We found 41749 price guide item(s) matching your search

A late 20th Century oak longcase clock with chiming movement, the gilt break arch dial with Roman numerals and inscribed `Tempus Fugit`, the case with arched pediment and glazed trunk door on bracket feet.

A 19th Century mahogany watch holder in the form of a longcase clock, fitted with a pocket watch, together with a mahogany thirty hour mantel clock.

An early 19th century oak and mahogany crossbanded eight day longcase clock, the enamel dial decorated with a hand painted shell to each corner spandrel, by I & E Mason of Worcester H198cm

A George III oak thirty-hour longcase clock, unsigned, late 18th century, the outside countwheel bell-striking movement with 12 inch square brass dial with calendar aperture to the matted cemtre within an applied silvered Roman numeral chapter ring and foliate cast spandrels to angles, the case with ogee moulded cornice above integral pilasters to hood, rectangular trunk door and reduced plinth base, 203cm high.. Provenance: The Estate of the late Professor Rupert Hall and Mrs Hall. Visit www.dnfa.com for condition reports.

A 19th century oak-cased longcase clock, the eight-day two-train movement with anchor escapement and arched and enamelled dial, in an oak and mahogany line inlaid case, the hood with swan-neck pediment, 204cm high. Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.

An 18th century Continental longcase clock movement, striking on a single bell, the engraved brass dial and chapter ring with Roman numerals, possibly associated, height overall 31 cm, (A/F).

A Georgian and later oak longcase clock, the hood with broken arch pediment and fluted pilasters enclosing the painted dial and eight day movement, signed `Edwards, Louth`, with twin subsidiary dials over panel trunk door upon later plinth base, height 210 cm.

T. Dean, Eccles 19th Century 8-Day Striking Longcase Clock having painted square dial depicting figure and bird decoration, with seconds dial and calendar, in mahogany case with inlaid banding and stringing, having swan neck cornice with reeded column supports, shaped door having chamfer corners, on ogee feet, 2m 24cm high overall

A Silent Electric Clock Co. Mahogany Cased Longcase Clock having silvered square dial with Roman numerals, with 2 bevelled glass panels to door, 1m 78cm high (slight damage to cornice)

An Early XIX Century Oak Longcase Clock, of eight day movement, striking on a bell, the brass dial with a silvered chapter ring with Roman numerals, matted centre with subsidiary dials and calendar aperture, pierced blue steel hands and mask spandrels, the square hood with shaped cresting, mounted with brass finials, over a cavetto pediment and plain frieze and fluted pilasters, long crossbanded door flanked by 1/4 round fluted columns, 230cms high.

A XIX Century Mahogany Longcase Clock, of eight day movement striking on a bell, the painted dial signed Armstrong, Hull, with seconds dial and calendar apperture, painted with fruit and flowers to the arch, the hood with swan neck pediment and fluted pillasters, the crossbanded trunk with an ogee top door flanked by fluted coloumns, 218 cms high.

A late 18th century oak country made longcase clock having square hood with dentil cornice and turned columns containing painted dial by Dan Bellman, Broughton with 30 hour movement over trunk and square base.

An early 19th century oak and mahogany longcase clock, arched painted dials, painted spandrels, twin winding holes, with eight day movement, striking on a bell, the hood with swan neck pediment terminating with draught turned roundels, turned pillars and door to waist, with bracket feet .

An early 19th century inlaid mahogany cased striking eight day longcase clock by John Stokes of Knutsford, the 14" painted arched dial with inset moon phase, painted subsidiary seconds dial and date aperture, complete with twin weights, pendulum and winding key, approx height 230cm

An early 19th century mahogany and oak cased eight day striking longcase clock, having a painted 12" arched dial, with pendulum, no weights, approx height 210cm

A late Georgian inlaid mahogany and oak cased eight day striking longcase clock by J & M Thomas of Newcastle, having a 14" painted arch dial with inset moon phase incorporating a French sail ship, above figurative panels depicting elegant Regency ladies, fitted with a subsidiary seconds dial above the date aperture, complete with pendulum, twin weights and winding key, approx height 218cm

An early 19th century mahogany banded oak cased eight day striking longcase clock, having a 13" painted square dial, complete with pendulum and twin weights, approx height 212cm

An early 19th century flame mahogany veneered striking eight day longcase clock by Philip Joplin of Chester-le-Street, the 13" painted arched dial decorated with a country church and figures in the foreground, above seconds and date apertures, complete with pendulum and twin weights, approx height 214cm

A Georgian oak cased striking eight day longcase clock by J Fry of Kilmarsdon (Somerset), the 11" arched brass dial incorporating figures of father time flanked by putti on griffin`s backs, complete with pendulum and twin weights, approx height 206cm

A 19thC painted dial eight day striking longcase clock by William Tasker of Banbury, the swan neck pediment over dial painted as a circle leaving floral spandrels, date aperture, subsidiary seconds, flanked by a pair of round columns, reeded quarter columns flanking the case door, on plinth base, Height 84".

A late George III oak cased longcase clock, with a swan neck pediment housing a painted arch dial with a subsidiary second dial and date aperture with a moon phase movement, signed William Noble, London, the trunk enclosed by a shaped door above a plinth base

An 18th Century longcase clock, by Robert Dunn of London, the eight day four pillar movement striking to bell, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, floral engraved centre with subsidiary seconds dial and date aperture and with recessed silvered plaque signed Robert Dunn, London to the arch, the black Japanned case with pagoda hood and gilded chinoiserie scenes, the broken arched case door over a stepped platform base, circa 1770, 97 3/4" high (illustrated).

A Regency round dial mahogany longcase clock, the eight day duration movement striking the hours on a bell with the white twelve inch circular painted dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the mahogany flat top case having canted corners, with scroll capitals, to the hood and a panelled base, standing on bracket feet, height 192cm.

Thomas Chune, Shifnal, An oak longcase clock, the eight day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, cast rococo spandrels to the four corners, a matted dial centre with subsidiary seconds dial and date aperture, blued steel hands and a silvered boss within the arch engraved with the maker`s name `Thos. Chune, 1773`, the oak case having a raised panel to the base with canted corners, fluted quartered columns to the trunk with cast brass capitals, the hood having fluted pillars, with the swan neck pediment having a turned wooden finial to the centre, height 226cm (inc. finial). * Thomas Chune is recorded as working in Shifnal, Staffordshire until 1796.

J. Summerhayes, St Ives, A 19th century pine longcase clock, the eight day duration movement striking the hours on a bell, the arched hood with turned columns, with an arched waist panel door, on a box base, the thirteen inch painted arched dial signed `J.Summerhayes, St Ives`, with subsidiary seconds dial and date aperture, height 200cm.

A mid to late 19th Century mahogany encased longcase clock having an arched and scrolled hood with turned pillars, a painted dial with eight day rolling moon movement by Richardson, Huddersfield, 24 ins wide max, 100 ins high (dial catalogue illustrated)

A late 19th Century oak and mahogany longcase clock having an arched and scrolled hood with turned pillars, painted dial eight day rolling moon movement by John Hughes, Caernarfon, 21 ins wide max, 90 ins high (damage to door)

An early 19th Century mahogany longcase clock with arched and scrolled hood, square reeded pillars and a painted dial with eight day movement, maker unknown (dial requiring refurbishment)

An 18th Century oak longcase clock having a square hood with turned pillars, a long shaped door with half reeded side pillars and having an eight day movement with brass dial by Watkin Owen, Llanrwst (catalogue illustrated)

An 18th Century oak longcase clock having a square hood with turned pillars, a long door with half Corinthian columns and having a brass and silvered dial with eight day movement by Moses Evans, Llanddoged, 82 ins high (Provenance: purchased at a Copenhagen auction in 2007 having been shipped out there during the Second World War)

A late 19th Century mahogany longcase clock having an arched and scrolled hood with twin turned pillars, painted dial eight day movement by Hugh Roberts, Llangefni, 25 ins wide, 90 ins high

An early 19th Century oak longcase clock with eight day square painted dial by J Siblly, Chester (distressed)

19th Century mahogany Longcase Clock, swan-neck pediment, fluted supports, short door with three-quarter columns and on bracket feet, arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Barber, Nottingham", eight-day movement, striking on a bell.

19th Century oak and mahogany Longcase Clock, the hood with turned supports, short door, the base with bracket feet, square brass dial, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Step: Sutcliffe, Oxonhope", eight-day movement, striking on a bell.

Dan Brown, Glasgow, A Scottish mahogany cased longcase clock, the hood with flat top, dentil moulded cornice, blind-fret quadrants and arched glazed door, flanked by twist-turned columns, the trunk with dentil moulding and gilt-metal acanthus mount, incurved upper corners to the rectangular door, flanked by twist-turned quadrant columns, raised on a plain plinth, the 8-day movement with brass dial and circular disc to the arch inscribed Dan Brown, Glasgow, flanked by gilt metal dolphins, gilt metal rococo spandrels, silvered chapter ring and centre, engraved with foliate scrollwork, incorporating subsidiary seconds and calendar dials, late 18th/early 19th Century, 203cm high

A PAINTED LONGCASE CLOCK DIAL, Roberts Otley, 33 cm wide

A BRASS LONGCASE CLOCK DIAL, signed Hen Deykyn Worcester No 1196 30cm wide

A LONGCASE CLOCK, the 36 cm arched square painted dial signed JAMES GIBB, Strathavan, with Roman numerals, subsidiary seconds and calendar dials, the arch painted the May Queen, and the spandrals the seasons, fitted an eight day movement, in a mahogany case, 218 cm high See illustration

A LONGCASE CLOCK, the 29.5 cm square painted dial signed Norman Sherborne, with Roman Numerals, subsidiary seconds dial and calendar aperture, and painted flowers, fitted a 30 hour movement, in an oak case crossbanded in mahogany, 192 cm high See illustration

A LONGCASE CLOCK, the 28 cm square painted dial with Roman numerals and subsidiary calendar aperture, fitted a 30 hour movement, in a pine case, 197 cm high See illustration

A LONGCASE CLOCK, the painted arched square dial with Arabic numerals and subsidiary seconds dial and date aperture, signed E Cohen Redruth, fitted an eight day movement in a stained oak case, 180 cm high See illustration

A LONGCASE CLOCK, the 25.5 cm arched square brass dial signed J W BENSON, London, German make, the silvered chaptering with Arabic numerals, and acanthus leaf engraved centre with subsidiary seconds dial, the arch with S T MICHAEL/WHITTINGTON/WESTMINSTER CHIMES, and with STRIKE/SILENT to 3 and 9, fitted an eight day movement striking on nine gongs, in a mahogany case with blind fret carved decoration, the trunk door and sides with glazed panel, on ogee bracket feet, 211 cm high See illustration

A LONGCASE CLOCK, the 30 cm arch square brass dial signed WILLM FRODSHAM/LONDON on a tablet, the arch with STRIKE/SILENT dial, and the matt centre with subsidiary seconds dial and date aperture, fitted an eight day movement, in a mahogany case, crossbanded in satinwood, and inlaid with oval paterae, on ogee bracket feet, 223 cm high See illustration

A LONGCASE CLOCK, the 28 cm wide painted dial with Roman numerals and calendar aperture, fitted a 30 hour movement, in a mahogany case, 197 cm high See illustration

A VICTORIAN INLAID MAHOGANY LONGCASE CLOCK with a 14" arched enamel dial, signed Barraclough Thornton with subsidiary seconds and date dials, painted foliate spandrels the arch painted with a shepherd, shepherdess, and child playing the pipes, 30 hour movement with outside count wheel striking on a bell, the case with a swan neck cresting above turned columns the trunk with a shaped inlaid door flanked by fluted quarter columns raised upon an inlaid plinth base, shaped apron and bracket feet 94" high see illustration

A 19TH CENTURY OAK LONGCASE CLOCK with a 13" circular dial, the 30 hour movement with outside count wheel striking on a bell the case with a swan neck cresting, glass roundels above plain wood columns, shaped long door, raised upon a plinth base, 82" high.

A GEROGE III OAK AND POLLARD OAK CROSSBANDED LONGCASE CLOCK with a 13" arched brass dial signed H Butler, Northwich with date aperture, Roman and Arabic numerals with a lunar calendar in the arch, mask and leafy spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, turned hood columns, the crossbanded long door door raised upon a plinth base 85" high. see illustration. NB: Ex Kinnerton Lodge

Oak eight day longcase clock, the 13" painted arched dial signed James Wilson, with subsidiary seconds and calendar dials, painted with floral sprays to the arch and spandrels, the case with long arched door and surmounted by a swan neck pediment, 81" high

Oak thirty hour longcase clock, the 12" brass square dial signed John Bell on the chapter ring, the matted centre with recessed subsidiary calendar dial, the cockbeaded case with long door surmounted by a flat moulded stepped pediment, 84" high

Scottish mahogany eight day longcase clock, the 14" painted arched dial signed M Kaiser, Glasgow, with subsidiary seconds and calendar dials, painted with rural scenes to the arch and spandrels, the case with banded inlays and short wavy door, surmounted by a swan neck pediment with stylised embossed floral roundels, 89" high

A George III oak longcase clock by W. Muncaster Whitehaven, with ball and steeple finial between the swans neck pediment, with punched brass terminals in turn above the arched painted dial with moon phase, Roman numerals and subsidiary Arabic numerals with date hand, width 12.5 ins and with thirty-hour movement, flanked by fluted columns with 3/4 length arched trunk door flanked by fluted columns and with conforming base raised on bracket feet. Height including finial 87 ins (see illustration).

A George III longcase clock by D. Simpson Carlisle, mahogany and oak, with swans neck pediment above the arched glazed door enclosing the 13.5 inch brass dial with moon phase to the arch and with eight day striking movement, with centre date and inscribed to the dial "D. Simpson Carlisle" and "Tempus Fugit", with plaque to the arch "Matthew and Barbara Cape", with Roman numerals, subsidiary Arabic numerals, with long crossbanded trunk door flanked by quarter column corners and with conforming base. Height 86.5 ins (see illustration).

A George III oak longcase clock, by John Skirving Edinburgh, the circular brass dial with Roman numerals, single-train eight-day movement, the case with arched hood above the circular glazed door flanked by fluted pilasters, with shaped trunk door and with conforming base. Height 79 ins.

An oak longcase clock, by Richard Stone Thame, having a moulded cornice above the glazed door flanked by applied half round pillars enclosing the 11 inch square brass dial with Roman numerals and foliate spandrels, with date aperture and thirty-hour movement by Richard Stone Thame, in turn above the long trunk door inlaid to the centre with a star and raised on a conforming base. Height 76 ins (see illustration).

A George III oak longcase clock, with steeple and ball brass finial above the shaped hood and glazed door enclosing the 11.5 inch arched brass dial and eight-day movement by Thos. Gamble, London, with crossbanded trunk door beneath and conforming base (see illustration).

A late 18th Century oak longcase eight-day clock, the hood with swan neck and central ball finial enclosed by an arch top door with fluted columns to the sides, the trunk enclosed by a panel door, raised on bracket feet, fitted an arch top brass dial with griffin and Tempus Fugit engraved on a silvered concave roundel with pierced spandrels and engraved centre, the silvered chapter ring with Arabic and Roman numerals having subsidiary seconds dial and date aperture, the dial inscribed Thomas Pinfold, Middleton Cheney, 236cm (93") high

Painted archdial 8 day clock - Jas Wilson, Stamford, in oak longcase

A George III mahogany cased eight day Longcase Clock, broken swan neck pediment above a 12.5" broken arch dial with rolling moon phase mechanism, Roman numerals, subsidiary seconds hand, date aperture and signed Wm Mills, Tetbury, the main dial engraved with a country path scene and bordered by ornately engraved foliate style spandrels and flanked by classical style Corinthian columns with acanthus capitals and fluted main bodies, all over shaped trunk door flanked by fluted canted corners, minus feet, 92" high

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched brass dial with eight day movement, embossed spandrels and roman numerals, signed Joseph Smith of Bristol, the case with boxwood line inlay, break arch pediment, fluted pilasters and bracket feet, 88" high overall (see illustration).

Early 19th century mahogany and burr walnut eight day longcase clock, by Edward Marsh of Salisbury, with twin train movement, the brass dial with roman and arabic numerals, date dial, 76" high,