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Click here to subscribeAn early 19c mahogany longcase clock with plain top, inlaid columns to the side of the hood over a rectangular door and plain base, each with inlaid stringing decoration; the painted dial with bird design to the top, flowers as spandrels and inscribed "W & I Richards Paisley", with eight-day movement, seconds and date dials, 207 cms.
An early 19c mahogany and oak longcase clock with caddy top, brass finials, fluted columns to the side of the hood over a trunk with fluted sides, shaped door, cross-banded base on bracket feet; the white painted dial inscribed "Tate Winterton" and with balloon and sailing vessels to the top of the face, jewelled decorative spandrels, Arabic numerals and seconds and date dials, enclosing an eight-day movement, 230 cms. overall.
An early 19c style oak and mahogany longcase clock with broken arch pediment, plain turned columns to the side of the hood, over a plain case with cross-banded shaped door, raised upon short bracket feet; the painted dial inscribed "W.Hewson, Lincoln" and with a figure to the top, flowers as spandrels, eight-day movement with seconds and date dials, 223 cms. high.
A Bristol mahogany thirty-hour longcase clock, circa 1760, the two-handed four-pillar outside countwheel bell-striking movement with 11 inch square brass dial applied with silvered Roman numeral chapter ring with Arabic minutes and signed 'Wasbrou' & Thomas, Bristol' to lower edge, with female mask spandrels and foliate engraved calendar aperture to the matted centre, in a swan neck pedimented case with later bobbin turned hood pilasters, rectangular trunk door and on plain plinth base with bracket feet, 213cm high.
An early 19th century mahogany crossbanded and inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed 'Farmer, Stockton on Tees' to centre, with vase of flowers polychrome decorated spandrels and country landscape view to arch, in a swan neck pedimented case over fluted hood pilasters, inlaid throat panel and shaped-top trunk door flanked by canted angles, on banded plinth base with bracket feet, 225cm high.
A South Gloucestershire crossbanded mahogany eight-day longcase clock, with penny moon circa 1840, the four-pillar rack and bell striking movement with 13 inch single-sheet silvered brass break-arch Roman numeral dial, the centre with subsidiary date and seconds dials and signed 'John Gough, Thornbury', the arch with penny moon beneath double-ended age pointer, in a break-arch pedimented case with short trunk door flanked by Corinthian quarter columns, on quarter veneered plinth base with bracket feet, veneer losses to case, 212cm high.
An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass square dial with arch calendar aperture, recessed seconds dial and signed 'Henry Jory?, Hale' to centre within an applied Roman numeral chapter ring with Arabic minutes and string of pearls pattern spandrels to angles, in a carved oak case with shaped crest and reeded pilasters to hood over short trunk door and plinth base with bracket feet, movement and dial circa 1780, 222cm high.
An 18th century 30-hour posted longcase clock movement and dial, with anchor escapement and countwheel strike on a bell, the 11 inch square brass dial with insect and floral spray engraved matted centre, applied Roman numeral chapter ring with Arabic minutes, fleur de lys half-hour markers and signed 'Edw. Bilbie, Chew Stoke' to lower edge, the angles with string of pearl pattern spandrels, movement associated to dial.
A West Country 12 inch square single sheet brass 30-hour longcase clock dial, with arched calendar aperture and subsidiary seconds dial to the townscape engraved centre within arcaded minutes ring signed 'Geo Miles, Sodbury' to lower edge, and Four Seasons spandrels with lozenge borders; another incomplete dial, the foliate engraved centre signed 'Meyer, Broadmead, Bristol'; and a chapter ring engraved 'Sam. Barrow, Hermatage, London', (3).
A 30-hour longcase clock movement and dial, circa 1740, the four-pillar movement with anchor escapement and outside countwheel strike, the 10 inch square brass dial with arched calendar aperture to the matted centre within applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Ashton, Ashburn' to lower edge, the angles with small urn pattern spandrels. Samuel Ashton is recorded in Baillie, G.H. 'Watchmakers and Clockmakers of the World' as working in Ashbourne circa 1753.
An 18th century oak cased thirty-hour longcase clock, the posted movement with outside countwheel strike on a bell and hanging hoop and spurs to rear, the 10 inch square brass dial with concentric hatched infill ring engraved centre and applied Roman numeral chapter ring with lozenge half-hour markers and signed 'Gilkes, Adderbury' to lower edge, the angles applied with female mask cast spandrels, in a rectangular top case with deep ogee cornice and integral pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 194cm high. Probably Richard Gilkes, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working in Adderbury 1715-87. Stylistically the movement dates to around 1740 and was originally designed to hang from the wall.
A George III mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed 'Tho's Bullock, Bath' to the foliate engraved centre within an applied Roman numeral chapter ring with Arabic five minute markers, and mask and scroll pattern cast spandrel applied corners, the arch with moonphase calibrated with high water markers, the arch-top case with cavetto cornice and Corinthian columns to hood over break-arch door flanked by blind fret canted angles to trunk, on tall plinth base with bracket feet, 215cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working in Bath 1764-73.
An 18th century green lacquer eight-day longcase clock, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre within silvered Roman numeral chapter ring and cast bird and urn pattern spandrel applied corners, the arch with silvered signature plaque 'Tho's Memory, Thorn, Plymouth Dock' flanked by dolphin cast mounts, in a flat-top case with moulded cornice and integral pilasters to hood over rectangular top trunk door decorated in polychrome and gilt with Oriental figures and pagodas on a mid green ground and with brass lenticle, the plinth similarly decorated with equestrian figures, case with restorations, 213cm high.
A Scottish George III inlaid mahogany longcase clock, circa 1800, the four-pillar rack and bell striking movement with 13 inch silvered brass single sheet break-arch Roman numeral dial with calendar and subsidiary dials to centre and floral engraved decoration to spandrels, the arch signed 'Ja's Howden, Edinburgh' within conforming engraved scrolls, the swan neck pedimented case with blind fret infill and fluted pilasters to hood, over shaped-top line inlaid door flanked by fluted quarter columns to trunk, the plinth with quarter rosette inlaid corners, on bracket feet, 222cm high. James Howden is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Edinburgh 1764-1810, 'A maker of repute'.
A rare oak cased eight-day longcase clock with pull quarter repeat, circa 1740, the four finned pillar movement with internal countwheel strike and Knibb type pull quarter repeat work on the hour bell and small bell nested beneath, the 12 inch square brass dial with subsidiary seconds dial within Roman numeral chapter ring with Arabic five minute markers and signed 'Joseph Smith, Chester' to lower edge, the corners with bird and urn pattern cast spandrels, the flat-top case with moulded cornice and integral door pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 205cm high.
A late 17th century eight-day longcase clock dial, with later movement, the four-pillar rack and bell striking movement with anchor escapement fitted to the 12 inch square brass dial, with three blanked-off calendrical apertures, subsidiary seconds dial, ringed winding holes and signed 'Obadiah Greville, London' within an engraved lambrequin to the matted centre, with applied silvered Roman numeral chapter ring with sword hilt half hour markers and Arabic five minute divisions, the corners with cherub head pattern cast spandrels and foliate engraved decoration between.
A good inlaid mahogany eight-day longcase clock, with moonphase and centre seconds, circa 1830, the four-pillar rack and bell striking movement with deadbeat escapement and 15 inch cream painted break-arch Roman numeral dial signed 'Nicholas, Birmingham' and with sweep calendar hand to centre, the spandrels figural painted with classical maidens representing the Four Seasons beneath arch with moonphase, the substantial case with fleur de lys and conch shell oval cartouche inlay to the swan neck pediment over reeded Corinthian pilasters to hood and parquetry decoration to throat, the trunk with Gothic triple arch topped door flanked by Corinthian pilasters to angles, on oval panel inlaid plinth base with rosette decorated corners and canted reeded angles, feet and centre seconds hand lacking, 231cm high. Probably Caleb Nicholas, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World Vol.2' as working in Birmingham 1787-1842.
Thomas Bilbie, Chew Stoke. A good inlaid oak eight-day longcase clock, circa 1740, the five-pillar rack and bell striking movement with 12 square brass dial with foliate scroll border engraved date aperture, subsidiary seconds dial and arched silvered nameplate 'Tho' Bilbie, Chew Stoke' to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five-minute divisions, the corners applied with Indian mask pattern cast spandrels, the flat-top case with moulded cornice and integral pilasters to hood over parquetry border decorated rectangular trunk door and plinth base with bracket feet, 209cm high.
An inlaid mahogany eight-day longcase clock with moonphase, circa 1815, the four-pillar rack and bell striking movement with cream painted 13 inch break-arch Roman numeral dial with subsidiary calendar dial and unusual windmill automaton (incomplete) beneath XII numeral, the centre signed 'W'm. Muncaster, Whitehaven', the spandrels figural painted with representations of the Four Seasons beneath moonphase to arch, the swan neck pedimented case with reeded hood pilasters and conch shell lozenge inlaid throat over shaped-top long trunk door flanked by reeded uprights, the plinth with chevron bordered circular panel within foliate inlaid angles, 222cm high.
A 19th century Bristol mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and date dials and signed 'Dell Brothers, Bristol' to centre, with polychrome and gilt decorated spandrels and conforming infill to arch, in a break-arch top case with cavetto moulded cornice and plain pilasters to hood over rectangular trunk door and plain plinth, with skirt base, 213cm high.
A George II oak cased eight-day longcase clock, circa 1730, the four-pillar inside countwheel bell-striking movement with 12 inch brass break-arch dial with Hoho bird and foliate engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the corners applied with female mask pattern spandrels beneath arch centred with silvered boss of Chronos beneath arched nameplate 'James Tatlock, Leeds', the case with box upstand to the cavetto moulded cornice and integral pilasters to hood, over break-arch trunk door and plain panel plinth, 217cm high.
A late 18th century mahogany crossbanded oak eight-day longcase clock, the four-pillar rack and bell striking movement now with a 13 inch brass break-arch dial with arch calendar aperture and subsidiary seconds dial to the lozenge hatched matted centre within an applied silvered Roman numeral chapter ring and foliate cast gilt spandrel applied corners, the arch with silvered boss inscribed 'Coats, Wigan' between conforming dolphin cast mounts, the swan neck pedimented case with verre eglomise infill above dial and turned pilasters to hood, the trunk with shaped-top door flanked by fluted quarter columns, the base with canted angles and ogee bracket feet, 220cm high.
An oak cased thirty-hour longcase clock, circa 1750, the posted movement with outside countwheel bell strike and 10 inch square brass dial engraved with boat between cottage and tree adorned headlands beneath signature 'Benn't Edwards, Bungay' to centre within an applied Roman numeral chapter ring and bird and urn pattern spandrel decorated corners, the flat-top case of slender proportions with ogee dentil cornice and integral door pilasters to hood over long trunk door and plain plinth base with later skirt, 200cm high.
Andrew Hewlet, Bristol. A late 18th century walnut eight-day longcase clock, the square hood with moulded cornice and turned columns, having a boxwood strung waist panel door on a similar box base, the 31cm. arched brass dial signed 'Andrew Hewlet, Bristol', with subsidiary seconds and date aperture and regulation to the arch, the twin-train movement with anchor escapement striking to a bell, 217cm. high.
J. Skinner, Exeter. A late 18th century oak and crossbanded eight-day longcase clock, the square hood with swan-neck pediment and turned columns, having a crossbanded waist panel door and similar box base, the 30.5cm. square brass dial signed 'J. Skinner, Exeter', with subsidiary seconds and date dials, the twin train movement with anchor escapement striking to a bell, 214cm. high.
A George III mahogany longcase clock, the arched hood with shaped pediment and a pair of fluted columns, the trunk enclosed by a shaped and crossbanded waist panel door between fluted three-quarter pilasters, on ogee bracket feet, the 32.5cm. arched brass Roman dial with engraved scrolling foliate centre, having a subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 220cm. high.
Henry Lane, Bristol. A late 18th century oak and crossbanded eight-day longcase clock, the arched hood with swan-neck pediment and turned and fluted columns, having a crossbanded double-arched waist panel door enclosed by fluted quarter columns, on a box base, the 30.5cm. arched brass dial signed 'Henry Lane, Bristol', with date aperture, the twin train movement with anchor escapement striking to a bell, 208cm. high.
Jon Gutherie, Kelso. An early 19th century mahogany longcase clock, the arched hood with swan-neck pediment and turned columns, having an arched and cross-banded waist panel door on a moulded box base, the 30.5cm. arched painted dial signed 'Jon Gutherie, Kelso', the spandrels each depicting the four continents and with painted armorial to the arch, having subsidiary seconds and date dials, the twin train movement striking to a bell, 211cm. high.
A George III Oak Longcase Clock, the broken pediment with brass finial above an arched glazed hood flanked by turned pilasters above a panel door and conforming plinth base, the painted dial with Roman numerals and seconds dial and painted with a shipping scene with moving galleon, the corners decorated with ruins by Thomas Lister, Lancaster
Early 19th Century mahogany longcase clock, the hood with swan neck pediment, inlaid oval panels and with turned pillars having gilt metal capitals, the trunk with crossbanded long door flanked by spiral turned pilasters, the arch shaped painted dial with moon phase movement, floral spandrels, seconds dial and fan shaped calendar aperture signed Jno. Warry, Bristol- eight day striking movement, 217cm high
A mahogany longcase clock, the arched brass 30cm dial with dolphin and urn spandrels, Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial and calendar aperture, the arch with Strike-Silent dial, eight day movement, striking on a bell, the hood with moulded barrel cornice beneath a bell shaped top with fretwork panel and brass finials, brass mounted fluted pillars, arched moulded door to trunk, shaped skirted base, 236cm high excluding finials
An oak and mahogany longcase clock, the square enamelled 35cm dial with Roman chapter ring and floral spandrels, subsidiary seconds and calendar dials, inscribed 'N. Dumvile, Wilmslow', eight day movement, striking on a bell, the square hood with brass mounted swan neck pediment and fluted freestanding pillars, shaped ovolo moulded trunk door flanked by reeded and strung pilasters, the canted moulded base with planted re-entrant panel, 213cm high .
An oak longcase clock, the square brass 30cm dial with Roman and Arabic chapter ring and pierced floral spandrels, the leaf engraved centre with subsidiary seconds dial and silvered calendar sector, inscribed 'Joseph Marshall, Leicester', eight day movement, striking on a bell, the square hood with blind fretwork frieze and flared cornice, brass mounted plain freestanding pillars, arched ovolo moulded trunk door, 200cm high
An oak longcase clock, the circular enamelled 32cm dial painted flower sprays, Roman and Arabic chapter ring, inscribed 'Mason, Chesterfield', thirty hour movement, striking on a bell, the hood with brass mounted swan neck pediment and tapering fluted keystone above brass mounted reeded pillars, arched door to trunk flanked by reeded quadrant pilasters, outlined with mahogany crossbands, skirted base, 214cm high
An oak longcase clock, the arched enamelled 32cm dial painted with Mediterranean lake scene and cottage spandrels, Roman chapter ring, calendar aperture, inscribed 'Sulley, Nottingham', thirty hour movement, striking on a bell, the arched hood with draught moulded swan neck pediment, arched door to trunk flanked by plain quadrant pilasters, the base with planted panel and chamfered angles, outlined with mahogany and rosewood crossbands, on bracket feet, 218cm high
An oak longcase clock, the square brass 28cm dial with mask spandrels, Roman and Arabic chapter ring, calendar aperture, inscribed 'James Cotton, Tamworth', thirty hour movement, striking on a bell, square hood with swan neck cresting and brass mounted plain pillars, arched door to trunk, outlined with mahogany crossbands, skirted base, 205cm (composite)
AN 18TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the caddy top hood with gilt ball finials and plain pilasters above a moulded trunk door and panelled base, the brass dial with silvered chapter ring, signed 'John Johnson, Walton', having Roman and Arabic numerals, foliate engraved matted centre with subsidiary seconds dial and date aperture, 89" high.
A George III and later dark blue japanned musical longcase clock, the arched hood surmounted by three gilt ball finials above an arched glazed door flanked by three quarter columns, the chinoiserie decorated trunk with arched door and central coloured mezzotint panel, on a conforming panelled box base and stepped plinth, the later 12 inch brass dial with subsidiary seconds dial, silvered chapter ring and subsidiary chime/silent and Whittington/Westminster dials to the arch, the three train brass movement with anchor escapement playing chimes on eight bells, striking hourly on a separate bell, 230cm high
A George III oak and mahogany banded longcase clock, the hood with broken swan neck pediment above an arched glazed door flanked to each side by a turned column, the triple arched trunk door flanked by conforming columns, above a panelled box base with canted corners, the 14 inch white enamel dial with subsidiary seconds dial and date aperture, painted to the spandrels with flowers, the arch with moon phase, the twin train movement with anchor escapement, and 'Walker Hughes, Birmingham' false plate, striking on a bell, 220cm high
A George III oak longcase clock, the broken swan neck pediment above an arch glazed door flanked to each side by a column with gilt capitals, the shaped trunk drawer above a box base with moulded plinth, the 12 inch brass dial engraved with chinoiserie decoration around a subsidiary seconds dial and date aperture, with acanthus leaf flower and urn pattern spandrels, the arch applied with a convex roundel inscribed 'Thos. Sutton, Maidstone', the twin train movement with anchor escapement striking on a bell, 205cm high
AN EDWARDIAN LONGCASE CLOCK, the eight day striking movement with arched brass dial chased with eagle and inscribed, secondary dial, the back plate stamped Salisbury, in mahogany case, the arched moulded cornice on fluted Corinthian columns, canted trunk with blind fret banding and wavy edged door, similar base, on plinth, presentation inscription plaque dated 1906
A LONGCASE CLOCK by G Patison, Halifax, the eight day movement with arched brass dial, the silvered centre chased with flowers, secondary dial, painted moonphase with sail ship, in oak and parquetry banded case, scrolled pediment on fluted corinthian columns, arched door flanked by fluted quarter columns, canted panel base with inlaid star and batwing paterae, on bracket feet, later Victorian carving, 91 1/2" high
A LONGCASE CLOCK, the eight day movement with arched brass dial painted with a river scene and flowers, secondary dial, in mahogany case with ebony and boxwood stringing and parquetry banding, scrolled pediment with finials on fluted columns, canted trunk with arched door, panelled base and shaped apron, on bracket feet, early 19th century, 73 1/2" high
An early 19th Century mahogany longcase clock, the 12ins arched brass dial with Arabic numerals to the arch and spandrels decorated with fruit and gilt leaf scroll ornament, with subsidiary seconds dial to the eight day two train movement striking on a bell, contained in figured mahogany case, probably by Goulden of Canterbury, with shaped cresting above moulded cornice, with turned, fluted and Corinthian capped columns to hood, shaped and arched trunk door and plinth with applied astragal mouldings, on bracket feet, 8ins high (dial partly repainted and with second hand missing - case with twisted trunk door and split to cornice, and generally in need of restoration)
A 19th Century mahogany longcase clock by Pollard of Canterbury, the 12ins arched painted dial decorated with a romantic landscape to the arch and shells to the spandrels, with subsidiary seconds dial and date dial to the eight day two train movement striking on a bell, contained in mahogany case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted columns to hood, arched trunk door, plain plinth and with shaped bracket feet, 81ins high (plinth altered and case generally in need of restoration - glass panel lacking to hood door)
An 18th Century walnut longcase clock by Samuel Holbin of Bitton, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial, the arch showing phases of the moon and silvered scale worded "High Water at Bristol Key" to the eight day two train movement striking on a bell, contained in figured walnut case, the hood with later shaped and moulded pediment above moulded cornice and blind fret ornament, arched trunk door inlaid with chequered bandings and crossbanded, and with conforming plinth, on bracket feet, 95ins high (lacking pendulum and weights and in need of some restoration)
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