We found 41737 price guide item(s) matching your search

A WALNUT AND MARQUETRY LONGCASE CLOCKThe case fundamentally circa 1695 and with later elementsWith a caddy top above 10 3/4in. square glazed door, the trunk with three panel bird amongst foliage marquetry panels, the sides each with plain walnut veneer panel in two pieces, above the base with partial marquetry panel, the associated 10in. square dial detailed Thos. Nichols, Oundle, with later twin train striking movement, anchor escapement, case and movement associated218cm highCondition reportTogether with crank winding key and two brass-cased weights.  There is a brass bob pendulum.  As stated case and movement/dial are associated.The case is circa 1695 and with later elements due to damage and repair.   The hood’s pierced panel above the door is replaced with a later oak fillet.  The fillet around the inside of the door is replaced. The part just below the caddy may be later?   The main part of the case is relatively original.  The backboard is complete as are the internal side pieces.  The cheeks have been reduced and have later risers and an associated seatboard.  The front marquetry panel is about 66% present, the lost part now veneered in walnut. The plinth at the base is later.The movement and dial are associated and it would require a service to be in going condition.

A GEORGE III PAINTED STRIKING LONGCASE CLOCK WITH SWEEP CENTRE SECONDSThe movement signed John Hunt, WorleThe case with a moulded pediment above a blind fret frieze and arched glazed dial door, the trunk inset with an arched door, on a stepped base and plinth foot, the 12in. arched brass dial with painted moon phase indicator, above brass spandrels enclosing a silvered chapter ring with matted centre and inscription plate, above calendar aperture, the twin train five knopped and ringed pillar movement with anchor escapement and strike on a bell, movement and case possibly associated210cm highCondition reportWith pendulum and two lead weights, together with crank key.  The movement is in good order and may benefit from a clean and service.  The case is in reasonable condition, marks and knocks consistent with age.  Decoration refreshed.  There is a cut-out to the lower part of the dial door. 

A GEORGE III OAK, OUTLINED AND CONCH SHELL INLAID LONGCASE CLOCKBy J. Woolley, Codnor, circa 1800The case with a swan-neck pediment above arched glazed dial door, flanked by fluted columns, the trunk with canted angles and inset with an arched panel door, on stepped base, the 13in. arched brass dial, with moon phase, above crown and cherub spandrels, enclosing brass chapter ring with matted and chased centre, seconds subsidiary and signed at VI o’clock, the twin train movement with anchor escapement and strike on a bell218cm highCondition reportWith winding crank, two cast-iron weights and cast-iron bob pendulum.  The movement is very dirty and will require a service.  The case is in reasonable order, some marks, scratches and knocks consistent with age.  A small veneer loss to the crossbanding on top left corner of the base.  Filled worm holes to the left side of the hood around the top of the door and in other parts.  

A LATE GEORGE II/EARLY GEORGE III PARCEL-GILT, RED LACQUER TO IMITATE TORTOISESHELL AND CHINOISERIE DECORATED LONGCASE CLOCKThe case circa 1760, the associated movement by William Gilbert, Gosport, circa 1795The case decorated in red lacquer to imitate tortoiseshell and decorated with chinoiserie figures, pavilions and landscapes, with an ogee pediment and three ball finials, above an arched glazed door, flanked by three-quarter columns, the trunk inset with an arched panel door, on a base and stepped plinth, the later associated movement with arched 12in. silvered and engraved dial, with HIGH WATER AT GOSPORT to the upper edge, above blue painted age of the moon and outer high water time to the arch, the dial with sweep centre seconds, signed in a recess Willm Gilbert, Gosport above another sector for the date, the twin train movement with anchor escapement and strike on a bell, movement and case associated249cm high overallCondition reportWith its pendulum and two-brass cased weights.  There is no key.  The movement will require a service.  The movement and case are associated as stated above.  The case is in good reasonable condition considering the age, some marks and knocks consistent with age.  A split to the base panel.  Some flaking in places.

A GEORGE III MAHOGANY LONGCASE CLOCKBy John Jackson, LondonThe case with an arched hood and three brass finials, above glazed door, flanked by fluted columns, the trunk inset with an arched panel door, flanked by fluted canted angles, on panelled plinth base, the 12in. arched brass dial, signed Jno Jackson, London, with strike/silent to the arch, the chapter ring enclosing subsidiaries for calendar and seconds, with four knopped pillars, deadbeat escapement and strike on a bell, movement and case possibly associated232cm high overallCondition reportThe hood perhaps had an ogee pediment which has been removed to reduce its height.  The three brass finials are replacements. The case has been repolished.  The door has a slight warp to it, pulling away at the top on the left edge.  The dial is lacquered brass, when once it would have been silvered.  There are some lines of corrosion to the surface.  The movement requires a service.  There is a pendulum, no key and two associated wrought-iron weights.

Longcase clock with weights and pendulum H191cm approx 

An oak cased electric Synchronome master clock, mid 20th century, serial no. 1091, with time and day dial/indicator, glazed case 48cm square, along with an electric Synchronome electric longcase clock, with 17cm circular silvered dial, 130cm high, and a second similar teak cased clock, with a rectangular silvered dial, 126cm high (3)Serial number 1091, back plate stamped 4102

A Scottish George III mahogany cased eight day longcase clock, signed David Hill, Edinburgh, the hood with a twin swan neck pediment over beaded brass mounts and a pair of brass embellished freestanding fluted pillars, flanking the 31cm silvered break arch dial, applied with Roman and Arabic numerals, silent/strike indicator and subsidiary seconds dial, signed with the makers name and enclosing the four pillar, two train movement striking on a saucer bell, over the shaped flame mahogany door and conforming quarter columns, canted lower board, 216cm high, two weights and pendulum

A George III oak cased eight day longcase clock, signed Thomas Morgan, Leominster, the 28cm square brass dial with crescent date aperture, signed with the makers name, enclosing the two train movement striking on a saucer bell, to a plain oak case, two weights, lacking pendulum, 207cm high

A mid 18th century oak cased eight day longcase clock, signed ‘E.Bullock, Ellesmere’ (Shropshire), the moulded cornice and tapering half pillars flanking the 31cm square brass dial, centred with a date and moon phase aperture, applied with Roman and Arabic numerals, signed with the makers name, enclosing the two train movement striking on a saucer bell, the profusely later carved case inset with a glazed circular viewing window, over a conforming lower board and bracket feet, 216cm high, two weights and pendulum, bezel diameter 26cmCondition reportGlass side panels and glass door appear to be later associated.Additional laths have been applied to the top of the backboard on both sides, along with runners and cut aways to the cheek pieces indicating a level of alteration/restoration.General tarnishing to the dial, movement is un-tested however appears dirty and dusty, evidence that it hasn't run for some time.Glass viewing aperture is later, hinges are also later with blocks added to the interior, the plinth base also appears to be later.Case with some minor chips and splits commensurate with age and use.Overall the case appears to have undergone a degree of restoration. 

A thirty hour oak cased longcase clock, signed Thomas Lister, mid to late 18th century, the moulded cornice over a pair of freestanding pillars flanking the 31cm silvered and brass dial, applied with Roman and Arabic numerals, centered with a 'half penny' moon phase aperture, along with a date aperture and the makers name, enclosing the thirty hour movement striking on a saucer bell, the oak case with conforming quarter pilasters flanking the arched door, 211cm high, weight and pendulum

An oak cased thirty hour longcase clock, signed Phillips, Ashburne, the 28cm square brass dial applied with Roman and Arabic numerals, centred with a date aperture and signed with the makers name, the thirty hour movement striking on a saucer bell, to a cross banded oak case with an arched door and plain lower board, 200cm high, weight and pendulum

Lanson, Keighley, mahogany eight day musical chiming longcase clock, the hood with verre eglomise painted glass panels, over reeded columns flanking a 12 1/2 inch brass dial with rolling moon to the arch, silvered chapter ring, the centre signed and engraved with a swan, eight day movement striking on a gong and eight bells, with pendulum and two weights, flame mahogany door with reeded quarter pilasters, over a panelled box base, height 229cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Thomas Richardson, Weaverham, mahogany eight day longcase clock, circa 1795, the hood with brass capped turned columns flanking a 14 inch square dial with signed silvered chapter ring, subsidiary seconds and a matted centre, the movement striking on a bell, the trunk having a well figured door and quarter pilasters over a box base with canted corners, raised on bracket feet, with pendulum and two weights, height 213cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Walnut 30 hour longcase clock, 18th Century, with a brass 11 inch dial with matted centre and date aperture, striking on a bell, plain trunk with box base, with pendulum and a single weight, height 190cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

J Carter, Warrington, mahogany eight day longcase clock, circa 1820, the hood with turned wooden finials and turned columns flanking a painted 14 inch arched dial with moon phase, Roman numerals, subsidiary seconds and date dials, floral painted spandrels, the movement striking on a bell, the trunk with figured door within reeded pilasters, over a canted box base, height 216cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Samuel Collier, Eccles, a mahogany eight day longcase clock, circa 1770, the hood with verre eglomise panels and brass capped reeded columns, flanking a 14 inch painted arched dial with moon phase, Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with well figured door within quarter pilasters, on a canted box base with raised panel, height 227cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Unusual oak 30 hour longcase clock, possibly Dutch, the hood with dentil arch enclosing a 6 inch copper dial with brass chapter ring with Roman numerals, 30 hour movement, striking (bell deficient), no pendulum or weight, within a tall fielded panel case on a box base, height 245cm, width of the hood 36cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

AN OAK CASED DOUBLE WEIGHT LONGCASE CLOCK WITH GLASS DOOR AND BOBBIN TURNED UPRIGHTS

AN OAK THIRTY HOUR LONGCASE CLOCK WITH SQUARE ENAMEL DIAL, JOHN BROWN

AN OAK AND CROSSBANDED THIRTY-HOUR LONGCASE CLOCK WITH SQUARE ENAMEL DIAL, SPURRIER, TEWSBURY

A 19TH CENTURY MAHOGANY AND INLAID EIGHT-DAY LONGCASE CLOCK WITH PAINTED ENAMEL DIAL, J.GROUNDS, WIGAN

A Georgian oak and mahogany longcase clock by William Green of Grantham, the enamelled break arch dial painted with an homestead and shell spandrels, dial bearing Roman numerals, subsidiary seconds dial, eight day two train movement with bell strike, the hood with a brass ball capped break arch pediment, over turned columns, the case with crossbanding and line inlay, trunk door with quarter pilasters, with weights and pendulum, no key, 218.5cm high.

A good mid 18th century Dutch miniature walnut longcase clock with moonphase, alarm and calendarN. Weylant, Amsterdam Surmounted by carved giltwood figures of Atlas and two winged heralds on a shaped cresting, above blind frets on brass-mounted Doric columns, the narrow trunk with shaped glazed lenticle, raised on a base with bombé-shaped front corners on bun feet.The 6 inch arched brass dial with rolling moon in the arch giving age and phase of the moon over foliate scroll spandrels and silvered Roman and Arabic chapter ring with arcaded minute band set with half-quarter marks and meeting-arrowhead half-hour markers, signed around VI N. Waylant Amsterdam, the matted centre with chamfered date aperture at XII, and alarm setting disc, below pierced blued steel hands. The weight driven movement with plates united by four knopped and ringed pillars, anchor escapement and rack striking the Dutch system on two bells and hammers, the alarm sounding on the largest bell via a twin-headed hammer. Ticking and striking with operational alarm. Together with the pendulum. 38cm wide x 23cm deep x 157cm high, (14 1/2in wide x 9in deep x 61 1/2in high)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An important mid 18th century French ormolu-mounted kingwood and rosewood centre seconds longcase clock of one month duration, with equation of time, time of sunrise and sunset, phases and age of the moon, calendar, sign of the zodiac and temperature compensated pendulumJulien Le Roy, Paris. The case stamped A. Dubois. The case with waisted hood over a shaped trunk with ormolu-mounted shaped glazed lenticle, on a tapering base and plinth with outswept feet, mounted with elaborate foliate scrolls to the front and rear edges, with boldly cast bands of acanthus and other motifs between the case sections. Stamped on the inside top sill of the base by the case maker A. Dubois. The 11 inch circular dial signed across the centre, Julien Le Roy with silvered Roman and Arabic chapter ring, the half-hours marked by meeting-arrowheads, with outer minute band and inner quarter hour band, set with twin chamfered apertures - between VII and VIII the time of sunrise is automatically shown, the time of sunset is shown between IIII and V. The gilt and engraved dial centre is decorated with an engraved trellis pattern and three shaped apertures: the top shows the age and phase of the moon, the rolling silvered moon and stars showing against a painted background; the central aperture gives the date and number of days in the month, and the lowermost aperture depicts the changing signs of the zodiac as the year progresses. The full annual calendar is engraved on an 8.5 inch silvered dial set just below the main dial and is connected at the rear to a brass kidney which dictates the equation of time information. The time is shown via two elaborately pierced and engraved silvered hands. A blued steel hand with engraved sun at its tip gives solar time, another with counterbalanced end shows running seconds. The weight driven movement united by five tapering pillars pinned through the backplate. The going train of five-wheels with high-count pinions terminating in a pin-wheel escapement. The movement is topped with a heavy steel horizontal plate connected at the right hand side to a pair of substantial vertical steel rods running down into the body of the clock and flanking a movable brass cylindrical rod (with fine screw adjustment at its base); the pendulum is suspended from a pivoted horizontal steel arm which is in contact with the tip of the cylindrical brass rod at one end, and with a sprung arbor connected to the thermometer hand by a silk thread at the other. The bases of the steel and brass rods are set on a shaped brass piece running across the inside of the trunk which in turn also carries an arbor for the thermometer hand mounted in the front door. As the ambient temperature changes, the steel and brass set-up automatically raises or lowers the pendulum, while at the same time shows the temperature on the silvered thermometer dial set into the trunk. The strike train with an outside countwheel and sounding on a bell via a horizontal steel hammer set on a vertical arbor, its speed dictated by a shaped brass fly. 55cm wide x 31cm deep x 218cm high, (21 1/2in wide x 12in deep x 85 1/2in high)Footnotes:ProvenanceGalerie Neuse, Bremen, 1995. Julien Le Roy (1686-1759) was regarded by his contemporaries as perhaps the most influential horologist of his era. He was a superb craftsman as well as a scholar who contributed the section on horology to the Encyclopédie. He was eulogized by Voltaire as the man responsible for the 18th century pre-eminence of French clock making.Born in Tours and trained by his father, Le Roy arrived in Paris around 1700. He is generally thought to have served as journeyman to the Parisian horologist, Charles Le Bon. Le Roy received his freedom in 1713 and, shortly after, set up a workshop in the Rue de Harlay, off La Place Dauphine, where the most eminent 18th century Parisian clockmakers also worked. In 1717 he presented an equation clock to the Royal Academy of Sciences, which showed the true time, the place of the sun and its declination. In 1739, Julien Le Roy was appointed valet de chambre, horologer du Roi, and granted premises in the Louvre, which he maintained in addition to his atelier in the rue de Harlay. Le Roy's son Pierre (1717-1785) succeeded his father and devoted the latter part of his career to the Longitude problem and the development of marine timekeepers.Adrien Dubois is recorded as having worked in rue du Faubourg Saint-Antoine, first as the foreman in the important workshop founded by Bernard Van Risenburgh I, maître before 1722, (better known by his stamp BVRB). The father and grandfather of Bernard II and III, Bernard I specialised in making clock cases. Adrien Dubois lived with Bernard and his family above the workshop, and when Bernard died in 1738 the probate inventory listed a very large number of both finished and un-finished clocks, clock cases, pedestals and clock brackets, many of which would have been made by Dubois. Three years after his master's death Adrien finally received the accolade of maître ébéniste. As well as clock cases, Dubois and his family were famed for restorations and adaptations of earlier 'boulle-work'. A console table believed to be partly from the workshop of André-Charles Boulle can be seen in the Victoria & Albert Museum, accession number: 1021:1 to 3-1882.Another case stamped 'A.DUBOIS' was sold at Sotheby's, New York, Property from a Distinguished American Collection, 2 February 2019, lot 763.This lot is subject to the following lot symbols: * TP Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

An important and very rare late 18th century Dutch brass-mounted mahogany musical table clock with calendar, Dutch strike, planisphere dial and moonphaseRutgerus van MeursThe inverted bell top case surmounted by five facetted urn and acorn finials, with brass banding between, the canted angles set with boldly cast floral and berry mounts, side handles and elaborate pierced and engraved brass sound side frets, on a base with curled winged feet.The 8 inch arched brass dial set with interlaced white enamel Roman and Arabic chapter rings, framed by small cast brass floral scrolls, the centre finely matted and engraved; a day of the week deity aperture above VI, a chamfered calendar aperture below XII, above the signature Rútgerús van Meúrs Amsterdam; framed by four subsidiary dials for Year 1-4 cycle, music selection (offering 8 tunes), play/not play and strike/not strike with elaborately pierced blued steel hands, a silvered astrological indicator and painted moonphase in the arch.The substantial twin chain fusee movement with verge escapement, the plates united by eight knopped pillars, seven latched, the backplate with exterior fly, engraved Rutgerus Van Meurs Amsterdam, the 8 inch long pinned cylinder playing tunes on 18 bells and 25 hammers. Ticking. With a winding key and two case keys. 41cm wide x 29cm deep x 75cm high, (16in wide x 11in deep x 29 1/2in high)Footnotes:ProvenanceHans Kreft, Neerpelt, 1985.Rutgerus van Meurs was born in Amsterdam in 1736 to Otto van Meurs and Elisabeth Potgieter. His father was also a horologist, and it is likely that Rutgerus was apprenticed to him. His workshop was in the Utrechtsestraat 143 and at some point he married Elisabeth Moret. Like his father, he made watches and longcase clocks, but Rutgerus was also one of the few Dutch horologists to make astronomical clocks, for which he is best remembered today. (See Amsterdam Horology (2020) Rutgerus van Meurs. Available at: https://www.amsterdamshorloge.nl/rutgerus-van-meurs.html)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

1930's Oak Triple Weight Longcase Clock

1930's oak longcase clock, circular dial, glazed door, the movement striking on gongs, height 215cm.

Country made oak longcase clock, the hood with swan neck pediment and turned columns, trunk with short door, plinth base, twelve inch square painted dial, thirty hour movement striking on a bell, 199cm.Condition report:Two weights and a pendulum present. The pendulum rod is bent quite significantly. The minute hand has been broken and is currently taped to the glass of the hood. The movement not presently working. Replaced seat board. Worm joles throughout the backboard and support structures under the seat board. The dial has chipped losses to the enamel and areas of overpainting. Old repairs to the trunk and the lower section has splits at the plank joins, and an obvious tide line on the plinth base. The hood with sections of crossbanding missing.

Oak longcase clock, square brass dial, signed Leonard Weatherhead, Kirby Lonsdale, silvered chapter-ring, blind date aperture, eight-day movement, case defective, deep cornice, long door, adapted plinth base, height 210cm

Oak and mahogany banded longcase clock, arched painted dial with a river landscape vignette to the lunette, sunsidiary second dial and date aperture, eight-day movement, the case with a scrolled pediment and plinth base, height 220cm.Condition report:Both weights and pendulum present, no winding key. Some of the mahogany crossbanding outlining the glass of the hood is missing. The dial has a 2-inch scar running between the centre point and '2' numeral. Some minor enamel chips tot he edging. Areas of likely repainting. The movement has not be tested to see if it is in working order. There is a split to the lower section of the case but generally the case is in a presentable condition. Relaced lock mechanism to the trunk, no key present though.

Oak longcase clock, the hood with swan neck pediment, turned columns,trunk with long door, bracket feet, twelve inch square painted diel with sibsidiary date eperture, signed W, Clarke, Long Buckby, thirty hour movement striking on a bell, 208cm.

An 18th Century oak longcase clock with 30 hour countwheel birdcage movement and brass square 10.5" dial signed Thomas Moore, Melford with weight and pendulum. Height 213cm X 49cm

A George Hewett, Marlbro, longcase clock with brass 10 inch face, Roman numerated dial, cased, with weight, 199cm tall x 39cm wide

An 18th Century longcase clock with brass 10 inch square face, with unusual two train movement. The face with engraved cottage coastal scene roman numerals, all housed in a parquetry inlaid case (a/f - missing back legs), pendulum and two weights. 217cm tall x 49cm wide

An 18th century longcase clock with 11 inch brass face, engraved with image of bird, basket of fruit and fish. The dial with Roman numerals and minute marks, oak cased, with pendulum and weight. 202cm x 48cm

Early 18th century striking longcase clock by Benjamin Lark, Waltham Abbey in hand decorated chinoiserie case. 11" date dial with second hand and silvered chapter ring. Brass bound weights, pendulum and key present.  Overall height 213cm

An early 19th century oak-cased eight-day longcase clock, the case with decorative inlay to the hood, the dial painted with a bird and signed 'Wilkinson Spalding', the movement striking the hours on a bell44cm wide x 201cm highQty: 1The movement not guaranteed working but in clean condition. The dial with wear. The case with some splits and signs of old restoration. Some losses to the moulding, particularly to the right hand side of the hood.

An Art Deco walnut longcase clock with three weights and a pendulum, height 200cm

A 18th century figured walnut and oak eight day longcase clock, marked Thomas Jarvis, London, height 230cm

An early 19th century North Country mahogany eight day longcase clock, painted dial marked Banks, Oldham, height 229cm

An early century mahogany longcase clock, the painted dial marked Warren, Canterbury, height 201cm

A GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a circular glazed door, enclosing a painted 13 inch dial, with Roman numerals, a wire striking movement, seconds dial, signed Wekler & Co Dublin, on a trunk with a single paneled door and a tall plinth, height 199cm (condition report: pendulum, winding key, three weights, one being a spare, general surface marks and other signs of usage)

A 19TH CENTURY FLAME MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with three finials and barley twist supports, the arched door enclosing a 12 inch painted dial, depicting Roman numerals, seconds dial, and subsidiary date aperture, signed R.Heitzman & Co of Cardiff, the trunk with a single door, on a plinth with turned feet, height 227cm (condition report: two weights, pendulum, no winding key or trunk key, veneer loss, missing back feet, one broken finial)

LONGCASE CLOCK, 228cm H x 53cm W x 25cm D, first quarter 19th century Irish mahogany with painted face inscribed O'Neill, Dublin and eight day movement.

Thomas Pringle of Sunderland - oak cased mid 19th century 8-day longcase clock with a swans neck pediment and three gesso finials, trunk with redded corners and a long rounded top door, on a rectangular plinth with an applied skirting, painted break arch dial with a depiction of flowers to the arch and conforming spandrels, Roman numerals, date and seconds dial with brass hands, dial pinned directly to a rack striking movement. With weights, pendulum and key.Dimensions: Height: 215cm  Length/Width: 43cm  Depth/Diameter: 20cm

Mahogany - longcase clock with an eight day movement and brass dial, with a swans necked pediment and ball and eagle finial, break arch hood door, trunk with canted corners and along door, on a rectangular plinth with moulding , raised on bracket feet, brass dial with spandrels, chapter ring, seconds dial and steel hands, dial pinned via a false plate to a rack striking movement. With pendulum Key and weights. Dimensions: Height: 235cm  Length/Width: 50cm  Depth/Diameter: 25cmCondition Report: Minute hand missing.

Late 19th century 30 hour mahogany longcase clock, with a swans necked pediment and break arch hood door flanked by two ring turned pilasters, trunk with a short door with a bone escutcheon on a wide plinth with a recessed panel, painted dial with a depiction of a sportsman to the arch and game birds to the spandrels, Roman numerals, minute markers and brass hands, chain driven countwheel striking movement. With weight and pendulum.Dimensions: Height: 240cm  Length/Width: 58cm  Depth/Diameter: 25cm

Edward King, Warwick, a mahogany 8 day Longcase Clock with two-weight movement striking on a bell, the 12-inch white and painted dial with Roman and Arabic chapter, subsidiary seconds and date aperture, signed, the case with long trunk door and arched hood with brass-mounted columns and pilasters, 214 cm high, with two weights and pendulum.

An Early-19th century oak and mahogany 30-hour longcase Clock, the painted dial with Roman chapter signed 'Rob’t Medland Bow', hood with swan-neck pediment, brass terminals, on long body raised on plinth base and shaped bracket feet, H 205 cm.

William Davison, Eccleshall, an oak 8-day longcase clock with two-weight movement striking on a bell, the 14-inch brass circular dial with Roman and Arabic chapter, subsidiary seconds and date aperture, signed, the case with long trunk door and arched hood with brass-mounted columns and pilasters, 230cm high, with two weights, winder and pendulum.

A George III oak and mahogany 8-day longcase Clock, signed R. Fletcher, Chester, fluted columns to the hood and sides, fitted with an arch-top moon phase painted dial with seconds and date recorder, two weights and pendulum, H 236 cm.

Jerom Murch, Honiton 30hr oak Longcase Clock, the square 11" brass face with Roman and Arabic numerals and seconds, H 191.5 cm.

Roberts of Bath, 8 day oak Longcase Clock, painted dial with Roman numerals and seconds, H 202 cm.

John Wilkinson, Cartmel: A 30hr oak Longcase Clock, painted dial with Roman numerals and date aperture, dial has been repainted, H 210 cm.

Dumvile of Stockport, A mahogany and oak 8-day moonphase Longcase Clock, painted dial with Roman numerals and seconds, dial has been repainted, H 218 cm

A 19th Century oak 30-hour longcase clock, the painted circular dial signed E. Hodder, Nottingham

A fine late 17th century Charles II / James II walnut and marquetry eight day longcase clock by Henry Jones of London - the 10in square brass dial with winged cherub mask spandrels, silvered Roman chapter ring with stylised fleur-de-lys half hour markers and outer minute track with Arabic 5 minute markers and a matted centre with chamfered silvered calendar aperture at 6 and silvered subsidiary seconds dial at 12, signed 'Henry Jones in Ye Temple' to lower edge, fronting a movement with 7½ x 5in plates, five knopped and finned pillars, anchor escapement, bolt and shutter maintaining power and small outside count wheel striking on a bell, the hood with pierced fret carved frieze and barleytwist pilasters, the sides with rectangular windows and conforming quarter pilasters against bargeboards to the rear, the trunk door with circular lenticle dividing two broken-arched floral marquetry panels with floral spandrels to the angles, over a conforming floral marquetry base with later bun feet, 193 cm high, 44 cm at widest point to hood.* Condition: The clock has clearly been through the trade in the past 20-30 years and the movement has been cleaned and restored - it remains in good condition and as far as we are aware, was working when removed from the vendor's property and is complete with pendulum and weights. The case has also been cleaned and restored and remains in good condition - there are some small veneer repairs evident, as would be expected. The plinth does not appear to have been reduced in height as far as well can see, but the bun feet are later, as are the barleytwist columns and quarter columns to the hood. The trunk door has probably been reveneered at some time, probably in the early 20th century - it is lined with oak which appears to be rather more recent than the remainder of the case structure. There are several old and more recent holes drilled through the back panel for old wall fixings. The sides of the case have bowed over time and there is a little movement showing in the veneers, although this is minimal. The case does some some old (inactive) worm throughout, which in a few places also shows to the external veneers, which have been wax filled over time.

A George III oak eight day longcase clock, the 12in square brass dial inscribed 'John Mason, Bawtry', 212cm high, with weights and pendulum. 

A George III early 19th century Preddy of Taunton oak West Country grandfather's longcase clock. The clock having scrolled finials atop with central brass bell over a glazed front hood with turned columns detailing to each side. The clock face with an half dome hand painted lunette with countryside landscape & castle. 8 day movement with Roman numerals to the chapter ring. Straight body below with central door. Measures approx. 196cm x 46cm x 25cm.