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A George III oak cased longcase clock, with a painted dial, 196cm tall

A late George III longcase clock case, 218cm high, together with another and a hood

Four longcase clock movements, weights and pendulums

A George IV inlaid mahogany 8-day longcase clock, with moonphase rolling dial signed Agar, Bury

An early 19th century oak thirty hour longcase clock, the painted dial bearing Arabic numerals, signed Sarringdon? 203cm.

A 19th century oak longcase clock of imposing proportions, having broken scroll pediment, the painted dial bearing Roman numerals and signed indistinctly for Aberystwyth eight day movement, 57cm x 227cm.

A Georgian Oak Longcase Clock, cornice to the hood over fixed turned columns flanking single pane square door, Arabic numeral face, painted in the corners with floral motifs, with date roller and 30 hour movement, thumbnail moulded long door, on plain lower section and plinth base, 16 3/4" wide x 76 1/4" high x 9" deep.

A pretty Victorian Mahogany Eight Day Longcase Clock, the hood having a dome top with central eagle motif finial, inlaid frieze on rope twist column supports, flanking the fret-cut frame single pane door, opening to reveal the painted face with Roman numerals, marked T.J. Thomas, Newcastle Emlyn, with lake and castle/rural scene, second hand and date roller,, the case having inlaid short door and quarter-twist columns and standing on bracket feet, 86 1/2'' high x 20 3/8'' wide x 9 1/2'' deep.

A modern oak longcase clock with restored antique thirty hour movement, the dial signed Henry Hemming of Lymington,

An early 19th century mahogany longcase clock with swan neck pediment over painted face with the arch depicting the Escape of Queen Mary' and the spandrels painted the four continents - by Robert Cringan of Carluke - eight day striking movement with seconds and date dials

An early 19th Century oak eight day longcase clock, the dial inscribed 'Francis Chamblen, Newcastle'

A 19th Century M. Ashton of Ashbourne crossbanded oak longcase clock, swan neck pediment, painted dial with shells in the arch, subsidiary seconds dial and date aperture, height 210cm, (two weights), complete with key

30hr longcase clock 'John Walker, Newcastle'. Condition report: see terms and conditions.

A late 18th century mahogany Longcase Clock, with 8 day movement, box wood inlay, W.Preedy of Langport.

An oak cased longcase clock, arched face, brass spandrels, silvered chapter ring, Roman and Arabic numerals, three weights, (no back or pendulum). Condition Report: Glazed door to trunk, no back, pendulum leader and chiming bars present

An Art Deco oak dome top longcase clock, Arabic numerals, inset barometer.

Gadsby. Lincoln, a mid 19thC longcase clock, the arched dial painted with a bridge, rural scenes, etc., with an eight day four pillar movement in oak and mahogany crossbanded case, 211cm high. (AF)

Miscellaneous items, to include various Lincoln related crested china, to include the West Front of Lincoln Cathedral, Lincoln Imp, longcase clock, and a Kildare crested lion.

A George III oak eight day longcase clock, the 13.25 inch square brass dial signed Watkin Owen, Llanrwst, with central seconds dial and date aperture, within a ring of Roman and Arabic numerals, with leaf moulded spandrels, the hood with swan neck pediment over a blind fret frieze, the short trunk door and box base on later bracket feet, 221cm highNote: G.H. Baillie lists Watkin Owen, Llanrwst 1761-1809 in Watch Makers and Clock Makers of the World Volume One.

A George III oak eight day longcase clock, the 12 inch square brass dial with ring of Roman numerals and cherub spandrels, the hood with reeded front corner pilasters over a long trunk door and single panel box base raised on short bracket feet, 212cm high

A Victorian mahogany eight day longcase clock the 14 inch arched enamel dial signed 'Fred Fraser, Wrexham' under a subsidiary seconds dial and date aperture within a ring of Roman numerals painted with a rural scene to the arch and architectural ruins and cottages to the spandrels the hood with swan neck pediment and wrythen turned front corner pilasters over a short crossbanded trunk door between wrythen pilasters on a crossbanded box base lacking feet, 230cm high

Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Garrat Peterboro, the hood with swan neck pediment over free standing columns to an arched door and moulded throat, to short and shaped trunk door, flanked by canted corners to a plinth base and raised on bracket feet, to a 12ins arched third-period painted dial, decorated to the arch with a seated figure reading verse over rose spandrels to a convex third-period painted Roman dial with outside minute track and enclosing subsidiary seconds and date sector with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 80ins

Mid-19th century mahogany and boxwood line inlaid musical 8-day longcase clock, the arched hood with swan neck pediment with central carved detail and flanked by cast urn finials, to a plain frieze over freestanding girdled columns to a moulded throat and long Gothic arched door flanked by cluster columns on panelled plinth base with canted corners, to a 13 1/2 ins arched brass dial with silvered boss engraved Tempus Fugit enclosing by dolphin spandrels over further cast floral and foliate spandrels to a Roman and Arabic chapter ring with outside minute track and four bells/eight bells lever at 3, to an engraved centre with subsidiary seconds and blued steel pierced hands, to a triple weight-driven movement with plates united by four knopped pillars and with anchor escapement and strike on a single bell and further rack of eight graduated bells, height 95ins

Mid-19th century Scottish mahogany 8-day longcase clock, Alexr Kelt Dundee, the hood with swan neck pediment over free standing columns to a moulded throat with carved quarter-columns to a panelled short trunk door to a further panel and raised on a plinth base, to a 12 1/2 ins third-period painted dial, decorated to the arch with foil backed depiction of a Highland skirmish entitled Rob Roy over spandrels depicting the 4 continents to a Roman chapter ring enclosing subsidiary seconds and date, and with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement strike on a bell (associated), height 80ins

Mid-19th century mahogany cased 8-day longcase clock, Josh Roe Ipswich, the arched hood with shaped pediment over free standing reeded columns to a moulded throat and further brass capped and reeded quarter columns to a long trunk door and raised on a panelled and stepped plinth base, to an arched third-period painted dial, decorated to the arch and spandrels with country cottages, to a Roman chapter ring with outside minute track and enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement strike on a bell, height 86ins

Early 18th century marquetry inlaid 8-day longcase clock, Henry Harper London, the case with moulded overhanging cornice to a pierced gilt brass panel and further overhanging moulding over barley twist columns with further quarter-columns to the back and with brass lined and glazed side panels and dial to an ogee moulded throat and long trunk door with D moulded border and enclosing marquetry detail of a floral urn with birds over a further brass lined and glazed lenticle with further floral and bird detail beneath, all within marquetry borders to a similarly decorated plinth base with further moulding and with plain side panels to a 10 1/2 ins square brass dial with wheatear border to cast and applied cherub and crown spandrels, to a silvered Roman and Arabic chapter ring with outside minute track and inside quarters, with further half hour markers to a matted centre with silvered subsidiary seconds and date sector with ringed winding squares and fitted pierced and carved blued steel hands to a movement with plates united by 5 knopped and finned pillars with anchor escapement and strike on a bell and fitted with a steel rod pendulum and pair of flat topped brass cased weights, height 80ins  Condition:        Case: extensive repair and restoration throughout – see photos.  Dial: staining to top of chapter ring.  Movement: appears complete and is currently running.  

Mid-20th century oak cased triple weight driven longcase clock, the arched hood with overhanging cornice to a moulded throat and glazed and panelled trunk door and raised on a panelled and stepped plinth base, to a 10ins arched brass dial with subsidiary for St Michael/Westminster/Whittington over mask spandrels with strike/silent levers left and right to a silvered Roman and Arabic chapter ring with outside minute track and matted centre with pierced and blued steel hands, to a triple weight driven movement with anchor escapement and strike on 12 rods, height 78 1/2 ins

A 19TH CENTURY OAK LONGCASE CLOCK with circular painted dial and single train movement, signed 'Friend, London', 15.5" high

AN EARLY 18TH CENTURY OAK LONGCASE CLOCK with brass dial, thirty-hour movement inscribed with the initials 'T.A.M.', 75.5" high

A 1930S OAK LONGCASE CLOCK with brass dial and silvered chapter ring, with chiming movement and three brass weights, 78" high

AN EARLY 20TH CENTURY MINIATURE 'COMTOISE' STYLE LONGCASE CLOCK, with ormolu mounts, 19" high

John (probably) Hall Snr, Grimsby, a late 18th century inlaid Sheraton style longcase clock, the 8-day movement with arched brass dial Condition Report lost fretwork flanking top finial; split to box base; later French polished; movement ticks, but does not maintain, possibly due to unlevel situation; auctioneers offer no warranty as to serviceability

A 19th century inlaid oak eight day longcase clock, with a brass arched dial, lacking hood door, 223cm high

A 19th century eight day longcase clock, with a painted dial, 220cm high

Edwardian oak longcase clock, glazed door, square brass and part silvered dial, three chain weight driven movement striking on gongs, 210cm.

A Metamec reproduction grandmother longcase clock, roman numeral chapter ring and brass spandrels to each corner of dial, mahogany case with detachable hood, 8 day three train movement with pendulum, Westminster chime, overall height 5 feet, complete with key and instruction booklet.

A reproduction Georgian style German made striking longcase clock, the arched dial with moving moon phase movement complete with ornate pendulum and three brass weights.

George III mahogany longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above a shaped panelled door with flanking quarter pilasters and a conforming plinth base with carved centre panel, the brass moon phase dial with a silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed Dodson Holbeck, the two train movement with anchor escapement striking on a bell

George III oak longcase clock, the broken arch hood above an arched panelled door and conforming plinth, the painted dial with Roman numerals, subsidiary seconds dial, date aperture and strike / silent selector, signed Gudgeon Berry, the two train movement with anchor escapement striking on a bell

Oak longcase clock circa 1930, the circular brass dial with Arabic numerals and two train weight driven movement

George III mahogany longcase clock, the broken arch hood with swan neck pediment and brass ball finial above an arched door flanked by Corinthian columns, the trunk with a triple arched Gothic style moulded door flanked by cluster columns below a shell inlaid frieze, the conforming plinth base with line and shell inlays on ogee bracket feet, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture with moon phase arch, signed James Leigh, the two train four pillar movement with anchor escapement striking on a bell

George III oak longcase clock having square painted dial with Arabic numerals and thirty hour movement with a flush panelled door and conforming plinth base (a/f) including pendulum and weight

Unusual Victorian oak longcase station clock (formerly in use at Boxhill station, near Dorking), the architectural case with a rectangular panelled door flanked by small floral carvings, the circular painted twenty four hour dial signed John Walker, South Molton Street, London, and No. 258B, the single train movement of eight day duration

George III mahogany longcase clock, the arched hood above an arched panelled door and a rectangular plinth with bracket feet, the gilded and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar aperture with strike / silent dial, inscribed James Brogden of London with a two train movement striking on a bell

An oak reproduction longcase grandmother clock, the 22cm dial having a roman numeral chapter ring and arched hood, panelled door, twin train pendulum movement, overall height 178cm.

Modern walnut longcase clock, domed hood, glazed door, splayed bracket feet, 9.5" arched brass dial, with cast spandrels, silver chapter ring, a German movement, height 166cm.

An early 18th Century thirty-hour longcase clock with single hand, signed John Cole Barum Condition Report: The clock case is clean but re-polished, The square brass dial with several splits and chipped top right corner, name crudely engraved bur fits around engraved center, movement restored, clock going strike very slow

A late 18th Century eight-day oak longcase clock, the brass dial signed John Lloyd, Brecon

An early 19th Century oak eight-day longcase clock, the brass dial signed Winstanley Wigan Condition Report: Not far of a “Barn Find” Case dull and door split, chapter ring corroded and badly scratched, movement in very poor dusty and dull

An 18th Century and later mahogany cased eight-day longcase clock by James Cannon, London, the hood with pagoda top and silk backed grilles, the trunk with reeded columns to the sides enclosed by an arch top door, fitted a later three-train movement chiming on 4/8 bells and striking on a gong, 248cm high/see illustration

An early 19th Century mahogany eight-day longcase clock by Holdsworth, Manchester, the hood with arch top and reeded columns to the sides, fitted a painted dial showing the phases of the moon, 229cm high

A George II walnut longcase clock, Robert Clark, London, the arch top case with fluted columns to the hood and quarter-veneered arched panel door, the 11 inch brass dial with Roman chapter ring, subsidiary seconds dial and date aperture within pierced foliate spandrels and surmounted by an engraved circular name plate, fitted an eight-day movement, 218cm high/see illustration

An oak cased longcase clock, the square brass dial signed Jer. Newbrough in Grais Inn and fitted an eight-day movement, the dial 30cm wide

A reproduction stained beech wood, to simulate mahogany, longcase clock with arched hood and dial with glazed panelled door to trunk.

An oak longcase clock, with eight day bell striking movement, the arched silvered dial inscribed J. Coster Henley on Thames, and with strike/silent subsidiary dial to the arch, 230cm high

Antique oak eight day longcase clock, having painted arched dial, signed John Longstaff, Bishop Auckland

An early 19th century eight day mahogany longcase clock by Thomas Logan of Dorchester, c.1820, with bell strike movement, the signed 12in. circular enamel Roman dial with engraved and gilded hands, subsidiary seconds at noon and arched date aperture, flanked by brass mounted turned columns below the arched cornice, the cross banded and ebony strung door over a deep ebony strung base on shaped bracket feet, 85in. (216cm.) high.

An Art Deco longcase clock, the oak cigar shaped case enclosing an anodised dial and three train movement enclosed by a partially glazed front.

A mid-20th century mahogany longcase clock with broken arch brass dial and chiming movement.

18thC longcase clock by Gregory of Basingstoke, c1740, 12" brass face with four dials, chime, seconds, day & time, Roman numerals, twin train 8 day movement striking on a bell, arch top oak case with columns to hood, overall 216cm