We found 41737 price guide item(s) matching your search

A Georgian mahogany inlaid longcase clock. Painted moon dial W.Thompson W.Hampton. With two weights, winder, key and a pendulum. (a.f door glass with slight crack and door noir attached)

An early 20th century inlaid longcase clock Macey Plymouth with strawberry and rose painted dial. H:215cm

A Victorian mahogany longcase clock with makers name Peach Bridport. Brass finials to top, hand painted dial, two weights and a pendulum, winder and key. H:213cm

A modern longcase clock needing restoration

Clark & Co's. Anchor Sewing Cottons.  The Best for Hand and Machine Use, a promotional miniature longcase clock to house a pocket watch and reels of cotton, printed music to the front, My Grandfather's Clock, by Henry C. Work, 25cm

George Bartle, Brigg, a late Georgian crossbanded and inlaid mahogany eight day longcase clock, the 13" painted arched dial with subsidiary seconds dial and date aperture, hunting scene to the arch, the movement striking on a bell, the false plate by Walker & Hughes, Birmingham, Corinthian columns to the hood and pagoda top pediment with brass ball and spire finials, one missing, key, pendulum, two cast iron weights, one 12 one 13, 213cm. The dial making partnership of Walker & Hughes in Birmingham lasted from 1812-1835.

A GEORGE III OAK LONGCASE CLOCK the associated 30hour painted arch dial, with date aperture, inscribed " J&C Schwerer Northampton", 214cm high

Thirty hour longcase clock movement, the 12" painted square dial with calendar aperture (pendulum and weight)

Eight day 5-pillar longcase clock movement, the 12" brass arched dial signed Windmills & Wightman, London on a convex boss to the arch, over a brass chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture (pendulum)

Oak thirty hour longcase clock, the 10.5" square brass dial with silvered chapter ring enclosing a matted centre and single iron hand, the case with long mahogany crossbanded door and the hood surmounted by a stepped moulded cornice, 78" high (pendulum and weight)

Oak thirty hour longcase clock, the 9.75" square brass dial with matted centre, three faux ringed winding holes and calendar aperture, the case with long rounded arched door and the hood with a flat moulded stepped cornice, 78" high (pendulum and weight)

Oak thirty hour longcase clock with birdcage movement, the 11" square brass dial signed Simon Cross, Liphill on the silvered chapter ring enclosing a matted centre with calendar aperture, the case with long door and the hood surmounted by a wavy cornice and three acorn finials, 83" high (pendulum and weight)

Oak eight day longcase clock, the 12" square brass dial signed S. Wright, Northwich on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the crossbanded case with long door and the hood surmounted by a flat stepped moulded cornice, 83" high (pendulum, two weights and winding key)

Light oak thirty hour longcase clock, the 11" square brass dial signed Jonathan Way, Newton St Loe on the silvered chapter ring enclosing a matted centre engraved with stylised flowers, the case with long door and the hood surmounted by a flat stepped cornice, 74.5" high (weight, no pendulum)

Light oak thirty hour longcase clock, the 11" square brass dial signed Jno Coates Tetbury on the silvered chapter ring enclosing a matted centre engraved with birds of paradise, the case with long door and the hood surmounted by a raised arched pediment, 77" high (pendulum and weight)

Oak and mahogany crossbanded thirty hour longcase clock, the 12" square painted dial signed Thos Higgins Jun, Burford, the case with short crossbanded door and the hood surmounted by a moulded swan neck pediment fitted with two brass rosettes, 80" high (pendulum and weight)

Oak thirty hour longcase clock, the 11" painted square dial signed R. Prew, Tewkesbury, with calendar aperture, the case with long door and the hood with a moulded stepped pediment, 81" high (pendulum and key)

Oak eight day longcase clock, the 12" cream arched dial signed J. Goater, Winchester over subsidiary seconds and calendar dials, the case with long crossbanded door and the hood surmounted by a rounded moulded cornice with two ball and eagle brass finials, 81.5" high (pendulum and two weights)

Oak and mahogany crossbanded thirty hour longcase clock, the 12" painted arched dial signed Holliwell, Alfreton, the case with long wavy crossbanded door and the hood surmounted by a moulded swan neck pediment with two brass rosettes, 84" high (pendulum and weight)

Oak eight day longcase clock, the 12" brass arched dial signed Willm. Parry, Newport on a silvered disc to the arch, the silvered chapter ring enclosing a matted centre engraved with birds, with subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood surmounted by a stepped caddy top, 89" high (pendulum, no weights)

Interesting elm thirty hour longcase clock, the 10" square brass dial with silvered chapter ring enclosing a matted centre fitted with an alarm dial and single iron hand, the case with beaded edged long door fitted with a circular lenticle and the hood surmounted by a moulded stepped cornice, 81" high (weight, no pendulum)

Oak thirty hour longcase clock, the 11" square brass dial signed Jno Linscomb, London on the silvered chapter ring enclosing a matted centre with single iron hand, the case with long door and the hood surmounted by moulded stepped cornice, 74" high (pendulum and weight)

Oak eight day longcase clock, the 13" brass arched dial with brass chapter ring enclosing a foliate engraved centre with subsidiary seconds and calendar dials (missing strike/silent dial to the arch), the case with long door inlaid with a central paterae and the hood surmounted by a moulded swan neck pediment, 89" high (no pendulum or weights)

Oak eight day longcase clock, the 11" square brass dial signed Thos James Northampton on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long beaded moulded edged door fitted with a circular lenticle and the hood surmounted by a moulded stepped cornice, 82.5" high (pendulum and two weights)

Mahogany eight day longcase clock, the 12" silvered arched dial signed J.Y. Hatton, London to the centre with subsidiary seconds and calendar dials, with rocking ship to the arch, the case with short ebony banded door and the hood surmounted by a wavy carved rounded arched cornice, 87" high (pendulum and two weights)

Oak and mahogany crossbanded eight day longcase clock, the 14" painted arched dial signed Smith, Walton to the centre with subsidiary seconds dial, the case with short crossbanded wavy door inlaid with a central paterae, flanked by quarter fluted columns and the hood surmounted by a moulded swan neck pediment, 84" high (pendulum and two weights)

Oak thirty hour longcase clock, the 10" brass arched dial signed Thos Fordham, Braintree on an arched plaque to the foliate engraved centre with calendar aperture, with rocking Father Time in an open aperture to the arch, the case with long beaded moulded edged rounded arched door and the hood surmounted by a rounded arched moulded cornice, 80.5" high (pendulum and weight)

Oak thirty hour longcase clock, the 12" square brass dial signed Sowrey, Whitehaven on a silvered banner to the matted centre with subsidiary calendar dial, the case with long door and the hood surmounted by a stepped dentil cornice, 79.5" high (pendulum and two weights)

Oak eight day longcase clock, the 12" brass arched dial signed George Avenell, Farnham on a silvered shield enclosed by the Royal Coat of Arms cast in relief to the arch, the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long rounded arched door fitted with a circular lenticle and the hood surmounted by a moulded stepped pediment, 83.5" high (pendulum and two weights)

Good walnut marquetry eight day longcase clock, the 10" square brass dial signed Mansell Bennett, Londini Fecit, the case with long marquetry door inlaid with birds amidst flowering foliage and fitted with a circular lenticle within a beaded border, the hood fitted with barley twist columns and surmounted by a stepped caddy top with three brass ball and spire finials, 88" high (pendulum, two brass cased weights and keys) **This clock is sold with a purchase receipt from Roderick Antique Clocks of London for £13,100 dated 29th July 2000

Mahogany eight day longcase clock, the 12" silvered arched dial signed Thomas Pace, London with subsidiary seconds dial and calendar aperture, also with strike/silent dial to the arch, the case with long flame mahogany beaded rounded arched door and the hood surmounted by a rounded arched moulded cornice, 81" high (pendulum, two weights and keys)

Interesting contemporary eight day longcase night clock made after Edward East, the 11.25" painted arched dial inscribed after EDW.D East, with calendar aperture and painted owl to the centre, the arch fitted with an aperture displaying circular revolving Roman hour numerals illuminated by bulbs fitted to the top of the movement, the figured pine case with short door and the hood surmounted by a swan neck pediment fitted with brass rosettes, 82" high (pendulum and two weights)

Good mahogany three train longcase clock, the 13" brass arched dial signed Jno Richardson, Bubwith on an arched silvered surround above the moon phase, over a silvered chapter ring enclosing a foliate engraved centre with tune selector dial inscribed Hymn, Somebody, Theadore, What Can the Matter Be, Monney, Musk, Gramagree and Washington, over a subsidiary calendar dial, the movement playing on a nest of eight bells and striking the hours on another, the case with long wavy chevron banded door inlaid with an oval floral panel to the centre, the hood surmounted by a moulded dentil swan neck cornice with two brass rosettes and a central ball and eagle finial, 93" high (pendulum, four weights and keys) **This clock is sold with a valuation for insurance undertaken by the Clock Clinic in Putney, London dated 20th July 1994 for £10,000. There are also various other repair receipts relating to the clock undertaken by various shops over the years This clock is also sold with a framed black and white print illustrating the clock movement and inscribed John Richardson, Bubwith, eight day musical longcase C.1760, seven tunes on eight bells

Mahogany eight day longcase clock, the silvered brass chapter ring signed Thos Alcock, Widnes on the silvered chapter ring with calendar, enclosing a foliate engraved matted centre with subsidiary seconds dial, the case with long wavy door inlaid to the centre with a classical urn and flanked by quarter fluted pilasters, the hood surmounted by a moulded swan neck pediment over foliate inlaid panels, 85" high (pendulum, weights and keys)

Fine English flame mahogany three train longcase clock with 6-pillar movement, the 12" brass arched dial signed James Bullock, London to the centre, with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the movement with deadbeat escapement and maintaining power striking the quarters on two bells and the hours on another, the case with long rounded arched door and the hood surmounted by a moulded rounded arched cornice with caddy top and brass ball finial, 90" high (pendulum, no weights)

Eleven various arched, square and round longcase clock dials (11)

Quantity of red and black lacquer chinoiserie panels from a longcase clock; also three very distressed American ogee wall clocks

Quantity of circular longcase clock dials and chapter rings; also a quantity of old brass bezels etc

Eight longcase clock weights and three other clock weights (11)

Thwaites & Reed of London mahogany tell-tale longcase night watchman's clock, the 6.25" cream dial signed Thwaites & Reed, London, the case with long door over a beaded panelled base and surmounted by a moulded stepped cornice, 84.5" high (pendulum)

Brass 12" longcase clock dial signed Edgecumbe Nichols, Bristol; also sixteen other various clock dials and chapter rings (17)

Quantity of crank handle longcase and mantel clock keys (over 30)

Pair of cast iron longcase clock weights, single fusee clock movement, dial plate, hands; also two pendulums, bell, etc

Adam and Eve painted clock arch automata and a two part longcase clock painted arch depicting a lion with prey before a wooded landscape; also a Smiths eight day drop dial wall clock and two small Black Forest clocks (5)

John Robey - The Longcase Clock Reference Book volumes I and II (second edition fully revised and enlarged)

Small novelty French two train mantel clock in the form of a miniature longcase clock, within an ornate foliate pierced case, 21.5" high; also with a pair of associated five light brass candelabra, 22" high (no pendulum and in need of restoration)

Novelty easel mantel clock timepiece in the form of a mandolin, the 1.75" cream chapter ring enclosing a gilt foliate centre, the movement back plate inscribed Manufactured by The British United Clock Co Ltd, Birmingham, England, 11.5" high; also an Art Nouveau novelty mantel timepiece in the form of a longcase clock attended by a robed lady, with Lenzkirch movement no. one million, 187934, 10.25" high (2)

Longcase clock workings with painted face

A rare Charles II brass lantern clock, Edward Webb, Chew Stoke, dated November 7th, circa 1680 , the posted countwheel bell-striking movement now with anchor escapement for regulation by short lenticular bob pendulum swinging outside the frame to the rear, the dial with central alarm disc within stylised symmetrical foliate engraved infill incorporating a winged female mask at twelve o'clock and with pierced black painted brass hand within applied narrow Roman numeral chapter ring with stylised fleur-de-lys hour markers and engraved with date 'nove -7' to the dial plate behind the 'V' numeral, the upper angles engraved with signature Edward Webb, the typical 'Chew Valley' frame with one-piece column turned corner posts beneath lion and unicorn armorial engraved and pierced frets, integral multi-knopped tall vase-and-cover turned finials and domed bell bearer cast with pierced leaf decoration between the limbs, with brass side doors and iron backplate between hanging hoop above spurs to rear, on tall disc-knopped ball feet, (mostly retrained using original pivot plates/bars, alarm lacking), 40cm (15.75ins) high  Edward Webb is recorded in Moore, A. J. THE CLOCKMAKERS OF SOMERSET 1650-1900 as married to Anne with sons Walter (1667), James (1670), Richard (1674), George (1678) and William (?). He was probably the son of Charles Webb who owned a foundry in Chew Stoke. Both Edward and his wife Anne died in 1694. Nine lantern clocks by Edward Webb dated 1676, 1678, 1681, 1684, 1688, 1691, 1692, 1692 and 1693 are recorded with the 1684 and 1688 clocks fully described an illustrated in White, George English Lantern Clocks on pages 232 (Figures V/39 and 40), 233 (V/42 detailing date March 10 engraved beneath the chapter ring of the 1684 clock) and 237 (V/51 and 52). In addition to these Moore notes a further undated lantern clock signed Edward Webb of Chewstoke fecit , and a posted musical longcase clock movement and dial (also illustrated by White on page 233, Figure V/43). From these references it would appear that the present clock is currently an unrecorded example of Webbs work. The current lot utilises frame castings that were favoured by the Bristol and Chew Valley school of clockmakers with the earliest surviving being the Edward Webb 1676 example (private collection). All the other recorded lantern clocks by Webb (dates ranging from 1678-93) all share the same frame castings. These castings were also used by John London of Bristol, Thomas Veale of Chew Magna and latterly by Edward Bilbie of Chew Stoke (who is believed to have succeeded Edward Webb in around 1695). Bilbie appears to have persisted with the use of such castings long after Bristol makers had moved onto patterns more closely related to London work of the period, suggesting that such frames were probably cast locally (in the Chew Valley) - perhaps initially by Edward Webb at his foundry in Chew Stoke then by the Bilbie family after Webb's death in 1694. Another noteworthy detail is the distinctive dial engraving which is executed with scrolling foliage issuing from a central point at the base of the dial centre, continuing symmetrically around the alarm disc and terminating with a central winged female mask motif at the top. The design of this decoration is typical of Webb and appears to have its roots in the work of Thomas Brown of Bristol who was most active during the 1650's (see White, George English Lantern Clocks page 232) and can can be directly compared to a clock by John Clarke of Bristol which was sold in these rooms on 15th September 2015 (lot 185) for £9,500 hammer. Some later alterations as mentioned in the description. Brass case with some tarnishing.Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com

A PAIR OF VICTORIAN SILVER CANDLESTICKS HARRISON BROTHERS & HOWSON, SHEFFIELD 1875 With beaded circular sconces, slightly tapering stems, engraved with a crest above a motto, on beaded square bases 13cm (5in) high Loaded Together with a silver mounted miniature longcase clock, maker's mark .. A W & Co., Birmingham 1909, white dial, Roman numerals, spade hands and subsidiary seconds dial, the case engraved 1903 over 1911, 14.5cm (5 3/4in) high  

A 19th century mahogany 8-day longcase clock, by William Lyddon of South Molton, white enamel arch-top dial with Arabic numerals, subsidiary seconds dial and date aperture with hand painted decoration, case height 207cm, working order, with pendulum and weights

An 18th century stained pine longcase clock, by John Box of Launceston, 28cm square white enamel dial with Roman numeral hour markers, steel hands, date aperture and hand painted decoration, case height 200cm, working order, with pendulum and weight

T Moreland of Chester, oak eight day longcase clock the hood with swan neck pediment surmounted with an eagle and ball finial, over a 14'' dial with Roman numerals and floral spandrels, eight day movement striking on a bell, the trunk with shell inlays and crossbanded with mahogany, over a box base with canted corners and bracket feet, height 222cmPlease note our special conditions of sale regarding clocks and watches

F Bayley, Uttoxeter, oak thirty hour oak longcase clock, later moulded cornice pierced with tulips, over a brass 10 1/2'' dial with Roman numerals, silvered date aperture, plain trunk with a domed top door, and stepped box base (no pendulum), height 204cmPlease note our special conditions of sale regarding clocks and watches

J Cott & Son, Silsden, mahogany eight day longcase clock, painted 14'' arched dial, signed and with subsidiary seconds and calendar dial, eight day movement striking on a bell, the hood with swan neck pediment and turned pilasters, over a well patinated mahogany trunk with a short door and recessed panel base, height 246cm, width 75cmPlease note our special conditions of sale regarding clocks and watches

A 19TH CENTURY MAHOGANY AND INLAID EIGHT-DAY LONGCASE CLOCK WITH PAINTED ENAMEL DIAL, HAVING SCENES OF WALES, IRELAND, SCOTLAND, ENGLAND AND THE ESCAPE OF QUEEN MARY, THE ARCH IN THE FORM OF A THISTLE

A 19TH CENTURY OAK AND CROSSBANDED EIGHT-DAY LONGCASE CLOCK WITH PAINTED ENAMEL DIAL

Large mahogany longcase chiming clock with date aperture and secondary seconds dial marked for Liverpool, 120 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Medium sized Grandmother longcase clock, oak cased and weight driven with silvered and gilt dial and moon phase aperture. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Early 19th century oak cased 30 hour longcase clock, having painted face with Arabic numerals and decorated with fruit and flowers. Marked Bott Melbourne.(B.P. 21% + VAT) Lacks pendulum and weights.