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A 19th Century mahogany longcase clock with painted dial, 8 day movement by S. Wallace, Gateshead with swan neck pediment and turned pilasters.

A Prattware watch-stand, modelled as a longcase clock between two figures leaning on plinths, the clockcase moulded with Classical figures and palmette borders, c.1820-26, some restoration, 28cm. Together with a pocket watch movement. (2) Cf. John and Griselda Lewis, Pratt Ware, p.104.

An early 19th Century mahogany longcase clock with brass dial, inscribed to the arch "Thomas Currie, Edinburgh", with roman numerals and subsidiary seconds and date dials, fitted eight day movement striking on a single bell, the hood with swan neck pediment above applied pen work panels, flanked by fluted corinthian brass-mounted pilasters, further pilasters to the trunk below, raised on a plinth base with later bracket feet.

A George III mahogany longcase clock, the white painted dial inscribed "Mary Mitchell, Cockermouth", with moon phase to the arch and subsidiary seconds dial painted with male and female figures, 14in. wide, fitted eight day movement striking on a single bell, the hood with swan neck pediment above turned pilasters, the panel door to the trunk with bone escutcheon flanked by reeded pilasters and canted base raised on bracket feet, 20in. x 88in. high.

An early 19th Century oak longcase clock with 12in. arched brass dial, roman numerals, subsidiary seconds dial and date aperture, engraved to the arch Chas. Lunan, Aberdeen, 726, fitted eight day movement striking on a single bell, the extensively renovated case surmounted by a broken arch pediment with acanthus leaf motif and three turned finials above fluted brass-mounted pilasters, an arched panelled door to the trunk, raised on bracket feet, 18in. x 88in. high.

An early 19th Century Scottish oak longcase clock, the painted dial inscribed "Geo. Blackie, Mussleburgh", decorated with painted flowers, subsidiary seconds dial and date aperture, fitted eight day movement striking on a bell, the case with swan neck pediment and reeded pilasters to the hood and trunk below, raised on a plinth base, 17in. x 82in. high.

An early 19th Century Scottish oak longcase clock with 12in. brass dial, roman numerals and subsidiary seconds dial and date aperture, a circular boss to the arch engraved "John Wadderston, Earlstoun", fitted eight day movement striking on a single bell, the hood with swan neck pediment decorated with foliate motifs, turned brass-mounted pilasters below, plain arch to panelled door to the trunk, raised on a plinth base with bracket feet, 17in. x 86in. high.

An early 19th Century longcase clock, the 10 3/4in. brass dial inscribed "P. Mathew, Wincanton", with subsidiary seconds dial and date aperture fitted eight day movement striking on a single bell, the short mahogany case with scrolling swan neck pediment and brass ball finial, the hood flanked by spiral twist brass mounted pilasters and chamfered case below decorated with inlaid stringing and cross banding, raised on bracket feet, 19in. x 79in. high.

An early 19th Century mahogany longcase clock, the white painted dial inscribed "Burton, South Shields", with roman numerals and subsidiary seconds and date dial, painted figures to the arch, fitted eight day movement striking on a single bell, the hood surmounted by later pierced pediment, arched panelled door and trunk decorated with cross banding and inlaid boxwood stringing, raised on bracket feet, 19 1/2in. x 87in. high.

An early 19th Century mahogany longcase clock, the associated movement with brass chapter ring, seconds dial and spandrels, fixed to a pewter coloured background, circular boss to the arch inscribed S. King, Monkwearmouth, 1800, eight day movement striking on a single bell, the hood flanked by turned pilasters with arched panelled door below decorated with boxwood stringing and inlaid cross banding, raised on bracket feet, 20in. x 85in. high.

AN 18TH CENTURY OAK LONGCASE CLOCK with brass square dial by James Rose of Lichfield, having single hand, cast cupid and coronet spandrels with 30 hour movement in a plain oak case with bullseye glass door, 76" high

A 19TH CENTURY OAK LONGCASE CLOCK with arched painted dial, seconds dial and inscribed 'Yaxley West of Docking', the case having an arched front door with eight day striking movement, 72" high

19th century 8 day oak longcase clock, painted dial

An eight day chiming longcase clock, early 20th century, mahogany crossbanded, amboyna, boxwood and ebony strung with marquetry decoration to the trunk door and box base, the 11” arched brass and silvered dial with centred subsidiary seconds dial within a ring of Arabic numerals under a subsidiary chime and silent dial to the arch with foliate pierced spandrels and centre, the three weight driven movement striking on a coiled gong and rods, the hood with pagoda top and arched hood door over a long trunk door on a box base and skirting plinth, 227cm high

A Victorian eight day longcase clock, mahogany, rosewood crossbanded, the 14” arched painted dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the arch painted with a hunting scene over architectural studies to the spandrels, the hood with swan neck pediment over front corner turned baluster hood pilasters above an ogee arched short trunk door flanked by short baluster front corner pilasters on a box base and ogee moulded bracket front feet, 237cm high

A Regency mahogany eight day longcase clock, the 12” arched brass dial signed ‘John Robertson, Edinburgh’ to the arch with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer ring of Arabic numerals, the eight day movement striking on a single bell, the hood with swan neck pediment over pierced frieze, over an arched glazed hood door, over a long trunk door, between reeded quarter front corner pilasters on a box base and later plinth skirting, 216cm high

An eight day longcase clock, mid 18th century, oak, the 9.5” square brass dial signed ‘Hampson, Wrexham, 804’ with ring of Roman numerals and foliate pierced corner spandrels, the associated eight day movement striking on a single bell, the hood with ogee moulded corners over a honeysuckle pierced frieze and glazed square hood door, over a shaped trunk door with brass key escutcheon on a box base and cut out plinth, 198cm high (at fault)

A late George III thirty hour longcase clock, oak, crossbanded rosewood, the 12” arched painted dial signed ‘Jones, Newtown’ with a portrait study to the arch and florally painted spandrels over a ring of Roman numerals, the restored movement striking on a single bell, the hood with swan neck pediment over an arched hood door and turned and tapering front corner hood pilasters over a short trunk door with later Art Nouveau moulded central motif between quarter fluted front corner trunk pilasters on a box base (lacking feet) 195cm high,

A late George III eight day longcase clock, oak, the 12” arch painted dial signed ‘William Gardener, Brigg’ with centred subsidiary seconds dial and date aperture, with portrait of a seated young woman to the arch, the movement striking on a single bell, the hood with swan neck pediment over an arched glazed hood door flanked by turned and tapering front corner hood pilasters over an arched trunk door, on a box base and later skirting plinth, 205cm high

RICHARD STONEHOUSE, WHITBY (1715-1809), AN 18th CENTURY OAK AND CROSS-BANDED LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment, complete with (original) 28cm arched brass dial, signed in the arch, with date crescent, now with eight-day two-train weight driven movement striking on a bell. 2.28m

MICHAEL JOHNSON, BARNARD CASTLE (1782-1843), AN EARLY 19th CENTURY OAK LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment, 33.5cm arched white dial signed, four-pillar thirty-hour movement with outside countwheel strike, (dial damaged lower left). 2.26m

Early C19th oak and mahogany 30-hour longcase clock with swan-neck pediment and arched painted dial, on bracket feet (F/R) (see illustration).

Early nineteenth century eight day longcase clock dial and movement with painted scene of Raby Castle, Durham in arched top and scenes of country landscapes within spandrels, 51cm high

Selection of W H Goss, and other miniature crested china including John Wesley chair, City of London chair, ditto longcase clock (13 pieces)

Early 19th century oak 30 hour longcase clock by Drage of Leighton Buzzard, enamel dial, case crossbanded in mahogany and inlaid with satinwood shell motifs

Mid 18th century eight day oak longcase clock by W Atkinson Malton, brass dial with subsidiary second hand and date aperture

Oak longcase clock by William Avenell, Farnham, c.1830

Chinoiserie 30 hour longcase clock, brass face, green and gilt case, glass aperture in door, C.1900

A George IV mahogany and oak 30 hour longcase clock the foliate and rose painted arch dial with a minute aperture and marked JAS AULT, Belper, inlaid with stringing throughout, the hood with broken arch pediment and fluted column supports, the oak and mahogany banded trunk with fluted quarter corner columns, on low bracket feet 220cm high

A George IV mahogany 8 day longcase clock the 12 inch painted dial with a subsidiary second dial, minute register, twin winding holes and marked J & J Thistle, Williton, with a twin train 8 day movement, the swan-neck pediment above reeded corner columns and a canted strong case with shaped bracket feet 212cm high

A 19thC painted longcase clock face marked Saml.Thorp, Abberley

A mahogany and crossbanded longcase clock the swan neck hood above a painted dial, shaped door and half fluted pilasters, 214cm high

A Victorian mahogan eight day longcase clock, maker J. Young of Dalry, the arched Roman numeral dial painted with scene titled 'Prince Charles Edward receiving his adherents at Holyrood', and subsidiary seconds and date dials, the hood C-scroll crest on a trunk with convex door and demi columns on bun feet, 223cm high x 50cm wide

A George III mahogany eight-day longcase clock, maker Josiah Thompson (1748-1768) of Whitehaven, the brass Roman and Arabic numeral dial with subsidiary seconds dial, date aperture and pierced gilt spandrels, the hood with fret cut frieze on a trunk with rectangular door having window aperture, the base on bracket feet

A 19th Century oak longcase clock having a square hood, short crossbanded door, a painted dial with eight day movement by Griffith Owen, Llanrwst (working)

A George III eight-day longcase clock by Ratcliff of Welshpool, no. 134, square brass dial with subsidiary seconds and date aperture, four pillar movement with anchor escapement, in oak case, 6ft. 8in. high - case modified

A Dublin Longcase Clock Movement circa 1770 with Eight Day Movement, the 12½ inch (31.5 cm) brass dial inscribed "Alex Gordon", having decorative brass spandrels with a subsidiary seconds ring and calendar aperture in the matted centre. Housed in a later oak case having a caddy top hood with carved finials and applied edge moulding to the trunk door with lenticle.

A Tall Chippendale Style Carved Mahogany Musical Longcase Clock. The 12 inch (31 cms) brass dial having a roundel plaque to the arch inscribed with maker's name; Thos. Henderson Hull, decorated with scrolling mounts & spandrels, and framed by a blind-fret carved dome-topped door with stop fluted columns either side; the gilt Corinthian style capitals bearing a heavy swan-neck pediment ornamented with carved sprays of foliage and surmounted by a foliate crest. The arch topped trunk door edged in moulding and adorned with interlaced C-scrolls and foliage flanked by canted blind-fret carved corners. The base with further applied foliate carving raised on bracket feet, 102 ins (60 cms) in height.

A Miniature Mahogany Longcase Clock. The 7 inch (18 cms) brass dial having a silvered chapter ring encircling a matted centre with winged cherub head spandrels and scrolling mounts flanking a convex plaque to the arch inscribed Tempus Fugit. The hood surmounted by a gadrooned swan-neck pediment with carved rosettes to the terminals and lavish scrolls with undulating acanthus above fluted side columns. The trunk enhanced with a carved band of foliate scrolls with recessed reeded quarter columns flanking the shaped edge-moulded door and leading down to a brick-work base, 57 ins (145 cms) high.

John Clayton, Marple, 8-Day Striking Oak Longcase Clock having square brass dial with pierced and embossed spandrels, with calendar, having silvered chapter ring with Roman numerals, having corinthian column supports with shaped panelled door having chamfer and half round reeded supports, on bracket feet, 2m 6cm high

Late c18th oak eight day longcase clock, broken arch brass dial, moon phase subsidiary seconds dial, date aperture, signed Jno Fletcher no 1336

A Scottish George IV oak and mahogany cross banded longcase clock the figural and foliate painted arched dial with subsidiary second and date dials, the eight-day movement with anchor escapement, striking on a bell, the hood with a broken swan neck pediment and twin reeded pilasters, the rectangular case with reeded quarter columns and raised on bracket feet 53cm wide, 227cm high, 23cm deep

A mid 18th century mahogany longcase clock by John Gordon, Edinburgh the twin train movement striking on a bell the rosette carved swan neck pediment with fretted frieze above a rococo engraved dial with roman and arabic chapters, calendar aperture and second dial, the re-entrant arched trunk door between reeded quadrant corners on canted plinth base 213cm high

A George III period mahogany longcase clock by Dalgleish, Falkirk the twin train movement striking the hours on a bell the dentil carved swan neck pediment with rosette terminals above a roman enamel dial with calendar aperture and moon phase to the arch above maps of the globe and floral spandrels, between stop fluted columns, the trunk door with rosette carved swan neck cresting between quadrant corners on plinth base with bracket feet 214cm high

An 18th century mahogany longcase clock by J N O Smith, Pittenween the twin train movement, the swan neck pediment over closed fretwork frieze, foliate painted dial, roman and arabic chapters, subsidiary seconds dial and date aperture, flanked by brass mounted fluted columns, shaped trunk door, flanked by similar columns, plinth base 201cm high

A Georgian style painted longcase clock the twin train movement, the projected arched cornice, painted dial, with cottages and a scene of hunting with hounds, roman chapters , subsidiary seconds and date dials, flanked by pilasters, over a gothic arched trunk door, plinth base, shaped apron, bracket feet 206cm high

A 19th century mahogany longcase clock by Reid and Auld the twin train movement, striking a bell, the moulded arched top over a circular face with roman chapters subsidiary seconds and date dials strike and silent, arched trunk door, plinth base raised on bracket feet

An early 19th century mahogany longcase clock by John Graham & Sons, Carluke the twin train movement striking the hours on a bell, the swan neck pediment above an enamelled dial with spandrels decorated with emblems of the United Kingdom and a plough boy to the arch, the bowed trunk brass with ogee cresting between half columns, on panelled plinths with shaped bracket feet 215cm high

A George III mahogany and boxwood strung longcase clock By William Turnbull, Caltoun with twin train movement, the swan neck pediment over arched face, with arabic and roman chapters, subsidiary seconds dial and date aperture, surrounded by brass spandrels and sea creatures, moulded trunk door, plinth base raised on bracket feet 222cm high

A Victorian elaborately carved oak longcase clock by Samuel Bycroft, Alford the foliate carved arched pediment over a brass roman chapters subsidiary, seconds, date, strike and silence dials, surrounded by quarter spandrels, over a heavily carved trunk door, mask carved plinth base 240cm high

A painted pine longcase clock face early 19th century, inscribed T.Waldfoyel & Co, Peterboro, and motto "Die Eurobarin" in arch and painted Roman numerals, together with attached movement, 12.5in (32cm) wide.

A LONGCASE CLOCK by Andrew Knowles, Bolton, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" square brass and ormolu dial with silvered chapter ring, single hand chased foliate centre with date aperture, in oak case with moulded cornice, above blind fretwork frieze on turned pilasters, panelled trunk, door with glazed lenticle and moulded base, 78 1/2" high

A LONGCASE CLOCK MOVEMENT by John Braithwaite, Hawkshead, the thirty hour movement with anchor escapement and outside countwheel striking on a bell, 10" square dial with silvered centre chased with foliage, calendar aperture and signature roundel, Roman and Arabic numerals

A LONGCASE CLOCK MOVEMENT by John Shaw, the thirty hour movement with anchor escapement and outside countwheel striking on a bell, 10" square brass dial with Roman and Arabic numerals, silvered centre chased with tulips, calendar dial and signature oval, mask spandrels later enamelled, inscribed John twice verso, and numbered 502 on calendar dial

A LONGCASE CLOCK by Thomas Bridge, Manchester, the thirty hour movement with anchor escapement and outside countwheel, 12" brass dial chased with foliate, silvered chapter ring with Roman and Arabic numerals, calendar aperture in oak case with scrolled pediment on turned tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 84 1/2" high

A LONGCASE CLOCK by Pattison, Halifax, the eight day movement with anchor escapement, 13" arched dial painted with flowers, secondary dial and calendar aperture, moonphase in dial painted with cottage and sailship, in mahogany and crossbanded case, the scrolled pediment on wrythen turned columns, canted trunk with arched door, panel base with shaped apron and bracket feet, 93" high

A LONGCASE CLOCK, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with flowers, the arch depicting Moses in a landscape, seconds dial and calendar aperture, in oak and mahogany banded case with stringing, scrolled pediment with urn finial on baluster columns, arched door flanked by pilasters, panel base and bracket feet, 19th century, 88 1/4" high

A LONGCASE CLOCK by William Potts, Pudsey, Leeds, the eight day movement with anchor escapement striking on a bell, arched dial painted with village scene and cottages, secondary dials, in mahogany and crossbanded case, the scrolled pediment on baluster turned columns, canted trunk with arched door, panel base with waved apron and bracket feet, 93 1/2" high

A LONGCASE CLOCK by John Pattison, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13" brass dial chased with birds on scrolling branches, Roman and Arabic numerals, month dial and moonphase painted with a landscape, in oak case with scrolled pediment and brass finials on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 90 3/4" high

Oak Longcase clock banded in mahogany, the hood with a fretted gallery enclosing a painted face "Jos. Wilde Macclesfield", two-train movement on fluted corner trunk and set-out canted base. (Pendulum, key & two weights)