We found 41637 price guide item(s) matching your search

George III musical eight day longcase clock movement/dial by John Sedley of London, the triple train movement striking on a bell and playing on eight bells, silvered and brass 12" dial with moon phase and High Water At London Bridge, subsidiary seconds dial.

George III eight day longcase clock movement/dial by Samuel Whichcote of London, the 12" dial with strike/silent dial to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III 30 hour longcase clock movement/dial by William Green of Milton, the 11" square brass dial with Roman numerals.

18th Century eight day longcase clock movement/dial by John Finch of London, the 12" square brass dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

Early 19th Century eight day longcase clock movement/dial by Shakeshaft of Preston, the 13" square brass and silvered dial with Roman and Arabic numerals, subsidiary seconds dial.

George III eight day longcase clock movement by Lanson of Wigan, the 14" square brass dial with Roman and Arabic numerals, subsidiary seconds dial.

George II eight day longcase clock movement by William Bathe of Bristol, 12" brass dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Stephen Blackborn of Oakham, the 12" brass dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III 30 hour longcase clock movement/dial by John Ettry of Horton, the 10" square brass dial with single hand, Roman numerals.

Early 18th Century 30 hour longcase clock movement/dial by Edward Bilbie of Chew Stoke, the 11.25" square brass dial with central engraved decoration, Roman and Arabic numerals and calendar aperture.

19th Century eight day longcase clock movement/dial by Richard Garland of Plymouth, the 12" dial with engraved eagle to the arch, Roman numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Thomas Monkhouse of London, the 12" dial with strike/silent dial to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Samuel Ogden of Benwell, the 11.5" square brass `Penny Moon` dial with later arch, Roman and Arabic numerals, subsidiary seconds dial and calendar apertures.

George III eight day longcase clock movement/dial by Thomas Hillier of Frome, the 12" brass and silvered dial with moon phase and High Water At Bristol Key to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by John Morgan of London, the 12" brass dial with silvered chapter ring having Roman numerals, subsidiary seconds and minutes dials and calendar aperture.

George III 30 hour longcase clock movement by George Quarman of Temple Cloud, the 12" square brass dial with engraved decoration depicting country folk, subsidiary seconds dial and calendar aperture.

George III 30 hour longcase clock movement/dial by Thomas Williams of Chew Stoke, the 12" square brass dial with central engraved decoration depicting a Bishop in a landscape, Roman and Arabic numerals, calendar aperture.

Two George III 30 hour longcase clock movements/dials by J. Graham of Langholm and Mary Roper of Oakhill, the respective 11" and 12" square brass dials each having Roman and Arabic numerals, the Roper example having subsidiary seconds dial and calendar aperture, the Graham example having calendar aperture only.

George III mahogany longcase clock by William Jourdain of London, the hood with moulded arch shaped pediment and tapered reeded columns, trunk with long door flanked by conforming split pillars with brass inserts, brass arch shaped dial with moon phase, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 221cm high.

19th Century mahogany longcase clock case, the hood with swan neck pediment and tapered reeded columns, the trunk with shaped door having inlaid Masonic square and compass and urn within a serpent surround, flanked to either side with bell husk decoration and reeded split pillars, 241cm high.

George III mahogany London longcase clock case, the pagoda hood with applied gilt paper decoration, arch shaped door flanked by tapered reeded pillars with brass inserts, trunk with arch shaped long door flanked by conforming split pillars and standing on bracket feet, 242cm high.

19th Century oak London style longcase clock case, hood with stepped pediment and tapered cylindrical pillars, the trunk with arch shaped long door and standing on a plinth base, 242cm high.

George III oak longcase clock by E. Martin of Bristol, hood with stepped cornice and cylindrical pillars, case with long door and standing on a plinth base, square brass dial with silvered chapter ring having Roman numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 200cm high.

Mid 18th Century pine longcase clock by Thomas Kefford of Royston, hood with stepped cornice and tapered pillars, trunk with long door, square brass dial with single hand, silvered chapter ring with Roman numerals and signed Tho Kifford (sic) Royston, 196cm high.

Late 18th/early 19th Century Dutch marquetry longcase clock, the hood with shaped pediment and carved scroll crest above a fretwork panel, the case having a long door with glazed lentil panel with bombe base standing on hair claw feet, English arch shaped brass dial with engraved medallion signed Tom. Corp, London, seconds subsidiary dial and rocking ship automaton - eight day striking movement, 250cm high.

George III inlaid and crossbanded mahogany longcase clock, the hood with broken arch pediment and eagle finial, reeded pillars, the case with long door inlaid with musical instruments, ribbons and flowers flanked by reeded pilasters, standing on bracket feet, arch shaped brass dial with silvered chapter ring, second subsidiary dial and calendar aperture and with rocking figure of Father Time - eight day striking movement, 234cm high.

Edwardian Sheraton Revival inlaid and crossbanded mahogany longcase clock, hood with swan neck pediment, three brass finials and reeded pillars, case with bevelled glass door, standing on bracket feet, arch shaped brass dial with silvered chapter ring and subsidiary dials - eight day movement with Whittington and Westminster chimes, 254cm high.

A George III oak and mahogany longcase clock by Lough Penrith, having a swans neck pediment with blind fretwork panels beneath, with arched glazed door enclosing the brass dial with moon phase, Roman numerals and date aperture, with false winding holes and thirty-hour movement by Lough, Penrith, flanked by fluted quarter columns, with dentil cornice below, with blind fretwork frieze and shaped trunk door flanked by fluted quarter column corners, with blind fretwork beneath and with brickwork base raised on a plinth. Height 82 ins.

A George III oak and mahogany longcase clock by Brownbill Leeds, with steeple and ball brass finial between a swans neck pediment with punched brass terminals in turn above the arched glazed door being crossbanded and flanked by fluted columns enclosing the painted dial with girl and cat to arch and with Roman numerals with subsidiary Arabic numerals and seconds and date dials to centre and eight-day striking movement above the shaped trunk door flanked by fluted quarter column corners and with conforming base raised on bracket feet. Height excluding finial 94 ins.

A George III oak and mahogany crossbanded longcase clock, with swans neck pediment with eagle and ball finial between above a moulded cornice and crossbanded frieze in turn above the glazed door enclosing the 12 inch square brass dial with mask and foliate spandrels, silvered chapter ring with Roman numerals, subsidiary date and seconds dials by Joyce of Ruthin and with eight-day striking movement flanked by fluted column corners, with shaped trunk door crossbanded in mahogany also flanked by fluted quarter column corners and with conforming base. Height excluding finial 85 ins.

A George III oak and fruitwood crossbanded longcase clock, with swans neck pediment with punched brass terminals with equestrian emblems above the glazed door enclosing the 12.25 inch square brass dial and eight-day striking movement by Hampson, Wrexham, with Roman numerals and subsidiary Arabic numerals and spandrels emblematic of the four seasons, with date aperture and subsidiary seconds dial, flanked by simple turned columns above a long arched crossbanded trunk door flanked by quarter column corners and with conforming base. Height 89 ins.

A George III mahogany longcase clock by William Kelham Egremont, with swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and eight-day striking movement by William Kelham of Egremont and with pastoral scene to arch, the false plate stamped "William Whittaker" and flanked by fluted quarter columns, with conforming shaped trunk door being crossbanded and base raised on bracket feet. Height 87 ins.

A George III oak and walnut crossbanded longcase clock by Samuel Hill Totley, with caddy top and moulded cornice above a glazed door flanked by simple columns with gilt painted capitals enclosing the 11 inch square brass dial with Roman numerals, date aperture and thirty-hour movement by Samuel Hill Totley in turn above the rectangular trunk door with brass hinges flanked by quarter column corners and with conforming base. Height 81 ins.

A Joseph Windmills longcase clock movement and dial, two-train, 11 inch square, with subsidiary dial and date aperture, circa 1690, signed "J. Windmills, London".

A late George III oak and mahogany 30 hour longcase clock, the hood with broken swan neck cornice and turned columns, the 12" dial with subsidiary dial, over conch shell inlaid trunk door, flanked by reeded corners, with single weight and pendulum, 212 cm high.

Late Georgian oak longcase clock banded in mahogany, painted broken arch dial with rolling moon, floral spandrels, Roman hours subsidiary seconds and date aperture, signed R Fletcher - Chester , the 8 day striking movement on Wilson false plate and Wilson moon disc, anchor escapement and rack strike, in swan neck hood with fruited columns on cavetto shoulders quarter, column trunk and set out canted base. Height 221cm (2 weights, pendulum, key).

Nantwich oak longcase clock banded in mahogany the square dial with floral spandrels, roman house subsidiary seconds date aperture painted with exotic birds signed Tho. Clowes, Nantwich. 8 day movement on a Wilson false plate rack stride anchor escapement in a flat top hood with fluted columns on cavetto shoulders quarter column trunk and set out canted plinth, height 222cm (2 weight, pendulum, key).

A mid-18th Century and later walnut longcase clock with eight day movement striking on a bell, the brass breakarch dial with moonphase indicator to arch above a chapter ring with Roman numerals framing a matt centre with subsidiary seconds and inscribed `Wm Dowell Swan, Margate`, cornered with pierced spandrels, the hood with moulded arch pediment above glazed door and turned columns, the arched top rectangular trunk door with inlaid chequer stringing on a similar base and plinth, height approx 231cm (restoration and alterations), together with weights and pendulum.

A late 19th Century and later oak longcase clock with eight day movement striking on a gong, the square brass dial with silvered chapter ring framing an engraved centre with subsidiary seconds and applied plaque inscribed `Elliott London`, cornered with pierced scroll spandrels, the hood with dentil cornice above a glazed door and two columns, the trunk with glazed door on a panelled base and plinth, height approx 203cm, together with two brass weights, key and pendulum (restoration).

An early 18th Century and later oak longcase clock, the brass eight day movement with Graham dead beat escapement and three fall line, the silvered break arch dial decorated with sailing ship to arch above Roman numerals, subsidiary seconds and inscribed `John Carlyon, Falmouth`, the later case with moulded pediment above a glazed door, the trunk with rectangular door on a plain base and plinth, height approx 229cm, together with weight and pendulum (restoration and alterations).

A George V oak longcase clock with eight day chiming movement, the brass break arch dial with silvered world roundel inscribed `Tempus Fugit`, above a silvered chapter ring with Arabic numerals and inscribed `Bravingtons Ltd, Kings Cross & Ludgate Hill, London`, the hood with moulded pediment above a glazed door flanked by barley twist columns, the trunk door with moulded geometric panel decoration, above a similar base, height approx 182cm, with a pendulum and key.

A mid-19th Century and later oak diminutive longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring beneath a silvered boss to arch inscribed `Henry Moore`, the arched hood with turned columns and glazed door, above a glazed trunk door on a panelled base and bracket feet, height approx 168cm, together with two weights, pendulum and winder (alterations and restoration).

A George III eight day longcase clock movement and painted break arch dial, together with another dial and pendulum (faults).

A George III figured mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring with Roman hours and Arabic minutes, framing a matt centre with subsidiary seconds, date aperture and applied plaque inscribed `StepN. Ganeron, London` all cornered by pierced gilt dolphin, urn and scroll spandrels, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the arched trunk door above a plain base and bracket feet, height approx 236cm, together with pendulum and two brass weights (faults).

An early 20th Century walnut mantel clock in the form of a longcase clock, together with a brass anniversary clock with glass dome.

A modern mahogany longcase clock with eight day chiming movement, the brassed dial and silvered chapter ring with Roman numerals, the break arch hood with glazed door above a glazed trunk door, on a plain base and bracket feet.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Alex.r Duncan, Elgin`, the arched pediment above a glazed door, the trunk door with satinwood crossbanded borders flanked by fluted pilasters, on a crossbanded base with bracket feet, height approx 200cm, together with two weights and pendulum.

A George III mahogany eight day longcase clock by William Frodsham, Red Lion Square, London, the arched silvered dial with strike/silent Roman chapter ring, subsidiary seconds and date aperture, 7ft 5ins

A George III mahogany eight day longcase clock by Raymond Maningtree, the textured brass dial with subsidiary seconds and silvered roman numeral chapter ring, below a silent strike selector of an arched door and panelled plinth base, 84.5ins

A George III mahogany eight day longcase clock by Rutherford Tate, East Sheen, the 12 inch arched brass dial with silvered Roman chapter ring, strike silent, subsidiary seconds and date aperture, 7ft 8ins

A George III mahogany eight day longcase clock, with painted dial signed J.Macdonald, Liverpool , with moonphase arch and subsidiary seconds, 7ft 6ins

A George III eight day oak longcase clock, the painted dial with subsidiary seconds and date aperture above an inlaid door on plinth base, 6ft 7ins

An early Victorian mahogany eight day longcase clock, the 12 inch arched painted dial decorated with a sportsman with subsidiary seconds and date aperture, signed Wyatt, Blandford, 6ft 8ins

An Edwardian mahogany eight day chiming longcase clock, the textured brass dial with subsidiary seconds within a roman numeral chapter ring below chime and silent selector, above an arched door, flanked by fusee column angles on panelled plinth base, 77.5ins

A 1920`s dark oak longcase clock, with circular silvered dial and chiming movement, glazed trunk door with carved detail, complete with pendulum chrome-cased weights, 6ft. 6in.

An early 19th century 8-day longcase clock, by Hugh Hughes, Carnarvon, square painted dial with subsidiary seconds and date aperture, anchor escapement, contained within oak case with mahogany cross-banding, swan-neck pediment

A George III mahogany banded oak cased striking thirty hour longcase clock by Skakeshaft of Bolton, having a painted fourteen inch square dial, with pendulum and single weight, height 6ft 4in (illustrated)

An early 19th century crossbanded and figured mahogany veneered striking eight day longcase clock, having a painted fourteen inch arched dial with inset moon phase and indistinct Manchester maker`s mark, height 7ft 8in (illustrated)

A George III mahogany banded oak cased striking thirty hour longcase clock by W Edwards of Bishops Castle, having a painted twelve inch square dial, with pendulum and single weight, height 6ft 6in (illustrated)

A George III figured mahogany cased striking eight day longcase clock, having a painted fourteen inch arched dial with moon phase feature, with pendulum and twin weights, height 7ft 5in (illustrated)