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Early nineteenth century mahogany longcase clock, the swan neck pediment above an arched painted face depicting a highlander with bow and a hound above a white enamel dial with a thirty one day ring and subsidiary seconds marked for David Dewar, Doune 1882 and flanked by columns with Corinthian capitals over a trunk with spiral quarter pilasters and a door carved with a cockeral and inscribed 'Gloria Patri' on a plain base section with bracket feet, 84in (213.3cm) high

18th Century Longcase Clock, the brass arched dial inscribed., "John Moore, Warminster", with secondary seconds dial and date aperture, the centre engraved with insects and scrolls, with cast and embossed spandrels and with moon phase in the arch, eight-day movement, contained within an oak case, with arched hood and door with moulded edge and on a plain base, 200cms, (6’7"). Footnote: John Moore is recorded as working in Warminster from 1780 to 1800.

19th Century Longcase Clock, with painted square dial, inscribed, "Jno Tasker , Falkingham", secondary seconds dial and date aperture, the spandrels painted with gilt conch shells, eight-day movement, contained within an oak case, swan neck pediment, the hood with inverted tapered columns, above an arched panelled door, on a plain base, 218cms, (7’2"). Footnote: The name Tasker is recorded as working at Falkingham circa 1780.

Early 19th Century Longcase Clock, with square painted dial, inscribed, "Rea, Walton" and with secondary seconds dial, eight-day movement and contained within an oak case, the hood with dentil cornice, inverted tapered fluted pilasters, the door with rosewood crossbanding and central star inlay in satinwood and ebony, on a an associated base and bracket feet, 219cms, (7’3").

A Modern Dwarf Longcase Clock, 153 cm high

A George III Oak Longcase Clock, the square hood with chequer line inlays above a panel door with central star inlay, and above a conforming plinth base, the 29cm silvered chapter ring with Roman and Arabic numerals upon a brass dial with second subsidiary dial, the 30 hour movement by John Adams Hayles Owen See Illustration

A LONGCASE CLOCK by J Naylor, Leeds, with eight day movement, arched dial painted with landscapes in mahogany case with swan neck pediment, baluster turned hood supports, shaped door and panel base, 92" high.

A LONGCASE CLOCK by Lawrence Shakeshaft, Preston, the thirty hour movement with square dial painted with bird and flowers and with Arabic and Roman numerals, in oak case with mahogany and parquetry banding and stringing, broken pedimented top on turned columns, arched door with inlaid festoons over, and flanked by quarter columns with marquetry patera, canted panel base and bracket feet, 87" high (Illustrated).

A LONGCASE CLOCK by John Ellerby, Ashburn, the eight day movement with arched dial painted with flowers and with printed moonphase, in mahogany and crossbanded case, with stringing and parquetry banding, scrolled pediment with verre eglomise panels on fluted columns, arched door flanked by fluted pilasters, canted base with shell marquetry patera, on bracket feet, 93 1/2" high (Illustrated).

A LONGCASE CLOCK by William Smith of Huddersfield, the eight day movement with arched dial painted with a huntsman, game and spaniels, secondary dial, in mahogany and crossbanded case with scrolled cornice on baluster turned columns, canted trunk with arched door, the base with recessed circular panel, shaped apron and splayed feet, 94" high.

A LONGCASE CLOCK by Barlow, Oldham, the thirty hour movement with square brass dial chased with scrolling foliage and with Roman and Arabic numerals, penny moonphase and calendar aperture, on oak case with moulded cornice on turned columns, arched door, panel base and bracket feet, 83" high.

A LONGCASE CLOCK by Robert Bunyan, Lincoln, the eight day movement with arched brass dial chased with scrolling foliage, seconds dial and calendar aperture, Roman and Arabic numerals, in oak and mahogany banded case with stringing, scrolled pediment on fluted columns, arched door with shell patera, arched trunk, panel base and bracket feet, 82 1/2" high.

A 19th Century mahogany wall cupboard, made up, formerly part of a longcase clock. .

"An 18th Century longcase clock movement by William Stevenson of Maidstone, the 12ins arched silvered dial with subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell Note : William Stevenson recorded working Maidstone 1756-1761"

"An 18th Century oak longcase clock by Batty Storr of York, the 12ins square brass dial with chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with deep moulded overhanging cornice and dentil frieze, arched trunk door, 83ins high Note : Batty Storr recorded working York, born 1710, died 1793"

"A late 18th/early 19th Century oak longcase clock, the 12ins painted metal dial with Roman and Arabic numerals and subsidiary seconds dial and date aperture, the arch decorated with a ship and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded scroll pediment and turned and fluted columns to hood, shaped trunk door and with fluted quarter columns, 8ins high"

A 19thC oak and mahogany longcase clock, of eight-day movement, striking on a bell, the painted arch dial with Roman numerals and seconday dials, signed 'Wilson, Birmingham', the arch painted with shipping, the spandrels with light houses and churches, the hood with swan-neck pediment, turned pilasters, the trunk with a painted arch door, on bracket feet, 87½" high.

An 18thC oak longcase clock, of eight-day movement, striking on a bell, the square 12" painted dial with Roman numerals, seconds dial and calendar aperture, signed 'Thos. Howse, Marlborough', with medallion and foliate painted spandrels, the square hood with cavetto and dentil cornice, and fluted pilasters, the trunk door with ogee arch and cross-banded, on bracket feet, 79" high.

An early 18thC walnut longcase clock, of eight-day movement chiming on two bells, the brass dial with Roman and Arabic numerals, seconds dial and vertical calendar aperture, matted centre, signed 'Wm. Smith London' on a tablet, with steel and foliate cast spandrels, re-painted moon dial to the arch, the hood with high domed caddy top over swept and moulded twin arch moulding, later finials and with blind fret friezes, ½ round pilaster flanking the dial, the trunk door with double ogee door and glass lentile, canted sides, on stile feet, 103" high overall.

An early 19thC mahogany longcase clock, of thirty-hour movement, the painted dial with Roman numerals and secondary dials, painted to the arch and spandrels with harvesting scenes, the hood with swan neck pediments and turned pilasters, the plain trunk with boxwood stringing, 79½" high.

A 19th century Continental longcase clock, the arched painted wooden dial with twin winding holes and signed illegibly in script behind the face, the movement striking on a bell, 200cm high

Longcase clock, oak case, circa 1900, brass face, foreign movement with westminster chimes

Silver pair cased pocket watch, the movement named for A. Hollosone Liverpool, contained in a watch stand modelled as a longcase clock

Mahogany longcase clock, the circular enamel dial unnamed with Roman numerals in black over a trunk with corner quarter pilasters, 80in 203.3cm) high

Mahogany longcase clock, by J. Blair, the scroll crest over the stepped cornice, the arched painted dial with scene of Cotter's Saturday Night, the spandrels with representations of the four seasons, the hood with side spiral pillars over trunk with quarter spiral pilasters all raised on bun feet, 87 1/2in (222.4cm) high

Mahogany longcase clock, the swan neck pediment above an arched brass dial marked for George Stoddart with numerals in black, a seconds ring and date aperture flanked by reeded columns over a trunk with quarter pilasters and raised on bracket feet, 83in (210.8cm) high

Victorian longcase clock, the carved crest over a painted face with William Wallace to the top and representations of the four nations of the United Kingdom to the spandrels, the dial with seconds ring and thirty one day ring marked for William Armour, Kilbirnie over a arched door with carved crest and raised on bracket feet, 89in (226cm) high

A GEORGE III YORKSHIRE OAK LONGCASE CLOCK having a breakarch pediment, turned finial and arched painted dial, decorated shepherdess and flowers, Roman numerals, calendar dial and thirtyhour movement, signed Briggs Gargrave, the case with fluted pilasters, gothic arch panel door and bracket feet. Note: There are records of several generations of Briggs clockmakers in Gargarve in Skipton Yorkshire.

AN EARLY VICTORIAN MAHOGANY LONGCASE CLOCK having an arched painted dial, signed John Cruddas Durham, with secondary dial and numerals, the case with gothic arch panelled door, brass ball finials and painted decoration, for complete restoration.

A George III oak and mahogany banded longcase clock, the 12ins arched dial set eight-day movement striking bell, face signed Upwell, H 211cm W 46cm

A 19TH CENTURY WELSH OAK AND MAHOGANY 8 DAY LONGCASE CLOCK, with painted face under a broken swan neck pediment, the face painted with churches and castles. Swansea maker. 84" High, the face 12" Wide x 17" High. See Lot 224 for image.

AN EDWARDIAN MAHOGANY EIGHT DAY LONGCASE CLOCK, in Georgian style having arch brass dial with silvered chapter ring and pierced spandrels, reeded pillasters to hood and case, panelled base with bracket feet. Strike/silent movement with five gongs. 92" High.

AN EARLY 18TH CENTURY EIGHT DAY OAK LONGCASE CLOCK, by Nathaniel Reeves, having moulded cornice, square apeture flanked by pillasters, moulded door to the waist on box base. 9.5" brass face with pierced spandrels and roman numerals. 74" High (some reductions).

AN 18TH CENTURY EIGHT DAY LONGCASE CLOCK. by "Mackie of Richill" having 14" brass face with brass chapter ring, silvered seconds dial, date apeture and pierced spandrels. Later oak and mahogany case with inlaid shell decoration. 90" High. C1730/1790. See Lot 224 for image.

A 19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by" W. Thomas, Dulais cabinet works, Llanwrda" having arch painted dial painted with a study of a child and dog. And inlaid decoration to the case. 13" x 19" Dial, 88" High. C1880.

A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, with square painted face. Distressed condition.

A GEORGE III MAHOGANY THREE TRAIN LONGCASE CLOCK, by Thomas Wigan of Bristol. The case with arched hood having blind fret freize, arch apeture flanked by fluted Corinthian columns, waist with arch door flanked by canted fluted panelled base on platform support. Originally a two train eight day clock with square face, this clock now has an arched face with rocking ship pediment seconds dial and date apeture and a three train movement striking on one large and four small bells. Face 16" High x 12" Wide. (Thomas Wigan, Bristol died 1790).

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, by J.D Williams of Merthyr Tydfil having cross banded case and arch painted face.

A late 18th Century 8 day longcase clock, the square painted dial inscribed Jno Skarratz Worcester, the spandrels painted with moss roses and with subsidiary seconds and date dials. In oak case, the hood with swans neck pediment, pillars flanking the dial door and on low bracket supports, 205cms high

An early 19th century oak and mahogany banded 8 day longcase clock, painted enamel dial with moonphase seconds dial and date aperture by Thos. Fletcher Chester, 220cm high

An 18th century mahogany crossbanded oak eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass square dial with Hoho bird border engraved calendar aperture, ringed winding holes and silvered seconds ring to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, within female mask scroll cast spandrel applied angles, in a flat-top case with ogee moulded dentil cornice over turned hood pilasters and arched trunk door with oval cartouche inscribed 'I.A.' and bearing date '1782', flanked by fluted quarter columns, on raised panel plinth base with shaped apron, case, movement and dial associated, 206cm high.

A Scottish Mahogany Inlaid Eight Day Longcase Clock, signed Geo Brown, Airdrie, circa 1820, the case with flat top pediment, rectangular trunk door and plinth with bird and floral inlay, "later" bracket feet, 14-inch painted arched dial, the arch and corners with figural scenes, dial centre with subsidiary dials for seconds, date and signed "Geo Brown, Airdrie", four pillar movement with anchor escapement and rack striking on bell, 214cm high

A Mahogany Inlaid Thirty Hour Longcase Clock, signed W Muncaster, Whitehaven, circa 1810], the case with "later" swan neck pediment, floral inlaid corners above fluted pilasters, the inlaid plinth upon wavy shaped feet, 14-inch painted arched dial with subsidiary date and signed "W Muncaster, Whitehaven", the arch with a lady with swans in landscape scene, four pillar movement with attached falseplate stamped "Walker & Finnemore", anchor escapement and countwheel striking on bell, 245cm high

A Mahogany Eight Day Longcase Clock, signed W Robson, North Shields, circa 1810], case with wavy shaped pediment, arched trunk door, rectangular plinth upon shaped feet, 13-inch painted arched dial, dial centre with subsidiary dials for seconds, date and signed "W Robson, Northshields", the corners and arch with painted floral and bird decoration, four pillar movement with attached falseplate stamped "F Byrne", anchor escapement and rack striking on bell, 237cm high

An Oak Thirty Hour Longcase Clock, signed Jas Pratt, Askrigg, circa 1820, the case with broken arched pediment, wavy shaped trunk door, plain rectangular plinth upon bracket feet, 12-inch painted arched dial, dial centre with date aperture and signed "Jas Pratt, Askrigg", floral corners and rural landscape scene to the arch, four pillar movement with countwheel striking on bell, 222cm high

A Mahogany Thirty Hour Longcase Clock, signed Jas Burton, Whitehaven, 1790, the case with swan neck pediment, flamed trunk door with "later" inlay, "later" rectangular plinth, 13-inch arched brass dial, engraved floral dial centre with subsidiary date dial and inscribed "Jas Fletcher", the arch with silvered plaque signed "Jas Burton, Whitehaven", four pillar movement with anchor escapement and countwheel striking on bell, 230cm high

An Oak and Mahogany Thirty Hour Longcase Clock, the case with flat top pediment, mahogany crossbanded trunk door flanked by inset pilasters, upon plinth with canted corners, 11-inch square brass dial, matted centre with date aperture and recessed silvered plaque signed "Robt Parkinson, Lancaster", four pillar movement with anchor escapement and countwheel striking on bell, dial and movement (circa 1750) associated to case (late 18th century)

An Oak Eight Day Longcase Clock, the case with swan neck pediment, wavy shaped trunk door, plinth with raised panel upon bracket feet, 12-inch arched brass dial with silvered chapter ring inscribed "Tho Lister, Luddenden", dial centre with penny moon and date aperture, the arch with tempus fugit silvered plaque, four pillar movement with anchor escapement and rack striking on bell, dial associated to movement and case, 225cm high

A Tortoiseshell Boulle Longcase Clock, circa 1870, the highly decorative shaped case with floral boulle work and applied scroll and masked metal mounts, with waisted plinth upon claw feet, 10-inch cast dial with twelve enamel Roman cartouche chapters, twin weighted movement with pin wheel escapement and striking on top mounted bell, 231cm high

An Oak Thirty Hour Single Hand Longcase Clock with Unusual Dial, signed Joseph Butterworth, Fecit, circa 1730, the oak case with flat top pediment, hood with columns to the sides, wavy shaped trunk door with marquetry star medallion, plain rectangular plinth, very fine 11-inch square brass dial with silvered chapter ring signed, the matted dial centre with two arched apertures for date of the month and lunar scale combined with penny moon aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, 208cm high *Joseph Butterworth of Cawthorne, Barnsley, was probably the son of John Butterworth who was also a clockmaker. Joseph is thought to have succeeded his father around 1720. Only half a dozen longcase clocks are known by Joseph, mostly thirty hour and eight day examples. His dials display very fine engraving and unusual dial layouts. See Loomes (Brian), "Clockmakers of Northern England", page 106

A Mahogany Eight Day Longcase Clock, signed Wm Graham, London, the case with flat top pediment, twisted columns, rectangular inlaid trunk door with moulded border and glazed lenticle, inlaid plinth upon bracket feet, 12-inch square brass dial, matted dial centre with date aperture, seconds and signed "Wm Graham, London" on a silvered plaque, five pillar movement with anchor escapement and rack striking on bell, dial and movement (circa 1730) associated to case (19th century), 213cm high

An Impressive Dutch Burr Walnut Inlaid Musical Longcase Clock with Automaton, signed DVD Meer, Amsterdam, circa 1780, the fine burr walnut case with shaped hood and carved floral and scrolled decoration (finials missing), finely pierced front and side frets, canted sides with floral inlay and with Corinthian capitals, the long shaped trunk door with inlay and moulded borders, flanked by canted corners with applied carved mounted capitals, painted landscape background with windmill, the massive three barrel movement with anchor escapement, half hour striking on two bells and four tune selection and playing on fourteen bells with twenty-seven hammers, 274cm high

A Rare Walnut Eight Day Longcase Clock with Unusual Seconds Dial in the Arch, signed Bradley, London, circa 1715, the case with caddy top and fine pierced fretwork, arched trunk door with stringing and moulded edge upon rectangular plinth, 12-inch brass arched dial, dial centre with ringed winding holes and date aperture, cherub and crown spandrels, the arch with two silvered plaques signed "Bradley, London", 5-inch silvered seconds dial with a counter balanced seconds hand and interesting engraving of military equipment, with on the left side the flag of Louis XIV and on the right the flag of the Duc De Aujou, who became King Phillip 5th of Spain in 1700, seven pillar movement with anchor escapement set in the on extended plates and internal countwheel striking on bell, 245cm high *Langley Bradley born 1663 was apprenticed to Joseph Wise in 1687 and was freeman of the "Clockmakers" Company in 1695. He was elected master in 1726 and was a member until 1738. His address was Minute Dyall in Fenchurch Street. As well as making St Paul's Cathedral's clock, he also made ones for St.Giles in Edinburgh and Cripplegate, London. In the Sloan Museum there is a fine calendar watch by Bradley, this was commissioned by William III and presented to Sir Christopher Wren.

A longcase clock 31 cms square dial and movement of square form decorated with flowers and birds, with a seconds subsidiary dial and calendar aperture, the 30 hour movement striking on a bell.

A 19th century mahogany longcase clock, the arched hood with fluted Ionic columns above a short trunk door, on a box base, the arched dial with moonphase and floral spandrels, seconds subsidiary dial and calendar aperture, inscribed 'W. Vaughan, Newport', the eight day movement striking on a bell.

A 19th century mahogany longcase clock, the hood with floral painted panels, Admiral Lord Nelson roundels and fluted columns, above a long trunk door with shaped top, box base and fun feet, the 35 cms dial with moonphase, ship and church rotating plate, painted with globes and floral spandrels with Roman numerals and a seconds subsidiary dial, inscribed Liverpool, the eight day movement striking on a bell, 236 cms high.

Thomas Martin, London, An early 18th Century longcase clock, the brass arched dial with a silvered chapter ring and Roman numerals, supporting an eight day movement with subsidiary strike/silent, second and date dials, the walnut case with a moulded cornice and turned pilasters over a waisted body with an arched door on a box base and bracket feet, 236cm high

A George III mahogany eight day longcase clock, the arched brass dial engraved J C Lowrie, Stoke Newington, with strike silent, calendar and seconds dials supporting an eight day striking movement, the arched hood with brass ball and spire finials, dial 11in, case 2.2m

A George III mahogany longcase clock, the arched and gadrooned top surmounted with finials enclosing an eight day striking movement and a circular painted dial, housed in a plain case and plinth, 207cm

Watkins, London, A George III strung mahogany regulator longcase clock, the circular silvered dial engraved 'Watkins, London', with a seconds dial supporting a five pillar movement and deadbeat escapement, dial 28cm (11Ó) diameter, case 188cm high