We found 41749 price guide item(s) matching your search

An early 19th century figured and crossbanded mahogany veneered striking eight day longcase clock, with marquetry inlay and stringing throughout, the 14ins painted dial with moon phase to the arch and inscribed Barry, Bolton, with twin weights and pendulum, height 214cm (7ft) (illustrated)

An 18th century mahogany banded oak cased striking eight day longcase clock, the 12ins brass square dial inscribed "Walt Broadhurst, Lichfield", with repeat pully, twin weight and pendulum, height 198cm (6ft 6ins) (illustrated)

A Georgian mahogany banded oak cased striking eight day longcase clock, the 13ins painted square dial inscribed "John Harrison, Audlem", with twin weights and pendulum, height 208cm (6ft 10ins) (illustrated)

An oak cased mantle clock modelled in the form of a longcase clock.

A late 18th century oak longcase clock by J Bradford, Totnes with eight day movement striking on a bell and sub second dial decorated with a moving sailing ship in a rocky harbour.

A painted longcase clock dial with Roman numerals and Arabic minute numerals to the quarters, with attached movement and two weights.

A quantity of novelty crested china including a bathing hut, military cap, longcase clock, pillar box, army kit bag and an old armchair. (27)

Joseph Wilson , Chichester c.1830 : An oak cased country longcase clock with 12" square painted dial with 30hr movement striking on a bell. The dial features gilded floral corner and centre decoration and with matching brass hands 6ft 3" high

A Fenclocks mahogany longcase clock having brass moon phase dial,

A George IV longcase clock, by A Winstanley, Wigan, the eight day movement striking on a bell, the painted dial with seasons dial to the arch, secondary seconds dial and calendar aperture, the mahogany, crossbanded and inlaid case with glazed hood, ornamented with painted panels and brass finials, shaped door to trunk, box base, bracket feet, 243cm high

A Continental painted longcase clock, dial signed Junghans

A Georgian mahogany longcase clock with eight day movement and painted face

A LATE 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK having a 10" brass dial with silvered chapter ring and Roman numerals signed J & O Hooper Winton with date aperture, the case with panelled door and fretwork decoration, 80" high overall.

IRISH GEORGE III MAHOGANY AND SATINWOOD LONGCASE CLOCK SAMUEL LAHEE, WEXFORD the broken pediment hood over a brass dial with Roman and Arabic chapters and subsidiary seconds dial, flanked by fluted columns, the case with a shaped door with a satinwood panel flanked by fluted quarter columns

IRISH GEORGE III YEW WOOD MARQUETRY LONGCASE CLOCK MARTIN KIRKPATRICK, DUBLIN the moulded dome hood with urn finials over a brass and steel dial with Roman and Arabic chapters, subsidiary moon phase and seconds dials, and date aperature, the case with a glazed aperature and inlaid with a burl wood panel, eight day movement 52cm wide, 260cm high, 28cm deep

GEORGE III MAHOGANY LONGCASE CLOCK ALEXANDER MICO, LONDON the swan neck pediment centred by a brass urn finial over floral carved panels and an arched brass dial with Roman and Arabic chapters, subsidiary seconds dial and date aperature, eight day movement, flanked by free Doric columns, the trunk with a shaped door 47cm wide, 216cm high, 25cm deep

SCOTTISH MAHOGANY DRUMHEAD LONGCASE CLOCK ROBERT BRYSON, 19TH CENTURY the engraved silvered Roman numeral dial with subsidiary seconds and calendar dials, eight day movement, the trunk door flanked by reeded quarter columns 46cm wide, 198cm high, 22cm deep

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY the swan neck pediment over a painted arched dial with Roman and Arabic chapters, with subsidiary seconds and calendar dials, the cresting painted with the Battle of Culloden Moor, the spandrels depicting memorials to Nelson, Woolf, Abry and Duncan, over an inlaid trunk 46cm wide, 214cm high, 23cm deep

A late George III inlaid mahogany eight day longcase clock, the 12 inch arched brass dial with strike silent subsidiary seconds and date dial, signed Brockbank, London, 8ft Starting Price: £1600

An early 19th century inlaid mahogany eight day longcase clock, the arched painted dial with moonphase and sportsman, 7ft 8ins Starting Price: £400

A George III mahogany and oak eight day longcase clock, the 12 inch brass dial with later silvered arch inscribed `The Moon Age` showing moonphase over a silvered Roman chapter ring with subsidiary seconds and date dial, signed S.Collings, Thornbury, 7ft 6ins Starting Price: £640

An early 19th century mahogany and oak eight day longcase clock, with painted arched arabic dial with subsidiary seconds and date aperture, signed Anderson, Liverpool, 7ft 2ins Starting Price: £400

A late 18th Century mahogany longcase clock, the square hood having turned pillars and a caddy top and 12 ins brass dial, eight day movement by Park, Liverpool (base of case cut down)

Mahogany longcase clock, with a swan neck pediment, the hood with turned supports, shaped door flanked by turned columns, shaped apron on bracket feet, arched painted dial with figures, Roman numerals, subsidiary seconds and date dials, signed John Rule, Kelso, eight day movement striking on a bell.

A late 18th century Channel Islands longcase clock the 12in arched brass dial inscribed Elie Guerine, Guernsey, with date aperture and movement striking on a bell, in a later oak case with glazed trunk door, 82in (208cm) high. Rare maker - Not listed in Tribe and Whatmore.

A good 8 day striking yew wood longcase clock with a 12" arched brass dial having calendar and second dial the silvered chapter ring signed SIM THORNE IVN TIVERTON standing 88" tall in restored condition

RICHARD SWAIN, STRATFORD A VICTORIAN OAK AND MAHOGANY CROSSBANDED EIGHT DAY LONGCASE CLOCK, the hood having a swan neck pediment with flank fluted pilasters and brass capitals, the trunk with waist panel door, quarter pilasters upon a chamfered box" base with bracket feet, the eight day mechanism of four pillar Clerkenwell type, faced by an arched painted dial with Roman chapter, subsidiary seconds and provision for calendar, 2.32m high

A. ORTELLI, BUCKINGHAM AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the hood having a fretted pediment with brass capped pilasters, the trunk with arched waist door, on box plinth with later bracket feet, 8-day four pillar mechanism with rack bell" strike, faced by an arched white painted dial with subsidiary seconds, 2.12m high

18thc Gilt brass dial longcase clock

An early 19th century mahogany and inlaid longcase clock, signed Robert Aitken - Galashiels, the dial surmounted by a country house, landscape and floral painted spandrels, with subsidiary seconds and calendar dial, the swan necked pediment with a bronze finial of Robert Burns, on panelled base with bracket feet, the eight day movement striking the hours on a bell, height 217cm

An 18th century oak longcase clock, the brass dial with Roman numerals and calendar aperture, centred by an engraved flower filled urn, within rococo spandrels and architectural case, with pierced frieze on plinth base, with restorations, height 197cm

A 19TH CENTURY EIGHT DAY LONGCASE CLOCK, the arched painted dial with Roman numerals, subsidiary seconds and date dials, the arch depicting Britannia, the oak and mahogany case with swan-neck pediment and short trunk door with conch shell inlay, 85" high

A VICTORIAN MAHOGANY AND INLAID LONGCASE CLOCK by Nathaniel Greening of Cinderford, having a painted dial with eight day movement, seconds dial, in a carved case

An early 19th Century oak longcase clock, fitted a thirty-hour painted dial with floral decoration by Thos Mear, Dursley.

A mid 17th Century thirty-hour clock movement by John Knibb, Oxford, the 7¼" square brass dial with pierced spandrels, the chapter ring with Roman numerals and plain matted centre, having original pierced steel hand and alarm dial, the movement with four square pillars, half-second bob pendulum and exterior count wheel and rope weight supports, in a later walnut veneered longcase with square hood and rectangular door to the trunk.

A thirty-hour longcase clock, the square dial painted fruit to the corner spandrels and a bird on a branch above the centre, signed Kent, Monmouth, the hood flanked by free standing columns, the case with long arch door over a planked base.

A late 18th Century eight-day longcase clock movement, the brass dial with decorated spandrels and silvered chapter ring signed William Bramble, London with brass pendulum for the same.

A George III mahogany cased longcase clock with eight day movement, the brass arched Roman dial signed `John Tolson, London`, with gilt mask spandrels, the matted centre with subsidiary seconds dial and date aperture, the arch with strike/silent indicator and gilt dolphin spandrels, the case with moulded arched hood with turned tapering columns and gilt brass ball and eagle finials, over an arched trunk door and plain plinth base, 84.5in. (214.5cm.) high.

An Edwardian inlaid mahogany longcase clock with eight day chiming movement, the silvered and matted brass dial with silvered Arabic chapter ring and gilt brass spandrels, chime/silent indicator to arch, the hood with broken arch pediment and arched glass door flanked by fluted columns on gilt mounts, arched door to trunk flanked by fluted gilt capped pilasters, on a panelled base with bracket feet, 78.5in. (199.5cm.) high.

A Guernsey oak longcase clock circa 1800, with enamelled Roman dial with outer Arabic minutes, subsidiary seconds and date dials, pierced steel hands and gilt painted star and foliate spandrels, the eight day movement striking on a bell, the case with flared moulded pediment on turned pilasters, over a plain trunk and base, 84in. (213.5cm.) high.

A MAHOGANY LONGCASE CLOCK by Elliott, Leeds, the eight day movement with anchor escapement striking on a bell, 14" arched dial with Roman numerals and painted with cottages and a milk maid, secondary dials, the rosewood banded case with scrolled pediment on baluster turned columns, canted trunk with arched panelled door, the base with inset circular panel, on turned feet, 97" high

Nineteenth century eight day longcase clock with circular white painted dial, brass winding holes in a mahogany case with shaped door and domed hood with canted reeded corners and circular glass panel to door. Hood locking latch, approximately 203cm overall height Further images and condition reports are available at www.reemandansie.com

Late eighteenth century Scottish eight day longcase clock with thirteen inch arched dial, fruit and floral decorated spandrels, moon roller, subsidiary second and calendar dials, signed Jas Allan, Kilmarnock. In a mahogany case with shaped door and barleytwist columns. Hood with arched glass door, barleytwist columns and swan neck pediment. Approximately 221cm overall height Further images and condition reports are available at www.reemandansie.com

XVIIIth Century Oak 8-day Longcase Clock having square brass dial with silvered chapter ring, signed Z Hanwell, London

XIXth Century Oak and Mahogany 8-day Longcase Clock having floral painted square dial, signed Jno Jones, Pen-y-groes, Pwllheli

An early 20th century oak longcase clock with brass dial and three train striking movement

GEORGE III CARVED OAK LONGCASE CLOCK, maker Garland of Sunderland, with arched brass dial, Roman/Arabic numeral dial and subsidiary seconds, 224cm high x 59cm wide

A George III mahogany longcase clock by John Dobbie of Calton Glasgow, with dentil cornice above an arched glazed door enclosing the brass dial and two-train movement, with Roman numerals, subsidiary date and seconds dials and flanked by twist columns, with long trunk door also flanked by quarter round columns with capitals and with conforming base raised on bracket feet. Height 83 ins.

An early 19th century oak and mahogany crossbanded longcase clock, by G. Cox of Whitehaven, the swans neck pediment above the arched glazed door enclosing the 13 inch arched painted dial with Roman numerals, with date aperture and 30 hour movement by G. Cox, Whitehaven, flanked by turned columns, with three quarter length trunk door with cluster columns and with conforming base. Height 82.5 ins.

A George III oak and mahogany crossbanded longcase clock, with swans neck pediment above the arched glazed door enclosing the 11 inch square dial with spandrels emblematic of the four seasons, with silvered chapter ring with Roman numerals and with date aperture and thirty hour movement by Barwise, Cockermouth, flanked by turned columns, with full length crossbanded trunk door flanked by fluted column corners and with conforming base. Height 89 ins.

A longcase clock dial only, by Hugh Lough of Penrith, with silvered chapter ring with Roman numerals and scroll spandrels. 11 ins square.

A George III longcase clock movement only, eight day, complete with weights and pendulum but no face.

A George III mahogany longcase clock by Robert Williams of Wrexham, with swans neck pediment with brass flaming torch finial between above the arched glazed door enclosing the 15 inch painted dial with spandrels emblematic of the continents, with moon phase to the arch, Arabic numerals, subsidiary seconds dial and date aperture and with eight day striking movement, flanked by cluster columns, the long triple arched Gothic trunk door with vase and cover medallion and with conforming base raised on bracket feet. Height 101 ins.

A George III mahogany longcase clock by William Taylor of Whitehaven, the swans neck pediment with brass terminals with ball and steeple finial between with shell carving beneath, the glazed door enclosing the 12 inch square brass dial with Roman numerals, subsidiary Arabic numerals, date aperture, with thirty hour movement by William Taylor of Whitehaven, flanked by simple columns, the arched trunk door with moulded edge above a conforming base raised on bracket feet. Height 83 ins (see illustration).

A George III oak longcase clock by Thomas Pearson of Berwick, the swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and subsidiary date and seconds dials and eight day movement, flanked by simple columns, with long arched trunk door beneath and conforming base. Height 83 ins.

An early 19th century oak and mahogany crossbanded longcase clock, inscribed to the dial "John Fearon, Cockermouth", with swans neck pediment above the arched glazed door enclosing the 13.5 inch painted dial with Roman numerals, date aperture and 30 hour movement, flanked by turned columns and with short crossbanded trunk door beneath and with conforming base. Height 92 ins.

An early 19th century grained pine longcase clock, the arched hood and glazed door enclosing the 12 inch arched painted dial with Roman numerals, subsidiary seconds dial and date aperture and two-train movement marked "Falmouth", makers name rubbed, with Walker & Hughes false plate, flanked by simple columns with long arched trunk door and conforming base. Height 80 ins.

PETER WYLIE DAVIDSON (1870-1963) `SWALLOWS` LONGCASE CLOCK, CIRCA 1902 with circular brass dial, the repoussé decoration composed of stylised Roman numerals enclosed by a frieze of stylised swallows, the hands decorated with concave discs, above a pendulum, worked in brass wire and repoussé panel and depicting a swallow flying through clouds, the whole supported on an ebonised stand pierced with circular apertures enclosing turquoise bead spacers 119.5cm high, dial, 38.5cm diameter, 43cm square at base Provenance: Peter Wylie Davidson and by descent Note: This clock is one of Peter Wylie Davidson`s masterworks and possibly a collaboration with Charles Rennie Mackintosh; by family repute the frame was designed by Mackintosh and the clock`s dial by Davidson. The use of the swallow`s flight motif around the clock face is a distinctive Davidson element seen on his best pieces, as well as a classic `Glasgow Style` motif. The pendulum depicting a swallow`s flight through wirework clouds is of the same design as a well known set of brooches created by Davidson for the women in his family, of which five are thought to have been made. One example is dated 1902 and this may help us attribute this clock to a similar date. The motif can also be seen in the only jewellery design attributed to Mackintosh, but it is difficult to say with certainty who influenced who in this case. It perhaps hints at a synthesis of ideas and further strengthens the possibility of this being a collaborative project.

A 1930`s oak cased arch top longcase clock with silvered dial and triple weight driven chiming movement

An 18th century oak longcase clock with 30 hour movement, the brass dial engraved with a rural scene signed Cha. Parker, Reading