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A longcase clock, the 30 cm arched square brass dial signed Wm Threlkeld, London to a silvered arch on the centre, the silvered chapter ring with Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, and with Strike/Silent dial to the arch, fitted an eight day five pillar movement striking on a bell, in a case veneered in walnut, on a plinth base with bracket feet, 270 cm high, removal cost CReport by RBClearly not run for a long time, top ball finial is loose, movement full of cobwebs, lacks seconds dial hands and I cannot see anything connecting behind it, so this has probably been removed, trunk door warped, some slight and occasional loss, feet knocked, probably by a vacuum cleaner, on the hood on the back left hand section there is the brass capital missing to the column, needing some repair and restoration
A longcase clock, the 30 cm arched square brass dial signed John Carle, Penzance, on a plaque to the matt centre, the chapter ring with Roman numerals and with subsidiary seconds dial, the arch with Tempus Fugit, fitted an eight day five pillar movement, in a black lacquered case with chinoiserie style decoration, 216 cm high, removal cost CReport by RBThe dial looks to have a small repair/piece let into the disc at the top, the seatboard looks later, the case has had a few repairs and is worn as usual, with an oval panel section let in/repaired above the hood door, with two weights and a pendulum.Bottom left corner of the brass dial is missing the case
A GEORGE III EIGHT DAY MAHOGANY LONGCASE CLOCK, THE BREAKARCHED BRASS DIAL WITH DATE APERTURE, SUBSIDIARY SECONDS DIAL AND FOLIATE ENGRAVING, LUNAR WORK TO THE ARCH, MASK SPANDRELS, THE CASE INLAID AT LATER DATE WITH URN AND SHELL PATERAE, SWAN NECK PEDIMENT WITH CARVED ROSETTES AND GILT TRELLIS WORK, ON LATER OGEE FEET, WITH PENDULUM AND BRASS SLEEVED WEIGHTS, 25CM H Case re-polished
A Mayfair Collection gilt brass miniature model longcase clock, 12.5cm, number 883-800, presentation box and sleeve; others, Anniversary clock, boxed; Carriage clock, boxed; Mantel clock, boxed; etc (12) Condition Report: Good generally, boxes a little worn, Bamfords cannot guarantee that these are in working order, only one without a box
A George III mahogany eight-day longcase clock, the arched brass face with a lunar phase and ship aperture, the dial with the label of S Nixon, Newcastle, 244cm high/see illustration CONDITION REPORT: The case: painted frieze scratched and decoration lifting in places, both pillars with damages, legs to trunk and front plinth missing.The movement: moon phase working chapter ring and dial rather dull and grubby, Not in working order.
An 18th Century mahogany cased penny-moon longcase clock, Richard Hornby, Oldham, the square dial with silvered chapter ring, moon phase at 6 o'clock, date aperture and engraving of two gentlemen by an armillary sphere, the dial 31cm wide, the case 204cm highNote: the engraving to the dial is perhaps the work of clockmaker William Barlow of Ashton Under Lyne CONDITION REPORT: Dial tarnished, phases of the moon operable, case in good condition, scratches and other blemishes acceptable with age. Case in good condition and scratches and other blemishes acceptable with age. The movement is original.
An 18th century crossbanded oak longcase clock, the hood with swan neck pediment and turned side columns, arched full length door to the trunk, arched brass dial with mock winding holes and 30 hour movement, the centre dial lettered Thos Wallace Brompton, the arch lettered Thirlall Isaac & Dorothy, 87"
C19th walnut veneer Longcase clock, with square hood, below a broken arch pediment, to a silvered and ormolu decorated dial, subsidiary dial, twin winding holes and date aperture, RUBEN LAMUDE, in CHARD, complete with 2 weights, pendulum and winder, 210cmhigh (condition in need of restoration. some joints loose, some damage, old worm holes to base, door lock and key in working order) PURCHASERS: PAYMENT BY BANK TRANSFER ONLY. COLLECTIONS BY APPOINTMENT ONLY - CALL 01793 861000.
A. Cockburn, Haddington, an unusual Scottish bracket clock with windmill automata: the eight-day duration timepiece single-fusee movement with 'A' shaped plates and having an anchor escapement, with a subsidiary alarm train sounding on a bell, the painted break-arch dial having black Roman hour numerals, decorative fruit and floral corner spandrels and with further floral decoration within the arch, the centre showing a windmill within a field with sails turning as the movement runs, with brass hands and an alarm setting disc to the centre, signed for the maker A. Cockburn, Haddington, Scotland, the mahogany break-arch case having quarter-round corner moulding, brass inlaid decoration to the base and brass fishscale fretwork to the sides with cast-brass carrying handles above, on cast-brass lion's-paw feet, the wall bracket in the form of a cast-brass winged bird, height 34cm clock, 54cm inc. bracket.*Biography Adam Cockburn is recorded working at Haddington, East Lothian, circa 1810 and was also known as a minor poet. He emigrated to Canada in 1843. *Notes Reference Donald Whyte Clockmakers & Watchmakers of Scotland, Pub. Mayfield Books 2005. An oak longcase clock with painted dial is illustrated on page 74, fig. 71.
William Threlkeld, London a Georgian quarter-repeating bracket clock: the eight-day duration, five-pillar single-fusee timepiece movement having a verge escapement, a fully engraved backplate of floral and c-scroll decoration and with pull-repeat repeating the last hour and quarter-hour on two bells, with an engraved apron to the pallet arbor and engraved 'up and down' regulation lever, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals and fleur-de-lys half-hour markings, the matted centre with an engraved 'false-pendulum' aperture with decorative blued steel hands and an applied brass plate engraved with the maker's name Wm. Threlkeld, London, the corners with cast-brass female-head spandrels and 'up and down' regulation dial to the arch, the ebonised bell-top case having glazed panels to the sides, fretwork to the front corners, a cast-brass handle to the top and standing on ebonised pad feet, height 40cms (handle down) 43cms (handle up). * Biography William Threlkeld, born in Brancepeth, County Durham, is recorded as working in the Strand, London from before 1701 until at least 1727. A fine seaweed marquetry longcase clock signed for Threlkeld is situated in the bathroom in the Sir John Soane's Museum, London, inventory XF92, within a purpose made niche as it has done from at least 1837. A watch signed for him was known to be in the James Arthur collection situated in New York University, at that point the largest collection of horological timekeepers in the Northern hemisphere, with the collection split in 1982 between the Smithsonian Museum and the museum of the National Association of Watch and Clock Collectors in Pennsylvania who have consequently taken on the full collection and where the watch is now on show.*Notes Reference. Baillie G.H. Watchmakers & Clockmakers of the World Methuen & Co 1929.*Notes Reference Sir John Soane's Museum, London
Joseph Dudds, London a mid-18th Century walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute markings, the matted dial centre having a subsidiary seconds dial and date aperture with cast-brass corner spandrels and decorative blued steel hands, the arch having a round convex boss engraved with the maker's name Joseph Dudds, London with cast-brass dolphin spandrels to either side, the walnut case having a burr walnut veneer to the trunk door with castellated inlaid stringing, the hood having a break-arch top with a deep concave moulding, cast brass capitals to the fluted pillars, arched wood frets to the sides and with matching stringing inlaid to the trunk door, the base with a shaped and raised panel set to the front and standing on bracket feet, height 228cms.*Biography Joseph Dudds is recorded as working in London having been apprenticed to Richard Haughtin on the 15th of January 1723 for 7 years becoming free on the 6th of July 1730 when he was admitted as a Freeman of The Clockmakers' Company and is recorded as still working in 1770.*Notes Reference The Company of Clockmakers' Register of Apprentices 1631-1931, pub. Privately for the Clockmakers' Company 1931.
Thos Udell, London, a George III mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted dial centre with an inset silvered seconds dial, date aperture and a raised plaque engraved with the maker's name Thos. Udall, London, with a strike/silent dial within the arch and cast-brass gilded c-scroll corner spandrels and decorative blued steel hands, the mahogany case having fluted quarter columns with brass stops and cast-brass capitals, with a break-arch top to the trunk door, the hood having matching fluted columns and surmounted with a pagoda top with brass ball finials and inset fretwork to the front, the base having a shaped raised moulding and standing on a double-plinth, height 232cm.*Biography Thomas Udall is recorded as working in Shoe Lane, London being a member of The Clockmakers' Company from 1789 until 1814.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
A mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, decorative gilded-brass hands, painted cottage scenes to the four corners and phases of the moon disc within the arch, the mahogany case with barley-twist columns to the trunk, a short door with inlaid decoration and crossbanding above and below, the hood having barley-twist pillars and whales-tooth cresting surmounted with brass finials, the base with further inlaid crossbanding and stringing and standing on bracket feet, height 230cm.
William Lancaster, Plymouth Dock a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the centre having a subsidiary seconds dial, silvered date aperture and engraved with a scene depicting ships leaving a harbour and signed Willm. Lancaster, Plymo. Dock, with decorative blued steel hands, with cast-brass female-head spandrels to the four corners, the arch having a well-painted moonphase disc depicting a sailing boat within a rough sea, the moon appearing from behind two engraved brass discs engraved with further maritime scenes, with a silvered arch above showing both the moon phase dates and time and engraved with High Water at Plymo. Dock, the mahogany case having fluted canted corners to the trunk and a break-arch moulding to the door, the hood having full fluted columns with cast-brass capitals, all standing on bracket feet, height 210cm. *Biography William Lancaster is recorded as working in Queen Street, Plymouth Dock (now Devonport) having married Mary Pinhey at Stoke Damerel parish church in November 1771. Interestingly the watchmaker Richard Pinhey was both a witness to the marriage and to Lancaster's will dated Feb 1815 prior to his death in February 1820 in which he left an estate valued at under £800 including his workshop tools which he left to his son Thomas Lancaster. William Lancaster's name is to be found on many good quality clocks and watches and it is known he was supplied with movements by a number of top London makers including Thwaites. *Notes Reference Clive N. Ponsford Devon Clocks and Clockmakers Pub. David & Charles 1985.
John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
19th Century oak longcase clock, the broken arch hood above a square brass engraved dial with silvered chapter ring having Arabic and Roman numerals, subsidiary seconds and date aperture inscribed Robert Scholfield, Rochdale, with two train weight driven movement striking on a bell, the case with flush panel shaped door flanked by quarter pilasters and conforming plinth base, 89ins high
Figured walnut longcase clock, the broken arch hood with flanking pilasters above a moulded panel door and conforming plinth base, the brass dial with matted centre, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed to the arch Obadiah Smith, Ratcliff Highway, London, the two train movement striking on a bell87.5inches high
Victorian oak and mahogany crossbanded longcase clock, the broken arch hood above an arched panelled door and conforming plinth base, the engraved brass moon phase dial with Arabic and Roman numerals and date aperture, signed JEO. Jarves Dalton, the two train movement with anchor escapement striking on a bell90.5ins high
18th Century oak longcase clock, the broken arch hood above an arched panelled door and conforming plinth base, the panelled door inset with a barometer dial, the brass clock dial with moon phase arch, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed BaddelyClock has not been tested to see if it runs. Barometer is a later addition and appears to be working. It does not look original to case. See photos.The moon phase revolves but has not been running.224cm without finial
George III mahogany longcase clock, the broken arch hood with flanking pilasters above a figured panelled door flanked by reeded quarter pilasters on a conforming plinth base, the silvered dial with strike / silent selector to the arch, Roman numerals, subsidiary seconds and date dials, signed G. Hatch, St. Albans, the two train five pillar movement with anchor escapement striking on a bellOverall height 232cms, height with hood removed 213cms, the clock is from a Dec'd estate and has not been running in recent years. However, we have set it up and it is currently running and striking correctly. Also note crease / dent to dialHeight 231cms including finials, 220cms excluding finials
Large reproduction mahogany and figured walnut longcase clock, the broken arch pediment above bevelled glass doors and side panels, the brass dial with a silvered chapter ring, Arabic numerals and various subsidiaries, signed Howard Miller, the three train weight driven movement chiming and striking on gongs, 7ft 6ins tall, 2 ft 2ins widePowered by weights only. Excellent condition and was running in the house from which it was collected. Presentation plaque affixed to hood door. See photo. No parts missing

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44425 item(s)/page