood strung case, height 228 cm, key, 2 x weights, pendulum, please note the dial is partially detached from the movement. John Wreighitt was made free in 1822 and listed as a clock maker from 1823 - 1840, although painted dial clocks from 1780 are known by him.

Samuel Atkinson, Bridlington - a George III eight day oak case longcase clock, the 12" brass dial with subsidiary seconds dial, strike/silent dial, date aperture, and silvered chapter ring with Roman numerals, the movement striking on a bell, the hood with a swan neck pediment to a plain case, key, 2 x weights, pendulum, height 210 cm. Atkinson was a clock and watch maker as well as a whitesmith (a person who makes articles out of metal, especially tin) and operated between 1760 - 1800.

A 19TH CENTURY LONGCASE CLOCK the painted dial with 'Cottars Saturday Night' above the Four British Nations, with seconds and calendar dials, in a mahogany and marquetry case, 230cm high Condition Report: Available upon request

A George III Scottish Mahogany Eight-Day Longcase Clock, the painted white dial with Roman numerals and two subsidiary dials, inscribed "W. Young, Dundee", with arched hood over crossbanded and inlaid trunk door, the base on bracket feet, (no weights) 212cm high.

A George III Mahogany Eight-Day Longcase Clock, probably Scottish, the white painted dial with Roman numerals and two subsidiary dials, stepped pediment with applied carving, arched hood door above crossbanded trunk door, reeded pilasters and plinth base on small bun feet, 224cm high.

18th Century mahogany longcase clock by Crosby of Bridlington, painted dial with subsidiary second and date dials, two train movement striking on a bell, 210cm

18th Century mahogany longcase clock with painted dial, subsidiary second and date dials, twin train movement, striking on a bell, 209cm

John Ramsbottom of Hall Green longcase clock the brass face with Moon Calendar and subsidiary seconds dial 216cm high

Early 18th century marquetry longcase clock with floral decoration, the 8 day duration 5 pillar movement striking the hours and half hours on two bells, repeat for the hours and half hours, the brass dial with silvered chapter ring, matted centre, subsidiary seconds ring, date aperture, alarm disc, brass ornate applied spandrels inscribed Step. Willmott. London, with square hood. Height 220cm. Stephen Willmott is listed in London from 1667 (apprenticed) and is recorded in the Clockmakers' Company from 1674Provenance - Removed for sale from Runnymede Park, Egham.

19th century mahogany longcase clock the eight day movement striking on a bell, painted face with subsidiary seconds dial and date aperture, Leach, Romsey, 205cm high

Eight day weight driven longcase clock movement by Rob Rew, the brass face with subsidiary seconds dial and date aperture, (MOVEMENT ONLY ) 30cm x 30cm

Late 18th/ early 19th century eight day mahogany longcase clock with painted face, black painted Roman numerals with square hood, Total height is 250cm

A mid 18th century George II walnut longcase brass faced clock by Joseph Smith, Bristol, circa 1760. Rare automaton Perseus and Andromeda moonphase action over the brass face with secondary aperture window and faceted hands. Notation to the centre for maker with further notation to the top arch ' Perseus and Andromeda '  The Walnut trunk with simple reeded columns to the sides of the hood. Complete with the brass pendulum and weights. Measures 236cms  x 49cms x 25cms depth

A George III 19th century oak cased longcase clock by John Day, Wakefield. The clock with painted face with facted hands and moonphase and date/ dial  apertures complete  with arched hood and inlaid trunk raised on short bracket feet. Measures 230cms high x 52cms wide

A 19th century mahogany longcase clock by George Lewton, Kingswood, Bristol. The painted face with secodary apertures, faceted hands under moonphase action. Set to a mahogany trunk with columns to either side of hood with brass eagle swan neck pediment having blind fret work decoration. Complete with key, weights and pendulum. Measures 234cms high x 48cms wide x 25cms depth

Good mahogany, crossbanded and inlaid eight day longcase clock, the 14" square brass dial signed Benbow, Newport to the foliate engraved centre with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with short crossbanded door inlaid with an oval conch shell, flanked by quarter fluted pillars, the hood surmounted by a moulded swan neck pediment and brass ball and eagle finial, 92" high (pendulum, weights and keys)

A 19th century mahogany longcase clock, the swan neck pediment over the enameled face with Roman numerals, date and second dials, pierced hands, painted spandrels depicting ladies and the top arch depicting a fight scene from Rob Roy, with an eight day movement, signed James Cassels, h. 223 cm, w. 51 cm, d. 24 cm CONDITION REPORT: Re-finished. General wear and tear.

Stewart of Glasgow longcase clock with silvered dial with a mahogany case

A good Edwardian inlaid eight day miniature longcase clock with white enamelled dial. Approx. 44 cms high. Est. £80 - £120.

A large mahogany longcase grandfather clock with painted dial and decorated with figures. By Thomas Varley. Est. £300 - £400.

AN OAK, MAHOGANY AND INLAID EIGHT DAY LONGCASE CLOCK, CHARLES WETHERELL, DUDLEY the painted dial with twin subsidiary dials and a seated girl to the arch flanked by shells, floral paterae, the case with swan neck pediment and fluted pillars and pilasters, 217cm h++An attractive example in good condition

A NOTTINGHAMSHIRE OAK THIRTY HOUR LONGCASE CLOCK, JOHN & WILLIAM BOOT, SUTTON [IN ASHFIELD], C1760 the brass dial with simple floral engraving to the matted centred, silvered date arch and signature disc, chapter ring and masked spandrels, the movement with local characteristic arch cut out plates, plain driven movement in plain oak country case, 20cm h Clocks signed by John II and William Boot are scarce++In our opinion movement and dial original to case, both in good condition and restored Has been going in the saleroom

AN ENGLISH OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, WILLIAM HEWSON, LINCOLN, SECOND QUARTER 19TH C the painted dial with a girl and caged bird to the arch, with spandrels with deer at lodge, trade labels including JAMES USHER CABINET & CLOCK CASE MAKER, LINCOLN++In goo original, clean condition, movement overhauled and in working order

Continental silver miniature model of a longcase clock, '925' standard, 30g,.

A Regency mahogany longcase clock, the hood with fretwork cresting and brass ball finials, above a 12inch (30.5cm) circular painted dial signed William Webber, Powis Street, Woolwich, with subsidiary seconds and date dials to an 8 day 5 pillar movement, strike-silent lever above XII, the case with a break arch long trunk door, canted stop fluted corners with brass reeding, upon a panelled base with shaped skirting 216cm (84in) in need of some general attention. Pendulum suspension spring broken

ANTIQUE INLAID MAHOGANY CASED LONGCASE CLOCK WITH HANDPAINTED ROLLING MOON DIAL, BY S LISTER, BOLTON

A George III oak and mahogany banded longcase clock, with brass dial and later eight day striking movement, the base with long trunk door flanked by quarter columns and all raised on bracket feet, height 199 cm.

A George III oak longcase clock, by A Simpson of Cockermouth, with false winding apertures and 30 hour movement, the case with cross banded trunk door and quarter column corners, height 237 cm.

An oak longcase clock, with three-train striking movement, the case with applied mouldings and raised on short bun feet. Height 170 cm.

A Regency mahogany longcase clock by Bryson of Edinburgh, with two-train movement and subsidiary seconds and date dials, the case with quarter column corners and all raised on short turned feet. Height including finial 218 cm (see illustration). CONDITION REPORT: The clock winds on both trains. It is currently ticking away and striking when advanced. We have both weights and pendulum. The case is basically in very good condition with only one minor issue. There is a small section of veneer missing to the top left hand corner of the base of the case and a section of applied moulding in the bottom right hand corner of the front base panel with the exception of this the case is really in first class condition with only very minor stress fractures and the odd mark. There is no warping to the trunk door.

A George III walnut longcase clock, by Benson Whitehaven with 30 hour movement with long trunk door flanked by quarter column corners, height 215 cm.

A Georgian walnut cased longcase clock, with moulded cornice above the arched glazed door enclosing the two-train striking movement by Jos. Naylor, London, with long trunk door and conforming base raised on bracket feet. Height 244 cm. CONDITION REPORT: The movement winds on both trains and is currently ticking away. When the hands are advanced the tidal aperture and the date appear to advance as they should. We cannot attach the strike weight as the top loop to the weight is broken. We have not had the strike operating. The seatboard is not original and there is some packing beneath the seatboard. Whether this indicates that the clock is a marriage or not we are not sure. The case maybe pine. It looks to have been fairly recently stripped and varnished. This has been a lacquered case originally. The backboards would appear to be original. The bracket feet, plinth moulding and short upstand to the base are later.

An 18th century oak longcase clock by G. Payne of Ludlow, with 30 hour movement and 10" square brass dial with date aperture. Case height 209 cm. CONDITION REPORT: We have the weight and pendulum however we have not had the movement running. The movement is dirty and does appear to operate without the pendulum in situ when weight is applied to the movement. The clock does also strike. The single pointer appears to move also. The movement is dirty with some losses to the paintwork to the numerals. There is no glass in the face door. The case is generally a little primitive but in reasonably good order with no serious condition issues. Neither door is warped and there is no evidence of any active woodworm. We have a weight for the clock, it is in our opinion the wrong one however. The bracket feet and plinth moulding are in our opinion later. We are not sure whether the clock is a marriage or not. The seatboard would appear to be original and the cheeks have not been built up. The upper section of the backboards running from the height of the hood moulding to the top of the case has an old but later overlaid panel of plywood. The mask around the dial fits the face very well.

A George III mahogany longcase clock by Jonas Barber Winster, with 30 hour movement and painted dial, the movement numbered 1438 and probably the last known Barber. Height 199 cm (see illustration). CONDITION REPORT: The clock is currently ticking away and is striking as it should. We have the weight and pendulum. The case is in generally good condition. There are some minor nibbles to the edge of the cornice and small stress fractures to the mahogany on the upper door. The sides of the hood are in good condition. The trunk door is not warped. There is a loss to the bottom left hand side edge moulding and slight discolouration here. There are stress fractures to the left and right of the arch on the door. The canted angles and sides are in good condition as is the base. The base moulding is original.

A George III mahogany longcase clock, by Thomas Twigg, Shelton, with eight day movement, the case with swans neck pediment, long trunk door and fluted quarter column corners. Height 229 cm. CONDITION REPORT: The movement winds on both trains. It strikes when advanced. The face is discoloured and dirty particularly around the bottom edge and the left and right hand lower spandrels. There is some craquelure to the face and the numbers appear at some point to have been re-painted along with the name. There may also have been restoration to the paintwork on the arch. The case is in structurally fairly good order but does have numerous old blemishes and discolouration to the polish. The hood and trunk door are not warped. The lock escutcheon is worn. The backboards are in tired condition. There are some holes in the centre of the backboard. The base moulding is a little knocked and scuffed. There are no bracket feet.

A 19th century oak longcase clock, with painted dial marked "Dobel, Yeovil". Height to top of swans neck 202 cm. CONDITION REPORT: The hood is in generally good order. The door is not warped. The door handle is missing. The hour hand is broken in two but we have the piece. We have both weights and pendulum. The suspension at the top of the pendulum is however missing. When weight is applied to the going train the movement ticks. The movement appears fairly clean. The face is as you see it in the image, namely a little dirty and with craquelure to the paint surface. The movement winds on both trains. The trunk door is not warped. There are stress fractures between the planks on the base. There is one small piece of crossbanding missing on the left hand side of the base. The backboards are original.

A George III oak and mahogany banded longcase clock, by Adam Costen Kirkham, with 30 hour movement, the case with long trunk door flanked by quarter column corners, height 200 cm. CONDITION REPORT: The movement appears to be ticking away as it should. It strikes when advanced. We have the weight and pendulum. The hood is in generally good condition. The door is not warped. The trunk door is also not warped but does have a small loss to the top left hand corner. The sides of the trunk are in generally in good order. The base moulding is however detached but we do have the pieces. There is a stress fracture to the timber join on the front of the base panel.

William Dixon, Whitehaven, an 18th century longcase clock, the arched brass dial with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed W.M. Dixon Whithaven (sic), with cherub mask spandrels all beneath the arched painted dial with a seated female looking towards the sea, with eight day movement chiming on a bell, in oak case crossbanded with mahogany. Height 206 cm. CONDITION REPORT: The movement winds on both trains. The clock is currently ticking away. We have both weights and pendulum. The movement appears to strike when advanced. The upper half of the case backboards are later. There are some scratches and losses to the paintwork in the arched dial. The case is in reasonable condition. There are some timber fractures to the hood and slightly open corner joints. There are some stress fractures to the crossbanding around the door. The trunk door is not warped. The sides of the case and base are in generally good condition. The clock may at some point have had bracket feet but only the base moulding is currently present. There are three small pieces of dentil moulding missing beneath the clock hood.

A George III longcase clock movement, eight day, the chapter ring marked "Matthew Broad, Bodmin & John Belling 1766", with later walnut case raised on bun feet. Height 183 cm, width at cornice 46.5 cm. CONDITION REPORT: The movement winds on both trains and appears to be ticking away and striking as it should. The silvered brass dial is in good condition. The movement appears very clean. The seatboard appears to be original. The case is generally in very good order with only minor scuffs, marks and deterioration of the polish. There are some stress fractures to the veneers and some areas of crossbanding that have clearly been replaced. The trunk door is not warped. We have the key and it does lock. We have a winding key.

An oak longcase clock, with eight day movement by Edward Harriman, Workington, circa 1750.

A George III oak longcase clock, Foster of Carlisle, with 30 hour movement and brass dial, the case with long trunk door. Height 200 cm.